From the acclaimed director of My Own Private Idaho Elephant and Last Days. When Alex a 16-year-old skater plucks up the courage to go to Paranoid Park - Portland's most challenging and infamous urban skateboard destination - he didn't expect his night to end with the death of a railway security guard. Deciding to say nothing about the incident Alex does all he can to lead a normal life but is troubled by a crushing burden of guilt which impacts on his relationship with one of his school's most sought after girls and his relationship with his parents. Soon he finds he needs to tell somebody his secret but with the police closing in his choice of confidant could mean the difference between being caught and staying free.
The Exorcist (Dir. William Friedkin 1973): The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. Academy Award winner Friedkin who introduces the film and supervised this new video transfer from restored picture and audio elements gets effective performances from Linda Blair Ellen Burstyn Jason Miller Max von Sydow and Lee J. Cobb. The Exorcist remains 25 years later one of the most shocking and gripping movies ever made. The Shining (Dir. Stanley Kubrick 1980): Think of the greatest terror imaginable. Is it a monstrous alien? A lethal epidemic? Or as in this harrowing masterpiece from Stanley Kubrick is it fear of murder by someone who should love and protect you - a member of your own family? From a script he co-adapted from the Stephen King novel Kubrick melds vivid performances menacing settings dreamlike tracking shots and shock after shock into a milestone of the macabre. In a signature role Jack Nicholson plays Jack Torrance who's come to the elegant isolated Overlook Hotel as off-season caretaker with his wife (Shelley Duvall) and son (Danny Lloyd). Torrance has never been there before - or has he? The answer lies in a ghostly time warp of madness and murder.
Titles Comprise: Layer Cake: Matthew Vaughn, the producer of 'Lock Stock And Two Smoking Barrels' and 'Snatch', steps into the director's chair for the first time with 'Layer Cake'. Based upon JJ Connelly's London crime novel, 'Layer Cake' is about a successful cocaine dealer (Daniel Craig) who has earned a respected place among England's Mafia elite and plans an early retirement from the business. However, big boss Jimmy Price (Cranham) hands down a tough assignment: find Charlotte Ryder, the missing rich princess daughter of Jimmy's old pal Edward (Gambon), a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade A ecstasy, a brutal neo-Nazi sect and a whole series of double crossings...The title 'Layer Cake' refers to the layers or levels the dealer has to go through as he painstakingly plots his own escape. What is revealed is a modern underworld where the rules have changed. There are no 'codes' or 'families' and respect lasts as long as a line. Not knowing who he can trust, he has to use all his 'savvy', 'telling' and skills which make him one of the best, to escape his own. The ultimate last job, a love interest called Tammy and an international drugs ring, threaten to draw him back into the 'cake mix'. But, time is running out and the penalty will endure a lifetime.. Snatch: Guy Ritchie, writer/director of 'Lock Stock and Two Smoking Barrels' delivers another awe-inspiring directorial masterpiece. 'Snatch' is an edgy and hilarious film about a diamond heist gone wrong, a colourful Irish gypsy turned prizefighter, and a very temperamental dog. In the heart of gangland, two novice unlicensed boxing promoters, Turkish (Jason Statham) and Tommy (Stephen Graham) get roped into organising a bare-knuckled fight with local kingpin villain and fellow boxing promoter Brick Top (Alan Ford). But it all goes wrong when Brick Top's fighter, who is rigged to win, is suddenly knocked out by the boys' wildcard Irish gypsy boxer, One Punch Mickey O'Neil (Brad Pitt). Unfortunately things go from bad to worse as Mickey starts playing by his own rules and the duo find they are heading for a whole lot of trouble. Meanwhile en route to New York to deliver a stolen 84-carat diamond to head honcho Avi (Dennis Farina), Franky Four Fingers (Benicio Del Toro) is robbed of the stone. Forced to jump on the next plane to London, Avi is by no means pleased. He hires local legend Bullet Tooth Tony (Vinnie Jones) to find Franky and the diamond. The hunt for the missing stone launches everyone into a spiral of double-crossing vendettas as different parties pursue personal agendas, some of them farcical, most of them illegal and all of them destined to spin completely out of control...
When a security guard is killed outside Portland's notorious skate park, the titular "Paranoid Park", it's clear that 16 year old skateboarder Alex knows more than he's letting on.
In a small rural town the local clique of layabout teens is pulled apart when Samson kills his girlfriend on the banks of the river and then callously shows off the dead body to his friends. The teens are so numb and ambivalent to the reality of their situation that they remain relatively unphased by the murder of one of their own...
