Based on the best-selling and multi-award-winning novel by Zadie Smith White Teeth is superbly adapted to the screen in this outstanding drama which features a compulsively watchable cast including Robert Bathurst Phil Davis Geraldine James James McAvoy Om Puri and more. Set in the far from glamorous Willesden Green London from the 1970s to the 1990s White Teeth finds Archie Jones interracially married to the post-Jehovah's Witness Clara meeting up with an old colleague Samad Iqbal who with his family has just arrived in England. The secrets they share from the past and the secrets they will share in the future are tossed and tumbled in a rich stew that bubbles with racial and sexual tension new-found freedoms old school politics genetic science animal liberation and the end of the world as we know it. It all adds up to a feast to be relished from start to finish.
Brakes is a raw, dark and unconventional comedy directed by Mercedes Grower and featuring an all-star cast of British talent. Split into two halves it follows the tumultuous stories of nine couples, plunging straight into the brutal and absurd endings of their relationships first, before travelling back to the moments when the spark of love between them first emerged. Using London as their match-maker, each of their stories is unique yet familiar to us all.
Based on an original comic idea of Vince Vaughn's, "Couples Retreat" sees a quartet of troubled couples embark on a journey to a tropical island resort in order to mend their ailing relationships.
Taken from a long-running DC Comics strip, Wonder Woman was made into a popular television series between 1978 and 1981, starring former Miss America Lynda Carter. Capturing the hearts of TV audiences with her sexy outfit as much as her superheroine abilities, Wonder Woman quickly became a kitsch icon, battling the forces of evil with the unforgettably camp "garb of justice", including bullet-proof bangles, a golden lasso and the belt of strength built into her corset. She had an invisible plane, too. Originally Princess Diana of Paradise Island (an uncharted land of Amazon women in the Bermuda Triangle), Wonder Woman is sent as an emissary to the outside world to protect the human race from the forces of evil. And so she becomes Diana Prince, the geeky, bespectacled assistant to Steve Trevor of the Inter Agency Defense Command in Washington, whose father she assisted against the Nazis in the 1940s. In the 70-minute pilot, "The Return of Wonder Woman", our gal is sent in to prevent the nefarious Dr Solano from capturing a nuclear generating plant the Americans are flying into Latin America as a new source of energy. In "Anschluss 77", Steve and Diana are sent to investigate a former Gestapo agent now living in Latin America and have to battle a Nazi force that includes a cloned Adolf Hitler. Finally, in "The Man Who Could Move the World", Wonder Woman's adversary is a Japanese ex-intern from World War II who has developed telekinetic powers. Carter plays the role commendably straight, but just one listen to the theme tune ("in your satin tights, fighting for our rights") makes it clear this isn't meant to be taken seriously. Who else could save us from evil so stylishly? On the DVD: Wonder Woman, Volume 1 includes a gallery of memorabilia, a pretty extensive biography of Lynda Carter and the rest of the cast, and finally a short photo gallery for all you die-hard Wonder Woman fetishists. --Laura Bushell
Highly Strung
Sex and the City returns for a third season that is even fresher funnier and more tastefully dressed than the first two. Join Carrie and her friends Charlotte Miranda and Samantha as they do weddings funerals and Bat Mitzvahs Staten Island the meat-packing district and the Playboy Mansion. ""A-List"" celebrity guest appearances include Carrie Fisher Sarah Michelle Gellar Hugh Hefner Donovan Leitch Matthew McConaughey Alanis Morissette and Vince Vaughn. So get ready to cross the velvet ropes and enter a world of...Sex and the City.
Hal, Tom and Alex are three housemates with some serious issues on their hands, and they're not all about the washing up rota. Hal (Damien Molony) is a 500 year-old vampire, Tom (Michael Socha) is a hardened werewolf and Alex (Kate Bracken) has recently had the misfortune of becoming a ghost. But threat lurks around every corner. There is the volatile and deluded Crumb (Colin Hoult) - a newly recruited vampire, and the sinister Mr Rook (Steven Robertson) - head of a secret government department. With bills to be paid, our heroes take jobs in Barry's kitschest hotel, but alongside the flock wallpaper and the cocktail umbrellas dwells an evil greater than anything faced before. On the face of it, Captain Hatch (Phil Davis) is just another foul-mouthed decrepit old man but he hides a dark secret that threatens not only our heroes' friendships but the entire world.
