Two brothers get caught up in Ireland's bid for independence in 1920.
Evil never gets old in this horror thriller from the creator of The Purge and the producer of Halloween. Rebellious twentysomething Max is sentenced to community service at a quiet retirement home. The residents on the fourth floor are strictly off-limits, said to require special care. As his suspicions grow and he digs deeper, he uncovers a chilling secret that puts both the residents' lives and his own in grave danger. Starring Pete Davidson (The King of Staten Island), John Glover (Scrooged), Ethan Phillips (Inside Llewyn Davis) and Bruce Altman (Running Scared). The Home is written by Adam Cantor and James DeMonaco (The Purge) and is directed by DeMonaco.
Based on the first-hand experience of director Oliver Stone, this is powerful, intense and starkly brutal. Harrowingly realistic and completely convincing, it is a dark, unforgettable memorial to every soldier whose innocence was lost in Vietnam.
Director Neil Jordan's gothic outing is a unique excursion into horror.
If it weren't for the fact that John Boorman's Point Blank was already a definitive take on Richard Stark's novel The Hunter (reissued under the title Payback), Payback would be a well-above-average 90s action movie. The original toughness is diluted: Mel Gibson's Porter, replacing Lee Marvin's Walker and Stark's Parker, comes on like a hardnut but turns into a softie when he hooks up with call-girl Maria Bello (and he even likes dogs). Double-crossed and wounded after shifty Gregg Henry dupes Porter's wife (Deborah Kara Unger) into betraying him, Porter sets out to get back the $70,000 share of a heist that he feels he is owed. Because Henry has used the money to buy his way into "the Outfit", he has to deal not only with the squirming scumbag but a hierarchy of corporate mobsters (William Devane, James Coburn, Kris Kristofferson) for whom it would be bad business practice to hand over even the trivial sum. Director-writer Brian Helgeland gives it a steely-blue look and gets good performances all round (with room for Lucy Liu as an amusing dominatrix) while constructing a story in which everything fits. But it's just a good thriller, since the masterpiece potential has already been staked out. --Kim Newman
Winning a raft of awards, not least of which four Oscars, including Best Picture and Best Director, Oliver Stone's Platoon was a box-office smash heralding Hollywood's second wave of Vietnam war films. Where predecessors The Deer Hunter (1978) and Apocalypse Now (1979) were elaborate epics, Platoon simply showed the daily reality of the war from the point of view of ordinary soldiers. Stone's own service in Vietnam gives his work a unique authenticity. Charlie Sheen gives his best performance to date, enduring a series of increasingly large-scale and bloody battles which retrospectively make one wonder why Saving Private Ryan was hailed as so new. Against this gruelling verity the film falters over the symbolic conflict between good and evil sergeants played by Willem Dafoe and Tom Berenger. Even though this was also based in real life, it strikes a too conventionally Hollywood-like note in a film which otherwise maintains much of the raw power of Stone's other film from 1986, Salvador. Johnny Depp fans should look out for an early appearance by the star. Stone would return to Vietnam with the more sophisticated Born on the Fourth of July (1989) and Heaven and Earth (1993). On the DVD: The 50-minute documentary "Tour of the Inferno" goes beyond the usual "making-of" to present a personal account both of the film and of Stone's own time in Vietnam. Likewise the two audio commentaries--one by Stone, the other by Captain Dale Dye, fellow veteran and military technical advisor--range between the making of the film and the degree to which the actors came to inhabit their parts, to their own wartime experiences. Both commentaries bring a fresh level of appreciation and understanding to the film. Also included is the original trailer and three TV commercials, together with well-presented stills galleries of behind-the-scenes photos and poster art. Following a credit sequence marred by dirt on the print, the anamorphically enhanced 1.77:1 image is sharp and clear. The many night scenes are very dark but remain easily comprehensible. The three-channel Dolby Digital sound is suitably raw and powerful, though an early sequence featuring rain in the jungle suffers from very distracting repeated drop-outs in the left channel. --Gary S Dalkin
Based on the only surviving record of the infamous 1942 Wannsee Conference, the BBC/HBO produced Conspiracy reconstructs the two-hour meeting during which leading members of the SS and the Nazi government made definitive plans for the genocide of Europe's Jews. Sixteen men sit around a table and politely discuss the mechanics and ramifications of murdering millions. As SS General Reinhard Heydrich, overall architect of the Final Solution, Kenneth Branagh is brilliant, charming, manipulative and threatening, a cultured man seemingly without a soul. As his aid, SS Colonel Adolf Eichmann, Stanley Tucci is the incarnation of the banality of evil, an efficient and self-effacing bureaucrat in a fine performance marred only by a hint of the actor's American accent. Colin Firth is a powerful foil for Branagh as Dr Wilhelm Stuckart, author of Nazi Germany's race laws and a stickler for the rule of law, no matter how insane the law may have become; while David Threlfall makes a striking impression as the one man who comes closest to taking a moral stand, Dr Wilhelm Kritzinger. Directed in an elegantly controlled style by Frank Pierson, Conspiracy is the Janus face of the 1957 classic 12 Angry Men and a chilling companion to the BBC/HBO Churchill drama The Gathering Storm (2002). On the DVD: Conspiracy comes to DVD with text profiles of the four leading actors and the director and two featurettes, one running two minutes, the other four, neither of which is any more than an electronic press-kit. Sound is clear, perfectly good Dolby Surround, while the picture, though anamorphically enhanced at 16:9, is no more than adequate. --Gary S Dalkin
Director Neil Jordan's gothic outing is a unique excursion into horror.
