Michael Crawford stars as a luckless inexperienced youth desperate to break out of a sexual catch-22 in this effervescent sharply observed comedy from Roy Baker; Nyree Dawn Porter is the young woman who might just be able to assist him... Based on David Stuart Leslie's novel In My Solitude and featuring support from Julia Foster Michael Craze and Blow Up icon David Hemmings Two Left Feet is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Alan Crabbe is 19 and as gauche as they come. Every time he tries a manful stride into the jungle of sex his two left feet turn the attempt into a stumble. But then he meets Eileen the new waitress in the corner cafe who signals unmistakable messages at Alan with her large inviting eyes... SPECIAL FEATURES [] Image gallery [] Original Pressbook PDF
A family torn apart. A public filled with outrage. A woman accused of murder. Based on true events Fred Schepisi's film stars Sam Neill and Meryl Streep as an Australian couple who are accused of murder when their claims that their baby was taken by a dingo in the outback fall under suspicion...
German filmmaker Volker Schlöndorff's 1985 production of Arthur Miller's most famous play Death of a Salesman appeared squarely and quite hauntingly in the middle of the go-go economy of the Reagan-Bush years. Miller's story, set during the post-war boom period of the late 1940s, concerns an ageing travelling salesman named Willy Loman (Dustin Hoffman), who despairs that his life his been lived in vain. Facing dispensability and insignificance in a heated, youthful economy, Willy is not ready to part with his cherished fantasies of an America that loves and admires him for personable triumphs in the marketplace. But the reality is far more pitiable than that, and the measure of Willy's self-delusion and contradictions is found in his two sons, one (Stephen Lang) a ne'er-do-well gliding on inherited hot air and repressed feelings, and the other (John Malkovich) a mousy, retiring sort unable to reconcile--or forgive--the difference between his father's desperate impersonation of success and the truth. Schlöndorff's remarkable cast explores Miller's rich subtext to great effect, though Hoffman--despite giving us a new model of Willy to contrast with Lee J Cobb's definitive portrayal a generation before--is a bit insect-like and shrill in his approach. Malkovich, Lang, and Kate Reid (as Willy's long-suffering wife) are perfect, however, and the production is atmospheric and strong. --Tom Keogh, Amazon.com
He was once a man. Now he's a hell spawn battling the forces of evil on Earth - and in himself. Using his strange powers he fights to uncover the truth about his identity and fulfil his destiny. One of the comic book industry's most popular and intriguing characters Spawn explodes on the screen in a maelstrom of fantastic imagery with action romance and high-level espionage...
Get ready for action adventure and suspense in Season One of TV's longest-running military drama JAG. The first season of its 10-year reign introduces former flying ace Harmon ""Harm"" Rabb of the Navy's Judge Advocate General. Now an attorney Harm investigates prosecutes and defends military criminals in cases that often take him behind enemy lines...both in Washington and overseas. Catch the action from the beginning with all 22 episodes including the rarely seen ""Skeleton Crew."" Starring David James Elliott this Emmy Award-winning series is one of television's best. Episodes Comprise: 1. Pilot: Part 1 2. Pilot: Part 2 3. Shadow 4. Desert Son 5. Deja Vu 6. Pilot Error 7. War Cries 8. Brig Break 9. Scimitar 10. Boot 11. Sightings 12. The Brotherhood 13. Defensive Action 14. Smoked 15. Hemlock 16. High Ground 17. Black Ops 18. Survivors 19. Recovery 20. The Prisoner 21. Ares 22. Skeleton Crew
The Fly: A brilliant scientist becomes obsessed with perfecting a device that can transmit matter from one location to another. Successful in his initial tests he experiments with a human guinea pig - himself. But an ordinary housefly makes the journey with him and when they emerge both creatures have been extraordinarily changed. This is the chilling story of a man fighting to retain his humanity and a desperate woman's attempt to save the man she loves. Return Of The Fly:
