The fourth exciting season of undercover adventures starring Jennifer Garner as Sydney Bristow!
A keen observer of America's social fabric, writer-director John Sayles uncovers the haunted past buried beneath a small Texas border town in this sprawling neowestern mystery. When a skeleton is discovered in the desert, lawman Sam Deeds (Chris Cooper), son of a legendary local sheriff, begins an investigation that will have profound implications both for him personally and for all of Rio County, a place still reckoning with its history of racial violence. Sayles masterful film novelistic in its intricacy and featuring a brilliant ensemble cast, including Joe Morton, Elizabeth Pena, and Kris Kristofferson quietly subverts national mythmaking and lays bare the fault lines of life at the border.
Eureka Entertainment to present THE SONG OF BERNADETTE, an intimate and spiritual biopic of one girl's ultimate test of faith starring Jennifer Jones, for the first time ever on Blu-ray in the UK as part of the Eureka Classics range from 8 April 2019, presented with a Limited Edition slipcase and collector's booklet [2000 copies only] One of the rare Hollywood studio films to address spiritual belief and religious conviction in a serious and complex fashion, the beloved classic The Song of Bernadette made a star of its leading lady Jennifer Jones, who won the Academy Award for Best Actress, in addition to taking home a Golden Globe during those awards' very first ceremony (the film also won Globes for Best Dramatic Film and Best Director). A moving portrait of faith, the film is one of the crowning achievements of director Henry King (Love Is a Many-Splendored Thing). Based on the best-selling historical novel by Franz Werfel, the film chronicles the life of 14-year-old Bernadette Soubirous, who began seeing visions of the Blessed Virgin Mary in Lourdes, France in 1858. When news of Bernadette's vision first spreads through the town, there are those who decry her as mentally unsound, while others wholeheartedly believe particularly when the spring that erupts near the grotto that housed the visitations contains water that seems to have miraculous healing properties. Buoyed by outstanding supporting performances by Vincent Price, Lee J. Cobb, Charles Bickford, and Gladys Cooper, The Song of Bernadette with sumptuous cinematography by Arthur C. Miller (How Green Was My Valley) is a profoundly affecting drama, no matter what one's own personal beliefs. Eureka Classics is proud to present this landmark title in UK debut on Blu-ray. Features: Limited Edition slipcase [2000 copies only] 1080p presentation on Blu-ray LPCM audio (original mono presentation) Watch film with Overture [6.52] Optional English SDH subtitles Audio Commentary by Edward Z. Epstein (author of Portrait of Jennifer: A Biography of Jennifer Jones), John Burlingame (biographer of Alfred Newman), and biographer-historian Donald Spoto Original Theatrical Trailer Limited Edition collector's booklet featuring new writing by film journalist and writer Amy Simmons, alongside rare archival imagery [2000 copies only]
It's magic mirth and music - just like that! Tragic magic rules in this six-part series from 1978 which saw Tommy Cooper at the height of his fame. Assisted by Andrew Sachs and diminutive comedian Sheila Bernette (not to mention flunkeys Ken Wilson and Eddie Davies) it can be easily seen why Eric Sykes believes that Tommy Cooper is the funniest man in the world. After all who else could reduce an audience to fits of laughter whilst trying to catch a bullet between his teeth demonstrate the Indian Basket Illusion or emulate the Great Houdini with a death-defying escape from an air-tight steel trunk!
In the Flesh is set in a small village in the North of England post-zombie uprising as rehabilitated zombies are reintroduced back into society. Now known as PDS Sufferers (Partially Deceased Syndrome) they have been caught treated and armed with their flesh cover-up and special contact lenses are returning to their friends and families who previously thought them dead. The series follows our hero Kieren Walker a 17 year old who committed suicide four years' ago when his best mate Rick died serving in Afghanistan. He's now returning to a village where he always felt like an outsider and a family who never got to say goodbye. We follow Kieren as he struggles to cope with fitting back in with the guilt of what he did in his untreated state and the sudden reappearance of Rick a fellow PDS Sufferer. The boy that Kieren thought was dead is alive and the boy Rick thought was alive is dead.