We are all interconnected. Our lives are invisibly tied to those whose destinies touch ours. This is the hopeful premise of the new drama Touch from creator and writer Tim Kring (Heroes, Crossing Jordan) and executive producers Peter Chernin (New Girl, Terra Nova) and Katherine Pope (New Girl, Terra Nova). Blending science, spirituality and emotion, the series will follow seemingly unrelated people all over the world whose lives affect each other in ways seen and unseen, known and unknown. At the story’s center is Martin Bohm (Kiefer Sutherland), a widower and single father, haunted by an inability to connect to his emotionally challenged 11-year-old son, Jake (David Mazouz). Caring, intelligent and thoughtful, Martin has tried everything to reach his son. But Jake never speaks, shows little emotion and never allows himself to be touched by anyone, including Martin. Jake is obsessed with numbers – writing long strings of them in his ever-present notebooks – and with discarded cell phones. Social worker Clea Hopkins (Gugu Mbatha-Raw) believes that Jake’s needs are too serious for Martin to handle. She sees a man whose life has become dominated by a child he can no longer control. She believes that it’s time for the state to intervene. So Jake is placed in foster care, despite Martin’s desperate objections. However, everything changes after Martin meets Arthur Teller (Danny Glover), a professor and an expert on children who possess special gifts when it comes to numbers. Martin learns that Jake possesses an extraordinary gift – the ability to perceive the seemingly hidden patterns that connect every life on the planet. While Martin wants nothing more than to communicate directly with his son, Jake connects to his father through numbers, not words. Martin realizes that it’s his job to decipher these numbers and recognize their meaning. As he puts the pieces together, he will help people across the world connect as their lives intersect according to the patterns Jake has foreseen. Martin’s quest to connect with his son will shape humanity’s destiny.
American Werewolf In London: One of the most gripping horror films of all time is now available in a new 2 disc DVD Special Edition! When two American students touring the English countryside are attacked by a vicious wolf during a full moon, their lives are suddenly transformed forever. Featuring ground-breaking Academy Award-winning make-up by Rick Baker, this cult favourite is directed by John Landis (National Lampoon's Animal House) and perfectly blends the macabre with a touch of humour. Mary Shelley's Frankenstein: It is the late 18th Century. After the death of his beloved mother, young Victor Frankenstein leaves his father and Elizabeth, the adopted sister he passionately loves, to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter. One electrifying night, Frankenstein's efforts are rewarded as his Creature struggles to life. Alone, despised and driven by a rage of emotional agony, it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein... Dracula: Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta, who is reincarnated as the beautiful Mina (Winona Ryder)... The Thing: Horror-meister John Carpenter teams Kurt Russell's outstanding performance with incredible visuals to build this chilling version of the classic The Thing. In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the shape-shifting alien wreaks havoc, creates terror and becomes one of them...
We are all interconnected. Our lives are invisibly tied to those whose destinies touch ours. This is the hopeful premise of the new drama Touch from creator and writer Tim Kring (Heroes, Crossing Jordan) and executive producers Peter Chernin (New Girl, Terra Nova) and Katherine Pope (New Girl, Terra Nova). Blending science, spirituality and emotion, the series will follow seemingly unrelated people all over the world whose lives affect each other in ways seen and unseen, known and unknown. At the story’s center is Martin Bohm (Kiefer Sutherland), a widower and single father, haunted by an inability to connect to his emotionally challenged 11-year-old son, Jake (David Mazouz). Caring, intelligent and thoughtful, Martin has tried everything to reach his son. But Jake never speaks, shows little emotion and never allows himself to be touched by anyone, including Martin. Jake is obsessed with numbers – writing long strings of them in his ever-present notebooks – and with discarded cell phones. Social worker Clea Hopkins (Gugu Mbatha-Raw) believes that Jake’s needs are too serious for Martin to handle. She sees a man whose life has become dominated by a child he can no longer control. She believes that it’s time for the state to intervene. So Jake is placed in foster care, despite Martin’s desperate objections. However, everything changes after Martin meets Arthur Teller (Danny Glover), a professor and an expert on children who possess special gifts when it comes to numbers. Martin learns that Jake possesses an extraordinary gift – the ability to perceive the seemingly hidden patterns that connect every life on the planet. While Martin wants nothing more than to communicate directly with his son, Jake connects to his father through numbers, not words. Martin realizes that it’s his job to decipher these numbers and recognize their meaning. As he puts the pieces together, he will help people across the world connect as their lives intersect according to the patterns Jake has foreseen. Martin’s quest to connect with his son will shape humanity’s destiny.
