Larry David has it all - money security famous friends a nurturing wife a devoted agent a new oceanfront home. So why is he still so intent on making a mess out of his life? Just because you've made it doesn't mean you've got it made. Curb Your Enthusiasm folks - it's the HBO comedy series starring Larry David...as Larry David! Episodes comprise: 1. Mel's Offer 2. Ben's Birthday Party 3. The Blind Date 4. The Weatherman 5. The 5 Wood 6. The Car Pool Lane 7. The S
Anthony Hopkins heads the star-studded cast of the trilogies gripping conclusion. As the powerful and beautiful Paula O'Neill finds her empire under attack it seems that only one man has the expertise and connections to save her.
K2 is a thrilling action adventure about two men Taylor Brooks (Michael Biehn) and Harold Jamieson (Matt Craven) attempting to conquer the most feared mountain in the world. Their quest takes them from America to the sheer peaks of Alaska where they encounter and join a group preparing for the mammoth expedition. Then on to the mighty Karakoram mountain range in Northern Pakistan where K2 ""The Savage Mountain"" awaits. One by one the mountaineers are faced with setbacks and disast
Now firmly established as the top-rated US drama, by its third year CSI: Crime Scene Investigation is a show positively glowing with confidence. Even when individual cases seem either too contrived or too easily resolved, the indefatigable night shift at the Las Vegas PD crime lab always look the part, solving conundrums and discovering microscopic damning evidence while, apparently, never shedding their own loose hair or skin cells all over the supposedly quarantined crime scenes. In reality, Catherine Willows' flowing blonde locks would contaminate any evidence she collected, but in the world of CSI only the bad guys leave body parts behind--the CSIs themselves are so good they're positively pristine. The first 12 episodes of season 3 on this three-disc set present more deliciously bizarre situations for the problem-solving sleuths: cannibalism, snuff movies, dwarfs, death while drag racing, bodies falling from the sky, and various dismemberments all tax the team's acumen. These are all double or multiple-case episodes, though in a characteristic trick of the writing sometimes apparently unrelated murders turn out to be connected (or vice versa, as in "Blood Lust", where a road accident victim is not what he seems, and the death of the driver at the hands of an angry mob is made all the more tragic.) The mix of genuine forensic science with the glossiest Jerry Bruckheimer production values, plus the virtues of a good ensemble cast headed by William Peterson's modern-day Sherlock Holmes, remains as compelling as ever. --Mark Walker
The second half of CSI's third season serves up generous amounts of the bizarre and depraved for our voyeuristic viewing pleasure: a man driving with a wooden spike in his head, ultra-violent Robot Wars, decomposing bodies in toxic waste drums and violent death during foam-soaked debauchery all add up to a typical night's work for the Las Vegas crime lab. Standout episodes include the 90-minute special, "Lady Heather's Box", in which Grissom renews his acquaintance with the sultry bordello madam and her world of S&M. But is the delightful dominatrix the murderer? In "Night at the Movies" the plot hinges on a reworking of a Hitchcock classic and in "Play with Fire" an explosion in the lab has disastrous consequences for the team. Personal concerns come to the fore in these 12 episodes more prominently than ever before (a contrast to the show's original single-minded focus on the cases). Here, Sara Sidle's paramedic boyfriend unwittingly reveals a guilty secret when he is involved in a devastating car accident ("Crash & Burn"); Warwick witnesses his boyhood mentor falling apart when the older man's daughter is killed in a drive-by shooting ("Random Acts of Violence"); Catherine Willows' daughter and ex-husband are caught up in more violence and mayhem; and Grissom finally has to admit that his hearing problem can no longer be ignored. A welcome development is the expansion of the CSI unit and the introduction of some new, albeit secondary, team members. Guest stars include Elizabeth Berkely ("Lady Heather's Box") and Bobcat Goldthwait ("Last Laugh"). The show remains unrivalled for slick, fast-paced entertainment. On the DVD: CSI, Series 3 Part 2 is a three-disc set with a handful of minor extra features. It has two frankly rather uninspiring episode commentaries featuring the directors, scriptwriters and other crew. Better are the two small featurettes--"Making It Real" and "The Writer's Room"--that shed more light on the making of the show. --Mark Walker
