Garden Of Evil
Alice Cooper recorded live at Labatts Apollo Hammersmith London England on 19th July 2000. Tracks: Brutal Planet / Gimme / Go To Hell / Blow Me A Kiss / I'm Eighteen / Pick Up The Bones / Feed My Frankenstein / Wicked Young Man / Dead Babies / Ballad Of Dwight Fry / I Love The Dead / The Black Widow / No Mr. Nice Guy / It's Hot Tonight / Caught In A Dream / Its The Little Things / Poison / Take It Like A Woman / Only Women Bleed / You Drive Me Nervous / Under My Wheels / Schools
Auditions - the best the worst and the hilarious! From 50 to 10 - 5 weeks of nervewracking auditions. The Wildcard Show - a twist in the show and a 2nd chance for 2 Pop Idol contestants. The Live Stageshows - each week sees one or two potential Pop Idols voted out. The Final - the crowning of the 2003 Pop Idol!
Features the comedy of Les Dawson Tommy Cooper Freddie Star and Frankie Howerd.
At the height of urban paranoia and the birth of survivalist movement in the 1980s, director Michael Ritchie decided to team Robin Williams and Walter Matthau in The Survivors. Talk about an odd couple; yet it actually might have worked, with Matthau's hang-dog deadpan and Williams' manic energy, were it not for a limp script by Michael Leeson. Williams and Matthau play two victims of Reaganomics, unemployed acquaintances who witness a robbery and identify one of the participants to the police, an act that turns them into targets for the robber in question who comes looking for them. Williams' response: become a one-man arsenal and join a training camp for militant survivalists. But the comedy is neither sharp enough nor sufficiently smart to pull it off; Matthau is the calm centre while Williams' comedy rockets all around him, to surprisingly little effect. --Marshall Fine, Amazon.com
"Dear Wendy" is a story about a young loner who finds a small handgun.
The key ingredient in this modern-day version of Charles Dickens's classic is director Alfonso Cuarón, who made the glowing, estimable A Little Princess. If you saw that (and you should), understand that Expectations has those ingredients (great sense of time, place, and timing) but adds modern music and sex appeal; the latter personified by the long-legged Gwyneth Paltrow. Finnegan Bell (Ethan Hawke as an adult, Jeremy James Kissner at age 10) is the new version of Dickens's Pip. He's a child wise beyond his years, befriending an escaped convict (Robert De Niro) in the warm waters of Florida's Gulf Coast. Finn is also the plaything for Estella (Paltrow as an adult, Raquel Beaudene at age 10), the niece of the coast's richest and most eccentric lady, Ms. Dinsmoor (a fun and flamboyant Anne Bancroft). The prudish Estella likes Finn (catch the best first kiss scene in many a moon) but has been brought up to disdain men; she'll break hearts. As the object of Finn's desires, Estella unfortunately is a one-dimensional character, yet what a dimension! Clad in Donna Karan dresses and her long, sun-kissed hair, Paltrow is luminous. She and Hawke make a very sexy couple. Mitch Glazer's script does better by Finn. He's a blue-collar worker with a gift for drawing (artwork by Francesco Clemente). Following his Uncle Joe's (Chris Cooper) honest ways, Finn grows up as a fisherman, thoughts of Estella and art drifting away in the hard work. When a mysterious benefactor allows him to follow his dream, Finn finds himself in New York, preparing for a once-in-a-lifetime art exhibit--and in the arms of the engaged Estella. Filled with cinematographer Emmanuel Lubezki's golden-drenched light, the film has an irresistible, wildly romantic look. Dinsmoor's place is certainly gothic, Estella and Finn's longing encounters glamorous. Cuarón uses an MTV-friendly soundtrack with a confident touch. Songs by Tori Amos and the band Pulp--along with Patrick Doyle's silky score--create passionate scenes. It all ends far too swiftly with a seemingly tacked-on ending (reflecting the book, as it happens) but the film is splendid storytelling. It's a stylish, sweet valentine. --Doug Thomas
Experience Sunset Strip from its origins in the 1920’s Prohibition to Madame Francis’ notorious brothel in the 1930’s the world-class 1940’s Nightclub scene the Mafia Wars of the 1950’s the Teen Riots in the 1960’s the Punk scene in the 1970’s Hair Bands and Heavy Metal in the 1980’s Hip Hop and Grunge of the 1990’s and all the way up to today’s resurgence with first class comedy clubs and establishments such as Soho House the Viper Room and The Sunset Strip Music Festival.
