One might reasonably expect Tomcats to be the Porky's of 2001: after all, it concerns a group of young, sexist morons and their fears and fantasies about young women. But Tomcats isn't quite as brain-dead as that, though it is phenomenally more neurotic. Jerry O'Connell plays one of two remaining bachelors within a group of wealthy pals who set aside a cash reward, years before, earmarked for the last among them to get married. O'Connell needs the money to pay off a gambling debt, but his problem is that the other bachelor is a horrendous pig (Jake Busey) unlikely ever to land a gal. A general mean-spiritedness flows through this wearying comedy, manifest in such ugly moments as watching someone's girlfriend run over by a golf cart and an excised, cancerous testicle kicked around hospital hallways. If you're looking for female flesh, however, forget it: Tomcats is far more driven to explore male nudity, while making equally naked today's masculine fears of impotence, mothers and lesbians. --Tom Keogh, Amazon.com
Alex Gardner (Dennis Quaid) is a talented young psychic who is frittering his gifts away betting on the ponies. That is, until he's coerced by his old pal and mentor Dr Paul Novotny (Max von Sydow) into taking part in a dream research project in which his psychic abilities make him indispensable. The project concerns "dreamlinking", whereby talented individuals like Alex hook up via electrodes and project themselves into some troubled subject's nightmares, in which they not only observe but participate in the dream, hopefully effecting some remedy. Alex is by nature a feckless guy, a charismatic scoundrel sporting a Cheshire cat's grin. But he warms easily to his new role as dream-dwelling psychotherapist, having a core of decency. Not so his nemesis, Tommy Ray Glatman (David Patrick Kelly), a dreamlink prodigy and pawn of Bob Blair (Christopher Plummer), who runs the research project for the government (he's described as the "head of covert intelligence"). Blair is worried about the President (Eddie Albert), whose nightmares of nuclear holocaust cause him to escalate disarmament talks with the Russians, much to Blair's dismay, being your basic evil, slick, smarmy covert kind of guy. Turns out Blair's real aim is to use the project to train dreamlink assassins, his star pupil being psycho Tommy Ray and his test case the President. Only Alex is there to stop them.Dreamscape is all business, with a well-structured screenplay that lays the groundwork for the film's many admirable performances. Kate Capshaw in particular is very dreamy as a research scientist and Dennis Quaid's love interest. And David Patrick Kelly is likely to become your worst nightmare, especially when he's the Snakeman, giving an often fantastical performance. But what you are most likely to remember from this wonderful thriller is the many vivid dream sequences, aptly surreal images from the troubled psyche. --Jim Gay
Separation concerns the inner life of a woman during a period of breakdown - marital and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative in which dreams and desires are as real as the 'swinging' London (complete with Procul Harum music and Mark Boyle light show) of the film's setting.
Six hundred feet beneath the surface terror runs deep... On what should be a routine rescue mission during World War II the submarine USS Tiger Shark picks up three survivors of a U-boat attack. But for the crew trapped together in the sub's narrow corridors and constricted spaces the unexpected visitors seem to spark a series of chilling otherworldly occurrences... A spooky wartime tale co-written by Darren Aranofsky (Pi Requiem For A Dream).
Oscar nominee Tim Roth (The Hateful Eight, Selma) is David, a nurse who works with terminally ill patients. Efficient and dedicated, he develops strong and intimate relationships with each person he cares for.