One of the most artistically significant and controversial motion pictures ever made D. W. Griffith's silent epic The Birth of a Nation was a massive commercial success at the time of its release owing to its dynamic storytelling and its breakthrough developments in cinema language that have become common traits of practically every film that has since followed. However the picture's legacy is one that continues to elicit outrage over its vulgar depictions of African-Americans and its deceptive historiography of the United States in the second half of the nineteenth century. The Birth of a Nation begins depicting the amiable relationship between two families Northern and Southern and the way in which the impending Civil War intensifies the conflict of their worldviews. Following the end of the war and the assassination of President Lincoln a lawless chaos courses throughout the Reconstruction South and the Ku Klux Klan is formed to take on a rising black militia and impose a vengeful vigilante justice across their land and birthright. It's a film that's deeply divisive even to the senses of a single viewer: images of painterly beauty in composition and tonal quality often exhibit a contemptuous inflammatory coarseness with regard to subject matter; just as frequently long tracts evince an innocent terrifically lyrical grandeur. Griffith would attempt to make amends for the moral schism of this schizophrenic epic in his next film Intolerance but The Birth of a Nation cannot - and should not - remain unseen or undiscussed: it is a great and terrible masterpiece. The Masters of Cinema Series releases Griffith's three-hour epic including a series of the director's Civil War shorts for the first time on Blu-ray in the UK. Special Features: New 1080p presentation (on the Blu-ray) of the film from archival 35mm elements in its original aspect ratio Music by the Mont Alto Motion Picture Orchestra in 2.0 stereo and DTS-HD Master Audio 5.1 Short archival introductions to the film by D. W. Griffith and Walter Huston Newly rediscovered original intermission sequence and 1930 re-release title sequence Seven Civil War shorts directed by Griffith: In the Border States (1910); The House with Closed Shutters (1910); The Fugitive (1910); His Trust (1910); His Trust Fulfilled (1910); Swords and Hearts (1911); and The Battle (1911). A lengthy booklet with writing about the film rare archival imagery and more.
Vince Vaughn and Owen Wilson star in this fast-paced comedy of love turned upside down.
Picking Up The Pieces: Tex (Woody Allen) a kosher butcher from New York under the witness protection program in Arizona has a problem. He has just killed his wife Candy (Sharon Stone) in a jealous rage after discovering she's having an affair with the local sheriff (Keifer Sutherland). He's cut her body into pieces and has taken them to the Mexican border but he's lost one of her hands! A blind old village woman stumbles upon the hand hits her head and miraculously regains her eyesight. Soon thousands are flocking to the local church to see the hand of the 'Madonna' and miracles are granted to all who ask. But the village priest (David Schwimmer) who is in love with the town hooker (Maria Grazia Cucinotta) senses that the hand's origin is not quite 'virginal'. Tex the Sherrif and the Priest all want something done with the hand and the unpredictable outcome proves to be both magical and hilarious. Miss Firecracker: Comedy about Carnelle (Hunter) a sexually-loose hellraiser who enters the Miss Firecracker contest in the very old-fashioned town where she was raised Yazoo City Mississippi. Carnelle's not the usual kind of contestant -- but her cousin is a famous winner -- and Carnelle's determined to equal her no matter what the obstacles.
Directed by Fritz Lang and starring Gary Cooper and Lili Palmer this rare film mixes intrigue with the atomic threat tension builds as a research scientist turned spy (Cooper) has to enter an occupied Europe of World War 2. Cooper is backed up by a host of talent including Robert Alda (father of Alan Alda of M.A.S.H. fame). The film culminates in a vicious hand-to hand duel with and Italian Gestapo agent (Marc Lawrence). This film has an intrigue all it''s own and is unique in many ways. The thread holding it all together is the down home character played credibly by Gary Cooper as the simple man thrust into a complex situation.
The breathtaking musical extravaganza shines in beautiful 4K UHD, restored from 8K scans of the original 65mm elements with 96K resolution English 7.1 Dolby TrueHD audio. This beloved adaptation of the Broadway stage hit stars Audrey Hepburn as Eliza Doolittle, a sassy, working-class London street vendor, and Rex Harrison as the elitist Professor Higgins, who attempts to turn Eliza into a sophisticated lady through proper tutoring. When the humble flower girl blossoms into the toast of London society, Higgins finds he may have a lesson or two to learn himself. WINNER 8 OSCARS® INCLUDING BEST PICTURE* Special Features DISC 1: 4k UHD Feature Film 4X The Resolution Of Full Hd Hdr (High Dynamic Range) For More (High Dynamic Range) For More Detail, Brightness, Vivid Color And Greater Contrast. DISC 2: Blu-ray Feature Film DISC 3: Blu-ray Special Features More Loverly Than Ever: The Making of My Fair Lady Then & Now** 1963 Production Kick-Off Dinner** Los Angeles Premiere ¢ British Premiere** George Cukor Directs Baroness Bina Rothsch
Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighbourhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his scepticism, learning about kindness, love and forgiveness from America's most beloved neighbour.
