Benoit Jacquot's filmed Tosca treads a fine line between operatic staginess and cinematic contrivance. As per the libretto, each act takes place in a single setting, but with the singers here miming to a pre-recorded soundtrack. Jacquot freely reminds us of the conceit with cutaways to the recording session itself--revealing conductor, orchestra and soloists at work--thus a bridge is made between the on-screen action and the music-making itself, and the inherent duality of any opera production is laid refreshingly bare. The same cannot be said for the director's decision to interpolate spoken dialogue over the music in key places--a distraction not an enhancement. Angela Gheorghiu and Roberto Alagna are glamorous and attractive enough to make the most of their Hollywood-style close-ups; their singing easily bears similar close scrutiny--as anyone who owns the CD soundtrack album will surely already know. If Alagna lacks a little power as Cavaradossi on record, his charismatic screen presence happily compensates; Gheorghiu is both vocally and physically almost ideal as Tosca. Ruggero Raimondi's Scarpia completes an outstanding trio, and in the pit (or, rather, in the studio) conductor Antonio Pappano handles the drama of Puccini's score without missing a single nuance. Both musically and visually, then, this is a Tosca to treasure. On the DVD: Tosca on disc looks vibrant in this warm, widescreen picture accompanied by a DTS 5.1 soundtrack. Three filmed interviews--with Gheorghiu, Pappano and Jacquot--provide some insight into the making of this production. --Mark Walker
Inspector Morse provides all the period cosiness of an Agatha Christie costume drama but in an apparently modern setting. Morse is a contemporary detective with all the nostalgic appeal of Poirot or Sherlock Holmes, an anachronistic throwback who drives a classic car, listens to Wagner on LP, quaffs real ale in country pubs or single malt at home and quotes poetry whenever occasion arises (at least once or twice an episode). His much put-upon sidekick Segeant Lewis (Kevin Whateley) is the bemused ordinary copper who acts as a foil for his artistic and academic passions, and not incidentally allows the writers to explain any possibly obscure or learned references to the TV audience. With plots of crossword puzzle-like intricacy, top-drawer thespian guest stars, loving views of quintessentially English Tourist Board Oxfordshire countryside and literate screenplays from such luminaries as Malcom Bradbury, the show was a sure-fire hit across middle England.In 1994, after four successful series, John Thaw moved on to other projects (initially, the disastrous A Year In Provence) but always left the door open for more Morse. "The Remorseful Day" is, however, positively his final appearance. The story opens dramatically with a montage of kinky sex and murder, before settling down into a leisurely exploration of leads that might or might not be red herrings. More murders follow, naturally, as the story adds yet more twists. But this time things are different: Morse, on the very eve of retirement, is gravely ill. Convalescing at home he consoles himself with bird watching and a newly acquired CD player, but he is more than usually irritable and relations with Lewis, who is impatiently awaiting his own promotion to Inspector, are strained. Could Morse himself be the murderer? Certainly Chief Superintendent Strange (James Grout) is worried. The ultimate resolution of the case takes second place to the show's finale, which will be no surprise to anyone who has read Colin Dexter's novel. A poignant and dignified end to the casebook of a much-loved detective.On the DVD: This disc also includes a 96-minute appreciation of the Morse phenomenon, "Rest in Peace", presented by James Grout who plays Chief Superintendent Strange in the series, plus a music video of the Morse theme tune, "Yesterday is Here". --Mark Walker
These first 12 episodes from the second series of CSI: Crime Scene Investigation consolidate the show's well-deserved popular appeal, while beginning to explore (gently at first) beneath the slickly professional surface of the investigators themselves. Gradually we learn more about what makes Grissom and his astonishingly gifted forensics team tick, beyond merely that they're workaholics who seem to require no sleep at all. The show's trademark reveals of vital evidence--be it on the autopsy slab or under the microscope--add a fresh spin to what is, at heart, a good old-fashioned whodunit series. William Petersen brings the requisite air of antiquarianism to a character whose meticulous demeanour and love of order consciously inherits the mantle of Sherlock Holmes (whose vast collection of tobacco samples and bottles of chemicals are the ancestors of CSI's high-tech crime lab). This is a series in which scientific evidence-gathering is elevated to the status of a religion. "When a tree falls in the forest, even if no one is around to hear, it does make a sound", affirms Grissom with the calm assurance of a yogi on the path to Enlightenment. And just when CSI starts to seem a little too pat, just when the trail of clues seems too neat, the show always seems able to throw a surprise or two at us: perhaps there has been no crime after all; perhaps the evidence concerns a completely different crime altogether; or perhaps, as in one brave episode concerning brothers implicated in multiple murders, the evidence simply isn't good enough to convict the right man, even when Grissom knows which one really is guilty. As a result, every episode is simply compulsive viewing. On the DVD: CSI: Crime Scene Investigation, Series 2 Part 1 comes in a three-disc set with several worthwhile extras. There are cast and crew interviews, an on-set tour, a peek at the workshop where all the bloody body parts are created, and, most informative, selected episode commentaries featuring writer-creator Anthony E Zuiker and director and producer Danny Cannnon among others. Picture and Dolby Digital sound are impeccable. --Mark Walker
