Directed by Oscar-winning animator Richard Williams (Who Framed Roger Rabbit), The Thief and the Cobbler began production in 1968, so it actually predates 1992's Aladdin. Also known as The Princess and the Cobbler and Arabian Knight, Fred Calvert completed the film after Williams lost the rights to his dream project. Narrated by Matthew Broderick as Tack the Cobbler, the CinemaScope-shot story takes place in ancient Baghdad. When Tack upsets Zigzag the Vizier (Vincent Price), the wizard drags him off to the royal castle, where Princess Yum Yum (Jennifer Beals) falls for the bashful boy and saves him from execution. Unfortunately, Zigzag plans to marry the princess in order to succeed her father, King Nod (Clive Revill). The Thief (Jonathan Winters), meanwhile, is more interested in gold than love and takes off with the protective orbs topping the palace. Together Tack and Yum Yum attempt to retrieve them in order to prevent Zigzag and the One-Eye army from conquering the city. Featuring fanciful hand-drawn animation, which borders on Yellow Submarine-style surrealism.
Feature documentary about the great West Indies cricket team of the 1970's/80's.
Who do you think you are kidding Mr. Hitler If you think we're on the run. We are the boys who will stop your little game We are the boys who will make you think again. So who do you think you are kidding Mr. Hitler If you think old England's done. Mr. Brown goes off to town on the 8:21. But he comes home each evening and he's ready with his gun. So who do you think you are kidding Mr. Hitler If you think old England's done. The hapless homeguard of Walmington-On-Sea
Set amidst the decadence and terror of Fascist Germany the multi award-winning Bent is above all a powerful and moving love story recounting the fate of three homosexual men during the rise of Nazism. The film is a harrowing but inspirational tale of struggle against oppression starring Clive Owen Lothaire Bluteau Ian McKellen and Mick Jagger and with original music by Philip Glass.
The lady of the house Hyacinth Bucket (Patricia Routledge) has turned being a snob into an art form. Her surname is pronounced ""Bouquet"" don't you know... Her long-suffering husband Richard (Clive Swift) keeps his head down and does his best to live with her domineering ways. But Hyacinth's a determined lady with one mission in life - to impress!
Lord Farquaad (John Lithgow) is searching for a wife. Because of a complicated situation he needs a mate so he can qualify as king of the land. The 3-foot-tall despot has already banished all the fairy tale characters from his land resulting in a diaspora of familiar bedtime figures. Shrek (Mike Myers) and the obnoxious Donkey (Eddie Murphy) factor in when Farquaad concludes that he needs dragon-slaying assistance. The woman he wants is the beautiful Princess Fiona (Cameron Diaz) who's imprisoned in a castle by said dragon. To cut a deal to keep his house the antisocial Shrek accepts the mission except he falls in love with the princess he's been ordered to find!
In 1998, Mike Hodges, director of the iconic Get Carter, returned to the genre that made his name with Croupier, an unforgettable thriller that put leading man Clive Owen firmly on the map and established itself as a classic of British crime cinema. Jack Manfred (Clive Owen) is an aspiring writer going nowhere fast. Taking a job as a casino croupier just to make ends meet, he finds himself seduced by the high stakes world of luck and chance. As the job takes over his life and his relationship to girlfriend Marion (Gina McKee) begins to crumble, Jack's attention is caught by down-on-her-luck gambler Jani (Alex Kingston). Under pressure from her creditors, she asks Jack to be the inside man for a planned heist at the casino. It all sounds so easy. But even a pro can't predict the cards he will be dealt. With a screenplay by Paul Mayersberg (The Man Who Fell to Earth, Merry Christmas Mr. Lawrence) Hodges first theatrical feature in almost a decade proved that he'd lost none of his edge. Cooly confident, mercilessly gripping and tautly directed, Croupier arrives on Arrow Video looking better than ever, newly restored from the original 35mm camera negative with a wealth of brand new special features. Product Features Brand new 4K restoration from the original camera negative by Arrow Films, approved by director Mike Hodges Bonus disc containing brand new feature-length documentary Mike Hodges: A Film-Maker's Life Fully illustrated collector's booklet featuring new writing on the film by film critics Barry Forshaw and Philip Kemp, plus select archival material Fold-out double-sided poster featuring original and newly commissioned artwork by Sam Hadley Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Sam Hadley DISC 1 CROUPIER (BLU-RAY) High Definition Blu-Ray (1080p) presentation Original uncompressed stereo audio and DTS-HD MA 5.1 audio Optional English subtitles for the deaf and hard of hearing Optional audio description for the visually impaired Brand new audio commentary by film critic Josh Nelson Archive audio commentary by director Mike Hodges A Streak of Fortune, a new interview with screenwriter Paul Mayersberg about the writing and making of Croupier Film, Scones and Fury, a new interview with actress Kate Hardie in which she looks back on the making of Croupier and her friendship with Mike Hodges Mike Hodges at the BFI, an archival audio interview with director Mike Hodges from the time of Croupier's release Theatrical Trailer Image Gallery DISC 2 MIKE HODGES: A FILM-MAKER'S LIFE (LIMITED EDITION EXCLUSIVE BLU-RAY) In this all new documentary from Arrow Films, film critic David Cairns sits down with Croupier, Get Carter and Flash Gordon director Mike Hodges to take a closer look at the entirety of his career; featuring candid insights into the making of each film and his experience of the industry at large, it is a remarkable portrait of one of Britain's finest filmmakers
A lavish 1982 production of the Gilbert and Sullivan opera in which Nanki-Poo the son of the Mikado escaping a distasteful marriage arrives in the town of Titipu disguised as a musician...
