There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow between science and superstition and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call...The Twilight Zone! Episodes comprise: 1. Two 2. The Arrival 3. The Shelter 4. The Passerby 5. A Game of Pool 6.
Way Down East was the most successful film of the 1920s, even more so than the original versions of Ben-Hur or The Ten Commandments. That says much about tastes and values of the day, since this is no visually spectacular epic designed to wow audiences: director DW Griffith gave it the subtitle "A Simple Story of Plain People". The story follows impoverished New England country girl Anna Moore (Lillian Gish) to Boston in search of family aid. Instead she's duped into a fake marriage by playboy Lennox Sanderson (Lowell Sherman). Pregnancy forces Sanderson to abandon her to care for the child alone, which dies soon after birth. The disgrace sends her back into the countryside to work for Squire Bartlett, whose son David (Richard Barthelmess) begins to fall for her. But the dreadful secret threatens to be revealed, since the dastardly Sanderson turns out to be their neighbour. Themes of loyalty and social change come to a head for a thrilling finale. Amazing stunt work occurs on a frozen river's ice sheets that break up, dashing an unconscious Anna toward a waterfall. Populated by eccentric cameo roles, this view of 1920s' life is a far more fascinating exploration of the contemporary female than the novel or disastrous stage play that preceded it. On the DVD: Naturally a movie from 1920 is in mono and 4:3 ratio (which is effectively the old Academy standard ratio). But with subtle colour tints and using a musical score from its 1931 reissue, it still looks pretty good. Only a few reels have suffered damage (eg some heat blisters), otherwise film historian David Shepard's restoration job is commendable. The only extra is an essay on the history of the film which scrolls up the screen as an introduction. --Paul Tonks
Nine years is a long time for any group of Friends to stick so closely together, but somehow the gang are still as daftly charming as ever. After the birth of Emma, Rachel comes to terms with being a mother surprisingly well. It's how everyone else deals with it that makes things interesting. Joey's accidental proposal creates weird friction between him and Ross, who breaks his finger throwing the show's first ever punch. Monica becomes desperately broody and attempts all manner of convoluted ways of persuading Chandler (unfortunately he inadvertently bankrupts them in a move to Tulsa). Phoebe, on the other hand, occupies herself in the dating game, holding on to Mike (Paul Rudd) in the longest guest star relationship anyone's ever had. Other surprise guests this year include Freddie Prinze Jr as an overly sensitive nanny (in the 200th episode), Christina Applegate as another of Rachel's sisters and Jeff Goldblum playing himself on the set of another movie on which Joey is trying to get a break. As always the sparks occasionally fly between Rachel and Ross, while the others manage to strain their own relationships to the max. The real reason for watching now is the one-off kooky scenarios in which they--or rather Joey--get into. His endless dating finally sees him stuck for remembering if he's already slept with a girl; he botches an attempt at eyebrow waxing; and he manages to make Chandler think that Monica wants a breast enhancement. A 10th series and potential movie spin-off were announced well before the year was over, meaning six very rich actors will be supplying the fun for some time yet to come. --Paul Tonks
Children Of The Corn IV - The Gathering (Dir. Greg Spence 1996): The horror returns when the children of a small midwestern town are haunted by an unspeakable evil that lurks somewhere out behind the corn fields. A bright young medical student must solve the frightening mystery that plagues the children before a sinister stranger can claim their souls for his own! It's a pulse-pounding race against time and terror that will leave even the most die-hard suspense fans on the edge of their seats! Children Of The Corn V - Fields Of Terror (Dir. Ethan Wiley 1998): Six college students take a wrong turn and find themselves lost in a strangely deserted rural town only to discover that this deceptively quiet place hides a murderous cult of children controlled by evil forces! Yet even as bodies begin cropping up all around them the young friends decide to stay and rescue the children; or die trying... Children Of The Corn 666 - Isaac's Return (Dir. Kari Skogland 1999): Isaac's Return is the sixth and newest bone-chilling chapteriin the thrilling 'Children Of The Corn' series! On a trip to find her birth mother Hannah Martin picks up a dark stranger who kicks off a mysterious chain of events. Little does Hannah know that her journey may help fulfill a sinister prophecy made 19 years earlier by Isaac the cult's original evil leader! It's a hair-raising movie event you don't want to miss as Isaac makes his terrifying return and the frightening children of the corn achieve their ultimate destiny! Children Of The Corn VII - Revelation (Dir. Guy Magar 2001): When calls to her eccentric grandmother go unanswered Jamie Lowell is shocked to discover that her grandmother's last known address is a condemned tenement building overrun by uncontrollable children! But as Jamie slowly uncovers the truth behind her grandmother's mysterious disappearance she disturbs a powerful evil that now seeks to destroy her as well!
