Tracklist: Dirty Boots Tunic (Song For Karen) Mary-Christ Kool Thing Mote My Friend Goo Disappear Mildred Pierce Cinderella's Big Score Scooter & Jinx Titanium Expose 100% Sugar Kane Youth Against Fascism Bull In The Heather Superstar Little Trouble Girl The Diamond Sea Sunday Hoarfrost Nevermind (What Was It Anyway) The Empty Page Disconnection Notice.
United Kingdom released, Blu-Ray/Region B DVD: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Linear PCM ), English ( Mono ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: When a British government undercover agent is assassinated, a radical anti-nuclear group is held responsible. SAS agent Skellen (Lewis Collins) is called upon to infiltrate the group and put an end to their terrorist activities.He is welcomed into the group by its fanatical leader Frankie Leith (Judy Davis) and gets closer to uncovering her plan to attack a major political target. The group raids the American embassy and Skellen, from within the residence, must use all of his skill and courage to support and guide his SAS colleagues to save the lives of the high-ranking hostages being held captive.Who dares wins was inspired by the SAS rescue of hostages at the besieged Iranian Embassy in May 1980.Special Features interviews featurette on witthe Producer and special featurette with Lewis Collins.commetary with Ian Sharp and Euan Lloydoriginal ITV behind the scenes programme ...Who Dares Wins ( 1982 ) ( The Final Option ) (Blu-Ray)
High Hopes by award-winning Writer and Director, Mike Leigh (Mr Turner, Secrets Lies) depicts a slice of the lives of Shirley (Ruth Sheen) and Cyril (Philip Davis), a working-class couple in London. Cyril finds it hard to cope with his family; especially when his elderly Mum (Edna Dore) locks herself out and must ask her yuppie neighbours for help, and his social-climbing sister Valerie and her crass husband decide to throw a surprise party for their mum's 70th Birthday which has disaster written all over it. On top of all of this, Shirley wants a baby but how does this fit in with Cyril's Marxist ideals of a perfect world?
In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman
Season Two, the 1994-95 run, of The X Files was the one where creator Chris Carter, having had a surprise hit when he expected a one-season wonder, started trying to make sense of all the storylines he had thrown into the pile in the first year. Moreover, he had to cope with Gillian Anderson's maternity leave by having Scully get abducted by aliens (back then, a pretty fresh device) for a few episodes and come back strangely altered. The season also inaugurated the tradition of opening ("Little Green Men") and closing ("Anasazi") with the show's worst episodes, both pot-boiling attempts to keep the alien infiltration/government conspiracy balls up in the air while seeming to offer narrative forward-thrusts or revelations.But it's also a show noticeably surer of itself than Season One, with its stars reading from the same page in terms of their characters' relationship and attitudes to the wondrous. Scully's no-longer-workable scepticism finally starts to erode in the face of Mulder's increasingly cracked belief. There are fewer marking-time leftover-monster-of-the-week shows--although we do get a human fluke ("The Host"), vampires ("3"), an invisible rapist ("Excelsius Dei") voodoo ("Fresh Bones")--and the flying-saucer stories at last seem to be going somewhere. The powerful two-episode run ("Duane Barry", "Ascension") features Steve Railsback as Mulder's possible future, an FBI agent burned out after a UFO abduction who has become a hostage-taking terrorist, which climaxes with Scully's disappearance into the light. The standout episode is also a stand-alone--"Humbug"--the first and still most successful of the show's self-parodies (written by Darin Morgan, who had played the Flukeman in "The Host"), in which the agents investigate a murder in a circus freakshow, allowing the actors to make fun of the mannerisms they have earnestly built up in a run of solemn, even somnolent, explorations of the murk. Other worthy efforts: "Aubrey", about genetic memory; "Irresistible", a rare (and creepy) straight psycho-chiller with little paranormal content; and "The Calusari", a good ghost/mystery. Rising deputy characters include Nicholas Lea as the perfidious Krycek and Brian Thompson as the shapeshifting alien bounty hunters. Notable guest stars: Charles Martin Smith, C.C.H. Pounder, Leland Orser, Terry O'Quinn, Bruce Weitz, Daniel Benzali, John Savage, Vincent Schiavelli, Tony Shalhoub. --Kim NewmanOn the DVD: The individual episode discs have a small selection of deleted scenes, foreign language clips and behind-the-scenes footage, but the bulk of the extra material is on the final disc. There's not a lot to get to grips with, but what there is consists of a 14-minute documentary about the making of Season Two, with contributions from Chris Carter, various directors, writers and actors (but not the two principals); Carter talking briefly about each episode in turn; a series of short TV spots and pieces about the show's FX and secondary characters; and three very short behind-the-scenes glimpses, one of which has the self-explanatory title "Gillian eats a cricket". There's also a DVD-ROM utility with Web links and a game. --Mark Walker
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
The story of a young man who is bent on becoming the best hoodlum in the underworld society where favours are repaid in kind... or repaid in blood.
