Francis Ford Coppola took some of the deep background from the life of Mafia chief Vito Corleone--the patriarch of Mario Puzo's bestselling novel The Godfather--and built around it a stunning sequel to his Oscar-winning, 1972 hit film. Robert De Niro plays Vito as a young Sicilian immigrant in turn-of-the-century New York City's Little Italy. Coppola weaves in and out of the story of Vito's transformation into a powerful crime figure, contrasting that evolution against efforts by son Michael Corleone to spread the family's business into pre-Castro Cuba. As memorable as the first film is, The Godfather II is an amazingly intricate, symmetrical tragedy that touches upon several chapters of 20th-century history and makes a strong case that our destinies are written long before we're born. This was De Niro's first introduction to a lot of filmgoers, and he makes an enormous impression. But even with him and a number of truly brilliant actors (including maestro Lee Strasberg), this is ultimately Pacino's film and a masterful performance. --Tom Keogh
Sharing the screen for the first time in motion picture history Academy Award® winner Robert De Niro and two-time Oscar® nominee John Travolta star in the nail-biting Killing Season. Two veterans of the Bosnian War - one an American named Benjamin Ford (Robert De Niro) the other a former Serbian soldier Emil Kovac (John Travolta) - engage in a tense action-packed cat and mouse game against the backdrop of America's most forbidding and remote landscape - the Appalachian mountain wilderness.
John Wayne teams with William Holden and eminent western director John Ford for this frontier actioner. Written by John Lee Mahin and Martin Rackin this faithful representation of one of the most daring cavalry exploits in history is both a moving tribute to the men who fought and died in that bloody war and a powerful action-packed drama. Based on an actual Civil War incident The Horse Soldiers tells the rousing tale of a troop of Union Soldiers who force their way deep into Sou
Denzel Washington is a disillisioned soldier of fortune who grows close to a child he is paid to protect. When she is abducted, his fiery rage is unleashed on those he feels responsible, and he stops at nothing to save her.
Clint Eastwood stars as retired FBI director Terry McCaleb who is hired to track down the killer of the woman whose heart he received in a transplant. Soon he begins to suspect the murderer is in fact the same serial killer that he trailed for years...
An in-depth examination of the ways in which the U.S. Vietnam War impacts and disrupts the lives of people in a small industrial town in Pennsylvania.
The film follows Carlos Acosta - nicknamed Yuli by his father - from growing up on the streets of his native Cuba, through his time at the country's National Dance School, to performing at London's prestigious Royal Ballet. Based on his 2007 UK bestseller autobiography No Way Home
It was her vanity that destroyed her... In the Paris of the early 20th century Louise wife of a general sells the earrings his husband gave her: she desperately needs money for a gambling debt. As the general should not know during an opera she acts as she had lost them. When the resulting fuss in Paris frightens the local jeweler he tells the truth to the general. The general secretly buys the earrings back and with disdain for his wife gives them to his mistress Lola. Lola sells the trinket to an Italian diplomat Baron Donati who buys them to impress his mistress back in Paris Louise... Ophuls camera glides with seemingly effortless elegance in this visually dazzling masterpiece which renowned film critic Andrew Sarris described as ""the most perfect film ever made.""
The Deer Hunter is an expansive portrait of friendship in a Pennsylvania steel town, and of the effects of the Vietnam War. Led by the trio of Robert De Niro, John Savage and Christopher Walken (who won a supporting actor Oscar), the first hour is dominated by an engrossing Russian Orthodox wedding and reception. When the drama moves overseas it switches from anthropologically realistic documentation of a community's rituals to highly controversial and still shocking Russian Roulette scenes, symbolising the random horror of war. Unforgettable as they are, the Vietnam sequences occupy less than a third of the three-hour running time; defying movie convention The Deer Hunter is fundamentally a before-and-after ensemble character study anchored by De Niro's great performance. Although it was the first serious Hollywood feature to address the Vietnam War, the plausibility of some of the later plot developments raises awkward questions. But the film remains powerfully effective, its deliberate pace, naturalistic overlapping dialogue and unflinching seriousness marking it very much a product of the 1970s. With nine Oscar nominations and five wins, including Best Picture and Director, it's a cinematic landmark that stands the test time, almost incidentally setting Meryl Streep on the road to superstardom in her first leading role. On the DVD: The Deer Hunter: Special Edition has the film on the first disc with a serious yet amiable Region 2 exclusive discussion track between director Michael Cimino and critic SX Finnie. The picture is anamorphically enhanced at 2.35:1, and perfectly reproduces Vilmos Zsigmond's deliberately desaturated, necessarily grainy cinematography. The Dolby Digital 5.1 soundtrack clearly reveals the mono original, being largely focused on the centre speaker and while it does a good job, some of the choral music does sound harsh. Dialogue is sometimes indecipherable, but that's due to the naturalistic nature of the original sound recording and mixing. Disc 2 offers excellent new interviews with Jon Savage (15 mins), Vilmos Zsigmond (15 mins) and Michael Cimino (23 mins). Also included is the original trailer (anamorphically enhanced 2.35:1), a routine photo gallery and a DVD version of the original press brochure. There's no trace of the 40 minutes of deleted material referred to by Cimino, but this presentation is still an object lesson in how quality of extras triumphs over quantity. --Gary S Dalkin
The King of Comedy, which flopped at the box office, is actually a gem waiting to be rediscovered. Like A Face in the Crowd (a not-so-distant cousin to this film), Network, and The Truman Show, its target is show business--specifically the burning desire to become famous or be near the famous, no matter what. Robert De Niro plays the emotionally unstable, horrendously untalented Rupert Pupkin, a wannabe Vegas-style comedian. His fantasies are egged-on by Marsha, a talk-show groupie (brilliantly played by Sandra Bernhard) who hatches a devious, sure-to-backfire plan. Jerry Lewis is terrific in the straight role as the Johnny Carson-like talk-show host Jerry Langford. De Niro's performance as the obsessive Pupkin is among his finest (which is saying a lot) and he never tries to make the character likable in any way. Because there's no hero and no-one to root for, and because at times the film insists we get a little too close and personal with Pupkin, some will be put off. Yet it's one of Scorsese's most original and fascinating films, giving viewers much to consider on the subject of celebrity. Its inevitable climax is clever and quietly horrific. --Christopher J Jarmick