Could a simple feud between brothers lead to the brutal massacre of an entire family? Garret Smith (Bronson) travels to a remote Rocky Mountain town to investigate and uncovers far more sinister motives. As he gets closer to the bizarre truth Smith unravels a plot of greed revenge and religious zealotry. But can he get to the bottom of the murders before an 'avenging angel' visits him with an equally deadly message?
Miles Davis - The Miles Davis Story
Like any good brand, the Rolling Stones know to preserve the formula even when updating the package, and this long-form concert video underscores that market strategy. As with each of their tours since the early 1980s, the quartet, augmented by a discreet auxiliary of backup musicians, gives the fans new eye-candy while dishing up a familiar set list spiked with Mick Jagger's lip-smacking vocals and Keith Richards' signature guitar riffs. The visual twists are at once spectacular and conservative: a cyclopean main stage design with massive pillars (presumably the Babylonian connection), a vast oval video screen (shades of Big Brother), and a hydraulic bridge enabling a mid-concert sortie into the audience, with the Stones playing a more stripped-down, intimate set on a small satellite stage. That huge physical setting doubtless made the live shows eye-filling rock spectacles, but the video crew necessarily accepts the limitations of the small screen, focusing more on close-ups of the band, rapid cuts, and racing, hand-held tracking shots to convey excitement while keeping the viewer close to the action. The evening's repertoire sticks to the band's most familiar hits, and if the Glimmer Twins occasionally slip their masks to let the routine show, the real wonder is how effectively they keep the playing focused. During the first half of the programme, the band's newest songs (especially "Saint of Me" and "Out of Control") elicit conspicuously higher energy from the band, if not the audience. But just as the show seems doomed to a certain anonymity, the escape onto the smaller, no-frills stage pumps up players and crowd alike, particularly when they launch into "Like a Rolling Stone", a cover that winds up sounding like a great idea too long deferred. --Sam Sutherland, Amazon.com
A spoof of the blockbuster TWILIGHT franchise, BREAKING WIND follows Bella who finds herself the object of everyone's affection including Edward Colon, Jacob the overweight but girthy werewolf and Little Edward the three foot six pint sized version of Edw
It's summertime but that doesn't mean the women of Sex and the City are livin' easy. They've got new loves new responsibilities new choices to make and (oh yes!) a new baby to deal with and that equates to a whole new outlook on being single in New York City. Ready or not Carrie Miranda Charlotte and Samantha are headed for uncharted territory on an all-new season of HBO's smash-hit comedy series Sex and the City!
Stuart Little: Join the fun when the Little family adopts an adorably spunky boy named Stuart (voiced by Michael J. Fox) who looks a lot like a mouse. Mr. and Mrs. Little (Hugh Laurie and Geena Davis) fall in love with Stuart right away but their older son George (Jonathan Lipnicki) isn't so sure what to make of his new brother and the family's white cat Snowbell (voiced by Nathan Lane) devises a dastardly plan to get Stuart out of the house...permanently. Stuart Little 2: Stuart rescues an injured bird Margalo from the clutches of a menacing falcon. Margalo heals quickly under the care of the Littles and soon becomes a treasured member of the family but their joy is shattered when Margalo disappears. Stuart must summon all his courage to find her as he learns the true value of trust family and friendship in this heart warming adventure for the entire family. Stuart Little 3: School's out for the summer and the Littles are spending their vacation at a beautiful lakeside cabin. Leading the way is Stuart who can't wait to become a Scout and spend his entire vacation canoeing hiking and being the outdoorsy little guy he claims to be. But there is something lurking in the forest which could spoil the fun!
