Unleashed through the TV and bringing Hell direct to your living room. Resurrected out of the dark forbidden zone, the world's ugliest demons are causing carnage in an apartment block, eating the residents and spreading their deadly plague. Watch as a teenage birthday girl ruins the party by eating her guests, see bodybuilders torn to shreds and tremble in terror as possessed children run amok. Will anyone survive or will the demons rise once more and destroy us all? Arrow Video is proud to present this horror classic in a sumptuous 4K restoration, more vivid and terrifying than ever before, alongside a wealth of bonus features old and new, making this the ultimate experience in celluloid terror. Special Features: New 4K restoration by Arrow Films from the original camera negatives 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) and High Definition (1080p) Blu-ray presentation Lossless English and Italian DTS-HD Master Audio 5.1 mixes, derived from the original 4-channel Dolby Stereo elements Original lossless English 1.0 mono track Original lossless Italian 2.0 stereo audio track English subtitles for the Italian soundtrack Optional English subtitles for the deaf and hard of hearing for the English soundtrack New audio commentary by critic Travis Crawford Archival audio commentary by director Lamberto Bava and special makeup effects artist Sergio Stivaletti, moderated by journalist Loris Curci Together and Apart, a new visual essay on space and technology in Demons and Demons 2 by author and critic Alexandra Heller-Nicholas Creating Creature Carnage, an archival interview with Sergio Stivaletti Bava to Bava, an archival interview with Luigi Cozzi on the history of Italian horror Italian theatrical trailer English theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais
The mission was a sham. The murders were real. What if one of the greatest space adventures was really a hoax? The whole world is watching the first manned flight to Mars prepare. Suddenly its astronauts (James Brolin Sam Waterson and O.J. Simpson) are taken from the craft to an abandoned desert hanger where NASA's director (Hal Holbrook) tells them their life support systems have failed. Because the mission's success is crucial to future space programs he orders them to ta
Almost universally derided on its first release as the worst of the Star Trek movies to date, The Final Frontier may just have been the victim of bad press. Following in the wake of the massively successful fourth instalment The Voyage Home didn't help matters (notoriously, even-numbered entries are better), nor did having novice director and shameless egomaniac William Shatner at the helm. But if the story, conceived and co-written by Shatner, teeters dangerously on the verge of being corny at times, it redeems itself with enough thought-provoking scenes in the best tradition of the series, and a surprisingly original finale. Granted there are a few too many yawning plot holes along the way, and the general tone is over-earnest (despite some painfully slapstick comedy moments), but the interaction of the central trio (Kirk, Spock and McCoy) is often funny and genuinely insightful; while Laurence Luckinbill is a charismatic adversary as the renegade Vulcan Sybok. True, the rest of the cast scarcely get a look in, and the special effects betray serious budgetary restrictions, but with a standout score from Jerry Goldsmith and a meaty philosophical premise to play around with, Star Trek V looks a lot more substantial in retrospect. Certainly it's no worse than either Generations or Insurrection, the next "odd-numbered" entries in the series. On the DVD: This is a non-anamorphic widescreen (2.35:1) print, with only two trailers as extra features. Quite frankly, Star Trek fans are being short-changed. --Mark Walker
A mailman adopts a dog that, unbeknown to him, is an FBI drug-sniffing dog who has escaped from the witness relocatio programme. Mayhem ensues when a hit man is sent to destroy the dog.
The story of the history of bowls one of the oldest sports which was even played by William Shakespeare and Henry VIII. This programme covers little known facts about the game and includes film footage of the stars of the game in action plus interviews with David Bryant Tony Allcock and Richard Corsie.
The story of ""Demon"" continues as a birthday party in a high-security apartment building (with bullet-proof windows) is interrupted when the birthday girl is transformed by a horror movie on TV into a demon. All hell breaks loose as the residents unable to escape the building are forced to battle the zombie-demon neighbors
Mark Twain's Beloved Story. Live Action.
