Winner of 7 Academy Awards®, including Best Picture, The Sting stars Paul Newman and Robert Redford as two con men in 1930s Chicago. After a friend is killed by the mob, they try to get even by attempting to pull off the ultimate sting. No one is to be trusted as the twists unfold, leading up to one of the greatest double-crosses in movie history. The con is on! Special Features The Art of The Sting: 3-Part Documentary on the creation of the film, featuring Interviews with Robert Redford, Paul Newman and many more 100 years of Universal: Restoring the Classics 100 years of Universal: The 70s 100 years of Universal: The Lot
Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
Continuing the story of Max and his pet friends, following their secret lives after their owners leave them for work or school each day.
A collection of classic Rodgers and Hammerstein musicals. Carousel (1956) Gordon MacRae and Shirley Jones experience the miraculous powers of love in this inspiring Rodgers and Hammersmith masterpiece. Gordon MacRae is Billy Bigelow a smooth-talking carny baker who falls in love with a mill-worker on the colourful coast of Maine. Filmed on location with a beautiful seaside setting as a backdrop and a thrilling score for accompaniment their romance unfolds. But right before the birth of his daughter Billy is killed while committing a robbery. Now in heaven years later he returns to earth for one day to attend his daughter's high school graduation and teach her one very important lesson. State Fair (1945) The Frake family go on an outing to the State Fair where each expects to win a prize. Features the song 'It Might As Well Be Spring.' Oklahoma! (1955) A Rodgers and Hammerstein classic a charming and vigorous tale of romance and adventure set in the Wild West. Songs include 'People Will Say We're In Love' 'Oh What A Beautiful Morning' and the title song 'Oklahoma'. South Pacific (1958) Blessed with a treasure of timeless songs South Pacific combines a passionate heartwarming romance with South Seas splendour and a world at war. Mitzi Gaynor Rossano Brazzi John Kerr and France Nuyen share the bill with immortal songs such as 'Some Enchanted Evening' 'Younger Than Springtime' 'There Is Nothin' Like A Dame' and 'I'm Gonna Wash That Man Outta My Hair'. The King And I (1956) This visual and musical masterpiece features Yul Brynner's Academy Award winning performance an unforgettable Rodgers and Hammerstein score and brilliant choreography by Jerome Robbins. It tells the true story of an English woman Anna Leonowens (Kerr) who comes to Siam as schoolteacher to the royal court in the 1860s. Though she soon finds herself at odds with the stubborn monarch (Brynner) over time Anna and the King stop trying to change each other and begin to understand one another. Winner of six Academy Awards 'The King And I' contains some of the most lavish sets in Hollywood and some of the world's best-loved songs including 'Getting To Know You' 'I Whistle A Happy Tune' 'Hello Young Lovers' and 'Shall We Dance?' The Sound Of Music (1965) Share the magical heartwarming true-life story that has become the most popular family film of all time - Rodgers and Hammerstein''s ''The Sound Of Music''. Julie Andrews lights up the screen as Maria the spirited young woman who leaves the convent to become governess to the seven children of Captain von Trapp an autocratic widower whose strict household rules leave no room for music or merriment. Winner of five Academy Awards including Best Picture this timeless classic features some of the world''s best-loved songs!
During World War II, director John Ford joined the ranks of the many Hollywood actors and filmmakers whoparticipated in the war's film propaganda effort. At the behest of the United States' military, John Ford andlegendary cinematographer Gregg Toland (Citizen Kane, The Grapes of Wrath) mounted the first re-creation of the attack on Pearl Harbor in December 7th. Steeped in controversy since it's making when the War Department censored almost half the film because it was too even-handed and didn't demonise the Japanese enough.
