Minority Report: In this kinetic futuristic thriller from Steven Spielberg Tom Cruise plays John Anderton the head of Washington's Pre-Crime bureau an experimental government agency that uses precognitive humans to predict murders. Finding himself accused of a future homicide Anderton goes on the run and tries to stay one step ahead of his jet pack-assisted colleagues and an ambitious Federal agent (Colin Farrell). Adapted from a short story by Philip K. Dick Minority Report is one of Spielberg's most sheerly entertaining and deliriously imaginative movies. I Robot: What will you do with yours? In the year 2035 technology and robots are a trusted part of everyday life. But that trust is broken when a scientist is found dead and a sceptical detective (Smith) believes that it may have been perpetrated by a robot. However his investigation uncovers a larger threat to humanity!
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Tumbledown (1989): A BBC drama based on the experiences of the Royal Scots Guard Lieutenant Robert Lawrence covering his military training the fateful action he saw in the Falklands conflict and the aftermath of the terrible injuries which he sustained. The Falklands Play (2002): Tells the story of how the British Conservative Government led my Maggie Thatcher dealt with the country's biggest international crisis since the Suez incident.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Chasing Liberty: Every family has a rebel. Even the First Family! She's the President's daughter. But she just wants to be herself. Multi-talented Mandy Moore makes her romantic comedy debut as Anna who finally gets Dad (Mark Harmon) to reduce the number of agents while she goes to a music club. But when Anna arrives at the club she realizes her father has backed out of the deal she ditches the agents and goes on the run with Ben a handsome photographer she meets. Anna does
Grizzly Falls is a gorgeous, hopelessly old-fashioned film that's unlikely to attract the viewership it ought to--none of the characters is particularly witty or clever; special effects, save a few stunts with a bear, are nil; and the irony level is at an all-time low. In other words, prying the kids away from Pokémon to watch this film may be a challenge, but it's worth the effort. Daniel Clark plays Harry, a lad of around eight who accompanies Tyrone (Bryan Brown), his thrill-seeking dad, on a mission to the Colorado Rockies, where he intends to be the first to capture a live grizzly. It's the early 1900s, so the means by which Tyrone plans to snare the beast aren't especially humane--at a saloon stop, he hires five tough guys, one with a team of hounds. Then the hunt begins. The hounds' punishing master quickly emerges as a villain; when he and two dogs are mauled by the grizzly, he exacts revenge by caging the bear's cubs. She, in classic righteous-mother mode, retaliates by dragging Harry into the woods. What follows is a desperate chase through beautiful countryside by tireless Tyrone and the blossoming of an impossible boy-bear friendship. Mizzy, as Harry comes to call the bear, protects him from dangers of the wild while leading the boy to her caged cubs, who are travelling east with the ornery houndskeeper. There's a showdown when the animal family is reunited, but Harry and Tyrone extinguish a series of confrontations handily, then move on to cement their own iffy relationship. The surplus of action scenes in this PG-rated film will wow kids eight and up, and only jaded viewers will summon the callousness to criticise its unapologetic portrayal of blind loyalty and courage at all costs. --Tammy La Gorce, Amazon.com
Bad Boys (Dir. Michael Bay 1995): When $100 million of seized heroin is stolen from the Miami Police lockup Detectives Lowrey (Will Smith) and Burnett (Martin Lawrence) Miami's most mismatched cops are called upon to solve the case before the FBI close their department. Julie (Tea Leoni) is their only lead to the case but will only speak to Lowrey. As he is not around when she calls Burnett impersonates his cool slick partner. A hilarious role reversal begins in order to
The longest running police drama on TV marks its' 20th anniversary in September 2003 with this box set release. Episode titles: Skin Deep Wavelength Football Crazy Falling In Love.