In the rough-and-tumble, wildly entertaining world of Starsky & Hutch, impatient cops--anxious to join a foot race in pursuit of a villain--throw themselves out of moving vehicles and roll to a bruising stop. Undercover detectives Dave Starsky (Paul Michael Glaser) and Ken "Hutch" Hutchinson (David Soul), hardly imbued with the powers of Spider-Man, routinely scale walls, hop from rooftop to rooftop, and fling themselves down steep hillsides to stop bad guys from doing what bad guys do. Years later Hill Street Blues would redefine the cop genre as a mesh of overlapping storylines and workaday frustrations, but Aaron Spelling's iconic 70s show portrays LA's finest as madly heroic creatures of reckless determination and physicality. This first season is also startlingly brutal for a primetime US showit was later significantly toned down, much to the regret of fanswhile maintaining a delightful, often incongruous, self-deprecating humour. From the series pilot on, partners and best pals Starsky and Hutch work a fine line between predator and prey, relentlessly pursuing suspects while also snared by crime chieftains or short-sighted superiors. In "The Fix", Hutch's secret romance with the former girlfriend of a mafia boss (Robert Loggia) results in the lawman's kidnapping and forced addiction to heroin. Similarly, in "A Coffin for Starsky", a mad chemist injects the wisecracking cop with a slow-acting but lethal poison. "Jo-Jo", written by Michael Mann, finds our guys at loggerheads with federal officers over a dumb deal the G-Men make with a serial rapist. The 23 episodes in this set are all fun, if sometimes shocking, viewing. Expect each character to take as much abuse as he dishes out. Still, the comic sight of Starsky and Hutch (in "Death Notice") trying to conduct business amid busy strippers is well worth the surrounding violence. --Tom Keogh
Released to box-office indifference in 1986, Manhunter introduced Hannibal Lecter and established the rules of the modern race to find serial killer thriller five years before The Silence of the Lambs packed cinemas everywhere. This was Michael Mann's third feature, reuniting William L Petersen and Dennis Farina from his debut Thief (1981) as FBI agents hunting the killer dubbed "The Tooth Fairy". Petersen's Will Graham is the man who put Lecktor (as it is spelt here) behind bars, and as in Lambs consults with the Doctor, played with understated malevolence by Brian Cox. Manhunter is an exceptionally well-photographed film: Mann's regular cinematographer Dante Spinotti created sparse, elegantly framed, often mono-chromatically lit compositions which are essential to the shifting psychological moods. The performances are very good, and the typically 1980s, Vangelis-esque electronic score effectively sustains tension. Once the killer is introduced the scenes with Joan Allen have a genuinely unsettling, almost surreal quality. There is at least one serious plot flaw--how does "The Red Dragon" get his letter to Lecktor? Manhunter never packs the sheer excitement of Lambs, nevertheless, it is a powerful and compelling thriller which remains far superior to the third instalment in the series, Hannibal (2001). On the DVD: In addition to the trailer there is a revealing 10-minute conversation with Dante Spinotti in which he explains how he created the very distinctive look of Manhunter. Also included is a more general 17-minute retrospective "making-of" documentary. This is good but too short, the extras failing to live up to the wealth of material on the Lambs and Hannibal DVDs. The anamorphically enhanced 2.35:1 image is generally very good, being just a little soft in one or two early scenes. The sound is listed as Dolby Digital 5.1, but appears to replicate the main stereo signal in the rear channels. Audio is none the less powerful and clear, though lacks the sheer edge and atmospherics of some more recent thrillers. --Gary S Dalkin
Director John Sayles's 'Eight Men Out' explores one of the darkest moments in the history of baseball: 1919's infamous Black Sox scandal when eight players on the heavily favored Chicago White Sox agreed to throw the World Series. Based on Eliot Asinof's 1963 book of the same name the film investigates why the players including the great 'Shoeless' Joe Jackson who many believe belongs in the Hall of Fame would purposely lose the most important game of their lives...