A straitlaced businessman meets a quirky, freespirited woman at a downtown New York greasy spoon. Her offer of a ride back to his office results in a lunchtime motel rendezvousjust the beginning of a capricious interstate road trip that brings the two facetoface with their hidden selves. Featuring a killer soundtrack and electric performances from Jeff Daniels, Melanie Griffith, and Ray Liotta, Something Wild, directed by oddball American auteur Jonathan Demme, is both a kinky comic thriller and a radiantly offkilter love story. Features: New, restored digital transfer, supervised by director of photography Tak Fujimoto and approved by director Jonathan Demme, with DTSHD Master Audio soundtrack New video interviews with Demme and writer E. Max Frye Original theatrical trailer PLUS: A booklet featuring a new essay by film critic David Thompson New cover by Sam Smith
Roger Cobb (Steve Martin) is a swinging bachelor who is a lawyer but would rather be a jazz musician. Edwina Cutwaters (Lily Tomlin) is an ailing spinster who is given a second chance at life given her soul can be 'transported' into that of another woman - specifically the beautiful daughter of her stable hand. Unfortunately the guru-in-charge goofs and Edwina's soul winds up taking over the entire right side of Roger who now must learn to cope with being half the man he was.
The stakes couldn't be higher for renowned medical examiner Dr. Megan Hunt (Dana Delany) in ABC Studios' sensational drama Body of Proof. Her uncanny ability for finding clues on victims' bodies helps solve the riddle of their demise but her unorthodox pursuit of justice for the dead causes friction with the living. Now when an old flame Detective Tommy Sullivan comes back into the picture Megan's personal and professional lives become increasingly entangled. But she'll need his help to make peace with the past embrace the future and solve the biggest mystery of her life. Relive all the drama passion and suspense from the very first episode through the spectacular series finale. Body Of Proof: Seasons 1-3 now more thrilling than ever in an exclusive DVD Box Set. Special Features: Seasons 1 and 2: Design of Body of Proof: Living Spaces Bodies of Body of Proof The fashion of Body of Proof Body of Goofs The stunt work of Body of Proof: Taking the plunge Prepping the stunt and collision course The effects of Body of Proof: Playing with fire Outbreak: Webisodes 1 to 5 Season 3: Getting the Shot VFX the Ultimate Makeover All Kinds of Props Creating the World Body of Goofs: Gag Reel
The most controversial and hilarious number one blockbuster, see the original superstar from Staines as you've never seen him before. Assisted by his loyal crew, the West Staines Massive and his girlfriend me Julie', he emerges as the unlikeliest of heroes he's invincible, insatiable, and of course irresistible to bitches! Product Features DA AUDIO COMMENTARY wiv me & me best mate Ricky C SCENES NOT IN IT, INNIT me wicked outtakes & dropped scenes ME VIDEO DIARY da lowdown on making dis movie TALKIN' DA TALK so you can talk wiv respect, aii! ALI'S GALLERY me and some well fit birds Oh yeah, and some phat trailers
Episodes Comprise: 1. Second Thunder 2. A Clear and Present Danger 3. Arms Race 4. Revenge in the Sky 5. Trojan Horse 6. Skydiver 7. Clipped Wings 8. Payload 9. The Long Flight 10. The Godchild 11. The Island
No director could ever have hoped to repeat the artistic achievement of Stanley Kubrick's 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn't be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010 lacks the enigmatic awe of its predecessor, but it's still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discovery near the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship's infamous onboard computer, HAL 9000, as well as the meaning of countless mysterious black monoliths amassing on Jupiter's surface (an interpretation Kubrick originally left up to his viewers). Meanwhile, Earth is on the brink of nuclear war, and an apparition of astronaut David Bowman (Keir Dullea) appears repeatedly to promise that "something wonderful" is about to happen. --Jeff Shannon, Amazon.com
Mr. Lazarescu, a 63-year-old man feels sick and calls the ambulance. The film follows him from hospital to hospital as the doctors try to find room...
After Rocky and its sequels, Sylvester Stallone cast about for another character that would bring him the same kind of box-office hit--and found it in disillusioned Vietnam vet John Rambo in First Blood, a solid little action thriller. So when all else failed, Stallone went back to the same well in hopes of recapturing the same commercial success. Which this film did. But where First Blood was a no-nonsense thriller that pitted Stallone against a worthy (and not necessarily bad) Brian Dennehy, this one is a sadistic chest-thumper in which Rambo gets to go back to Vietnam: ostensibly, he is there to rescue missing POWs, but in fact the movie was a lame excuse for him to refight the Vietnam War--and win. Audiences ate up the cruel Vietcong (and their Russian manipulators) and Stallone's bogus heroics, but it was strictly by-the-numbers action. --Marshall FineThe Rambo trilogy is also available on DVD as a complete set.