The feature debut of the great Bob Fosse based on the Broadway hit, Sweet Charity is a musical re-imagining of Federico Fellini's Nights of Cabiria, starring the wonderful Shirley MacLaine as a taxi dancer looking for love and escape in hippy-era New York. Special Features: 4K restoration of the 157-minute Roadshow version, complete with Overture, Entr'acte and Exit Music 4K restoration of the general release version, with the original and alternative endings Alternative 2.0 stereo, 4.0 stereo and 5.1 surround soundtrack options Audio commentary with film historians Lee Gambin, Alexandra Heller-Nicholas and Cara Mitchell (2020) The John Player Lecture with Shirley MacLaine (1971): archival audio recording of the celebrated actor in conversation at London's National Film Theatre From Stage to Screen: A Director's Dilemma (1969): original promotional film featuring interview material with Bob Fosse and rare behind-the-scenes footage The Art of Exaggeration (1969): original promotional film profiling the work of famed costume designer Edith Head Interview with Sonja Haney (2020): audio recording of the dance assistant in conversation with Lee Gambin Now and Then: Sammy Davis Jr (1968): archival interview featuring the actor and singer in conversation with broadcaster Bernard Braden Super 8 version: original cut-down home-cinema presentation Image gallery: publicity and promotional material Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 80-page book with new essays by Pamela Hutchinson and Bill Rosenfield, Neil Simon on Sweet Charity, archival press coverage of the film's release including an interview with Shirley MacLaine, extracts from the pressbook, Federico Fellini on Sweet Charity, an overview of contemporary critical responses, and film credits Limited edition exclusive double-sided poster UK premiere on Blu-ray Limited edition of 3,000 copies
Traumatized by the murder of her best friend when she was a young girl Tory Bodeen has finally returns home hoping to rebuild her life and make peace with her past. but Hope's family and her killer may stand in the way of Tory's happiness and possibly her life. Based on Nora Roberts novel.
A chance encounter between a travelling salesman and a lonely hitman triggers a strangely profound relationship.
The BAFTA® and British Comedy Award winning Hunderby returns with a two part special brimming with the dark and absurd humour that has become Julia Davis' trademark. Dorothy, the twisted housekeeper of Hunderby, has her sights firmly set on becoming wife to its master and Lady of the Manor. But Brother Edmund's appetites lay elsewhere, and when he is further encouraged to stray, by the return of the toffee brown Brother Joseph fresh from his tropical travels, Dorothy must invent myriad ways to snare her man. Having been told they are brother and sister, Crippled Hesther and the dashing Doctor Foggerty lead separate but entwined lives: Hesther languishing in a grim hovel within the Hunderby grounds, whilst the Doctor abides in the grand house close to his beloved Helene. When puritanical Pastor John arrives to tend Edmund's wayward flock, he means to punish each and every sinner - but not before he has secured a wife.