Benicio Del Toro, Patricia Arquette, Paul Dano and Bonnie Hunt star in ESCAPE AT DANNEMORA, a SHOWTIME® Limited Event Series directed and executive produced by Ben Stiller. Based on the stranger-than-fiction prison break in upstate New York, ESCAPE AT DANNEMORA follows the story of two convicts who spawned a statewide manhunt and were aided in their escape by a married female prison employee who became involved with both men. It's a bizarre tale filled with twists and turns, yet through it all there's one thing that unites the inmates and citizens of Dannemora everyone's looking for a way out. Special Features: Primary Sources Making of Sweat's Run Audio Commentary by Ben Stiller, Patricia Arquette, and the filmmakers
This box set features the entire fourth series of the classic British Television drama Inspector Morse. Episodes comprise: 1. Infernal Serpent: Morse investigates the death of an environmentalist killed only minutes before he was due to give a highly controversial lecture... 2. The Sins Of The Fathers: Morse and Lewis are called in to investigate the mystery of an unwelcome takeover bid of a family-run real ale brewery and the death of the current managing d
It's name is Quetzalcoatl... just call it Q that's all you'll have time to say before it tears you apart! It's just another monstrous day in New York City where window washers have their heads bitten off topless sunbathers are plucked from rooftops bloody body parts rain down onto the streets and small-time crook Jimmy Quinn (Moriarty) discovers an enormous nest in the spire of the Chrysler building. Meanwhile an NYPD detective (Carradine) investigates a series of ritual
Long-awaited, long-overdue: The Professionals as you have never seen them before. Bodie and Doyle need little by way of introduction, but if the series had at all escaped you since its debut in 1977 their boss George Cowley, head of CI5, couldn't put it more succinctly than his opening gambit: anarchy, acts of terror, crimes against the public. To combat it I've got special men experts from the army, the police, from every service. These are The Professionals . Featuring the perfect ensemble cast of Martin Shaw, Gordon Jackson (completely against type here) and the much-missed Lewis Collins, the series ran for 57 action-packed episodes and made an immediate impact on British and then international audiences which has sustained 35 years. But the series has never looked this good. Painstakingly restored from the camera-original negatives the series could have been made yesterday. No matter how many times you have seen The Professionals, this is a new experience, like seeing it for the first time. Features: Brand-new, High Definition restorations of all 13 episodes in series two from the camera-original negatives Brand-new 5.1 tracks from original sound elements Remastered original as-broadcast mono tracks Remastered music-only tracks featuring Laurie Johnson's original scores HD photo galleries featuring hundreds of rare and previously unseen images All episodes are presented in their original production order PDF material featuring scripts and memorabilia Archive footage featuring additional material, advert break bumpers, US sales trailer and more English HOH subtitles
Jodie Foster and Dianne Wiest star in Foster's engaging directorial debut, Little Man Tate. Single mother Dede Tate is doing her best to raise her brilliant-but-lonely son Fred on a waitress' salary. Jane Grierson (Wiest), something of an expert on being brilliant but lonely, spots Fred's genius and wants to enrol him in her school for the gifted. A simple story, but very well told. Foster and Wiest both give excellent, sensitive performances, conveying the selfishness in each characters desire to have Fred to herself, as well as the pain in not being able to fulfil all his needs on her own. Adam Hann-Byrd gives a remarkable performance as Fred, showing his intelligence without getting precious about it. Foster demonstrates a steady directing hand, but the best moments are the more whimsical ones in which she reveals the quiet exhilaration of Fred's mental leaps, like when a pool game suddenly becomes a beautiful collision of lines and forces. --Ali Davis, Amazon.com
The opening scenes of The Replacements see American football team, the Washington Sentinels, in dire straits. The players have walked out in a protest over pay at a vital point in the season, forcing the Sentinels' owner to bring veteran coach Jimmy McGinty (Gene Hackman) out of retirement to put together a replacement team. He assembles a group of oddballs and misfits including failed quarterback Shane Falco (Keanu Reeves), a boozing Welsh brawler (Rhys Ifans), a convicted former football pro, a deaf mute, a psychopathic ex-cop, a sumo wrestler and a kleptomaniac (Orlando Jones) who has trouble catching the ball. It is Falco's job to pull the team together and overcome his own problems to take the Sentinels to the playoffs. Howard Deutch (Pretty in Pink, Grumpier Old Men) directs this variation on a losers-make-good storyline that runs like Police Academy on the playing field. Keanu plays the Steve Guttenberg role. Sandra Bullock clone Brooke Langton provides the all-too-predictable cheerleading love interest, while Rhys Ifans delivers light relief as the team's chain-smoking kicker. On the DVD: The main feature is presented in letterboxed widescreen format with Dolby Digital 5.1 sound in three languages (English, Spanish and Italian). There are optional subtitles in 20 different languages. Interactive menus are slickly designed like the yard markings on an American football field and provide access to a range of special features. As well as a theatrical trailer and commentary by director Howard Deutch, there is a 15-minute HBO special "The Making of the Replacements" hosted by Orlando Jones and a 10-minute "Actors Guide to Football" which provides a detailed look at the way the entirely authentic football sequences were planned and filmed. --Chris Campion
