In the early thirties Christopher Isherwood is a young aspiring writer living in pre World War II Berlin. Christopher meets the vivacious peniless singer Sally Bowles a young English woman who is performing in a cabaret and they soon develop a platonic relationship. Then Sally meets wealthy American Clive at a party who helps Sally and Christopher finacially and socially for a while and they have the time of their lives. Things begin to change as the increasing Nazism in the country
The whole village mourns when General O'Leary owner of a hunting estate in South Ireland is killed in an accident. His nephew Jasper O'Leary takes over the state and soon has aroused the displeasure of all with the exception of Serena McGluskey as much a schemer as he is a cad. Led by Thady O'Heggarty the villagers plot to drive Jasper away.
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town. Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
An exciting British comedy featuring the three leads from 'Smack The Pony': Fiona Allen Doon Mackichan and Sally Phillips. The year is 55 B.C. The Romans are cutting a bloody swathe through the European continent. Any nation daring to defy them is swiftly and brutally crushed into servitude. Mighty Gaul has just fallen and Rome has set its sights upon a small cold and rather damp island across the narrow waters of the Channel. Now with the Romans invading it is up to three sist
An erotic and bizarre black comedy which follows a typical Spanish housewife with rather atypical family problems! Nazis homosexuality drug dealing extra-marital affairs and a plot to forge Hitler's diaries: everything you'd expect from Spanish auteur Pedro Almodovar's fourth film!
The adventures continue as The Lone Ranger and his faithful companion Tonto star in their first ever feature film based on the classic TV series.
James Stewart and Doris Day in a rare dramatic role are superb in this brilliant suspense thriller from the undisputed master. Stewart and Day play Ben and Jo MacKenna innocent Americans vacationing in Morocco with their son Hank. After a French spy dies in Ben's arms in the Marrakech market the couple discovers their son has been kidnapped and taken to England. Not knowing who they can trust the McKennas are caught up in a nightmare of international espionage assassinations and terror. Soon all of their lives hang in the balance as they draw closer to the truth and a chilling climatic moment in London's famous Royal Albert Hall. Special Features: The Making of the Man Who Knew Too Much Production Photographs Trailers
During a few languid summer days in Strasbourg a young foreigner spends his time sitting at an outdoor cafe sketching the figures of the women around him patiently waiting for his lost love Sylvia. Then one fine afternoon he thinks he spots her and sets off through the city to confront his memory. Featuring standout performances from Xavier Lafitte and Pilar L''pez de Ayala Jos'' Luis Guer''-n's lovely exceedingly graceful work is an homage to cinema painting love and women. A cult classic on the festival circuit In The City Of Sylvia eloquently captures the feeling of being in love with love and the youthful sense of a world filled with an almost limitless sensuality.
As a rural Northern California town prepares for Frank Baker's (Paul Reubens) American Free Love Festival a serial killer roams the woods inflicting preemptive strikes on the hippies who have come for the sex drugs and rock and roll. Sporting a Ronald Reagan mask and leaving trademark jellybeans at his gruesome crime scenes the killer seems unstoppable! That is unless he meets an unimpeachle flower child... With a hip soundtrack and a killer cast including Lukas Haas Christopher Allen Nelson Jaime King and Courteney Cox The Tripper is a hilarious homage to classic horror - and politics!
Ride Rise Roar is a David Byrne concert film that blends riveting onstage performances with intimate details of the creative collaborations that make the music and performance happen. Shot with multiple cameras over several concerts during the `Songs of David Byrne & Brian Eno Tour the film blends the energy and charisma of classic Talking Heads with the heartfelt pathos of David Byrne and Brian Enos most recent collaboration. Between the songs the film achieves an unprecedented intimacy with David Byrne and the band documenting behind-the-scenes auditions rehearsals and interviews with key players while revealing the creative process that led to the shows unique fusion of pop music and modern dance. Ride Rise Roar is a celebration of Byrnes extensive career as a musician and testifies to the creativity that keeps him going today.
The story of Virginia Cunningham who finds herself in an insane asylum and has no idea how she got there. Her husband Robert attempts to explain their relationship both before and after marriage and how her symptoms developed. Doctor Mark Kick struggles to get to the root of her problems but a relapse puts her back into 'The Snake Pit'... A touching central performance from Olivia de Havilland in this riveting exploration of mental illness.