Robert Crumb is known for his disturbing, yet compelling, underground cartoons: his most famous works made counter-cultural icons out of Mr. Natural ("Keep on Truckin'...") and Fritz the Cat. Terry Zwigoff delves into the odd world of the cartoonist in his documentary film Crumb, and the picture that emerges is not always pretty--at moments, it's almost repellent--but it's a fascinating glimpse into a very strange mind. Interviewing immediate family--Crumb has one suicidal brother, one semi-psychopathic brother, two sisters who declined to be interviewed and a tyrannical mother--Crumb begins to look a bit saner. Given his surroundings, it's remarkable that he has survived so well. His hostilities toward women may turn some viewers off but his wife, Aline, seems to be a grounding point and she provides a solid counterbalance to the man. No one shies away from discussing incredibly intimate things (namely, sex!), which explains much of R. Crumb's cartoons. This documentary can definitely be considered a masterpiece for the cult crowd and, as for the rest of us, it's sure to make us feel a little better about our own lives! --Jenny Brown
Bruce Campbell will be reprising his role as Ash, the stock boy, aging lothario and chainsaw-handed monster hunter who has spent the last 30 years avoiding responsibility, maturity and the terrors of the Evil Dead. When a Deadite plague threatens to destroy all of mankind, Ash is finally forced to face his demons personal and literal. Destiny, it turns out, has no plans to release the unlikely hero from its Evil grip.
Beware!... you could die laughing! This rarity a sequel that's better than the original... Make sure you see it. Alan Frank, Daily Star It's love at first fright when Gomez (Raul Julia) and Morticia (Anjelica Huston) welcome a new addition to the Addams household ± Pubert, their soft, cuddly, mustachioed baby boy. As Fester (Christopher Lloyd) falls hard for voluptuous nanny Debbie Jilinsky (Joan Cusack), Wednesday (Christina Ricci) and Pugsley (Jimmy Workman) discover she's a black-widow murderess who plans to add Fester to her collection of dead husbands. The family's future grows even bleaker when the no-good nanny marries Fester and has the kids shipped o to summer camp. But Wednesday still has a thing or two up her sleeve With gags and ghouls galore, Addams Family Values is quite brilliant... (Julie Burchill, The Sunday Times)
An exercise in film noir fairytale, 1955's Killer's Kiss was Stanley Kubrick's second feature film (he had the first buried forever) and shows just how powerful a filmmaker he was right out of the gate. Followers of Kubrick's career will note the appearance of themes and images that recurred (a final axe-fight in a warehouse full of disembodied mannequin parts would not be out of place in The Shining), but this is also notably unlike later Kubrick films in its use of authentic locations and its 65-minute running time. The plot is a tiny anecdote about a washed-up boxer (Jamie Smith), a dance hall dame (Irene Kane) and a slimy hood (Frank Silvera) during one crowded weekend of brutality and romance. There's a sense of a young director playing games: the boxing match (a definite influence on Raging Bull) is all low-angle close-ups and subjective shots with plenty of thump and dazzle, and the traditional Expressionist look of noir is exaggerated with many a tricky shot or doomy plot twist. The three unfamiliar leads are all excellent as small-timers struggling with big passions, and there is already a potent use of raucous source music and subtle sound design to augment the stark, haunted black and white imagery. On the DVD Killer's Kiss on disc features no extras other than a blaring trailer ("a picture as brazen as the naked lights of Broadway, as hard as the New York streets in which it was shot!"). The black and white picture is 4:3, and comes with soundtracks in English, German, Italian and Spanish; subtitles in English, German, Italian, French, Dutch and Spanish. --Kim Newman
Bruce Willis is a successful forty year old image consultant who is forced to reevaluate his life when his childhood self from the '70s confronts him in the present day!
Love is a funny thing. Especially when Harrison Ford Julia Ormond and Greg Kinnear form the warmest romantic triangle ever! Directed by Sydney Pollack Sabrina shimmers like a fairy tale come true. Ford plays Linus Larrabee a busy tycoon who has no room for love in his appointment book. But when a romance between his playboy brother (Kinnear) and Sabrina (Ormond) daughter of the family chauffeur threatens one of Linus' business deals the CEO clears his schedule for some ruthl
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