The negroes fought gallantly and were headed by as brave a Colonel as ever lived", was one Confederate soldier's eyewitness verdict on the 54th Massachusetts Volunteers immediately after 247 of their 600-man regiment had fallen in bloody swathes beneath the withering fire from Fort Wagner near Charleston, South Carolina in 1863. Glory is their story: the mustering of the first black regiment in the US Army, their battles with the Southerners as well as with the Northern military authorities, and their own moment of glory when they paid a terrible price for the opportunity to demonstrate to the world their courage. In telling this little-known story, director Ed Zwick single-handedly changed perceptions of the American Civil War: when a Grand Review of the Armies was held in Washington at the end of the war, none of the almost 180,000 coloured troops who fought for the Union were present; when that parade was restaged in 1990 a year after the movie was released, the 54th Massachusetts re-enactors were at the front of the procession. Zwick's stirring, factually accurate account is greatly enhanced by obsessive period detail and frighteningly realistic battle reconstructions (which were not to be surpassed in scale until 1993's Gettysburg). But Zwick also illuminates individual characters in the regiment with great sensitivity. As crucial as the military set-pieces are the scenes of the men together: talking in the tent or baring their souls in song. Denzel Washington, as the embittered ex-slave, gives a performance of real depth; he richly deserved his Oscar win for the heartbreaking flogging scene alone. Morgan Freeman brings great gravitas to his paternalistic role, and Matthew Broderick's idealistic Colonel Shaw is the centre around which the story revolves. With a clutch of remarkable lead performances, a sensitive and touching script, one of James Horner's finest musical scores, and a director with both the vision and heart to pull it off it's easy to agree with the backcover blurb: "Glory is one of the greatest war movies ever made". Without even a hint of hyperbole, it undoubtedly is. On the DVD: This is a superb looking (anamorphic) and sounding (Dolby 5.1) print, and the disc has some excellent additional features. Ed Zwick's commentary is insightful and extremely detailed: here's a director who obviously cares deeply about this movie. Of the three featurettes, one is a short-ish promo piece but the other two are genuinely impressive: there's a 20-minute "Making of" feature with major contributions from Zwick, Freeman and Broderick, and best of all a 45-minute "The True Story Continues" feature narrated by Freeman which tells the complete story of the 54th Massachusetts from beginning to end using footage from the movie as well as archive material and film of battle re-enactments. Also included are two deleted scenes, although a third scene which was shot for the movie but not used (the Frederick Douglass' speech) crops up in the "True Story" piece. James Horner's emotive score gets an isolated track all to itself and there are also some filmographies and trailers. All in all, this is a superb DVD. --Mark Walker
The next thrilling instalment of the franchise from Blumhouse! One night is not enough as members of an underground movement, no longer satisfied with the annual night of anarchy and murder, decide to overtake America through an unending campaign of mayhem and massacre. No one is safe. On the morning after the Purge, a masked gang of killers attacks a wealthy Texas ranching family and their workers. Exposed by daylight, the two families are forced to band together and fight back as the country spirals into chaos and the United States begins to disintegrate around them.
Creating 'one of the jauntiest of all war-of-the-sexes comedies' (Pauline Kael), Pedro Almodovar, Spain's premiere writer-director, creates an off-kilter universe of madness, mayhem and pure fun. Nominated for the 1988 Academy Award for Best Foreign Language Film, and co-starring Antonio Banderas, Women On The Verge Of A Nervous Breakdown is 'a wild, wanton, wickedly witty farce' (People)!; ; High atop one of Spain's poshest penthouses, three women have come to the end of their mental ropes. ...
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a longĀburied secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
Upon its release The Godafther: Part II was hailed as the best sequel to a movie ever made however this film is much more than that. Coppolla utilised a quite brilliant screenplay and turned it into a visually captivating treat as well as using his directorial skills to make the audience view the rise and demise of the ill-fated Michael Corleone (Al Pacino) as first-person participants with masterful skill. Add to this an astounding performance by Pacino and an Oscar-winning portra
Epic, episodic, tale of the lives of a small group of New York City Jewish gangsters spanning over 40 years. Told mostly in flashbacks and flash-forwards, the movie centers on small-time hood David 'Noodles' Aaronson and his lifelong partners in crime; Max, Cockeye and Patsy and their friends. Once Upon A Time In America journeys from their time growing up in the rough Jewish neighborhood of New York's Lower East Side in the 1920s, to the last years of Prohibition in the early 1930s, and then.
Bobby Bowfinger, a nearly bankrupt aspiring movie producer-director, is about to take one last shot at fame and fortune.
Once a generation, a tournament is held to between the champions of Outworld and Earthrealm. This tournament will determine the fate of Earth and all its citizens. Lord Raiden, protector of Earthrealm, must gather the greatest fighters of his realm to defend it from the evil Shang Tsung in the battle to end all battles - Mortal Kombat!
Nick Bannister (Jackman), a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae (Ferguson). A simple matter of lost and found becomes a dangerous obsession. As Bannister fights to find the truth about Mae's disappearance, he uncovers a violent conspiracy, and must ultimately answer the question: how far would you go to hold on to the ones you love?
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