THE MUMMY'S HAND In this acclaimed follow-up to the popular original, an expedition of American archaeologists, headed by Steve Banning (Dick Foran) and Baby Jenson (Wallace Ford), travels to Egypt in search of the undiscovered tomb of the Princess Ananka. There they soon discover the clues that lead them to a 3000-year-old mummy, who is guarded by a sinister high priest (Eduardo Ciannelli). Reluctantly funded by a magician (Cecil Kellaway) and his beautiful daughter (Peggy Moran), the expedition has its hands full battling the mummy, who goes on a killing rampage during each full moon, in this frightening chiller masterpiece. THE MUMMY'S TOMB The ancient Egyptian Mummy, Kharis, is transported from his homeland with the high priest Mehemet (Turhan Bey) to wreak vengeance on the family who has defiled thE sacred bomb of his beloved Princess Ananka. Compassionately portrayed by Lon Chaney Jr., Kharis travels to the United States, with companion Mehemet, to seek archaeologist Stephen A. Banning (Dick Foran). Systematically, the last surviving members of the original expedition are killed while Mehemet falls in love with Isobel Evans (Elyse Knox), Banning's beautiful fiancee. He futilely tries to use the Mummy to ensnare Isobel to be his high priestess, but is prevented by a fiery mob which destroys him and the mummy in this classic chiller.
Set against the background of World War II and featuring the music of The Andrews Sisters 'Private Buckaroo' follows the fortunes of a reluctant army recruit who struggles to adjust to military life until he falls for the charms of a retired officer's daughter.
Life on a South Pacific island for two ex-Navy buddies is just about perfect. That is until a beautiful straight-laced Bostonian arrives on the island in search of her father...
ALL 6 FILMS FROM THE LEGACY OF THE ORIGINAL MUMMY INCLUDES: THE MUMMY (1932)-THE MUMMY'S HAND (1940)- THE MUMMY'S TOMB (1942)-THE MUMMY'S GHOST (1944)- THE MUMMY'S CURSE (1944)- ABBOTT AND COSTELLO MEET THE MUMMY (1955) The original Mummy is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Mummy: Complete Legacy Collection includes all 6 films from the original legacy including the terrifying classic starring Boris Karloff and the timeless films that followed. These landmark motion pictures defined the iconic look of the ancient Egyptian monster and continue to inspire countless remakes and adaptations that strengthen the legend of the Mummy to this day.
ALL 6 FILMS FROM THE LEGACY OF THE ORIGINAL MUMMY INCLUDES: THE MUMMY (1932)-THE MUMMY'S HAND (1940)- THE MUMMY'S TOMB (1942)-THE MUMMY'S GHOST (1944)- THE MUMMY'S CURSE (1944)- ABBOTT AND COSTELLO MEET THE MUMMY (1955) The original Mummy is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Mummy: Complete Legacy Collection includes all 6 films from the original legacy including the terrifying classic starring Boris Karloff and the timeless films that followed. These landmark motion pictures defined the iconic look of the ancient Egyptian monster and continue to inspire countless remakes and adaptations that strengthen the legend of the Mummy to this day.
West portrays voluptuous Flowerbelle Lee, whose reputation is tarnished when she is seen embracing a masked bandit in her bedroom. Forced to leave town until she can prove she is respectable -and married - Flowerbelle boards a train where she meets incorrigible Guthbert J. Twillie (Fields). Believing he's quite a catch, Flowerbelle accepts Twillie's marriage proposal. The newlyweds stop in the town of Greasewood where Twillie's exaggerated tales of adventures earn him the honor of becoming the sheriff of the town and bartender at 'The Last Gasp' saloon. Mishaps magnify as West continues her flirtatious ways leading to one of the funniest scenes in the film - when the masked bandit visits again and he's not at all who Flowerbelle expects!
Hold That Ghost: Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers. In The Navy: Russ Raymond America's number one crooner disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts a magazine journalist is intent on finding out what happened to Russ and she tries everything sh
When the nuclear-powered submarine - Tiger Shark - sets out to investigate a ba ing series of naval disasters near the Arctic Circle, its fearless crew quickly fi nd themselves besieged by electrical storms, under attack from an unidentifi ed fl oating saucer, and in the grip of hairy tentacles in this superb science-fi ction potboiler from the golden age of Sci-Fi!
Keep 'Em Flying: When a barnstorming stunt pilot decides to join the air corps his two goofball assistants decide to go with him. Since the two are Abbott & Costello the air corps doesn't know what it's in for. Ride 'Em Cowboy: Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch despite the fact that neither of them knows anything about cowboys horses or anything else.
John Ford's 1948 classic stars John Wayne as a cavalry officer used to doing things a certain way out West at Fort Apache. Along comes a rigid, new commanding officer (Henry Fonda) who insists that everything on his watch be done by the book, including dealings with local Indians. The results are mixed: greater discipline at the fort, but increased hostilities with the natives. Ford deliberately leaves judgements about the wisdom of these changes ambiguous, but he also allows plenty of room in this wonderful film for the fullness of life among the soldiers and their families--community rituals, new romances--to blossom. Fonda, in an unusual role for him, is stern and formal as the new man in charge; Wayne is heroic as the rebellious second; Victor McLaglen provides comic relief; and Ward Bond is a paragon of sturdy and sentimental masculinity. All of this is set against the magnificent, poetic topography of Monument Valley. This is easily one of the greatest of American films. --Tom Keogh, Amazon.com
Lowell Sherman (Dir. Lowell Sherman 1933): New York singer and nightclub owner Lady Lou has more men friends than you can imagine. Unfortunately one of them is a vicious criminal who's escaped and is on the way to see ""his"" girl not realising she hasn't exactly been faithful in his absence. Help is at hand in the form of young Captain Cummings a local temperance league leader though. My Little Chickadee (Dir. Edward F. Cline 1940): Rightly suspected of illicit relations with the Masked Bandit Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for ""respectability."" Arrived in Greasewood City with his unkissed bride Twillie is named sheriff by town boss Jeff Badger...with an ulterior motive. Meanwhile both stars inimitably display their specialties as Twillie tends bar and plays cards and Flower Belle tames the town's rowdy schoolboys...
Vintage WW2 musical with the Andrew Sisters and Harold James & his orchestra jumpin' and jivin' through basic training
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