Mindhorn is a must-see British comedy from co-writers and stars Julian Barratt (The Mighty Boosh) and Simon Farnaby (Star Wars: Rogue One), with a supporting cast that includes Andrea Riseborough, Essie Davis and Steve Coogan. Washed-up actor Richard Thorncroft (Julian Barratt, The Mighty Boosh) is given the chance to revive his flagging career by returning to the role which made him famous: Mindhorn, a genetically modified detective whose eye was replaced by a super-advanced optical lie detector, allowing him to literally see the truth. Decades later, when a deranged Manx criminal demands only to speak to Detective Mindhorn, Thorncroft returns to the scene of his greatest triumph for one last chance to reignite his glory days and professional credibility.
High Hopes by award-winning Writer and Director, Mike Leigh (Mr Turner, Secrets Lies) depicts a slice of the lives of Shirley (Ruth Sheen) and Cyril (Philip Davis), a working-class couple in London. Cyril finds it hard to cope with his family; especially when his elderly Mum (Edna Dore) locks herself out and must ask her yuppie neighbours for help, and his social-climbing sister Valerie and her crass husband decide to throw a surprise party for their mum's 70th Birthday which has disaster written all over it. On top of all of this, Shirley wants a baby but how does this fit in with Cyril's Marxist ideals of a perfect world?
The Bigamist: A salesman marries a wealthy woman from a blue-blooded L.A. family (Fontaine) and a street-smart waitress in a San Francisco Chinese restaurant. Driven to this agonizing extreme more by his big heart than lust the bigamist strains to keep his double life a secret from the women he truly loves. Hell's House: A naive child takes the rap for a bootlegger and is sent to an appalling reformatory. High Voltage: A bus full of passengers gets stranded in
Thelma & Louise is a feminist manifesto writ large on the big screen, a smart and funny gender reversal of the standard Hollywood buddy formula, a road movie extraordinaire, with characters who became instant cultural icons. No matter how you define it, Ridley Scott's 1991 box-office hit pinched a nerve and made the cover of national news magazines for tweaking gender politics like no movie before or since. Callie Khouri's screenplay overhauls the buddy formula with its story about two best friends (Susan Sarandon and Geena Davis) who embark on a liberating adventure that turns into an interstate police chase after a traumatic incident makes both women into fugitives; they are en route to a destiny they could never have imagined. The perfect casting of Sarandon and Davis makes Thelma & Louise a movie for the ages and Brad Pitt became an overnight star after his appearance as the con-artist cowboy who gives Davis a memorable (but costly) night in a roadside motel. --Jeff Shannon
Meet Jill the unhinged owner of a small town beauty salon and enter her dysfunctional world. Pretending that her hospitalised husband is dying Jill is on a mission to find a man. She joins the ""Lassoo the Moon"" Dating Agency but when her dates don't come up to scratch she sets her sights on her neighbour Don a doctor and develops a very unhealthy obsession about him. Moving in to 'nurse' his terminally ill wife she is determined to seduce him and bring their marriage to a gr
The critically acclaimed romantic comedy of the year Next Stop Wonderland is a light-hearted story about a man and a woman who seem destined to be together.... and the hilarious chain of accidents that seem determined to keep them apart! Dumped by her loser boyfriend Erin thinks that her love life has hit rock bottom. In reality the all-time low comes when her overbearing mother places an embarrassing ad for her in the personals section of a local newspaper! Erin's disgust turns to curiosity however when the calls start pouring in -- all 64 of them! As she searches for the right guy in a hilarious series of disastrous dates a lonely ex-plumber named Alan clumsily searches for his dream job.... all the while narrowly missing one chance meeting with Erin after another! Filled with delightfully unexpected surprises you're sure to love every minute of this smart and funny adventure into the wildly unpredictable world of dating.
Director Joel Schumacher's acclaimed story of a group of young US infantry men in 1971, in training for Viet Nam, at a time when not even many of the soldiers themselves believed in what they were doing.
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