Desire is mysterious. Desire is overwhelming. Desire is tragic. Desire is FURIOUS. The many permutations of that strange thing called desire are on full display in this stunning collection of short films: Daytime Doorman tracks the burgeoning desire between Marcelo and his sexy doorman Marcio. Xavier charts the beginnings of desire, when Nicholas begins to notice his son, Xavier, only pays attention to certain types of boys. The Other Side is about the frustrations of unfulfilled desire when the object of your lust is beyond your reach- literally. The Tigers Fight explores what happens when one man, unbound by the ancient traditions, decides to subvert what s expected of him to declare his desire for his best friend, and finally, in Loris Is Fine we learn about the lengths two young lovers will go to prove that their love is beyond desire.
This classic of Sixties British cinema charts the story of Del (Del Walker) a young apprentice and his 15 year-old girlfriend Irene (Anne Gooding) who have no money and nowhere to go. Angry and frustrated they go in search of fun and freedom and turn to 'Bronco Bullfrog' who is fresh out of borstal and living an independent lifestyle. Powerful and authentic this fascinating record of the then-emerging suedehead subculture largely improvised by a non-professional cast of teenagers from east London is released in a fully remastered presentation with an array of exciting extras. Extras: Everybody's an Actor Shakespeare Said (1968 30 mins): Platts-Mills documentary charts Joan Littlewood's theatre work with the teenagers who would star in Bronco Bullfrog Joan Littlewood interview (1968 21 mins): the formidable and outspoken theatre director discusses her career Seven Green Bottles (Eric Marquis 1975 35 mins): a cautionary tale of seven young delinquents played by non-professional actors
Dark Justice: Ten years after his resurrection Robocop is up against a renegade cyborg creating havoc known as Bone Machine. A sinister rebel group called The Trust secretly re-programmes Robocop to kill Delta City's security commander Cable. An all-out three way tussle between Robocop Cable and Bone Machine proves to be the Delta City champion's biggest challenge yet... Meltdown: A sinister rebel group The Trust schemes to take control of Delta city. They transform the dead body of Robocop's best friend Cable into a machine designed to destroy Robocop. Will Cable remember he is the man inside the machine? Resurrection: Fugitives on the run Robocop and former partner Cable are separated during a pitched battle with Robohunters falling into the hands of two opposing mercenary groups who restore and re-programme them for the purposes of their respective dark crusades... Crash And Burn: With Delta City on the verge of a new Dark Age Robocop and Cable are trapped inside the towers of Control Headquarters. To save the city the embattled defenders must shut down the all-powerful computer and in doing so the ultimate sacrifice must be made...
Although it's enjoyable as a brainless diversion, National Security is one of those forgettable entertainments that denies its own considerable potential. It's a police action comedy in the mould of Beverly Hills Cop, tailored to the buddy-flick formula and laced with racial tensions of the post-Rodney King era. It's set in Los Angeles, where dedicated cop Hank (Steve Zahn) does jail time for allegedly beating Earl (Martin Lawrence), whose only real assailant was an overzealous bumblebee. As fate and lazy screenwriting would have it, the two adversaries reunite as security guards, teaming up to crack a team of violent smugglers led by bleached-blond Eric Roberts (further proof that this movie's got nothing new to offer). Routine stunts distract from the comedy's mostly untapped resource: Lawrence pointedly riffs on racial profiling, and his prolific ad-libs play well against Zahn's by-the-book straight man. If their partnership had been allowed to develop more believably, National Security might have been more than a blip on the box-office radar. --Jeff Shannon
An FBI deep-woods tracker captures a trained assassin who has made a sport of hunting humans.