Tootsie inevitably looks dated in some respects now, but it's still fabulous in others--the sexual politics look distinctly faded in their sniggering approach to sexual ambiguities, while the sardonic portrayal of a showbiz that loathes perfectionism is still both timely and hysterically funny. Dustin Hoffman's portrayal of Michael Dorsey is a memorable self-caricature--the man is so obsessed with the craft of acting that he refuses to sit down when playing a tomato in a commercial, and so producers run away rather than work with him. By playing Dorothy Michaels playing her soap character, Dorsey gives himself the freedom to be a bad and popular actor. He is so busy with the surface of being a woman--the voice, the hair, the frocks--and with all the bad faith of his and Dorothy's emotional lives, that he learns to relax into the pleasure of performance. This aspect of the film is far more interesting, ironic and funny than the corny New Man moralising about sexual roles that goes with it. Jessica Lange got, and earned, an Oscar for her sensitive straight woman performance as the colleague Michael falls for, and Bill Murray, Teri Garr, Geena Davis (momentarily) and Charles Durning all turn in reliable supporting roles. Sydney Pollack directs efficiently rather than inspiredly--oddly, he earns almost more credit for his well-observed performance as Michael's world-weary agent. On the DVD: The DVD is presented in crisp Dolby Digital sound and with the original theatrical visual ratio of 2.35:1; enhanced for 16:9 widescreen televisions. It is dubbed into French, German, Italian and Spanish and has subtitles in most European languages as well as Arabic, Hindi and Hebrew. The only special features are the theatrical trailer and filmographies for the leading performers and director. --Roz Kaveney
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
After getting hurt one too many Julie a lonely hairdresser is ready to give up on romance. But when she runs into a wayward spaceship with a sexy alien captain and a lovesick crew it doesn't look like romance is ready to give up on her. After one mighty zany weekend Julie decides that maybe she should take a chance on love again.
Injected with an experimental drug the research chemist Ryan leaves a mysterious rural health farm and drives to the outer city suburb of Homesville. As Ryan's body starts to deteriorate and his driving becomes more erratic a cruising police car starts to chase him. Charging towards a group of houses in Pebble Court Ryan leaves a cryptic message on his dicataphone: 'The first phase is hallucination. The second phase is glandular. The third phase is...' Before he can finish the sent
'The Fly' is a remake of the 1958 horror classic about a brilliant scientist who develops a machine that molecularly transports objects in seconds but inadvertently turns him into a fly incredibly agile super strong and driven to insanity by appetites he cannot control. In 'The Fly 2' Martin Brundle son of 'The Fly' continues his father's work on the teleporters for Bartok Industries. He is ignorant of his father's true identity and believes himself to have a growth disease. Wh
Geena Davis lights up the screen as President Mackenzie Allen earning a Golden Globe award for Best Actress in the show's inaugural season. Experience the first ten thrilling episodes of the captivating drama starring Davis Emmy Award winner Donald Sutherland and an acclaimed cast. When the President of the United States dies in office his independent Vice President ventures into territory no woman has ever entered before. Now the nation's first female Commander In Chief must balance the pressures of running the country and the responsibility of raising a family - while facing a sustained torrent of underhanded attacks from the Speaker Of The House (Sutherland)
Starman is easily director John Carpenter's warmest and most beguiling film, and the only one that ever earned him an Oscar nomination. While most movie buffs are likely to call Halloween the best movie from Carpenter, die-hard romantics and anyone who cried while watching E.T. will vote in favour of the director's 1984 hit. Jeff Bridges is the alien visitor to Earth who is knocked off course and must take an interstate road trip to rendezvous with a mothership from his home planet. To complete this journey he assumes the physical form of the dead husband of a Wisconsin widow (Karen Allen) who responds first with fear, then sympathy, and finally love. Carpenter's graceful strategy is to switch the focus of this E.T.-like film from science fiction to a gentle road-movie love story, made believable by the memorable performances of Bridges and Allen. It's a bit heavy-handed with tenacious government agents who view the Starman as an alien threat (don't they always?), but Carpenter handles the action with intelligent flair, sensitivity and lighthearted humour. If you're not choked up during the final scene, well, you just might not be human. --Jeff Shannon, Amazon.com On the DVD: Starman on disc is presented in anamorphic widescreen transferred from NTSC and letterboxed at 2.35.1. The picture is clear and sharp with very little grain. The soundtrack is crisp, perfectly complementing the romantic nature of this film. The overriding reason to shell out on this special edition is the commentary from John Carpenter and Jeff Bridges, in which director and actor show a genuine affection for the film. Other extras are a featurette filmed around the original release in 1884, a music video starring Bridges and costar Karen Allen covering The Everly Brothers classic "All I Have to Do is Dream", and a trailer for Close Encounters of the Third Kind. --Kristen Bowditch
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