Created by JJ Abrams, Alias plays like a cross between Buffy the Vampire Slayer and James Bond. Sydney Bristow (Jennifer Garner) is a super (and super-sexy) spy, fighting nefarious villains and working for the good guys--or so she thinks. Recruited as a college freshman for espionage work, Sydney found her true calling with SD-6, a secret division of the CIA. When her hunky doctor-boyfriend proposes to her, she decides to let him in on the truth she's not supposed to tell anyone: she's not a grad student with a demanding job for an international bank, but a secret agent who constantly puts her life on the line for the free world. But when SD-6 discovers her security breach, her fiancé is brutally assassinated, and Sydney suddenly finds herself face-to-face with the truth: she's been working for the bad guys. Deciding to become a double agent for the CIA and bring down the evildoers, Sydney gets one more surprise--her estranged father (Victor Garber) is also working for SD-6, and the CIA as well. Welcome to the family, Syd! Confused? This is all just the first episode. With its double-edged tension (how long can Syd play double agent?) and one heck of a MacGuffin (the dreaded Rambaldi device, the mythic creation of a Renaissance genius), the show leads its viewers from episode to episode with visceral, compelling action, not to mention the nascent romance between Syd and her CIA handler, Vaughn (Michael Vartan), and her clashes with her heretofore distant father. Sharp, smart and always suspenseful, Alias' centre was held by the gorgeous Garner, a stellar action heroine and an even better actress who could pull off Sydney's exotic undercover missions and conflicted emotions with equal dexterity. By the end of this first series, which concludes with a breathtaking cliffhanger, you'll be seduced into Alias' world with, happily, no desire to escape. --Mark Englehart
Anyone doubting the layered, nuanced, and heartbreaking acting abilities of Michelle Williams will find My Week with Marilyn a tremendous revelation. And Williams fans will enjoy it even more. In My Week with Marilyn Williams takes on the formidable challenge of playing Marilyn Monroe, and does so with depth and assuredness, and without resorting to caricature. Williams's Marilyn commands the screen with pain and delicacy, and doesn't let go until the final credits. My Week with Marilyn focuses on a small time frame in Monroe's life, right after her marriage to Arthur Miller. Monroe, already "the world's most famous woman," still feels the need for validation as an actress. What better way to achieve that, she believes, than committing to costarring with Laurence Olivier in The Prince and the Showgirl, a film she firmly believed would finally cement her reputation as a serious actress. My Week with Marilyn is based on the short memoir of Colin Clark, a crew member on The Prince and the Showgirl, who quickly became the confidant of the wildly insecure Monroe and watched a train wreck of egos--mostly Olivier's and Monroe's--collide in a fiery near-disaster. Kenneth Branagh gives an uncharacteristically restrained performance as the exasperated Olivier, resentful of the "new blood" in Hollywood that the young Monroe represents, and disdainful of her cult-like devotion to Method acting. (And of Monroe's chronic tardiness, which threatens to undermine the veddy, veddy strict British work schedule.) Eddie Redmayne plays Clark with a sweet, gentle veneer, someone who grows to care genuinely about the complex Monroe. Julia Ormond is clipped and proper as Olivier's then-wife, Vivien Leigh, and Emma Watson shows a lovely gravitas as Lucy, Monroe's acting coach. But it's Williams who gives the revelatory performance, capturing with painful intensity the insecurity that begins to seep out of Monroe like a fearful sweat. "Excuse my horrible face," she blurts out, while looking nothing less than her usual radiant self. Where does this tragic insecurity come from? My Week with Marilyn doesn't attempt to answer the unanswerable, but instead shines a light on the very real woman who became lost in the giant shadow of legend. --A.T. Hurley
Tripp has never been able to leave the nest. His parents hire the gorgeous girl of his dreams to get him to move out of the house.
Bradley Cooper and Robert De Niro star in Limitless, a paranoia-fuelled action thriller that'll blow your mind.
Join Matthew (the agoraphobic self-obsessed macho man); Martin (the wimpish sex-starved underdog) and Mandy (the gorgeous blonde who always seems to end up with the wrong men) in this outrageously funny flat-share comedy that is anything but politically correct. In the second series Mandy decides that being celibate could solve her problems with men but finds it extremely difficult to say no. A friend helps Matthew overcome his agoraphobia and he ventures outside the flat o
This adaptation of Anne Rice's best selling novel follows the legendary vampire Lestat who re-invents himself as a rock star. Subsequently his music reawakens Akasha, the Queen of all vampires, who wants to make him her King.
From the streets of Brixton, Bristol and Manchester, to junk yards, punk venues and inner-city community centres, the rich backdrop and background to each artist and performer is evocatively captured as they develop and hone their practices, challenging social boundaries as they go. In Dread Beat and Blood, directed by Franco Rosso (Babylon), the dub poet master Linton Kwesi-Johnson uses his poetry as a weapon in the pursuit of justice against racism and violence. His contemporary John Cooper Clarke presents a despairing hymn to urban devastation and human causalities of the Thatcher era in Ten Years in An Open Necked Shirt. From jazz to contemporary composition, tape experiments, spoken word, rap and innovative DJ excellence, the styles and approaches vary; and so to do the manner of each film. By turns poetic and impressionistic, personal and experimental, these bold, unusual works highlight the wide-ranging, inspiring potential of documentary.
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