At the heart of the first years of Joss Whedon's Buffy the Vampire Slayer was the romance between Buffy (Sarah Michelle Gellar), slayer of all things evil, and hunky Angel (David Boreanaz), the tortured vampire destined to walk the earth with a soul. The second season of Buffy took the Buffy-Angel pas de deux from ecstasy to agony in a now-classic plot arc that catapulted the show from WB teen drama to true TV greatness. You see, if the cursed Angel ever experiences true happiness for a moment, he'll revert to being an evil vampire again. And guess what happens after Buffy and Angel finally declare their love for one another and consummate their relationship... Buffy found its true momentum during the second season, as geeky Xander (Nicholas Brendon) fell in love with popular girl Cordelia (Charisma Carpenter), Willow (Alyson Hannigan) gave up her crush on Xander in favour of werewolf boy Oz (Seth Green), and watcher Giles (Anthony Stewart Head) began a sweetly tentative relationship with computer teacher (and witch) Jenny Calendar (Robia LaMorte). Mayhem came to Sunnydale, though, in the form of evil vampires Drusilla (Juliet Landau) and Spike (drolly wicked James Marsters), who were more than ready to aid and abet Angel as he turned bad. It all sounds like horror-action mayhem (and there are great fight scenes), but Buffy took on its plotlines with amazing depth, intelligence, and humour. And oh, man, the love story! Buffy and Angel's tragic relationship is one of the most heartbreaking you'll ever find. Buffy's final dilemma finds her having to save the world at Angel's expense, and Gellar (who deserves a passel of Emmys for her work) is phenomenal at telegraphing Buffy's swirling conflicts between love and duty. This is some of the best TV ever made, period. --Mark Englehart
After the first season of Buffy The Vampire Slayer became a ratings success the show was renewed with a bigger budget and twice as many episodes. Seeds are sown through the early episodes for many of the stunning plot developments later in the season: there's a slow burn for the relationships building between Buffy and Angel (no surprise), Giles and Jenny (nice surprise), and Xander and Cordelia (huge surprise). Most importantly, we're introduced to important semi-regulars Spike and Drusilla ("School Hard"), Oz ("Inca Mummy Girl") and fellow Slayer Kendra ("What's My Line Part 1"). Their appearances tackle youth issues such as sibling rivalry, sexual maturity and rejection. But nothing that came before it prepared audiences for the latter half of season 2. In the extraordinary double act of "Surprise" and "Innocence" every aspect of the show grows up in a big hurry: the result of Buffy sleeping with Angel is a series of tragedies everyone is powerless to predict or prevent, a piece of powerful storytelling conveyed with pared-down dialogue and remarkable performances from the young cast. All of these threads are tied together then torn apart by the two-part finale "Becoming". With a cliffhanger ending to rival The Empire Strikes Back, the second chapter of Buffy The Vampire Slayer closes in tantalising style leaving everything at stake. --Paul Tonks On the DVD: The computer-animated menu opens this gorgeous box set in style with a tour through a dark and oppressive cemetery, a lavish display of graphics that's all the more impressive when compared to the uneventful DVD for the first season. Most of the extra features are concentrated on the last disc, which includes the obligatory biographies, trailers and TV spots that add little value to hardcore fans but serve as a good introduction to the world of Buffy for non-adepts. The three featurettes are captivating: "Designing Buffy" offers a wealth of information about the set designs, and even includes a walk through of Buffy's home; "A Buffy Bestiary" features every monster from the second season, and "Beauty and the Beats" explores the make-up artistry and special effects. There are also brief cast interviews, in which James Masters ("Spike") reveals his American accent. All in all the extras make a worthy accompaniment to the spectacular season 2 episodes, though one might regret that Joss Whedon did not offer a commentary on the double bill season finale "Becoming". --Celine Martig
With this third season, Frasier scored an impressive hat trick, winning its third successive Emmy for Outstanding Comedy Series. You don't need too much analysis to get to the bottom of this unprecedented success. The series was a primetime oasis of wit and sophistication, with welcome forays into farce that pricked Frasier's bubble of pomposity. His priceless reactions to the assaults on his dignity are worthy of Jack Benny. Frasier (Kelsey Grammer) can be infuriating, as in "The Focus Group," in which he is obsessed with knowing why a lone focus group participant (guest star Tony Shalhoub) doesn't like him. But he is also endearing in his delusional view of himself as, in the words of one mocking bystander, a "man of the people." Frasier meets his match in new station owner Kate Costas (Oscar-winner Mercedes Ruehl). Their combative relationship turns to lust over the course of the first 10 episodes. But the