Lords Of Dogtown: Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975 a clan of scruffy rebellious teens found a way to turn this dearth to their advantage using the sloping bowl of empty suburban swimming pools to create a new underground sport - skateboarding. The development explosion and corporate co-
Thanks to ultracrisp Technirama photography of great mountainside and river gorge locations in Colorado, Night Passage is often terrific to look at; you can almost feel the autumn sun and brisk air. This should have been another classic Western pairing James Stewart with director Anthony Mann. But after choosing the locations, cast, and crew, and directing the precredit sequence, Mann abruptly resigned. He found Borden Chase's screenplay an "incoherent" rehash of relationships and setups from their previous films, nor was he encouraged by Stewart's determination to play the accordion and sing. Stewart's an ex-railroad cop who became a pariah by letting a prisoner--Audie Murphy's "The Utica Kid"--escape. The two cross paths again in a ghost town where Dan Duryea, doing a zany version of his loony outlaw from Winchester '73, has holed up with his gang. Replacement director James Neilson, a newcomer destined for bland Disney servitude, fosters a lot of flatfooted standing-around.
Milo Ventimiglia - TV Series Heroes TV Series Wolverine Rocky Ballboa) plays Paolo a screenwriter who has ensconced himself in a house far away from Hollywood in order to finish what seems like his last stab at writing a commercial screenplay. He's easily distracted though and after meeting the beautiful Djuna (Josephine de La Baume - Rush One Day ) during a night out he's inextricably infatuated. Djuna digs Paolo too but she's got a rare 'blood disorder' that doesn't allow her to venture our into sunlight. Scarily persistent Milo keeps courting her until she finally relents and agrees to hook up with him under one condition - she needs to be tied up so she can't bite him. Needless to say their lovemaking is somewhat acrobatic (despite the bondage) and she's presented with a fair shot at his neck which she takes. Djuna begins to school Paolo in the ways of the vampire. They try to drink only synthetic or harvested blood and kill only animals (killing humans is strictly forbidden). But that doesn't mean they live in a prudish culture. Paolo instantly takes a shine to the Euro-glitterati lifestyle that accompanies eternal life. Soon enough trouble comes in the form of Djuna's more carnal and violent sister Mimi (Roxane Mesquida). Mimi doesn't believe in the whole 'not killing people' thing. She's also not big on being tied down preferring her three-ways and one night stands anytime and anywhere she can get them.
Made in 1975 and directed by Paul Verhoeven, Katie Tippel ("Katie the Streetwalker") is a handsome period drama set in 19th-century Holland, based on a true story. The second eldest daughter in a poor, Friesland family who move to Amsterdam, Katie (Monique Van de Ven) must find whatever work is going to make ends meet. She has already learnt to have no faith in her weak father. Now, as she enters a succession of jobs in which she experiences both exploitation and sexual harassment, she learns that men want her only for one thing. Duly, at the behest of her own mother, she enters into prostitution. However, when she becomes model to an artist, she is finally able to escape the poverty trap and ascend the social ladder, particularly when banker Hugo (Rutger Hauer) takes her as his lover. All this is set against a backdrop of social foment as the workers' impatience at poor social conditions increases. Although director Verhoeven, as well as Hauer and cinematographer Jan De Bont eventually became involved in mainstream American movies, Katie Tippel is very much of the European school of filmmaking: episodic and harsh in its depiction of everyday poverty. The dead puppy at the beginning definitely marks it out as being contrary to Hollywood's near-zero canine mortality rate. The sexual scenes are graphic to the point of gratuitousness but always grimly non-titillating. Budgetary limits cramp some of the mass street scenes, but generally the film is beautifully shot and ageless in feel. A far cry, certainly, from Showgirls, for which Verhoeven was later responsible. --David Stubbs
A young woman inherits a decaying hotel on the edge of a Louisiana swamp unaware that more than fifty years ago it served as the gateway to hell and that its horrific evil lives on to this day. Her dream to build a new life for herself becomes a nightmarish fight for survival as horrors straight out of Lovecraft's Book of Ebion lay their own claim to her property and the souls around her...
The ancient and mysterious house of 'Mark's Priory' is the family seat of the Lebanon family. Lady Lebanon (Helen Haye) is desperate to have an heir to carry on the family name and has told her son Lord William (Marius Gording) that he must marry her niece Isla Crane (Penelope Dudley-Ward). But Lord William has no intention of marrying and Isla has fallen in love with a young architect who is working on the renovation of Mark's Priory. Lady Lebanon's desire to have the Lebanon name continue along with her doctor's scheming intrigues creates a crescendo of tension that only murder can release. But who is the homicidal maniac and what sinister motives lurk beneath the servants' strange behaviour? As the police are called in to investigate the shadows of terror and death lurk in every corner of Mark's Priory.
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