Based on the classic comic French novel, adapted for television by the acclaimed comedy writing team of Ray Galton and Alan Simpson (Hancock/Steptoe & Son); welcome to the small French village of Clochemerle. Nestled in the Beaujolais region of France, this happy little enclave has avoided all hints of modernity, producing fi ne wine in an atmosphere of timeless calm and culture... until now. Now, in the autumn of 1922, the mayor wants to build a new public edifice, something that will draw a...
Danny Champion Of The World (Dir. Gavin Millar 1989): In a small English town a widowed father and his son own and operate a gas station that rests on land coveted by a local developer. They must fight to keep their land and retain the traditional values they have come to live by against harsh government inspectors who are privately in league with the developer. The Witches (Dir. Nicolas Roeg 1990): Saving the world from witches is a tall order for a boy they've turn
Shosho a scullery maid in a fashionable London nightclub whose exotic dance routines catch the eye of suave club owner Valentine Wilmot. She rises to become the toast of London and the object of his erotic obsession - to the bitter jealousy of Mabel his former lover and star dancer.
A drug-dealing teen is killed in Japan after which he reappears as a ghost to watch over his sister.
France 1796: in the new Republic poverty is rife and crimes harshly punished. Jean Valjean is sentenced to five years at the gallery for stealing a loaf of bread. There the Inspector of Guards Javert takes an intense loathing to him - and every rebellion on Jean's part is met with strict punishment and a longer sentence. Jean eventually escapes. Five years later he is living a respectable life as a Mayor when fate intervenes and brings him face to face with his old enemy Javert. Victor Hugo's enduring classic is lavishly recreated and performed by an outstanding cast.
Eight years after the controversial and shocking Irreversible, director Gaspar Noé cemented his reputation as the enfant terrible of New French Extremity with perhaps his most challenging film to date a hallucinatory meditation on life, death and rebirth, shot entirely in the first person. American siblings Oscar (Nathaniel Brown) and Linda (Paz de la Huerta, The Limits of Control) eke out a shared existence in Tokyo he by dealing drugs, she by working as a stripper. However, tragedy strikes when a deal turns sour and Oscar is shot by the police. As his lifeless body lies on the floor of a public toilet, his soul floats high above the neon-drenched Tokyo streets, observing the effect of his death on his sister and reliving the events in his life that brought him to this juncture. Described by Noé himself as a psychedelic melodrama, Enter the Void boasts mesmerising cinematography by the award-winning Benoît Debie (Climax, Spring Breakers) and a hypnotic soundtrack of experimental and electronic music. Powerful and transcendent, it offers viewers an immersive cinematic experience like no other. Product Features High Definition Blu-ray (1080p) presentations of both the 143-minute UK theatrical cut and the full-length 161-minute director's cut Original lossless DTS-HD Master Audio 5.1 and PCM 2.0 stereo soundtracks Optional English subtitles for the deaf and hard of hearing Enter the Sensorium, a brand new visual essay on the film by author and critic Alexandra Heller-Nicolas Brand new video interview with typography designer and long-term Noé collaborator Tom Kan 8 deleted scenes Archival Making of Special Effects featurette Archival Vortex featurette Archival DMT Loop featurette French and international theatrical trailers 8 teaser trailers 3 unused trailers Image gallery Limited edition packaging with reversible sleeve featuring two choices of artwork Illustrated collector's booklet featuring new writing on the film by Jon Towlson and Rich Johnson, and an oral history of the film by Steven Hanley Fold-out double-sided poster featuring two choices of artwork Six double-sided, postcard-sized artcards
James Mason stars in this powerful suspense drama as Johnny McQueen the leader of a quasi-IRA group. When he's wounded in a botched robbery he becomes the object of an intense police manhunt and must scramble desperately about Belfast in an attempt to escape. Kathleen (Kathleen Ryan) the woman who loves him also takes off in pursuit of Johnny hoping to reach him before the police do.
Odd Man Out is a British classic from 1947 that fits the film noir definition in almost every respect. It's one of the milestones of its era, highlighted by what is arguably the best performance in the illustrious career of James Mason, here playing the leader of an underground Irish rebel organisation, who is seriously wounded when a payroll heist goes sour. Left for dead by his accomplices on the streets of Belfast he's forced to hide wherever he can find shelter and as his gunshot wound gradually drains his life away, his lover (Kathleen Ryan) struggles to locate him before it's too late. Although the IRA and Belfast are never mentioned by name, this film was a daring and morally complex examination of Northern Ireland's "troubles" and the compelling tragedy hasn't lost any of its impact. A study of conscience in crisis and the bitter aftermath of terrorism, this was one of the first films to address IRA activities on intimately human terms. Political potency is there for those who seek it, but the film is equally invigorating as a riveting story of a tragic figure on the run from the law, forced to confront the wrath of his own beliefs in the last hours of his life. It was this brilliant, unforgettable film that established the directorial prowess of Carol Reed, whose next two films (The Fallen Idol and The Third Man) were equally extraordinary. --Jeff Shannon
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