Nixon takes a riveting look at a complex man whose chance at greatness was ultimately destroyed by his passion for power - when his involvement in conspiracy jeopardized the nation's security and the presidency of the United States! With a phenomenal all-star cast.
Audiences overlooked Wild Bill at the cinema, but it's one of the better Westerns of the 1990s, featuring yet another terrific performance by Jeff Bridges, America's most underrated movie actor. As James Butler Hickock, he captures the sense of a man at the end of his career, one of the first media superstars who discovers that his legend is more burden than blessing. As he heads toward his final hand of poker in Deadwood, South Dakota, he flashes back to his younger days and the events that built his reputation, even as he copes with encroaching blindness caused by syphilis. Walter Hill blends action and elegy, utilising a screenplay based both on Pete Dexter's novel Deadwood and Thomas Babe's play Fathers and Sons. Wild Bill features strong supporting performances by John Hurt (as a Hickock sidekick) and Ellen Barkin (as the tough, lusty Calamity Jane)--but the centrepiece is the sad, manly performance by Bridges, who more than measures up to the part. --Marshall Fine
In this major new science series from Channel 4 Richard Dawkins James Dyson Stephen Hawking David Attenborough and Robert Winston celebrate the great thinkers and moments in British science from Newton to the present day. Britain's great inventors and scientists have led the world and been at the forefront of some of history's greatest advances. From the steam engine to the world wide web from the theory of evolution to the discovery of the atom British science and ingenuity have helped shape the modern world. The Genius of Britain tells the stories of the people behind these pivotal moments of the men and women who overcame all obstacles in search of scientific advancement. Their tales range from accounts of pure genius when the apple fell and the secrets of the universe were unlocked to dark tales of obsession deception and even bodysnatching. Tackling the areas closest to their hearts and using hands-on demonstrations the five co-presenters tell the human stories behind the scientific and engineering discoveries that we so often take for granted.
Mulder continues his search for a cure for Scully's illness even as her genetically altered DNA takes her to the brink of death. Scully's DNA comes into play once again when it proves that she is somehow the mother of a little girl named Emily an incident that could only be related to her abduction years earlier. But in the end it is a young boy named Gibson Praise whose body may actually contain the elusive proof Mulder has been searching for so desperately. Episodes comprise:
Both warmly funny and surprisingly touching, the one-off 90-minute BBC comedy Cruise of the Gods (2002) unites the twin comic talents of Rob Brydon and Steve Coogan for the first time. Brydon, whose Marion & Geoff brought him instant cult status and critical acclaim, plays Andy Van Allen, a washed-up actor who once enjoyed celebrity as the star of a TV science-fiction series but who is now down on his luck as a hotel porter. Desperate to rescue his self-esteem, but equally desperate to conceal his failure, he reluctantly embarks on a Mediterranean cruise for die-hard fans of the old show organised by uber-nerd Jeff Monks (David Walliams). To compound his humiliation, Van Allan's one-time costar, Nick Lee (Coogan), now a Hollywood big shot thanks to his starring role in Sherlock Holmes in Miami, gatecrashes the trip. Elements of both Marion & Geoff's agonising pathos and the squirm-inducing embarrassment of I'm Alan Partridge feature prominently here as the merciless portrayal of geeky fandom slowly gives way to a more gentle, affectionate portrait of people whose lives were inexplicably touched by the fantastically awful Children of Castor (imagine a camp cross between Blake's 7 and The Tomorrow People). Unlike the sympathetically pathetic ex-husband of Marion, here Brydon plays a cruelly cynical and embittered character, whose self-loathing contrasts painfully with the annoying ebullience of Coogan's superstar. The supporting cast are all a delight, too: witness lugubrious Philip Jackson, as alcoholic writer Hugh Bispham, clashing hilariously with Walliams' deadly earnest super-fan over the interpretation of names in the show, which turn out to be nothing more cryptic than anagrams of Bispham's favourite curries. James Corden and Helen Coker are emotionally fragile followers whose lives intertwine unexpectedly with their heroes, while Brian Conley and Jack Jones gamely provide cameos. --Mark Walker
Tim Burton and Johnny Depp team up to bring Roald Dahl's classic childrens book to the big screen.
Set on Death Row in a Southern prison in 1935, The Green Mile is the remarkable story of the cell block's head guard, who develops a poignant, unusual relationship with one inmate who possesses a magical gift that is both mysterious and miraculous.
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
From Stephen King (Pet Sematary) Michael McDowell (Beetlejuice) George A. Romero (Night of the Living Dead) and Arthur Conan Doyle (creator of Sherlock Holmes) comes Tales From The Darkside: The Movie an all-star horror anthology packed with fun and fright. The Wraparound Story concerns a little boy who spins all the tales... to distract a modern-day witch who wants to pop him in the oven! In Lot 249 a malevolent mummy gives new meaning to final exams when he awakens to wreak revenge on unsuspecting student bodies. A furry black kitty is really the Cat From Hell and a Lover's Vow brings a stone gargoyle to murderous life.
The complete third series of investigations by Detective Frost... Episodes comprise: 'Appropriate Adults' 'Quarry' 'Dead Male One' and 'No Refuge'.