A 1991 comedy, Delirious stars John Candy as the head writer on a soap opera set in the fictional small town of Ashford Falls, whose naff power dressing and power wrangling is distinctly reminiscent of Dynasty. Candy has a crush on the somewhat imperious and Joan Collins-esque star of the show, played by Emma Samms, although waiting in the wings to be written into the show is the more wholesome and unaffected actress Mariel Hemingway. Delirious takes a turn when Candy is felled in an accident and awakes, supernaturally, to find himself in the very world of his own soap, with Ashford Falls a real town and its fictional characters, including Samms, now real people. Candy discovers, however, that in this world he has the power to "write" situations as they suit him--in this case, by casting himself as a dashing, wealthy and mysterious Wall Street hero, able to sweep Samms off her feet. The film is in some ways a precursor of Pleasantville (in which two teens are sucked into the world of a "Honey, I'm home" black and white 1950s sitcom). However, between them the star, writers and director (Tom Mankiewicz) make a ham fist of Delirious. The parody of soap mores is quite well done but quickly palls in its obviousness; Candy's performance is misjudged, as if trying too hard to make the best of a bad job; while overall, the film feels cheap, tacky and broad, once again raising the question why in the 1980s and 90s America produced such great sitcoms but such poor film comedies. On the DVD: Delirious is presented in 1.85:1 anamorphic widescreen. It's a decent enough edition but looks its age in places, in terms of colour definition in particular. The only extra is the original trailer. --David Stubbs
The third season of HBO's comedy sensation offers more of the same. "Not that there's anything wrong with that," to quote Larry David's other television series, a certain little sitcom called Seinfeld. Consequently, Curb Your Enthusiasm's junior year means more Larry (Larry David) and more of his hilariously embarrassing mishaps. It also means more of his patient spouse Cheryl (Cheryl Hines), avuncular manager Jeff (Jeff Garlin), Jeffs foul-mouthed wife Susie (Susie Essman), and assorted celebrity pals, including Richard Lewis, Ted Danson, Wanda Sykes, Paul Reiser, and Martin Short, all playing themselves (or, like Larry, versions thereof). The theme that (loosely) ties these 10 episodes together is Larry's involvement in upscale eatery Bobo's, in which Danson and Michael York (yes, that Michael York) are co-investors. As expected, the restaurant will serve to complicate Larry's life in every conceivable way--and vice versa. But the funniest (and most profane) episode must surely be "Krazee-Eyez Killa," starring Chris Williams (Dodgeball: A True Underdog Story) as the fidelity-impaired gangster rapper to whom Wanda has become engaged. This riotous installment, which sends up Jewish, Italian, and African American gangsters alike, won an Emmy for Robert B. Weide's direction and features that old master-of-direction himself, Martin Scorsese, who first appeared in "The Special Section" (in which Larry bribes a gravedigger to relocate his mothers gravesite). It's also the episode in which Larry gets a hair stuck in his throat. That hair, which once belonged to someone rather close to him, will remain lodged there for the next several episodes, until a "divine intervention" in "Mary, Joseph and Larry" dislodges it once and for all--along with the last of Larry's dignity. --Kathleen C. Fennessy
Thanks to its focus on more single-case episodes, the second half of CSI's second series is an even more highly concentrated dose of forensic puzzle-solving from the Vegas science sleuths. With the whole team working together on one puzzle crime (or series of crime puzzles), the group dynamic is elaborated and the audience drawn deeper into each investigation. The first three episodes are all single cases: "Identity Crisis" sees the return of Grissom's nemesis, serial killer Paul Millander; in "The Finger", Catherine is caught up in an elaborate kidnap plot; while in "Burden of Proof", a stray body in a "body farm" leads to a difficult case of child abuse. After a brief return to the two-investigation-per-episode format, the team unite once more for one of their most intriguing cases, "Chasing the Bus", in which they must unravel the mystery of a bus crash in the desert. "Stalker" is possibly the show's most terrifying episode to date, with a woman found murdered behind the safely locked doors of her apartment. The season concludes with "Cross Jurisdictions", a rather unsubtle way of introducing the spin-off show CSI: Miami and, finally, "The Hunger Artist", a somewhat strained attempt to comment on our society's obsession with glamour and self-image, which is most notable for Grissom's devastating discovery that his hearing problems are not only congenital, but irreversible. --Mark Walker