It's easy to forget that, though fronting the British war effort through most of World War Two, Winston Churchill had spent the previous decade isolated in Parliament and in an internal opposition to the Conservative party. Winston Churchill: The Wilderness Years dramatises this period, in which the growing menace of Nazism in Germany was met with indifference, even fear by governments of the day who were more concerned with their survival than in serving those who had elected them. Churchill is perceptively played by Robert Hardy who confirms the image without falling into caricature. Visionary and obstinate by turns, he galvanises his supporters and enrages his enemies with a passion borne of conviction. A seasoned British cast includes Peter Barkworth as the amiable but ineffectual Stanley Baldwin, Eric Porter as the truly "out of time" Neville Chamberlain, Edward Woodward as the scheming Samuel Hoare, and Nigel Havers as the tragically flawed Randolph Churchill. Martin Gilbert has done a persuasive job transforming his novel into a TV script, the scenes in the House of Commons having a gritty reality that makes compulsive viewing. On the DVD: It's a pity that the Southern Pictures production first screened in 1981 has emerged so dimly in this incarnation. Has the master tape eroded so badly, or was it simply not available? However, it's worth putting up with the technical defects to enjoy this historically informed and grippingly dramatic serial. --Richard Whitehouse
My Name Is Joe: A former alcoholic who is currently out of work keeps himself busy by coaching a football team in Glasgow. When one of his players becomes involved with local gangsters their lives are changed forever... Bread And Roses: Maya and Rosa are Mexican sisters living and working in downtown Los Angeles working for a pittence and in very hostile conditions. When they happen upon a young activist there seems to be hope as he vows to help them both get the justice they deserve.
The Ultimate Fighting Championship presents a war of a different nature as sixteen of North America's best fighters step into the Octagon to do battle. But unlike any event before it in mixed martial arts these men are fighting for much more than pride and rankings. They are fighting for their country... Bout List: UFC Middleweight Championship - Rich Franklin vs. David Loiseau Mike Swick vs. Steve Vigneault Georges St. Pierre vs. B.J. Penn Nathan Marquardt vs. Joe Doerksen Mark Hominick vs. Yves Edwards Sam Stout vs. Spencer Fisher Jason Lambert vs. Rob MacDonald Tom Murphy vs. Icho Larenas
It's clear why Melanie Griffith saw Mark Childress's bestselling book Crazy in Alabama, as the perfect vehicle for herself. The role of Lucille, a beautiful, battered wife in rural Alabama who dreams of glamorous movie stardom, is tailor-made for her. Griffith's husband, Antonio Banderas, has done quite a respectable job guiding her in this, his directorial debut; her performance--compelling, funny, and warm--is her best since Something Wild. (She also looks simply smashing.) Otherwise, the film is a curious amalgam of genres: an antic, surreal Southern Gothic comedy combined with a deadly serious civil-rights parable. As the movie opens, in the summer of 1965, Lucille (Griffith) has just murdered her abusive husband and is blowing town for Hollywood with his head in a Tupperware container. Scenes of her wacky cross-country road trip are interspersed with incidents back in Alabama involving clashes between protesting blacks and murderously intolerant whites. One can't imagine how these two seemingly disparate narrative lines will come together, but they do, in a surprisingly effective manner. The moral of both stories turns out to be: "You can bury freedom, but you can't kill it". Stand-out performances by Robert Wagner, as Lucille's Hollywood agent; Rod Steiger, as a quirky Southern judge; Lucas Black (Sling Blade) as Lucille's highly principled young nephew; and, believe it or not, Meat Loaf, as a brutal, bigoted Southern sheriff give the film an additional boost. --Laura Mirsky
The setting is Camp Firewood the year 1981. It's the last day before everyone goes back to the real world but there's still a summer's worth of unfinished business to resolve. At the center of the action is camp director Beth who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA's Skylab which is hurtling toward earth. All that plus: a dangerous waterfall rescue love triangles mis
Deep in the heart of the Dark Continent something evil is taking place. Someone is poisoning the water and many innocent people may die. A ninja power is at work... But who controls this evil force?
