The book was better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen King prison drama The Green Mile (The Shawshank Redemption was the first) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying on the mile. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfying experience. --Doug Thomas, Amazon.comPay It Forward is a multi-level marketing scheme of the heart. Beginning as a seventh-grade class assignment to put into action an idea that could change the world, young Trevor McKinney (Haley Joel Osment) comes up with a plan to do good deeds for three people who then by way of payment each must do good turns for three other people. These nine people also must pay it forward and so on, ad infinitum. If successful, the resulting network of do-gooders ought to comprise the entire world. While this could have turned into unmitigated schmaltz, the acting elevates this film to mitigated schmaltz. By turns powerful and measured, the performances of Kevin Spacey, Helen Hunt, and Haley Joel Osment can't make up for the many missteps in a screenplay that sanitises the look of the lower-middle class and expects us to believe that homeless alcoholics and junkies speak in the elevated manner of grad students. One may wonder how it would have been handled by the likes of Frank Capra, who could balance sentiment with humour, clearly Capra would never have let the ending of his version to take the nosedive into cliché and pathos that director Mimi Leder has allowed in this film. --Jim Gay, Amazon.comWhen someone in Proof of Life says "Don't leave me hanging", you can bet they're going to be left hanging. There's little room for delicacy in Tony Gilroy's screenplay, adapted from an article by William Prochnau and the book Long March to Freedom by kidnapping survivor Thomas Hargrove. A hint of romance between Russell Crowe (the soldier-turned-"K&R") and Meg Ryan adds tension as the story shifts back and forth to David Morse's captivity. Avoiding that pitfall, director Taylor Hackford crafts the plot as a latter-day Casablanca that unfolds on a grander canvas (at stunning locations in Ecuador) while favouring an exciting rescue-mission climax over the tragedy of an ill-timed affair. It might have worked better as a straightforward macho action flick (with David Caruso doing lively work as Crowe's gung-ho K&R cohort), but Proof of Life effectively conveys the two-sided torment of a hostage crisis. --Jeff Shannon, Amazon.com
In the robot-controlled future, a crack military team is given a dangerous and unwelcome mission they must infiltrate a secret android manufacturing facility whilst evading the watchful gaze of the Artificial Intelligence that runs it. However, they are not there to destroy a robot - instead they must rescue one... THE MACHINES WILL RISE AGAIN!
Spencer has had a crush on the adorable Melora since he was 10 years old. Fifteen years later they meet again in Los Angeles when she crashes her car into his at a traffic light. Spencer is renting a room in a rundown mansion owned by two young film makers named Ezra and Feldy. They ask Spencer to play the male lead in their latest production in return for rent-free living for two months. Only when shooting begins does he realise that he is the star of a porn movie and has to deliver his lines with no clothes on.Melor is stuck in a self-destructive relationship with Craig an executive at the advertising firm where she works. No wonder then when Spencer steps into the triangle introduced by a loopy mailroom clerk Louis the relationship between the three becomes a crazy and funny dance of love and hate.If you want to know just how happy the ending is you should stick with every last laugh of this witty comedy.
Part man part machine together they will learn the awesome powers of the suit force fields invisability morphing and more! But they will need them all to fight of reed's ninja henchman and his ultimate secret weapon programmed for one thing... to destroy Kyle Finn... aka Metal Man!
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