Fathom: From exploding earrings to dances with bulls to leaps from a plane at 10 000 feet there isn't much Fathom can't handle in this wildly entertaining espionage spoof! Voluptuous dental hygienist-turned-skydiver Fathom Harvill (Raquel Welch) is recruited by a top-secret government agency to parachute into Spain in search of an elusive war defector (Tony Franciosa) and a missing H-bomb detonator he is believed to possess. But the super sexy spy may expose more than she bargained for as she unravels the truth behind her employer's motives - with hilarious results! (Dir. Leslie H. Martinson 1967) Fantastic Voyage: A Fantastic and spectacular voyage... Through the human body... Into the brain. Shrunk to microscopic size an elite scientific and medical team enters the bloodstream of an ailing scientist in a desperate effort to save his life. Battling the body's incredible defenses the crew must complete their mission before time runs out. The film was to win Oscars for Best Visual Effects (by Art Cruikschank) and Art Direction. The legacy of the film was to continue as 'Fantastic Voyage' later received an animated spin-off show. (Dir. Richard Fleischer 1966) Bandolero: It's a Wild West clash of personalities in Val Verde Texas for the warring Bishop brothers (Dean Martin and James Stewart) who must now join forces to escape a death sentence. Featuring an all-star cast including Raquel Welch and George Kennedy and exploding with action Bandolero! packs a smoking six-gun wallop from its first tense show-down to its last exciting shootout. (Dir. Andrew V. McLaglen 1968) Lady In Cement: The suave sleuth Tony Rome makes a shocking discovery while diving for treasure: a beautiful blonde woman anchored in a block of cement. When a local hood hires him to find his missing girlfriend his investigation begins with the mysterious ""Lady in Cement."" But everyone he talks to either is killed or trying to kill him... (Dir. Gordon Douglas 1968)
Benicio Del Toro, Patricia Arquette, Paul Dano and Bonnie Hunt star in ESCAPE AT DANNEMORA, a SHOWTIME® Limited Event Series directed and executive produced by Ben Stiller. Based on the stranger-than-fiction prison break in upstate New York, ESCAPE AT DANNEMORA follows the story of two convicts who spawned a statewide manhunt and were aided in their escape by a married female prison employee who became involved with both men. It's a bizarre tale filled with twists and turns, yet through it all there's one thing that unites the inmates and citizens of Dannemora everyone's looking for a way out. Special Features: Primary Sources Making of Sweat's Run Audio Commentary by Ben Stiller, Patricia Arquette, and the filmmakers
James Nesbitt plays Detective Sergeant Tommy Murphy a maverick cop with a dark past. After failing a psychiatric assessment he is given one last chance by his boss and given a dangerous undercover assignment. Murphy is a loner with little to lose and deals with everything on his own terms... Episodes Comprise: 1. Jack's Back 2. Bent Moon On The Rise 3. Ringers 4. Go Ask Alice 5. Convent 6. The Group
Paul Marcus directs this children's adventure based on the classic book by Johanna Spyri. Young Heidi (Emma Bolger) is sent to live with her bad-tempered grandfather (Max von Sydow) in the mountains, and before long she has managed to cheer him up. But when Heidi is forced to become a companion to a young disabled girl in Frankfurt, she discovers just how much she misses the mountains, her grandfather, and her animal friends. The cast also includes Geraldine Chaplin, Diana Rigg and Pauline McLynn.
Three-time Oscar-winning filmmaker Oliver Stone brings to life this ferocious, sexy epic. In a glittering California beach town, two best friends' innovative marijuana business has come to the attention of the ruthless Mexican Baja Cartel. As a seemingly unwinnable war unfolds around them, they're forced to take part in a savage battle of wills to save the girl they both love. Starring Taylor Kitsch, Blake Lively, Aaron Taylor-Johnson, John Travolta, Benicio del Toro and Salma Hayek.
With Delta City on the verge of a Dark Age Robocop and Cable are trapped inside the towers of Control Headquarters. To save the city the entrapped defenders must shut down the all powerful computer and in doing so the ultimate sacrifice must be made.
Winner of the prestigious Camera D'Or prize for Best First Feature at the 2010 Cannes Film Festival and one of the most controversial films of the year Leap Year (Ao Bisiesto) from Mexico is the outstanding debut feature film of Australian director Michael Rowe a character study on loneliness featuring an extraordinary leading performance by Mnica Del Carmen (Babel) supported by Gustavo Snchez Parra (Amores Perros Man on Fire). This highly charged sexual thriller set within the small confines of a Mexican apartment follows 29 days in the dispirited life of freelance journalist Laura Lopez as she moves from one anonymous sexual encounter to another. Soon Laura meets a man by the name of Arturo and it is not long before she is submitting to demeaning sexual acts as part of their relationship a tragic psychological reaction to a secret trauma from her past which occurred on the previous leap year. When Laura marks a red square around an upcoming date on her calendar wall the wheels are set in motion for what will turn out to be a startling conclusion.