Jack And The Beanstalk: The legendary comedic duo Abbott and Costello provide fairy tale fun for kids (of ALL ages!). The wacky pair pretty much stick to the outline of the original childrens fairytale but add their own signature comic flourishes and slapstick details. Utopia: Stan and Ollie inherit a yacht along with a small island. They set sail accompanied by a stateless refugee and a stowaway. A violent storm causes our heroes to crash on their island. Together
A macabre mix of humor and horror that shot director John Landis to fame. This classic horror/comedy tells the beastly tale of two American youths David and Jack (Naughton and Dunne) whose European adventure turns to terror after they are attacked by a werewolf. One of the travelers is killed but the other's fate is worse than death as every full moon now seems to bring out the beast in him.
Video 86 - 98 (2 Discs)
Look out universe! When the galaxy-wide World Welfare & Welfare Agency unleashes the infamous Dirty Pair Kei and Yuri it's a case of every sentient being for itself! From the bestselling novels by Haruka Takachiho comes the apocolyptic saga of two young women destined to go down in history as the most destructive force known to man. Meet Kei and Yuri two junior level agents with a proclivity for being in the wrong place at the wrong time with just enough firepower to blow their way out of a bad situation and into something worse! Includes 6 complete episodes.
When Jan Scruggs return home from the Vietnam War he feels alienated from the world he left only two short years ago Jan only feels comfortable when he is in the company of someone with whom he shares a common bond - another Vietnam veteran.Jan forms an ideal to heal the wounds of a nation split apart by war; and at a veterans' meeting suggests a memorial to those who fought in Vietnam. Jan's idea is met with angry disapproval and so he takes on the memorial as his personal goal determined to honour those who served.
The Water Babies tells the story of Tom, a chimney sweep who gets framed for theft in 1850s England. Even though a young girl named Ellie knows the real thieves' identities and tries to clear Tom's name, Tom's desperate escape run lands him right in the middle of Dead Man's Pool. Assumed to have met certain death, Tom gets sucked into a magical underwater world. Tom befriends the creatures he meets beneath the sea, and they accompany him on a journey to the land of Water Babies, where he intends to ask the all-powerful Cracken to help him return to the world above the water. However, when Tom finally does manage to return to land, life is far from idyllic as he must set out clear his name and trap the real thieves. Many adults possess fond memories of seeing this 1978 movie as children. The land portions of this musical feature live-action footage, while the water sequence is fully animated. To a fresh, modern audience, the abrupt change from one format to the other is somewhat disconcerting, as is the choppy, older animation style. The story, based on the classic children's book of the same name by Charles Kingsley, is an intriguing look at both Victorian culture and the fantasy world. (Ages 4-8) --Tami Horiuchi, Amazon.com
Originally made for television, Blood Crime is a standard thriller with a better-than-usual plot. Seattle detective Daniel Pruitt (Jonathan Schaech) goes out to the country with his wife Jessica (Elizabeth Lackey, Mulholland Drive), who is brutally attacked; hysterical, she accuses an innocent man, whom Pruitt beats severely. But when he finally contacts the local sheriff (James Caan) the beaten man turns up dead and turns out to be the sheriff's son. Now Pruitt has to find the real murderer before the evidence starts pointing to him. The script isn't subtle, and as a larger mystery unfolds, some elements of Blood Crime are a little too convenient--but the tension between Pruitt and the sheriff remains surprisingly taut, the story zips along, and--for the genre--the character motivations are unusually plausible. --Bret Fetzer
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