What's the worst that could happen? Probably being forced to watch What's the Worst That Could Happen? from start to finish without a pause button: it's more lame than a three-legged dog. The plot is straightforward enough: two men, each as crooked as the other, come into conflict when petty thief Kevin Caffrey (Martin Lawrence) breaks into the apparently unoccupied beach house of wealthy and unscrupulous businessman Max Fairbanks (Danny DeVito). The house turns out not to be empty: Fairbanks calls the cops, claims that Caffrey has stolen his ring and coolly claims it back in front of his uniformed audience. It's a ring that Caffrey values because it has just been given to him by his new girlfriend Amber (Carmen Ejogo). He's so desperate to get it back that he hounds Fairbanks through the rest of the film, breaking into various Fairbanks properties as he goes. Words like "zany" and "madcap" could be used in the interests of charity, but actually the film falls flat on its face. Lawrence is certainly no Eddie Murphy and the plot would need an injection of major talent to give it a chance. DeVito yet again relies on his stature to provide the laughs. John Leguizamo plays Caffrey's sidekick as best he can but the fake sheikhs-in-tea-towels scene induces more groans than laughs. This is one for diehard fans of the lead actors only. On the DVD: What's the Worst That Could Happen? comes to DVD with a choice of two spoken languages (English or French) and many subtitle options. There's also a generous selection of outtakes, an alternative ending, a music video ("Music" by Erick Sermon) and the original theatrical trailer. It's just a shame that the film itself isn't better. --Harriet Smith
The much-anticipated sequel ï¬nds Paddington happily settled with the Brown family in Windsor Gardens. While searching for the perfect present for his beloved Aunt Lucy's 100th birthday, Paddington spots a unique pop-up book in Mr. Gruber's antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it's up to Paddington and the Browns to unmask the thief. Paddington's biggest adventure yet sees Hugh Grant and Brendan Gleeson joining the all-star returning cast of Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent, Peter Capaldi and Ben Whishaw as the voice of the beloved bear. Features: Director's Commentary Rain on the Roof' with Phoenix Buchanan Full Screen Paddington 2: The Challenge of Making the Film BAFTA Q&A with David Heyman, Paul King, Simon Farnaby, Hugh Grant and Pablo Grillo
Something mysterious is leaving a path of destruction in the streets of 1926 New York, threatening to expose the wizarding community. Newt Scamander arrives in the city nearing the end of a global excursion to research and rescue magical creatures. When unsuspecting No-Maj Jacob Kowalski inadvertently lets some of Newt's beasts loose, a band of unlikely heroes must rediscover the missing beasts before they come to harm, but their mission puts them on a collision course with dark forces.
Chaplin, Sir Richard Attenborough's biographical film of the life and times of the famous comic, is a little thin as a narrative, but it is so charmingly creative and ultimately moving that it's hard to worry about the deficits. Robert Downey Jr does an excellent job re-creating Chaplin's graceful slapstick and getting inside the silent-film superstar's head over the years of triumph, defeat, scandal, official persecution, exile and inner peace. A huge cast portray the allies, friends, lovers and enemies in Chaplin's life, including Moira Kelly as his final, long-time wife Oona, Kevin Kline as Douglas Fairbanks, Geraldine Chaplin as Charlie's mother and James Woods as a prosecutor working hard to nail Chaplin for anti-American sentiments. Attenborough declines to tell the story in a flat, linear way, employing such clever techniques as detailing one chapter in Chaplin's life as a silent comedy. The climactic scene set at an Oscar tribute for Chaplin will get the tears flowing. --Tom Keogh, Amazon.com
Episode One: The Name Dilbert's pointy-haired boss puts Dilbert in charge of naming the company's next product as a first step in figuring out what the product will be. The Dogbert consulting company is brought in to help. The body count in this episode is unusually high. There is some nudity but not the kind you want to look at. Episode Two: The Prototype Dilbert is asked to design the company's next flagship project placing him in direct competition with a co-worker suspe
A daring experiment in unconventional narrative inspired by Arthur C Clarke's short story "The Sentinel", 2001: A Space Odyssey is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. When Stanley Kubrick recruited Clarke to collaborate on "the proverbial intelligent science fiction film", it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience with the result. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanisation by technology, the notorious, seemingly omniscient, computer HAL 9000 has more warmth and personality than the human astronauts it is supposedly serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its post-millennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative and perfect. --Jeff Shannon, Amazon.com
Alpha And Omega: What makes for the ultimate road trip? Hitchhiking, truck stops, angry bears, prickly porcupines and a golfing goose with a duck caddy. Just ask Kate and Humphrey, two wolves who are trying to get home after being taken by park rangers and shipped halfway across the country. Humphrey is an Omega wolf, whose days are about quick wit, snappy one-liners and hanging with his motley crew of fun-loving wolves and video-gaming squirrels. Kate is an Alpha: duty, disc...
Alpha And Omega: What makes for the ultimate road trip? Hitchhiking, truck stops, angry bears, prickly porcupines and a golfing goose with a duck caddy. Just ask Kate and Humphrey, two wolves who are trying to get home after being taken by park rangers and shipped halfway across the country. Humphrey is an Omega wolf, whose days are about quick wit, snappy one-liners and hanging with his motley crew of fun-loving wolves and video-gaming squirrels. Kate is an Alpha: duty, disc...
When Sarah Hopson realises her successful high-rise New York lifestyle is devoid of meaning, she packs her bags and heads for her home town in the Scottish Borders to look for Sam, her childhood sweetheart and the only man she ever loved.
A humorous look at the 1950's muscle men's magazines which were primarily being purchased by the underground homosexual community. Wise-eyes Neil O'Hara the epitome of all American wholesomeness leaves his rural home in search of adventure in L.A. He is spotted by obsessive photographer Bob Mizer and introduced to the world of physique photography. Along with his fellow he enjoys the giddy lifestyle of Mizer's estate - until he becomes aware of a seedier undercurrent.
Includes: The Name The Prototype The Competition Testing Elbonian Trip The Takeover Little People Tower Of Babel.
Just as he's about to get out of the game entirely, a drug dealer gets drawn back in to the doublecrossing world of the London mafia in this refreshing British thriller.
What makes for the ultimate road trip? Hitchhiking, truck stops, angry bears, prickly porcupines and a golfing goose with a duck caddy. Just ask Kate and Humphrey, two wolves who are trying to get home.
Video 86 - 98 (2 Discs)
Please wait. Loading...
This site uses cookies.
More details in our privacy policy