Someone to Watch Over Me is a stylish, smart film noir directed by Ridley Scott (Blade Runner). The movie stars Tom Berenger as a New York cop and family man who falls for the rich and beautiful witness (Mimi Rogers) he's assigned to protect. Scott, who always displays a distinctive eye for extraordinary art direction, does something here he should be doing a lot more often: directing contemporary noir. Berenger and Rogers rise to the occasion, seemingly aware that they're making something special. --Tom Keogh, Amazon.com
The latest in a long line of successful US police dramas, the forensic cop show Crime Scene Investigation varies the formula by focusing on a team of civilian scientists who work the night shift in Las Vegas, poring over crime scenes for fingerprints, blood spatters, DNA-laced mucus and (especially) maggots. Star William Petersen plays a variation of his role from Manhunter, the cool puzzle-solving genius who can rattle off mystifying speeches with aplomb, while his contrasting partner is Marg Helgenberger, cast as a single mother/ex-stripper who is as concerned with the emotional as well as the physical mess left by crime. While most US cop shows (witness NYPD Blue) tend towards soap, neglecting the cases in favour of personal crises, CSI gives its regulars enough life to make them human but is essentially puzzle-based, with individual episodes following two or three cases à la Homicide: Life on the Street. The occasional special focuses on a major job with the team investigating the slaughter of a whole family ("Blood Drops") or a death in first class on a plane over Vegas ("Unfriendly Skies"). A few continuing threads are laid down, with a recurrent villain who gets away, but will inevitably return, but on the whole these shows play pretty well as one-offs. Very high-tech in style, with lots of zooms into microscopic examinations of hair follicles or stomach contents and distinctive visualisations of the different stories told by witnesses and evidence, this is one of the best shows currently airing. On the DVD: CSI's first DVD box set contains the show's first 12 episodes: the pilot followed by "Cool Change", "Crate & Burial", "Pledging Mr Johnson"; "Friends and Lovers", "Who Are You?", "Blood Drops"; "Anonymous", "Unfriendly Skies", "Sex Lies and Larvae"; "The I-15 Murders" and "Fahrenheit 932". In addition to inventive menus, the three-disc set offers character profiles, a trailer, some B-roll on-set footage, a subtitle option, and snippet-like interviews with the cast and creatives. --Kim Newman
The second half of CSI's first year takes Grissom and his untiring team down some darker paths than before. Nick finally gives in to his urges and sleeps with the hooker who has a crush on him in "Boom"--with predictably disastrous consequences. Sarah is badly affected by the rape and attempted murder of an unknown woman in "Too Tough to Die"; and even Grissom is shaken when dealing with the sudden death of an infant in "Gentle, Gentle". The final episode of the year, "Strip Strangler", is a real shocker, as the team track a brutal serial killer. Elsewhere, the morbid business of investigating corpses and crime scenes is enlivened with flashes of welcome humour: when a horse is found dead with packets of uncut diamonds concealed in its uterus, Grissom deadpans "This horse is a mule". Throughout, the show remains focused on its scientific remit, only revealing enough of the characters' private lives to provide added piquancy to each investigation: Sarah's complete lack of a life outside her work; Warrick's old gambling habit; Catherine's attachment to her daughter and troubles with ex-husband Eddie; Nick's over-eagerness to please. Grissom, meanwhile, like the Dalai Lama, is the model of inscrutable wisdom. The show itself, like a millennial antidote to a decade of X-Files, is relentlessly empirical: everything that initially seems mysterious--from spontaneous human combustion to an apparent case of vampirism--is always explicable and explained by the team's scientific dedication. On the DVD: CSI, Series 1 Part 2 contains 11 episodes on three discs. Extra features consist of a brief promo featurette, production notes and a series of on-set interviews with the cast. Oddly for such a cutting-edge show, picture is old-fashioned 4:3 with basic Dolby stereo sound. --Mark Walker
It's all here. All the cases. All the evidence. All the solutions. All 23 episodes of the Golden Globe nominated first season of CSI. Now available in this special edition DVD set. Episodes comprise: 1. Pilot 2. Cool Change 3. Crate 'n Burial 4. Pledging Mr. Johnson 5. Friends & Lovers 6. Who Are You? 7. Blood Drops 8. Anonymous 9. Unfriendly Skies 10. Sex Lies and Larvae 11. I-15 Murders 12. Fahrenheit 932 13. Boom 14. To Halve And To Hold 15. Table Stakes 16.
