Mace is a street wise ex-cop who now tracks down criminals that have jumped bail. The mayor hires him to locate and shadow the person who murdered his daughter. Mace enlists the help of Sarah a hooker and Mitch the man who was unlucky enough to have been Donna's last date and now the prime suspect in her murder. When they get close to discovering the identity of the killer they find themselves hunted by the police.
Miles Anna Egg Milly Warren and Ferdy return for the second series of the groundbreaking BBC drama This Life. This time around life is even more complicated: Egg is having serious problems with money and direction; Milly enters an affair with her boss O'Donnell; Anna is still in love with Miles but having a hard time accepting it; meanwhile Miles gets engaged despite his feelings for Anna; Warren gets arrested for 'cruising' in the local park and decides to le
A beautiful young woman is driven into a dark underworld of demonic possession, desire and extreme indulgences when she learns she may be the devils daughter. When her 18th birthday celebrations are put to a dramatic end, triggering a chain of mysterious events, Jordyn is drawn into a world of demonic possession, distorted realities and odd obsessions
When Santa is in trouble Olive the reindeer who is actually a kind-hearted dog and her friend Martin the Penguin head for the North Pole. However an evil mailman has other plans for Santa this year and it's going to be quite an adventure for Olive! Produced by The Simpsons creator Matt Groening.
Pinky (Jordan) is released from prison and has decided to go straight from now on, but takes a job as a maintenance man at a large bank, which gives him a lot of undue attention from Ivan the Terrible (Niven), the local hoodlum. By using Pinky, Ivan hopes to rob the bank and Pinky starts to liken to the idea of going back to his old ways.
A member of the British government is sent to Brussels to become British Commissioner to the European Community where he uncovers political and industrial corruption...
100 Greatest TT Moments counts down the events that created a legend as chosen by the fans. This fascinating film charts the highs and lows and the triumphs and tragedies that have shaped the Isle of Man TT. Featuring the best the worst the fastest the closest the controversial and numerous 'firsts' from this unique racing event - vintage and modern racing footage archive interviews and exclusive contributions from many TT icons make this an extraordinary trip through al
The Murder of Roger Ackroyd opens with a retired Poirot (David Suchet) cursing vegetable marrows in his country garden. When his old friend is found stabbed in the neck, Poirot begins an investigation that reunites him with Chief Inspector Japp (Philip Jackson) and uncovers a chain of furtive phone calls and secret romances. Unfortunately, the restructuring necessary to adapt the story from text to film takes away some of the shock value of Christie's original ending, which caused quite a controversy when the book was first published in 1926. --Larisa Lomacky Moore
Officer Vince Faraday (David Lyons) was a good cop trying to clean up a corrupt city. Framed for murder and left for dead, he suddenly found himself separated from his family and forced into hiding. Now, inspired by his son's favourite comic book hero, he's taking the law into his own hands, and playing a deadly game of chess with the powerful kingpin who framed him. With the hope of one day reuniting with his family, The Cape is sending a loud message to all criminals... run.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
The Man Who Fell To Earth is Nic Roeg's science-fiction cult classic starring David Bowie. Crash landing on Earth from his dying planet an alien humanoid traveling by the name of Thomas Jerome Newton uses his superior intelligence to build a vast business empire. As he takes on and beats every US corporation people can only guess his true purpose - to save his dying world from agonizing death by drought. Newton's ageless fall from grace as he becomes prey to lust alcohol business rivals and the US Government makes The Man Who Fell To Earth not only a bitingly caustic indictment of the modern world but also a poignant commentary on the loneliness of the outsider.
Available uncut for the first time in the UK, The Evil Dead is a classic cult horror film that tells of five college friends who journey to the woods and wake the spirits of demons who want their bodies!
Crikey! The Royal Navy has finally entered the nuclear age and is selling off its obsolete old frigates to the Arabs!