In the first Prime Suspect, Helen Mirren's ballsy woman Detective Chief Inspector Jane Tennyson battled the boys club and their sexist barbs to prove herself in a chauvinist department. In Prime Suspect 2, she's assigned to head a racially charged murder investigation in a largely African/Caribbean neighbourhood. It's politics as usual in the image-conscious organization, so the superintendent adds to the team black Detective Robert Oswalde (Colin Salma), a sharp but hot-headed investigator who has just broken off an affair with Tennyson. Now Tennyson grapples with her own conflicted feelings while fighting political and public-relations battles both in the media and within the police system itself in the midst of investigating the labyrinthine case. Between the scant clues left to sift, a prime suspect on the verge of death himself and divisions in her own team that result in a devastating death, Tennyson soon begins to suspect she's been hung out to dry by the department. Screenwriter Allan Cubitt dives into the murky waters of volatile racial and social relations to create an even more complex and compelling mystery in Tennyson's second appearance and Mirren rises to the challenge to explore the contradictions of an uncompromising cop in a compromising position. --Sean Axmaker
A Cinderella Story : Meet high school student Sam (Hilary Duff) who scrubs floors at a diner copes with her wicked stepmother and stepsisters and all the while dreams of Princeton (the perfect spot for a would-be princess to find a prince). But maybe she has a Prince Charming already: her anonymous e-mail buddy (Chad Michael Murray) who arranges to meet her at the Halloween dance. Sam panics when Mr. Anonymous turns out to be the coolest guy on campus. Can he love a girl who isn't part of the in crowd? Can fairy tales come true? Sure - but only if Sam stands up for herself and turns her dreams into reality. What A Girl Wants: Daphne a bubbly young American girl comes to England in search of her estranged father a conservative British politician who has no idea of her existence! As Daphne attempts to prove that love can conquer all her impulsive behaviour creates an uproar in high society where her unique style threatens to undermine the relationship she has waited her whole life to experience. Chasing Liberty: Every family has a rebel. Even the First Family! She's the President's daughter. But she just wants to be herself. Multi-talented Mandy Moore makes her romantic comedy debut as Anna who finally gets Dad (Mark Harmon) to reduce the number of agents while she goes to a music club. But when Anna arrives at the club she realizes her father has backed out of the deal she ditches the agents and goes on the run with Ben a handsome photographer she meets. Anna doesn't tell Ben who she is. But Ben (Matthew Goode) has a secret of his own...
John Thaw created one of Britain's most-loved TV detectives in this pilot episode that started the long-running Inspector Morse series, based on the novels by Colin Dexter. The brilliant, somewhat elitist police inspector who loves crosswords, classical music and the more-than-occasional pint of ale clumsily romances a woman (Gemma Jones) from his choir. When he finds her hanged in her apartment on the eve of their big recital, he suspects murder and muscles his way in on the investigation. The assigned investigators are convinced it's suicide except for the eager Sergeant Lewis (Kevin Whately), and they reluctantly team up to sort out a mystery tangled in blackmail, adultery, peeping neighbours (former Doctor Who Patrick Troughton) and mistaken identities. With his snooty temperament and lone-wolf lifestyle, the white-haired, Oxford-educated bachelor is a wonderful mismatch with the younger Lewis, a married man with a family and a rather less classical background (Whatley is a Geordie, though Lewis was a Brummie in the book). There's a quiet undercurrent of affection and respect almost from their first meeting that builds with each continuing Inspector Morse mystery, as well as an air of melancholia and loneliness beautifully developed in the script by future Oscar-winning writer/director Anthony Minghella (The English Patient). Morse's initial theories may be washouts (a series hallmark), but his relentless sleuthing, eye for clues and mind for puzzles dredges up the answer in the end, even as he loses the girl. --Sean Axmaker, Amazon.com
The final instalment in the trilogy of classic children's TV series from the 80's inspired by the original John Wyndham novel. Into the life of Matthew Gore has come an invisible being from another world who has much to teach him. Matthew has a friend Albertine and they are both eager to learn from their alien friend. However Chocky's powerful knowledge has aroused a great deal of interest from other quarters including the military and if they don't get what they want they are wil
A year has passed since Matthew said goodbye to his alien friend Chocky. With the arrival of the summer holidays Matthew goes to visit his aunt in the countryside. While exploring he meets Albertine a young mathematical prodigy. They soon become friends and discover they can communicate telepathically. One day Chocky returns to warn Matthew that they are both in danger. Matthew realises where the danger must lay - a scientist who wants to test Albertine's exceptional abilities. W
I Robot: What will you do with yours? In the year 2035 technology and robots are a trusted part of everyday life. But that trust is broken when a scientist is found dead and a skeptical detective (Smith) believes that it may have been perpetrated by a robot. However his investigation uncovers a larger threat to humanity! Minority Report: The science-fiction thriller 'Minority Report' directed by Steven Spielberg and starring Tom Cruise is based on a short story by