These first 12 episodes from the second series of CSI: Crime Scene Investigation consolidate the show's well-deserved popular appeal, while beginning to explore (gently at first) beneath the slickly professional surface of the investigators themselves. Gradually we learn more about what makes Grissom and his astonishingly gifted forensics team tick, beyond merely that they're workaholics who seem to require no sleep at all. The show's trademark reveals of vital evidence--be it on the autopsy slab or under the microscope--add a fresh spin to what is, at heart, a good old-fashioned whodunit series. William Petersen brings the requisite air of antiquarianism to a character whose meticulous demeanour and love of order consciously inherits the mantle of Sherlock Holmes (whose vast collection of tobacco samples and bottles of chemicals are the ancestors of CSI's high-tech crime lab). This is a series in which scientific evidence-gathering is elevated to the status of a religion. "When a tree falls in the forest, even if no one is around to hear, it does make a sound", affirms Grissom with the calm assurance of a yogi on the path to Enlightenment. And just when CSI starts to seem a little too pat, just when the trail of clues seems too neat, the show always seems able to throw a surprise or two at us: perhaps there has been no crime after all; perhaps the evidence concerns a completely different crime altogether; or perhaps, as in one brave episode concerning brothers implicated in multiple murders, the evidence simply isn't good enough to convict the right man, even when Grissom knows which one really is guilty. As a result, every episode is simply compulsive viewing. On the DVD: CSI: Crime Scene Investigation, Series 2 Part 1 comes in a three-disc set with several worthwhile extras. There are cast and crew interviews, an on-set tour, a peek at the workshop where all the bloody body parts are created, and, most informative, selected episode commentaries featuring writer-creator Anthony E Zuiker and director and producer Danny Cannnon among others. Picture and Dolby Digital sound are impeccable. --Mark Walker
Exclusively available at Amazon.co.uk, this box set contains the complete second series of CSI: Crime Scene Investigation. The second series consolidates the show's well-deserved popular appeal, while beginning to explore (gently at first) beneath the slickly professional surface of the investigators themselves. Gradually we learn more about what makes Grissom and his astonishingly gifted forensics team tick, beyond merely that they are workaholics who seem to require no sleep at all. The show's trademark reveals of vital evidence--be it on the autopsy slab or under the microscope--add a fresh spin to what is, at heart, a good old-fashioned whodunit series. And just when CSI starts to seem a little too pat, just when the trail of clues seems too neat, the show always seems able to throw a surprise or two at us: perhaps there has been no crime after all; perhaps the evidence concerns a completely different crime altogether; or perhaps, as in one brave episode concerning brothers implicated in multiple murders, the evidence simply isn't good enough to convict the right man, even when Grissom knows which one really is guilty. Thanks to its focus on more single-case episodes, the latter episodes provide an even more highly concentrated dose of forensic puzzle-solving. With the whole team working together on one puzzle crime (or series of crime puzzles), the group dynamic is elaborated and the audience drawn deeper into each investigation. "Identity Crisis" sees the return of Grissom's nemesis, serial killer Paul Millander; in "The Finger", Catherine is caught up in an elaborate kidnap plot; in "Burden of Proof", a stray body in a "body farm" leads to a difficult case of child abuse; while "Chasing the Bus" brings the team together to unravel the mystery of a bus crash in the desert. "Stalker" is possibly the show's most terrifying episode to date, with a woman found murdered behind the safely locked doors of her apartment. The season concludes with "Cross Jurisdictions", a rather unsubtle way of introducing the spin-off show CSI: Miami and, finally, "The Hunger Artist", a somewhat strained attempt to comment on our society's obsession with glamour and self-image. --Mark Walker