The second part of Academy Award-winning director Steven Soderbergh's epic two part war movie charting the life of Che Guevara, "Che: Part Two" sees Benicio Del Toro once again taking up the role of the iconic revolutionary.
It Came from Beneath the Sea appeared two years after Ray Harryhausen unleashed The Beast from 20,000 Fathoms upon New York City. This time the master special-effects creator turned loose a giant (albeit six-armed) octopus on San Francisco, and the result is another enjoyable atom-age adventure that should please fans of vintage science fiction. Kenneth Tobey, who battled The Thing (From Another World) in 1951, stars as a Navy captain pursuing a monstrous octopoid (sextapoid?) after it attacks his atomic sub. After it wreaks havoc with shipping lanes, he tracks the creature to San Francisco for a final showdown. Scripting by George Worthing Yates (Them) and Hal Smith and direction by Robert Gordon are perfunctory at best, which gives the always-reliable Tobey and costar Faith Domergue little to do, but this is Harryhausen's show, and his monster, though the budget was restrained, is still impressive. Younger audiences weaned on digital FX may find this creaky, but nostalgic viewers will enjoy its simple thrills. --Paul Gaita
A trilogy of films based on a group of Spanish dancers. When the group director falls in love with one of the stunning dancers it causes friction in the group.
The first film in Steven Soderbergh's two-part Che Guevara epic tracks the charismatic revolutionary as he joins Fidel Castro's band of Cuban exiles and journeys to the island on a leaky boat in 1956.
An English jazz pianist living in Rome witnesses the brutal hatchet murder of a renowned psychic and is quickly drawn into the savage crime. With the help of a tenacious female reporter the pair track a twisted trail of deranged clues and relentless violence towards a shocking climax that has ripped screams from the throats of audiences for more than 25 years! Widely considered by both fans and critics alike to be Dario Argento's true masterpiece.
In 1933, RKO Pictures had the bright idea of pairing Dolores Del Rio and Gene Raymond for their new musical blockbuster, Flying Down to Rio. The film was a smash, but not for the reasons anyone expected. The fourth and fifth-billed stars were an RKO bit player and a Broadway man breaking into Hollywood. Their names were Ginger Rogers and Fred Astaire, and their pairing in this and eight subsequent RKO films would help to rewrite cinematic history. Most of Rio's screen time is spent on a humdrum romantic triangle involving Del Rio, Raymond and Raul Roulien, but Fred (as Fred Ayres) and Ginger (as Honey Hayes) are still able to establish many of the trademarks of their later films. Ginger fronts the band (with Fred on accordion) in the saucy "Music Makes Me", and Fred does some solo tap then sings and leads the band for the spectacular airborne finale featuring chorus girls perched on the wings of biplanes. The heart of the film is "The Carioca", a company dance extravaganza that would be imitated by "The Continental" and "The Piccolino" in later films. Here Fred and Ginger take the floor together for the first time; their eyes meet and their foreheads touch. Their dance lasts only a few minutes, but it was the highlight of the film and audiences wanted more. A prophetic moment occurs toward the beginning of the dance, when, after watching for a while, Fred grabs Ginger and tells her, "I want to try this. Come on, Honey". She declares, "We'll show 'em a thing or three". They did indeed. It was magic, and it was only the beginning. --David Horiuchi, Amazon.com
The exceptional nature and high artistic quality of this performance justify publication of this video even though the filming was done only to preserve the performance of Teatro Regio's archives and therefore offers few close-up shots and occasionally unclear lighting.Parma Teatro Regio Rebbraio 1987
In Texas, a policewoman and a female prisoner are both on the run from a group of crooked cops.
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