Two masterpieces of British cinema are paired here--Powell and Pressburger's first Technicolor triumph, The Life and Death of Colonel Blimp (1943) and their even more ambitious A Matter of Life and Death (1946). Both pictures are transcendent examples of the filmmakers' craft, and remain models of great cinema long after their original wartime propaganda brief has expired. Based on a famously satirical cartoon strip that mocked outmoded attitudes of fair play at a time of "total war", Blimp subsequently became notorious as the film Churchill tried to have banned. Because the War Office objected to the screenplay, they refused to allow P&P's first choice for the role, Laurence Olivier, and the duo cast unknown stage actor Roger Livesey in his place. It is Livesey's sympathetic performance that transforms Clive "Sugar" Candy from an object of satire to one of warm affection, effectively reversing the film's intended message about old-fashioned decency versus wartime pragmatism. Anton Walbrook is a profound presence in a role that mirrored the actor's own plight as a German in Britain, while Deborah Kerr is a living leitmotif in the film, playing no fewer than three distinct but deliberately related roles. Briefed by the Ministry of Information to make a film that would foster Anglo-American relations in the post-war period, the duo, known as "the Archers", came up with A Matter of Life and Death, an extravagant and extraordinary fantasy in which David Niven's downed pilot must justify his continuing existence to a heavenly panel because he has made the mistake of falling in love with an American girl (Kim Hunter) when he really should have been dead. National stereotypes are lampooned as the angelic judges squabble over his fate. In a neat reversal of expectations, the heaven sequences are black and white, while earth is seen in Technicolor. Daring cinematography mixes monochrome and colour, incorporates time-lapse images, and even toys with background "time freezes" 50 years before The Matrix. Roger Livesey and Raymond Massey lead the fine supporting cast. On the DVD: The Life and Death of Colonel Blimp and A Matter of Life and Death are presented in reasonably sharp 4:3 ratio with good mono sound. Blimp comes with a 25-minute documentary feature that tells us nothing revelatory about making the film, but has good new interviews with cinematographer Jack Cardiff (then an apprentice) and eloquent admirer Stephen Fry. Text biographies and stills are also included. Life and Death has no extras. --Mark Walker
A double DVD with more than 5 hours of spine-tingling footage from the four top-rating 'Most Haunted' live events!
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "The Duchess Assignment", "Brink of Disaster", "Attack of the Alligators!" and "Martian Invasion". Amazon.com
David Warbeck gives an explosive performance in this previously lost Giallo never released in UK & now remastered in HD from brand new restored vault materials in the films original widescreen format. Joanna - who is wheelchair-bound after a horrific childhood attack - is a wealthy philanthropist who has funded a sports centre for paraplegics. She now plans to donate a large amount of her wealth to the local church, but visions of a priest-looking figure carrying a blood-soaked doll start to...
Lives were upended--and some co-opted--in the fifth and final season of Angel, as the denizens of Angel Investigations found themselves taking on one of their scariest endeavors ever: corporate life. After making a literal deal with the devil (or something distinctly devil-like), Angel (David Boreanaz) moved his team from their crumbling hotel to the high-rise digs of law-firm-from-hell Wolfram & Hart, his reasoning being they could better fight the forces of evil from the inside, and with more resources to boot. Clever maneuvering or easy rationalization? A few members of Angel's team accused him of selling out (as did a number of viewers), but as with most of the show's previous four seasons, Angel somehow took a dubious premise and mined it for gold. And with one core cast member gone (Charisma Carpenter, whose Cordelia was immersed in a deep coma), it seemed as if the show, from within and without, would suddenly fall apart--that is, until Angel's longtime nemesis Spike (James Marsters) showed up, fresh from his sacrificial roasting at the series finale of Buffy the Vampire Slayer. Let the vampire games begin! With Buffy off the air, fans flocked to Angel's last season to get their fix of Joss Whedon's "Buffyverse" in any form they could, and the addition of Spike was a shrewd one, albeit not enough to keep the show from getting canceled. And for the first half of the season, the creative forces behind the show seemed to be toying ruthlessly with the audience. Spike was around, but not entirely corporeal; Angel himself became sullen and withdrawn; and most horrifically, sweetheart scientist Fred (Amy Acker) and former watcher Wesley (Alexis Denisof) underwent traumas that would test even the most devoted viewer. However, just when you'd be about to throw in the towel, things started changing for the better--Spike became a permanent fixture (both in the flesh and on the show), Angel's secret motives were revealed, and the introduction of demon warrior Illyria, who proved to be the show's answer to Buffy's sardonic demon-made-human Anya, was a welcome breath of fresh air. Creatively, Angel also came up with some of its best episodes, including "Smile Time" (where Angel is turned into a puppet really!) and "You're Welcome" (the show's 100th episode, which marked the bittersweet return of Carpenter's Cordelia). The ending of the series was deliberately ambiguous, and not everyone made it through alive, but in going out kicking, it was a proper sendoff for a show that always fought the good fight. --Mark Englehart
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