Now firmly established as one of the top-rated television dramas, by its third year CSI: Crime Scene Investigation is a show positively glowing with confidence. Even when individual cases seem either too contrived or too easily resolved, the indefatigable night shift at the Las Vegas PD crime lab always look the part, solving conundrums and discovering microscopic damning evidence while, apparently, never shedding their own loose hair or skin cells all over the supposedly quarantined crime scenes. In reality, Catherine Willows' flowing blonde locks would contaminate any evidence she collected, but in the world of CSI only the bad guys leave body parts behind--the CSIs themselves are so good they're positively pristine. The 23 episodes of season 3 on this five-disc set present more deliciously bizarre situations for the problem-solving sleuths: cannibalism, snuff movies, dwarfs, death while drag racing, bodies falling from the sky, and various dismemberments all tax the team's acumen. These are all double or multiple-case episodes, though in a characteristic trick of the writing sometimes apparently unrelated murders turn out to be connected (or vice versa, as in "Blood Lust," in which a road-accident victim is not what he seems, and the death of the driver at the hands of an angry mob is made all the more tragic). The mix of genuine forensic science with the glossiest Jerry Bruckheimer production values, plus the virtues of a good ensemble cast headed by William Peterson's modern-day Sherlock Holmes, remains as compelling as ever. --Mark Walker
Stephen Bradley's deliciously wicked horror/comedy in which a boy declares his love for his girlfriend only to die the same night. He is brought back to life by his mother as a flesh-craving zombie who sires more teen undead while trying to control his appetite for his beloved...
Arthur Goldman a rich Jewish industrialist who lives in luxury in Manhattan and is irreverent about many things Jewish is arrested by Israeli secret agents for allegedly being a Nazi war criminal... Robert Shaw best known for his acting roles in movies such as 'From Russia With Love' and 'Jaws' turned playwright to create this brilliant drama inspired by the trial of Adolf Eichmann concerned with guilt paranoia conspiracy theories and martyrdom. Directed by Arthur Hiller
Murder, and its tale-telling aftermath, is the compelling subject of CSI: Crime Scene Investigation. Since its inauguration in late 2000 CSI has been a ratings triumph, spawned two spinoffs (CSI: Miami and CSI: New York and positioning itself for long-term success. Creator Anthony Zuiker's foolproof formula was established early on, bolstered by a fine ensemble cast and requiring minimal tweaking as the seasons progressed; its Las Vegas-based "criminalists" eventually became "CSIs" steeped in the scientific minutiae of forensic investigation, but the series arrived essentially intact, with an irresistible (and seemingly inexhaustible) supply of corpses and the mysteries that surround them. Influenced by the graphic precedent of movies like Seven and Kiss the Girls, CSI matches morbidity with dispassionate methodology; viewers are so fascinated by the investigative process that they're unfazed by intimate autopsies and internal (i.e., digitally animated) views of traumatized flesh, bone, and sinew. While keeping abreast of cutting-edge technologies, CSI combines the ingenuity (and fallibility) of villains with the appealing humanity of its heroes. CSI director and entomologist Gil Grissom (played by series co-producer William Petersen) is introverted but ethically intense; he's both mentor and moral compass for his night-shift team, including a former stripper-turned-CSI (Marg Helgenberger); a recovering gambler (Gary Dourdan); an eager ace (George Eads) with room for improvement; a workaholic (Jorja Fox) who can't always remain emotionally detached from her cases; and a chief detective (Paul Guilfoyle) who's a necessary link to police procedure. Like The X-Files, CSI supports its characters with feature-film production values, employing a Rashomon structure that turns murder into a progressively accurate study of cause and effect. Script quality is consistently high ("Blood Drops" and "Unfriendly Skies" are exceptional), direction is slick and sophisticated, and the mysteries are complex enough to invite multiple viewings. Despite a regrettable shortage of DVD features, CSI remains addictively worthy of its lofty reputation. --Jeff Shannon
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