Featuring a young Russell Crowe in a knock out early performance, ROMPER STOMPER is a gritty Australian urban thriller highlighting the danger of scapegoating and racial prejudice. With its skinhead protagonists and violent motif, the movie walks in the shadow of productions such as Alan Clarke's MADE IN BRITAIN and acted as a precursor to later work like AMERICAN HISTORY X and THIS IS ENGLAND.Hando (Crowe), the psychotic leader of a gang of marauding neo-Nazi teenagers, begins a relationship with the epileptic Gabrielle, but though they at first make a good team the courtship soon turns abusive. Though Gabrielle has designs to take Hando away from his life of crime and destruction, his indoctrination into a racist world viewpoint seems all-consuming.Hard-hitting and at times cruel, this sadistic drama bleeds with unpalatable truths and difficult to face up to notions of culture, identity and working-class disintegration.Remastered HD Transfer at ITV StudiosHigh Definition Blu-ray (1080p) presentation5.1 DTS-HDMA Surround2.0 DTS-HD MA StereoAudio Commentary with Alexandra Heller-Nicholas and Josh NelsonAudio Commentary with Director Geoffrey WrightOptional English SDHArchive Interviews with Russell Crowe, Jacqueline McKenzie, Tony Lee, Geoffrey Wright, Paul McDonaldBehind the Scenes PhotoshootTheatrical Trailer
You've never seen anything like it. An utterly engrossing story of rampaging neo-Nazi skinheads that may well be one of the most disturbing films. It's intoxicating violence and willingness to suspend moral judgement on its hypnotic characters make the film complex. Emotionally powerful and never afraid to portray the ugly destructive face of ignorance and prejudice 'Romper Stomper' excites disturbs and boldly challenges the viewer. Winner of 3 Australian Institute Awa
Featuring a young Russell Crowe in a knock out early performance, Romper Stomper is a gritty Australian urban thriller highlighting the danger of scapegoating and racial prejudice. With its skinhead protagonists and violent motif, the movie walks in the shadow of productions such as Alan Clarke's MADE IN BRITAIN and acted as a precursor to later work like American History X and This is England. Hando (Crowe), the psychotic leader of a gang of marauding neo-Nazi teenagers, begins a relationship with the epileptic Gabrielle, but though they at first make a good team the courtship soon turns abusive. Though Gabrielle has designs to take Hando away from his life of crime and destruction, his indoctrination into a racist world viewpoint seems all-consuming. Hard-hitting and at times cruel, this sadistic drama bleeds with unpalatable truths and difficult to face up to notions of culture, identity and working-class disintegration.
An utterly engrossing story of rampaging neo-Nazi skinheads that may well be one of the most disturbing films. It's intoxicating violence and willingness to suspend moral judgement on its hypnotic characters make the film complex. Emotionally powerful and never afraid to portray the ugly destructive face of ignorance and prejudice 'Romper Stomper' excites disturbs and boldly challenges the viewer. Winner of 3 Australian Institute Awards including Best Actor (Russell Crowe) f
Scum: Alan Clarke's Scum shows a vicious system and doesn't pull any of the punches - or kicks - so relentlessly deployed in the battles between rivals in the power stakes that incarceration promotes. It's the brutal story of life in a modern-day Borstal. Run by the violence and cruelty of both inmates and officers the system is a jungle which brutalizes all within its walls. Carlin who has been transferred from another Borstal for retaliation against violent officers is thrown into this human quagmire - and what follows is a harsh and bitter battle for survival. He realises that the only way is by beating the system at its own game and eventually erupts as leader of a bloody climatic riot. Romper Stomper: Violent but never gratuitous emotionally powerful and never afraid to portray the ugly destructive face of prejudice Romper Stomper excites disturbs and boldly challenges the viewer. Its angry raw story about a brutal lawless group of skinheads is a savage kick in the guts. This is no simplistic street-gang film but a rivetting portrayal of the hopelessness and blind hatred of youth that is both controversial and profound. Chopper: An extraordinary movie about an extraordinary man the highly acclaimed and award winning Chopper is the boldest and grittiest Australian film in decades. Brimming with dangerous excitement and stunning innovation the sensational debut of rock director Andrew Dominik is an exhilarating sharp shock to the system revealing the no-holds-barred story of the notorious Oz criminal Mark 'Chopper' Read. Told in flashback as Read serves one of his many prisons sentences this extreme biography charts the brutal carnage and wicked sense of humour of a man who supposedly committed nineteen vicious murders and got away with it. Mixing startling facts from his nine best-selling books including 'How To Shoot Friends and Influence People ' with stylish pulp fiction to paint an astonishing portrait of a larger-than-life legend Chopper is funny fascinating and frightening and features a show-stopping central performance from Eric Bana Australia's top stand-up comedian.