Starsky & Hutch: The Complete Second Season proves the 1970s series, in its sophomore year, both codified its earliest strengths while continuing to evolve into a sharper, wittier and often darker show. Contributing to those improvements were the stars themselves: David Soul (who plays maverick police detective, intellectual and health nut Ken Hutchinson) and Paul Michael Glaser (as Hutch's more impulsive, junk-food-junkie partner Dave Starsky), each of whom directed exemplary episodes in the second series. The series' creators also struck a more entertaining balance between the comic and dramatic possibilities inherent in Starsky and Hutch's bluntly honest, fraternal relationship. A number of stories placed the guys in intentionally funny undercover situations: as garish gamblers in the two-part opener "The Las Vegas Strangler"; entertainment directors (named Hack and Zack) on a luxury cruise ship in "Murder at Sea"; gigolo-like dance aficionados in the playfully-titled "Tap Dancing Her Way Right Back into Your Hearts"; and, most amusingly, stunt men in "Murder on Stage 17". Those are all good shows, and the duo often bicker within them, to great comic effect, like an old married couple. But it's the relentlessly tougher episodes that prove each character's mettle and demonstrate the depth of Starsky and Hutch's mutual trust. Among these is the powerful "Gillian", in which Starsky discovers Hutch's classy new girlfriend is a prostitute and breaks the news to his shattered friend. Somewhat lighter but just as revealing is "Little Girl Lost", starring a young Kristy McNichol as an orphaned street urchin whom Hutch, lately in a misanthropic, anti-Christmas mood, takes into his home. Glaser's directorial debut, the harrowing "Bloodbath", gives Soul a lot of room for an intensely physical and psychological performance as Hutch scurries to find his kidnapped partner. Soul returns the favour with "Survival", in which Starsky desperately seeks his missing pal, trapped and slowly dying beneath a car wreck. All in all, a very good series, with (of course) Antonio Fargas still sharp as sidekick Huggy Bear. --Tom Keogh
It's hard not to feel there's something wrong when Army of Darkness, the third entry in Sam Raimi's lively Evil Dead series, opens with a 15 certificate. And indeed, this is not quite the non-stop rollercoaster of splat we're entitled to expect. Like Evil Dead II, it opens with a digest-cum-remake of the original movie, taking geeky Ash (Bruce Campbell) back out to that cabin in the woods where he is beset by demons who do away with his girlfriend (blink and you'll miss Bridget Fonda). Blasted back in time to 12th century England, Ash finds himself still battling the Deadites and his own ineptitude in a quest to save the day and get back home. Though it starts zippily, with Campbell's grimly funny clod of a hero commanding the screen, a sort of monotony sets in as magical events pile up. Ash is attacked by Lilliputian versions of himself, one of whom incubates in his stomach and grows out of his shoulder to be his evil twin. After being dismembered and buried, Evil Ash rises from the dead to command a zombie army and at least half the film is a big battle scene in which rotted warriors (nine mouldy extras in masks for every one Harryhausen-style impressive animated skeleton) besiege a cardboard castle. There are lots of action jokes, MAD Magazine-like marginal doodles and a few funny lines, but it lacks the authentic scares of The Evil Dead and the authentic sick comedy of Evil Dead II. On the DVD: Army of Darkness may be the least of the trilogy, but Anchor Bay's super two-disc set is worthy of shelving beside their outstanding editions of the earlier films. Disc 1 contains the 81-minute US theatrical version in widescreen or fullscreen, plus the original "Planet of the Apes" ending, the trailer and a making-of featurette. Disc 2 has the 96-minute director's cut, with extra slapstick and a lively, irreverent commentary track from Raimi, Campbell and co-writer Ivan Raimi, plus yet more deleted scenes and some storyboards. The fact that the film exists in so many versions suggests that none of them satisfied everybody, but fans will want every scrap of Army in this one package. --Kim Newman
David Beames and John Flanagan star in this 1981 BBC adaptation of H.E. Bates' war time drama Fair Stood The Wind For France. When John Franklin crash lands his Wellington bomber in occupied France at the height of the Second World War he is concerned for the safety of his crew and worried about his own badly injured arm. His crew escapes but the family of a mill owner risk their lives to Franklin in their home until he regains his health. during the following balmy summer months the pilot's situation is further complicated by his feelings for Francoise the daughter of the house. As German patrols move in his only chance of survival is to flee from France.
In everyone's life there's that one person who makes all the difference. William Hundert a retired 'old-school' classics teacher is passionate about his subject. Moreover he strongly believes in moulding his students by using principles. However his methods are put to the test by a new student Sedgewick Bell who shakes Hundert's controlled world and threatens to undermine all that he stands for. Hundert's challenge is to change this young man while maintaining his integrity. Les
Out of the ring into the fire...in a fight to the finish! All action martial arts film in which a woman is hell-bent on getting revenge on the man who attacked and raped her sister....
Please wait. Loading...
This site uses cookies.
More details in our privacy policy