In the first eight episodes of Season 10 of Friends we have seen Joey and Rachel get it together and then separate Ross come unstuck at the tanning booth Emma's chaotic first birthday party the time-honoured Friends Thanksgiving meal and Phoebe receive a marriage proposal. But how does it all end ...? Contains the final episode ever of Friends: The Last One (Part 2)
David Suchet stars as Agatha Christie's sleuth Hercule Poirot in the complete collection of cases from the long running ITV series. Contains all the episodes and TV movies aired from 1989 to January 2006 (Poirot Collection vol.1-6).
Life And Death Of Colonel Blimp: Drama about the life of Clive Candy an English soldier who served in three wars (Boer World War I World War II) and had relationships with three women along the way (each played by Deborah Kerr). Despite Candy's tours-of-duty he harbors no ill will towards the Germans instead he believes they have been the pawns of military leaders. Colonel Blimp an old befuddled British military officer reminisces about his past glories in this witty w
Exploring London's real ghost stories from Biggin Hill airfield to a haunted Underground station, including interviews with eye-witnesses
It is a high stakes hard hitting police drama about a team of elite cops that handle the calls ordinary cops can't. The SWAT team highly trained in psychology uses state of the art weaponry to tackle terrorists and hostage situations. Starring Enrico Colantoni (Veronica Mars Just Shoot Me) Hugh Dillon (Durham County) and Amy Jo Johnson (Wildfire Felicity).
At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favour of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humour. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When two strangers stumble into international intrigue in the middle of a Los Angeles night anything can happen... and it does in this zany comedy directed by John Landis! Ed Okin is an insomniac with a cheating wife and a dull job. His chance for excitement looks hopeless until a mysterious blonde named Diana drops onto the bonnet of his car. She is being pursued by a gang of Iranian gunmen and despite Ed's reluctance he gets involved and Diana leads him on a murderous chase where
After the first season of Buffy The Vampire Slayer became a ratings success the show was renewed with a bigger budget and twice as many episodes. Seeds are sown through the early episodes for many of the stunning plot developments later in the season: there's a slow burn for the relationships building between Buffy and Angel (no surprise), Giles and Jenny (nice surprise), and Xander and Cordelia (huge surprise). Most importantly, we're introduced to important semi-regulars Spike and Drusilla ("School Hard"), Oz ("Inca Mummy Girl") and fellow Slayer Kendra ("What's My Line Part 1"). Their appearances tackle youth issues such as sibling rivalry, sexual maturity and rejection. But nothing that came before it prepared audiences for the latter half of season 2. In the extraordinary double act of "Surprise" and "Innocence" every aspect of the show grows up in a big hurry: the result of Buffy sleeping with Angel is a series of tragedies everyone is powerless to predict or prevent, a piece of powerful storytelling conveyed with pared-down dialogue and remarkable performances from the young cast. All of these threads are tied together then torn apart by the two-part finale "Becoming". With a cliffhanger ending to rival The Empire Strikes Back, the second chapter of Buffy The Vampire Slayer closes in tantalising style leaving everything at stake. --Paul Tonks On the DVD: The computer-animated menu opens this gorgeous box set in style with a tour through a dark and oppressive cemetery, a lavish display of graphics that's all the more impressive when compared to the uneventful DVD for the first season. Most of the extra features are concentrated on the last disc, which includes the obligatory biographies, trailers and TV spots that add little value to hardcore fans but serve as a good introduction to the world of Buffy for non-adepts. The three featurettes are captivating: "Designing Buffy" offers a wealth of information about the set designs, and even includes a walk through of Buffy's home; "A Buffy Bestiary" features every monster from the second season, and "Beauty and the Beats" explores the make-up artistry and special effects. There are also brief cast interviews, in which James Masters ("Spike") reveals his American accent. All in all the extras make a worthy accompaniment to the spectacular season 2 episodes, though one might regret that Joss Whedon did not offer a commentary on the double bill season finale "Becoming". --Celine Martig
History tells us 'what was'. It tells us when things happened. When kings and cultures lived and died armies were raised and vanquished and mighty empires rose and fell. History as we know it from books is often boring for it fails to answer one very simple question: What was it like? When war broke out in Europe in July 1914 people on all sides believed it would be over by Christmas. Little could they know just how wrong they were. By November 1918 ten million people had died and the political map of the world had been re-drawn. Caught up in the middle of this chaos were millions of ordinary men women and children. Their very lives changed in ways they could never have imagined. This is their story.