Romper Stomper: An utterly engrossing story of rampaging neo-Nazi skinheads that may well be one of the most disturbing films. It's intoxicating violence and willingness to suspend moral judgement on its hypnotic characters make the film complex. Emotionally powerful and never afraid to portray the ugly destructive face of ignorance and prejudice 'Romper Stomper' excites disturbs and boldly challenges the viewer. Winner of 3 Australian Institute Awards including Best Actor (Russell Crowe) film critics have hailed Romper Stomper as one of the most brilliant provocative and truly exciting motion pictures to appear on the screen. (Dir. Geoffrey Wright 1992) Assault On Precinct 13: Isolated cut off inside an abandoned police station a handful of cops and some convicts on their way to Death Row must join forces and defend themselves against the gang called Street Thunder who have taken a blood oath to destroy. From the director of Halloween and The Thing Assault On Precinct 13 combines elements of the classic western and modern thriller to create a cult favorite. (Dir. John Carpenter 1976) American Yakuza: In America they call it the Mafia. In Japan they call it Yakuza. When they meet they call it war! Viggo Mortensen and Michael Nouri star in this explosive action-thriller about the first American accepted into the savage brotherhood of Japan's criminal underworld. Sent to infiltrate the American arm of the Yakuza FBI agent Nick Davis (Mortensen) rises through the ranks of assassins and is soon adopted into the powerful Tendo crime family. His work brings him into brutal conflict with not only the Italian mob run by Dino Campanela (Nouri) and hotheaded enforcer Vic (Nicky Katt Boiler Room) but also a hard-nosed FBI task force guided by unscrupulous Agent Littman (Robert Forster Jackie Brown). Caught dead center in a war between the Yakuza the mob and the FBI Davis must decide what's more important: his old loyaltiesor his new bond of blood. (Dir. Frank Coppello 1995)
The burning intensity of Russell Crowe (LA Confidential) first lit up screens as a hate-filled, Mein Kampf-spouting skinhead in this brutal Australian drama. Crowe glowers from under his deep-set eyes as Hando, the creepy but charismatic leader of a racist gang who declares war on the Asian immigrants pouring into Melbourne. His rage erupts in violent attacks on the local Vietnamese community, but when his victims fight back his gang breaks up, and Hando flees the city with his best buddy Davey (Daniel Pollock) and redheaded hellion Gabe (Jacqueline McKenzie), a rich girl runaway who turns the dynamic duo into a splintered love triangle. Writer-director Geoffrey Wright's matter-of-fact treatment of this subculture eschews social commentary for visceral immediacy. His portrait of white supremacist punks living like squatters on the fringes of Australian society is powered by coiled anger and simmering frustration, which finds its outlet in brutal fights and murderous rampages. The lack of moral position may bother some people, especially in light of Wright's sympathetic treatment of particular members of Hando's racist army, and the cold, hate-driven violence is sometimes hard to watch, but his vivid characters and richly drawn world create a compelling drama for adventurous filmgoers. --Sean Axmaker, Amazon.com
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