season's most pivotal story arc is the separation of Niles (David Hyde Pierce) and Maris. "Moon Dance," which marked Grammer's directorial debut, is a series benchmark, as a crestfallen Niles tangos with his unrequited love, Daphne (Jane Leeves), at a high society ball. Not that the Crane family still doesn't have issues to work out. Frasier cannot abide being beaten at chess by Martin (John Mahoney) in "Chess Pains." Frasier and Niles ill-advisedly go into joint practice in "Shrink Rap," and find themselves on the opposite sides of a sanity hearing in "Crane vs. Crane." Lilith is sorely missed, but in this season's blast-from-the-past episode, Shelley Long returns in "The Show Where Diane Comes Back." It is a joy to see Cheers resurrected, if only in Diane's self-absorbed new play, which Frasier agrees to back. And any episode with Frasier's amoral agent Bebe (Harriet Sansom Harris) is must-see television. Frasier's humor was character-based, rather than topical, giving it a longer shelf life. For those who lament the end of one of television's gold standard series, this box set will be excellent therapy. --Donald Liebenson
Hot on the heels of the acclaimed third series Doctor Who returns for a fourth instalment with a familiar face alongside the Doctor. Award-winning comedienne Catherine Tate returns as the Doctor's new companion revisiting her role as Donna Noble who featured in the 2006 Christmas special The Runaway Bride. Martha Jones - who left the Doctor at the end of Series Three to break the unrequited circle of love she felt for him - also returns. Set Comprises: The Sontaran Stratagem: Martha Jones summons the Doctor back to modern-day Earth but an old enemy lies in wait. The Poison Sky: As the Sontarans choke the Earth the Doctor battles to keep both Martha and Donna alive. The Doctor's Daughter: On the planet Messaline in the middle of an endless war the Doctor meets the most important woman of his life. The Unicorn And The Wasp: In 1926 Agatha Christie disappeared for 10 days. Was it amnesia? A nervous breakdown? Or a Giant Alien Wasp..?
In the third series of Angel the titular vampire with a soul was forced to stand alone thanks to the (temporary) death of his beloved Buffy and her show's move to a new network, with no crossover between the two allowed. He returns from seeking peace in a demon-haunted monastery to find the LA Angel Investigations team fighting supernatural crime in his absence. Fred is still haunted by the nightmare dimension from which they rescued her; Cordelia's visions get ever more painful and debilitating. The schemes of the evil law firm Wolfram and Hart become every more imaginative and dragon lady Lilah Morgan becomes even more of an enemy when lusting after Angel. Unbelievably, Darla, Angel's vampire sire and lover, turns up, pregnant with his child and is tortured by inexplicable motherly feelings as well as a raging thirst for human blood. For a few episodes things go pretty well--but Angel's enemies, both those he has made in his quest for redemption and those he made when he was unadulterated evil, are still out there. Stephanie Romanov comes into her silky own in this series, making Lilah Morgan all the more seductively evil because she is clear about the choices she has made; the satanic law-firm of Wolfram and Hart are this show's most inspired creation. As the series moves to its close, Wesley (Alexis Denisof) has hard choices to make. The devastating climax is compulsive viewing and this series also contains one of the most impressive single episodes of the entire show: in "Waiting in the Wings" writer, director and creator Joss Whedon comes up with a classic ghost story as Angel and his crew go to the ballet and find a performance that is literally timeless. On the DVD: Angel, Series 3 DVD box set is generously stocked with extra features--a season overview, commentaries on three episodes, a documentary on the way scripts are transferred to screen, and an overview of the story of the doomed vampire Darla. Of especial interest to fans are two deleted scenes--one from the ballet episode "Waiting in the Wings", in which Amy Acker (Fred) and Alexis Denisof (Wesley) dance a pas de deux at once touching and hilarious, and the other a hilarious scene from "Cordy", the cute situation comedy in which Cordelia stars in an alternate universe. --Roz Kaveney
A specially created box set containing all 7 seasons of Buffy The Vampire Slayer: over 100 hours of vampire ass-kicking action!
Ewan McGregor stars as the eye an isolated British intelligence officer assigned the case of the enigmatic and mysterious Joanna Eris (Judd). Joanna is accused of blackmailing a senior British official - but she is more than just a blackmailer. As the Eye begins his task of shadowing her he discovers that she is capable of more than just extortion. A master of disguise she is also a lone killer who anticipates his every move and stays one step ahead. As he follows Joanna from murder to murder he feels compelled to watch her becoming more and more obsessed with what he sees. The closer the Eye gets to Joanna's life the more dangerous his fantasy becomes. Who is more dangerous the hunter or the hunted?