With an ingenious script, engaging characters, nerve-shredding suspense, genuinely frightening set-pieces and laugh-out-loud funny bits An American Werewolf in London is a prime candidate for the finest horror-comedy ever made. Americans David (David Naughton) and Jack (Griffin Dunne) are backpacking in northern England when Jack is killed by a wild beast and David is bitten. Back in London David finds himself falling in love with a nurse, Alex (played with winning charm by Jenny Agutter), and turning into a werewolf. Adding to his problems, an increasingly decomposed Jack keeps coming back from the dead, and he is not a happy corpse. The Oscar winning make-up and transformation scenes still look good and rather than send itself up Werewolf plays its horror seriously, the laughs coming naturally from the surreal situation. Naughton is engagingly confused and disbelieving, desperately coping with the ever more nightmarish world, while Landis delivers one absolutely stunning dream sequence, an unbearably tense hunt on the London Underground and a breathtaking finale. Gory, erotic, shocking and romantic, this unforgettable horror classic has it all. Tom Holland's Fright Night (1985) remixed the formula with vampires, as did Landis himself in Innocent Blood (1992). A disappointing sequel, An American Werewolf in Paris, followed in 1997. --Gary S Dalkin
Coraline: Neil Gaiman adapts his own fantasy novel for this stop-motion animated adventure from the director of The Nightmare Before Christmas. 11-year old Coraline (Dakota Fanning) must escape an alternate reality where her parents dote on her when this seemingly perfect world starts to turn bad. From Henry Selick the visionary director of The Nightmare Before Christmas and based on Neil Gaiman's best-selling book comes this spectacular stop-motion animated adventure! Coraline Jones (Dakota Fanning) is bored until she finds a secret door and discovers an alternate better version of her life on the other side. When this seemingly perfect world turns dangerous Coraline must use her resourcefulness determination and bravery to save her family. Monster House: Even for a 12-year old D.J. Walters has a particularly overactive imagination. He is convinced that his haggard and crabby neighbor Horace Nebbercracker who terrorizes all the neighborhood kids is responsible for Mrs. Nebbercracker's mysterious disappearance. Any toy that touches Nebbercracker's property promptly disappears swallowed up by the cavernous house in which Horace lives. D.J. has seen it with his own eyes! But no one believes him not even his best friend Chowder. What everyone does not know is D.J. is not imagining things. Everything he's seen is absolutely true and it's about to get much worse than anything D.J could have imagined.... 9: When 9 (The Lord of the Ring's Elijah Wood) first comes to life he finds himself in a post-apocalyptic world. All humans are gone and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group 9 convinces the others that hiding will do them no good. They must take the offensive if they are to survive and they must discover why the machines want to destroy them in the first place. As they'll soon come to learn the very future of civilization may depend on them.
The fairy tale is over. If you thought Snow White was only a fairy tale you're about to discover the truth but lock up your children first. The real tale of Snow White is a tale of relentless terror and unimaginable horror. When young Lillian's mother dies during childbirth the father soon remarries the well-intentioned Lady Claudia. However Claudia's heart is ruled not by her husband but by an evil mirror with the power to make Claudia Queen over all living things until
Conspiracy Theory: New York cab driver and conspiracy buff Jerry Fletcher (Mel Gibson) knows about the secret movers shakers and assassins who really control things. Trying to put Justice Department attorney Alice Sutton (Julia Roberts) in the know he's run out of her of office. Soon both will run for their lives. The two stars conspire for suspense romance and twists that click like a rush-hour taximeter. (Dir. Richard Donner 1997 Cert. 15) Payback: Mel Gibson po
Millions of years from now after Socrates Shakespeare and the Bible are long forgotten only two great works will remain: the sci-fi cinema epic Star Wars and Adult Swim's stop-motion animated cheap gag extravanganza Robot Chicken. And now for the first time they come together for the third time in this all new special. That's right all your mot beloved Star Wars characters are going back through the comedy meat grinder. Watch Darth Vader fall into a toilet while Emperor Palpatine rides the endless Death Star escalator! See Gary the Stormtrooper's speederbike test-drive come to a gruesome Ewok-splattering end! And witness the firepower of Boba Fett's fully armed and operational T-SHIRT CANNON! Plus much much more! It's Robot Chicken: Star Wars Episode III. Set your phasers to ''fun''! (Oh wait wrong franchise.)
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