George Romero's 1978 follow-up to his classic Night of the Living Dead is quite terrifying and gory (those zombies do like the taste of living flesh). But in its own way, it is just as comically satiric as the first film in its take on contemporary values. This time, we follow the fortunes of four people who lock themselves inside a shopping mall to get away from the marauding dead and who then immerse themselves in unabashed consumerism, taking what they want from an array of clothing and jewellery shops, making gourmet meals, etc. It is Romero's take on Louis XVI in the modern world: keep the starving masses at bay and crank up the insulated indulgence. Still, this is a horror film when all is said and done and even some of Romero's best visual jokes (a Hare Krishna turned blue-skinned zombie) can make you sweat. --Tom Keogh
First Among Equals: The Complete Series (3 Discs)
A terrorist threat. A captain in panic. And only one man who can end the danger.... Some unknown maniac is threatening a navigation company to blow up one of its luxury transatlantics the 'Britannic' now in high sea with 1200 passengers. He is asking for a 500 000 ransom otherwise 7 bombs aboard will explode. An experienced anti-bomb squad is sent to the 'Britannic' but although all the bombs are located a very high skill level will be necessary to dismantle them. perhap
Trying to escape her broken past, Sarah O'Neill (Seána Kerslake) is building a new life on the fringes of a backwood rural town with her young son Chris (James Quinn Markey). A terrifying encounter with a mysterious neighbour shatters her fragile security, throwing Sarah into a spiralling nightmare of paranoia and mistrust, as she tries to uncover if the disturbing changes in her little boy are connected to an ominous sinkhole buried deep in the forest that borders their home. Bonus Feature Inside the Hole in the Ground
Directed with a cool remove by Dominic Sena, Kalifornia falls somewhere between Badlands and Natural Born Killers. David Duchovny is a blocked author with a fascination for outlaw killers who hatches a plan to road trip through America's mass-murder landmarks to finish his book. He enlists the help of his frustrated photographer girlfriend Michelle Forbes, who desperately wants to leave the East Coast for LA, and they advertise for riding partners. Luckily for them, they wind up with a veteran killer, the greasy trailer-park ex-con Brad Pitt, who decides to skip parole with his cowering child-woman girlfriend Juliette Lewis. Duchovny is enamoured by gun-toting Pitt's recklessness and lawless disregard for, well, everything--simultaneously terrified and thrilled by Pitt's brutal beating of a barfly. Meanwhile, Pitt's leaving a trail of corpses in their wake. Pitt brings a ferocious magnetism to his part, but it's still hard to buy genial Duchovny's odd attraction; Juliette Lewis conveys a terrifying sense of victimization with her poor dumb creature. Despite the film's best efforts, it never really plumbs the psyche of Pitt's simmering psycho--he's just plain bad, you know--but it does fashion an effective little thriller out of the tensions brewing in the restless quartet. --Sean Axmaker, Amazon.com
Mulder and Scully return from Antarctica to discover they've been reassigned and are no longer a part of The X-Files. Their frustration turns to fear when Cassandra Spender a woman who claims to have been abducted the same night as Mulder's sister reappears with claims of an alien threat. But it is an extraterrestrial artefact found off the coast of Africa which may hold the key to the very origins of life on Earth and which has an unexplained and deadly effect on Mulder. Episod
Unavailable at all for nearly three decades, then issued in a VHS edition in 1996, the Rolling Stones' legendary Rock and Roll Circus finally gets the full treatment with this DVD release documenting the 1968 event. The Stones were reportedly unhappy with their performance (hence the long delay), and it isn't their finest moment; performing "Jumping Jack Flash" and a variety of songs from their then-new Beggars Banquet album, Keith Richards is game, but Jagger's preening (especially on "Sympathy for the Devil") is over the top, and guitarist Brian Jones looks dissolute and well on his way to his death the following year. A certain weirdness permeates some of the other musical acts as well: Jethro Tull lip-syncs unconvincingly, Taj Mahal and band were obliged to perform before the circus set was completed and the audience had arrived, and John Lennon's outing with impromptu supergroup the Dirty Mac (with Richards, Eric Clapton, and drummer Mitch Mitchell) is hampered by Yoko Ono's caterwauling, although their version of the Beatles' "Yer Blues" is cool. Still, the Who are brilliant, Marianne Faithfull is beautiful, the various circus acts are fun, and the crowd clearly loves it. The DVD comes with some fascinating bonus features, including three extra songs by Mahal, some lovely classical piano by Julius Katchen, and a "quad split-screen" version of "Yer Blues". Best of all are a new interview with the Who's Pete Townshend and the various commentary tracks added for the DVD--especially those by Tull's Ian Anderson, director Michael Lindsay-Hogg, and Stones Jagger, Richards, and Bill Wyman (who dryly attributes Jagger's reluctance to issue the show to his dissatisfaction with his own performance, not the band's). Flaws notwithstanding, this is a treat. --Sam Graham
Perhaps the finest of the series of biographical films that Ken Russell made for the BBC in the sixties 'Song of Summer' is an immensely moving story of sacrifice idealism and musical genius. Based on Eric Fenby's 1936 memoir 'Delius As I Knew Him' it traces the last years of Frederick Delius and Fenby's dedication in giving up five years of his life to helping the blind paralysed composer set down the unfinished scores he could hear in his head. There are terrific performa
Paul Abbott's Shameless returns to DVD for a second series. Seven months on from the first series and Manchester's favourite son Frank Gallagher is expecting another addition to the clan this time with his agoraphobic lover Sheila. On the back of a fiddled insurance claim the Gallagher children have extended their home into the house next door. Fiona and boyfriend Steve are now hopeful for a bit of privacy; but Lip Ian Debbie Carl and Liam cause havoc everywher
1942: British soldier Jack Celliers (David Bowie) arrives at a Japanese POW camp run by the disciplinarian Yonoi (Ryuichi Sakamoto) who believes the prisoners are cowards because they have chosen to surrender instead of honourably committing seppuku (ritual suicide). When Yonoi meets Celliers he believes he is an evil spirit and a battle of wills begins between the two men.... This is not your average war movie and the performances by Bowie Sakamoto Tom Conti (who plays Mr Lawr
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