Thanks to repeated showings on cable television and home video, this speculative thriller has built quite a loyal following since its release in 1978. The provocative "what if?" scenario still packs a punch, even if it is not always believable. James Brolin, Sam Waterston and O J Simpson star as three astronauts who agree to spare the government embarrassment by faking their historic landing on Mars after their spacecraft is determined to be unsafe for blastoff. When a scheming mission controller (Hal Holbrook) plots to kill the astronauts in a staged capsule fire, the trio embarks on a dangerous mission to expose the truth. Elliott Gould costars as the journalist determined to crack the conspiracy, and director Peter Hyams turns up the tension with an exciting chase sequence involving Telly Savalas as an eccentric barnstormer who comes to Gould's aid in his attempt rescue the hoax mission's sole survivor. --Jeff Shannon
Almost universally derided on its first release as the worst of the Star Trek movies to date, The Final Frontier might just have been the victim of bad press. Following in the wake of the massively successful fourth instalment The Voyage Home didn't help matters (notoriously, even-numbered entries are better), nor did having novice director and shameless egomaniac William Shatner at the helm. But if the story, conceived and cowritten by Shatner, teeters dangerously on the verge of being corny, it redeems itself with enough thought-provoking scenes in the best tradition of the series, and a surprisingly original finale. Granted there are a few too many yawning plot holes along the way, and the general tone is over-earnest (despite some painfully slapstick comedy moments), but the interaction of the central trio (Kirk, Spock and McCoy) is often funny and genuinely insightful; while Laurence Luckinbill is a charismatic adversary as the renegade Vulcan Sybok. The rest of the cast scarcely get a look in, and the special effects betray serious budgetary restrictions, but with a standout score from Jerry Goldsmith and a meaty philosophical premise to play around with, Star Trek V looks a lot more substantial in retrospect. Certainly it's no worse than either Generations or Insurrection, the next "odd-numbered" entries in the series. --Mark Walker
The one film in John Cusack's filmography he'd probably like us all to forget, this 80s-style preppy-in-peril film (compare and contrast with After Hours and Something Wild) casts him as a college student who gets mixed up with pirates and drug runners around the Caribbean. The wannabe screwball comedy falls flatter with each gag but Cusack's hang-dog sweetness and knack with one-liners carries it through and at the very least it's worth catching if only for a glimpse of Ben Stiller in his pre-There's Something About Mary fame days, in a double act here with his real-life father Jerry Stiller. --Leslie Felperin
Thanks to repeated showings on cable television and home video, this speculative thriller has built quite a loyal following since its release in 1978. The provocative "what if?" scenario still packs a punch, even if it is not always believable. James Brolin, Sam Waterston and O J Simpson star as three astronauts who agree to spare the government embarrassment by faking their historic landing on Mars after their spacecraft is determined to be unsafe for blastoff. When a scheming mission controller (Hal Holbrook) plots to kill the astronauts in a staged capsule fire, the trio embarks on a dangerous mission to expose the truth. Elliott Gould costars as the journalist determined to crack the conspiracy, and director Peter Hyams turns up the tension with an exciting chase sequence involving Telly Savalas as an eccentric barnstormer who comes to Gould's aid in his attempt rescue the hoax mission's sole survivor. --Jeff Shannon
Once upon a time Jill Sabrina and Kelly were police officers whose skills were being wasted in menial duties. A mysterious millionaire named Charles Townsend took them away from all that by opening his own private investigation agency and hiring these gorgeous ladies as his operatives with John Bosley acting as their assistant and liaison. Charlie's Angels star in these two action-packed episodes from the first series of the original '70s hit TV show! To Kill an Angel: A t
The Perfect Man (Dir. Mark Rosman 2005): Teenager Holly Hamilton (Hilary Duff) is fed up of moving every time her single-parent mother Jean (Heather Locklear) breaks-up with another dead-beat boyfriend. To distract her mother from her latest bad choice Holly conceives the perfect plan for the perfect man - an imaginary secret admirer who will romance Jean and boost her self-esteem. When the virtual relationship takes off Holly finds herself having to produce a suitor from
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