Writer/director/producer/comedian Yahoo Serious turns out his third opus this time starring as egg factory maintenance man Roger Crumpkin. Roger's a little bit cracked but his love for Sunday Valentine (Helen Dallimore) will make him stop at nothing to prove his worth. When it turns out his employers might be adding something to their eggs to make them more addictive Roger dons the yolk of social responsibility and sets out to scramble the factory's nefarious schemes!
More intriguing investigations for Agatha Christie's famed Belgian detective... The Adventure Of The Italian Nobleman: Hastings decides to buy an elegant car from Mr Vizzini's showroom. Whilst he is there Vizzini receives a message saying that his time is up. Later that day the messenger is found dead in his flat and Poirot and Hastings are drawn into the gangland underworld of London's Little Italy in a baffling case of elaborate blackmail. The Chocolate Box: Poirot is in Brussels accompanying Japp on a trip to receive the 'Branch d'Or' for services to Belgium. They meet up with some former colleagues who still have memories of a case that has apparently remained unresolved for twenty years.
In the third series of Angel the titular vampire with a soul was forced to stand alone thanks to the (temporary) death of his beloved Buffy and her show's move to a new network, with no crossover between the two allowed. He returns from seeking peace in a demon-haunted monastery to find the LA Angel Investigations team fighting supernatural crime in his absence. Fred is still haunted by the nightmare dimension from which they rescued her; Cordelia's visions get ever more painful and debilitating. The schemes of the evil law firm Wolfram and Hart become every more imaginative and dragon lady Lilah Morgan becomes even more of an enemy when lusting after Angel. Unbelievably, Darla, Angel's vampire sire and lover, turns up, pregnant with his child and is tortured by inexplicable motherly feelings as well as a raging thirst for human blood. For a few episodes things go pretty well--but Angel's enemies, both those he has made in his quest for redemption and those he made when he was unadulterated evil, are still out there. Stephanie Romanov comes into her silky own in this series, making Lilah Morgan all the more seductively evil because she is clear about the choices she has made; the satanic law-firm of Wolfram and Hart are this show's most inspired creation. As the series moves to its close, Wesley (Alexis Denisof) has hard choices to make. The devastating climax is compulsive viewing and this series also contains one of the most impressive single episodes of the entire show: in "Waiting in the Wings" writer, director and creator Joss Whedon comes up with a classic ghost story as Angel and his crew go to the ballet and find a performance that is literally timeless. On the DVD: Angel, Series 3 DVD box set is generously stocked with extra features--a season overview, commentaries on three episodes, a documentary on the way scripts are transferred to screen, and an overview of the story of the doomed vampire Darla. Of especial interest to fans are two deleted scenes--one from the ballet episode "Waiting in the Wings", in which Amy Acker (Fred) and Alexis Denisof (Wesley) dance a pas de deux at once touching and hilarious, and the other a hilarious scene from "Cordy", the cute situation comedy in which Cordelia stars in an alternate universe. --Roz Kaveney
Disney gives families a gift full of the spirit of the season as Ed Asner plays Horace McNickle a counterfeiter who escapes prison through his extraordinary likeness to St. Nick. The Police are closing in but Christmas is near so there are redsuited ones everywhere. McNickle is desperate to recover loot from an earlier caper and can't make a move until he takes advantage of two neighborhood kids who really believe he is Santa. After the kids come through it dawns on him that he has always missed the true meaning of the holidays. rather than make good on his escape he tries to make good on his promises.
A specially created box set containing all 7 seasons of Buffy The Vampire Slayer: over 100 hours of vampire ass-kicking action!
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