Bridget Jones' Diary: In the screen adaptation of 'Bridget Jones Diary' Helen Fielding's international best-selling phenomenon documentary filmmaker Sharon Maguire has managed a rare feat: a film as captivating as the novel! Bridget Jones (Renee Zellweger) is a pretty and neurotic thirtysomething ""singleton"" (in her vernacular) who vows to take control of her life after being humiliated by handsome standoffish barrister Mark Darcy (Colin Firth) at her parents' New Year's party. Determined to lose weight and cut back on vices like wine cigarettes and workaholic-alcoholic-misogynistic men Bridget begins a diary to chart her progress. Unfortunately the P.R. executive hits a snag when her boss gorgeous cad Daniel (Hugh Grant) instigates a sexy e-mail flirtation. Despite her tendency to bungle book launch parties and any situation involving the ever-disapproving Mark Darcy Bridget's winning combination of charm vulnerability and wit intrigues not only the seductively dangerous Daniel but also the arrogant barrister. Featuring a note-perfect performance by Zellweger a devilish one by Grant and the inspired casting of Firth (the object of Bridget's lusty fantasies in the book) 'Bridget Jones Diary' is a clever delightful romantic comedy guaranteed to please old fans and win new ones. (Dir. Sharon Maguire 2001) Bridget Jones's Diary 2 - The Edge Of Reason: She's back! The perfect boyfriend the perfect life what could possibly go wrong? Four weeks into her relationship with Mark Darcy (Colin Firth) Bridget Jones (Renee Zellweger) is already becoming uncomfortable. With the reappearance of old flame daniel Cleaver (Hugh Grant) things are about to get very complicated... (Dir. Beeban Kidron 2004) About A Boy: Growing up has nothing to do with age... Will (Grant) is a 38-year old Londoner living a bachelor lifestyle on the back of royalties earned from a Christmas song penned by his father some years previously. A serial womaniser Will comes up with the idea of attending a single parents group as a new way to pick up women. Inventing a two-year old son for himself he meets lonely bullied schoolboy Marcus (Nicholas Hoult) and his depressed music therapist mother (Toni Collette). The intelligent Marcus soon learns Will's secret and so blackmails him into letting him hang out at his place and watch afternoon telly. However what starts out as an uneasy quiz show watching alliance turns into an unlikely friendship... (Dir. Chris Weitz Paul Weitz 2002)
Marvel comics fans rejoice! X-Men (Dir. Bryan Singer 2000): Born into a world filled with prejudice are children who possess extraordinary and dangerous powers - the result of unique genetic mutations. Cyclops unleashes bolts of energy from his eyes. Storm can manipulate the weather at will. Rogue absorbs the life force of anyone she touches. But under the tutelage of Professor Xavier (Patrick Stewart) these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto (Ian McKellen) who believes humans and mutants can never co-exist unveils his sinister plan for the future... X-Men 2 (Dir. Bryan Singer 2003): Mutants continue their struggle against a society that fears and distrusts them. Their cause becomes even more desperate following an incredible attack in The White House by an as yet undetermined assailant possessing extraordinary abilities. The shocking attack renews the political and public outcry for a Mutant Registration Act and an anti-mutant movement now led by William Stryker (Brian Cox) a wealthy former Army commander who is rumored to have experimented on mutants. Stryker's mutant work is somehow tied to Logan's mysterious and forgotten past. As Wolverine searches for clues to his origin Stryker puts into motion his anti-mutant program - launching an attack on Xavier's mansion. Magneto newly escaped from his plastic prison proposes a partnership with the X-Men to combat their common and formidable enemy: Stryker. With the fates of Xavier mankind - and mutantkind - in their hands the X-Men face their most dangerous mission ever! Daredevil: Director's Cut (Dir. Mark Steven Johnson 2003): When justice is blind it knows no fear. 30 minutes of never before seen footage seamlessly edited back into the film creating a whole new sub-plot featuring a brand new character! Ben Affleck is Matt Murdock a.k.a Daredevil. As a young boy he lost his sight in a chemical accident which left him with his other senses superhumanly enhanced (and some incredible acrobatic skills). Flash forward and Matt is working by day as a pro bono lawyer (with partner Jon Favreau) and by night as a righteous avenger. The plot sees New York supercriminal Kingpin (Michael Clarke Duncan) calling on Irish assassin Bullseye (Colin Farrell) to take care of some business involving the father of Jennifer Garner's Elektra (with whom Matt falls head over heels in love). Daredevil is a shadowy comic book fantasy that provides plenty of fast-paced high-kicking action. Elektra (Dir. Rob Bowman 2005): Looks can kill. From the pages of Marvel Comics creator of 'X-Men' and 'Spider-Man' comes 'Elektra'. In the ultimate battle between good and evil stands a warrior who makes the choice that tips the balance... Elektra (Garner) is a strong mysterious and sexy action heroine; a lethal synthesis of grace and power. Not long after recovering from seemingly mortal wounds Elektra has severed all ties with the world living only for her next assignment. But in an unexpected turn of events she is forced to make a decision that can take her life in a new direction or destroy her...
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