There are probably more Tommy Cooper video recordings available than there were Tommy Cooper performances. This one is as good as any, but then theyre pretty much all as good as each other. Tommy Cooper, once we figured out what it was about him that made people laugh, rarely deviated from his formula. There are a few examples of him doing that here, venturing into set-piece sketches these mostly have the effect of making the viewer wish hed just put the funny hat back on and carry on doing tricks that didnt work. This was always where Cooper was at his best: making a triumphant virtue of his ineptitude. That he was a supremely hopeless magician is well established, but what is often forgotten is that by the conventional standards of stand-up comedy, he wasnt much good at that either. His punchlines were agonising and, once you became attuned to the dynamics of his set-ups and pay-offs, breathtakingly predictable ("I stopped a man and said Can you give me a lift? He said Yes, youre young, the worlds your oyster, go for it," and so on and so on and so on). For all that, indeed because of that, Cooper was one of the funniest men ever caught on camera: he invited audiences to laugh at him, and he laughed with them while they did so. On the DVD: The sketch selection option is neatly laid out, with a still frame from each one to act as a visual cue. There is also a biography of Cooper, which wont tell many fans much they didnt already know, and a "Gag Book" (a selection of his jokes as scripts), which is a nice touch. --Andrew Muller
God Made Him Simple. Science Made Him A God. Now He Wants Revenge.... There is a clear distinct line between the fantasies you can imagine and what is real. It is a line that preserves sanity. It is a line that protects us from the danger of eternal confusion. One man has just discovered how to cross that line. Now he can penetrate a realm of infinite possibility the world of virtual reality. He can annihilate our reality. He can create a diabolical new world a universe where he is God. Only one man possesses the knowledge to stop him..... Game on.....
Ernest Hemingway's tragic wartime romance comes to vivid life in this classic 1932 film starring Oscar winners Gary Cooper and Helen Hayes. The cataclysm of WW1 sets the stage for an impassioned story of star-crossed love between a daring American ambulance driver (Cooper) and an English nurse (Hayes) in an army hospital. The tumult of war conspires to push the pair together and then wrench them apart in what becomes an ultimate test of love. Boasting beautiful cinematogrpahy and poe
Contains rare archive footage of the legendary comic genius Tommy Cooper.
'The Duke' is a lighthearted family comedy that proves once and for all it is a dog's life! The fun begins when Hubert the faithful canine companion to the late Duke of Dingwall inherits the Duke's estate the magnificent jewels and the official title of Duke. To assure Hubert's well-being Charlotte the butler's niece and Hubert's best friend is made his legal guardian. An unlikely duo Hubert and Charlotte turn the world of high society upside down. But as the two try to
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara S
A vial containing a mind altering drug is dumped into a lake by a group of armed men led by a mysterious pale-eyes albio (Brion James). Two days later the inhabitants of the local town Canyonlands start to go beserk. A married couple (Wings Hauser and Kimberly Beck) travelling through the town and Sheriff Roy Hank (George Kennedy) are among those caught up in the mayhem...
Logan Burnhardt is the ego-king of the airwaves, but his unflappable persona is put to the test when a terrorist bio-attack unleashes a plague of flesh eating infected zombies on Los Angeles.
The one film in John Cusack's filmography he'd probably like us all to forget, this 80s-style preppy-in-peril film (compare and contrast with After Hours and Something Wild) casts him as a college student who gets mixed up with pirates and drug runners around the Caribbean. The wannabe screwball comedy falls flatter with each gag but Cusack's hang-dog sweetness and knack with one-liners carries it through and at the very least it's worth catching if only for a glimpse of Ben Stiller in his pre-There's Something About Mary fame days, in a double act here with his real-life father Jerry Stiller. --Leslie Felperin
This romantic story film was adapted from a story by Alexander Pushin. A young officer becomes the object of the amorous Cizarina's affections. He is banished when he rejects her and becomes the dashing Robin Hood-like bandit: The Eagle.
A typical High School senior and his father are about as close as they can get: except they're about to get even closer! In a split-second father and son accidentally change bodies leaving the dad about to sit a biology exam and cope with bullies and adolescent girlfriend problems while the son has the Jaguar the Gold Card and a major career enhancement!
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