Jim has managed to get a job in one of the top universities but all he has to do to cement a future is survive a terrible weekend at his fellow professors deliver a lecture on 'Merry England' and resist the temptations of Christine...
From director David Schwimmer comes Trust a gripping haunting thriller featuring outstanding performances from Academy Award Nominees Clive Owen Catherine Keener and Viola Davis. Safe and sound in her suburban home 14-year old Annie (Liana Liberato) meets her first boyfriend online. After months of webroom chat and phonecalls Annie discovers her friend is not who he originally claimed to be. Shocked in to disbelief her parents Will and Lynne (Owen and Keener) struggle to come to terms with what has happened to her once innocent life. The devastating revelation sets in motion a chain of events that forever change their lives as Will fights to bring about his own kind of justice.
This box set features the entire first series of the classic British Television drama Inspector Morse. Episodes comprise: 1. The Dead of Jericho: Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely (Gemma Jones). But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Serg
A stirring wartime adventure. The Ryder family find their loyalty split as the Nazis rise to power.
The Croupier sees Clive Owen suffering from a bad case of writer's block as author Jack Manfred. Sitting in his London flat staring at an empty computer screen, trying to find the words to narrate his meandering life, he reluctantly accepts a job from his absentee father (Nicholas Ball) in a second rate casino as a dealer, or croupier, a job he once held in South Africa. His immersion back into this world is intoxicating, thanks primarily to the power he holds over his nightly clientele. Jack is a straight arrow on the floor (unlike his co-workers) but the whisper of an inside-job robbery makes his life suddenly more intriguing, as do the women who begin to drift into his life: a fellow croupier (Kate Hardie) and an alluring gambler (Alex Kingston). Suddenly, Jack finds his own life is his best book material. There's something visceral about watching the world of gambling, and director Mike Hodges (the original Get Carter) taps into this allure; Jack's simple croupier tryout--handling cards and chips with skill and grace--is as captivating as most action scenes in big popcorn films. In the end, this little film, which went on to become an art-house hit, is as unpredictable as a roll of the dice. --Doug Thomas, Amazon.com
7 FILMS FROM THE LEGACY OF THE ORIGINAL FRANKENSTEIN Includes: FRANKENSTEIN (1931)- THE BRIDE OF FRANKENSTEIN (1935)- SON OF FRANKENSTEIN (1943)- THE GHOST OF FRANKENSTEIN (1942)- FRANKENSTEIN MEETS THE WOLF MAN (1943)- HOUSE OF FRANKENSTEIN (1944)- HOUSE OF DRACULA (1945) The original Frankenstein is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defned the Hollywood horror genre. Frankenstein: Complete Legacy Collection includes 7 flms from the original legacy including the tragic classic starring Boris Karloff and the timeless flms that followed. These landmark motion pictures defned the iconic look of Henry Frankenstein's Monster and his Bride, and continue to inspire countless remakes and adaptations that strengthen the legend of Frankenstein to this day.