A Woman Born Of Electricity - A Man Driven By Obsession Available on DVD for the first time! In this update of James Whale's classic The Bride of Frankenstein pop star Sting furthers his burgeoning film career by portraying cinema's signature mad scientist. Disgusted by his dim-witted and ugly original creation (Clancy Brown) Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside Eva (Jennifer Beals) begins her new life as litt
An adaptation by Harold Pinter of Franz Kafka's classic novel about one man's paranoia and persecution. Josef K. for no reason he can imagine is suddenly arrested. As he wanders through a maze of bureaucracy declaring his innocence he becomes more and more entangled in the system -- and he puts himself in ever greater danger. And no matter what he does he can't make the nightmare end.
""Theorizing that one could time travel within his own lifetime Dr. Sam Beckett stepped into the Quantum Leap accelerator and Vanished...He woke to find himself trapped in the past facing mirror images that were not his own and driven by an unknown force to change history for the better. His only guide on this journey is Al an observer from his own time who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself leaping from life to lif
Take a trip through time and space to meet creatures and enemies that always came back for more... Doctor Who - The Monster Collection: The Sontarans contains two exciting stories! The Sontarans are a short battle-loving race from the planet Sontar. Bred for war these cloned creatures have produced one of the most powerful armies in the universe. The Time Warrior is four-part adventure from 1973/74 and marks the first appearance of the Sontarans in the series. Jon Pertwee stars as the Third Doctor. The Sontaran Stratagem and The Poison Sky was first shown in 2008 and brought the Sontarans back to the new series to fight the Tenth Doctor played by David Tennant.
An acclaimed story of secrets passion and betrayal based on the novel by H.E. Bates.... A compelling tale of passion's dark secrets - critics applauded Feast Of July as one of the best films of the year! A mysterious young beauty Bella Ford searches hopelessly for the lover who betrayed her. Weary and alone she is offered shelter by the Wainwright family who help her find new hope ... and whose three handsome sons battle for her affections! But just when she is ready to begin h
It is with this second series that Angel, the darker Los Angeles mean-streets spin-off from Buffy, comes entirely into its own. Angel, the vampire with a soul and rather too much hair gel, is driven partly by his need for atonement and partly by his anger at the manipulations of the satanic law firm Wolfram and Hart, especially the morally equivocal Lindsey (Christian Kane). At the end of the previous season, they set his emotional destruction in motion by bringing back from hell Darla, the vampire who turned him, whom he loved for centuries and then killed to save Buffy. Julie Benz's soft-voiced passion--"God doesn't want you, but I still do"--makes her a perfect tragic foil for David Boreanaz's "billowy coat King of Pain" hero and mid-season offers further cause for Angel's despairing rage at his failure to save Darla from being turned vampire again. There is a nice balance of comedy, horror and the starkly tragic here--fake swamis, accursed shrouds, sexually abused telekinetic assassins all come into the mix along with Angel's gang of sidekicks--pedantic Wesley, abrasive Gunn, flighty clairvoyant Cordelia--and a new and wonderfully improbable character who starts as a running joke and becomes so much more--the Host (Andy Hallett), a green demon with red horns, eyes and hair, who sees into the souls of those who sing karaoke at his bar. And in a four-part finale, the group's friendship with the green karaoke demon Lorne sends them off to his home dimension to rescue Cordelia, right wrongs and acquire an important new character. On the DVD: Angel, Season 2 on disc presents all the episodes in their original 16x9 widescreen format (2.35:1), which enables viewers to see shots as they were originally conceived, for example in impressive moments like the march of the four vampires through a burning Shanghai or the climaxes of the mediaeval Pylea sequence. The sound is a sumptuous Dolby Surround 2.0. The first Pylea episode, "Over the Rainbow", has a commentary by its director Fred Keller; the 1959 flashback episode "Are You Now or Have You Ever Been?" has a commentary by writer Tim Minnear. There are also featurettes on the set designs--specifically concentrating on the huge hotel set which dominates Season 2. --Roz Kaveney
A few years after the events in Scream 2, Gale Weathers has continued the horror franchise called Stab.
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