The second series of Robin of Sherwood sets up both a sense of melancholy for the impending departure of Michael Praed and excitement for his imminent replacement by Jason Connery. These seven episodes are the very best of Praed and co, building upon their established camaraderie and making forest-frolicking seem like TV's best ever gig. "The Prophecy" has a running thread of back plot that will explain Praed's Doctor Who-like transformation to Connery (and all so he could cameo in Dynasty). Mystical Herne predicts the death of a great king, but the merry men are more interested in the introduction of new semi-regular Prince John (Philip Davis). The series becomes braver as it continues by delving deeper into the black arts and exploring such matters as anti-Semitism and pagan beliefs. Gisburne's schemes to capture the bandits grow more desperate, while Herne's advice grows more cryptic and Marion's love for Robin grows stronger. All of which builds to the excellent two-part "The Swords of Wayland" and its coda "The Greatest Enemy". Now prepare yourself for something completely different. On the DVD: Robin of Sherwood's first box set was going to take some beating, but this second series set is as good as anyone has managed for a TV show on DVD. The digital transfers and new Dolby soundtracks (with optional original mono and music-only tracks) are fantastic. The commentary on "The Swords of Wayland" from the director and producer is insightful and endearing. The third part of the behind-the-scenes documentary, still interviewing everyone involved, is consistently fascinating and runs 42 minutes. Add to that two galleries of stills with 156 pictures, seven minutes of outtakes and, for curiosity value, the French and American versions of the Main Title sequence. You can tell some real heart has gone into this release. --Paul Tonks
This restored, animated valentine to the Beatles offers viewers the rare chance to see a work that's been substantially improved by its technical facelift, not just super-sized with extra footage. Recognising that its song-studded soundtrack alone makes Yellow Submarine a video annuity, United Artists has lavished a frame-by-frame refurbishment of the original feature, while replacing its original monaural audio tracks with a meticulously reconstructed stereo mix that actually refines legendary original album versions. What emerges is a vivid time capsule of the late 1960s and a minor milestone in animation. The music represents the quartet's zenith--Rubber Soul, Revolver and Sgt. Pepper's Lonely Hearts Club Band. The story line, cobbled together by producer Al Brodax and a committee of writers, is a broad, feather-light allegory set in idyllic Pepperland, where the gentle citizens are threatened by the nasty, music-hating Blue Meanies and their surreal arsenal of henchmen, with the Beatles enlisted to thwart the bad guys. Visually, designer Heinz Edelmann mixes the biomorphic squiggles, day-glo palette and Beardsley-esque portraits of Peter Max with rotoscoped still photographs and film; Edelmann's animated collages also nod to Andy Warhol and Magritte in properly psychedelic fashion, which works wonderfully with such terrific songs. High-orthodox Beatlemaniacs can still grouse that the animated Fab Four are (literally) flat archetypes, but that's missing the sheer bloom of the music or the giddy, campy fun of the visuals. Making sense of the story is second to submerging blissfully in the sights and sounds of this video treat. --Sam Sutherland
First broadcast in 1974, the ITV bedsitland sitcom Rising Damp was an instant and enduring success. It starred Leonard Rossiter as the miserly and lovelorn landlord Rigsby who is constantly needling young lodger Alan (Richard Beckinsale), a science student whose long hair and earrings are symptomatic to Rigsby of the parlous effeminacy of the modern age. He's also in love with Frances De La Tour's dowdy spinster Miss Jones, though his tentative advances are forever rebuffed. She in turn carries a torch for Philip (Don Warrington), the elegant son of an African chief who also resides at Rigsby Towers. Some aspects of Rising Damp have not aged well, principally Rigsby's stream of racist jibes at Philip. Although these were doubtless well-meant and supposed to illustrate Rigsby's foolish bigotry, you suspect that that was a convenient cover for audiences in the 1970s to enjoy racist humour. However, Rossiter's Rigsby--stuttering, stammering, bent perpetually over backwards--remains a great comic creation, embodying all the festering prejudices, small-mindedness and self-delusion of the lower middle class Little Englander. --David Stubbs
Drive takes the standard American mismatched-buddies action comedy formula and turbo-charges it with furious Hong Kong wirework and martial arts. The result is a three-and-a-half million dollar "B" picture which looks like it cost 10 times more. The perfunctory story crosses Universal Solider (1992) with Rush Hour (1997) as a biologically enhanced Mark Dacascos flees a small army of Hong Kong assassins through California, teaming up with comedian Kadeem Hardison and delivering an almost unbelievable amount of bang per buck. Director Steve Wang stages the action with flair and clarity, the stunts, wirework and fights being exceptionally well-choreographed and shot. With Hardison's patter, two offbeat redneck assassins and a TV show about a frog with Einstein's brain there's abundant surprisingly genial humour, aided by Brittany Murphy's ditzy performance as a Twin Peaks-like teenager with hormones in overdrive. The cyborg aspect simply justifies the superhuman combat, but nevertheless a huge showdown in a retro-space age club is clearly styled after the "Tech Noir" bar sequence in The Terminator (1984), adding motorcycle killersstraight out of Rollerball (1975). Drive captures the rush of Hong Kong action movies yet almost has the feel of a musical, the mayhem replacing song and dance and offering more popcorn entertainment than many a bloated summer blockbuster.On the DVD: For such a low budget movie the 2.35:1 anamorphically enhanced image puts many far bigger features to shame, being pin-sharp throughout, with strong and accurate colours and minimal grain. The Dolby Digital 5.1 sound is equally strong, with sound-effects and music both having considerable impact, explosions ripping thorough the room like the latest Arnie shoot 'em up. There is a 47-minute retrospective documentary which is particularly interesting on the way the film was cut and restored for American release--this DVD presenting the director's cut which runs over 16 minutes longer than the US version. Six deleted/extended scenes are presented in a variety of formats, and it's easy to see why they were deleted. Also included are the original theatrical trailer, three photo galleries, cast and crew biographies and interview galleries with director Steve Wang and four of the main stars totalling about 20 minutes of material. The informative commentary track has Wang, Dacascos, Hardison and stunt co-ordinator Koichi Sakamoto revelling in their sheer enthusiasm for the movie and for Hong Kong action in general. --Gary S Dalkin
An ingenious story of the wheel of chance, of good luck against bad, of fate against coincidence, a plot against destiny.
The unending battle of the city streets. When PC George Dixon is shot whilst on duty the Paddington Green police investigate the West London underworld to bring the culprit to justice...
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