In 1879 the British Colonies in response to the perceived threat of the Zulu Nation deliver a deliberately unacceptable ultimatum to the King who responds by putting his people on a war footing. Confident in their weapons technology and organization's ability to crush the seemingly outclassed primitive enemy the British invade Zululand. General Lord Chelmsford sends in hundreds of British troops in order to squash the spear-carrying Africans with superior fire power. The sheer number of Zulus however overwhelms the British infantry.
John Thaw and Dennis Waterman star once again as the Flying Squad's finest in this brutal and uncompromising feature-film spin-off from one of television's most memorable series! Co-starring Denholm Elliott and Ken Hutchison, Sweeney 2 has been newly transferred from original film elements. A callous gang of bank robbers is creating havoc on the London streets. Efficient and ruthless and with Regan and Carter in hot pursuit they leave a trail of dead bodies and smashed cars in their wake. SPECIAL FEATURES: Theatrical Trailer Image gallery PDF material
What's it all about, Alfie?" asked the hit Burt Bacharach/Hal David title song, to which the less philosophical answer might be: an amoral young man comically seducing a succession of beautiful women in swinging-sixties London. Michael Caine was the titular anti-hero, here consolidating his new star status from Zulu (1964) and The Ipcress File (1965), his conquests including Shelley Winters, Jane Asher and Shirley Ann Field. Alfie was a huge success, bringing a new frankness about changing sexual attitudes to the screen, in which respect it was almost the male companion to Julie Christie's then shocking, Oscar-winning performance in Darling (1965). It was also a sort-of contemporary Tom Jones, which had swept the Oscars for 1963, however, Alfie was not only better made, but in Michael Caine's guilelessly amoral asides to camera, offered a groundbreaking illustration of a newly self-conscious cinema. It is a technique Caine would reprise as the middle-aged philanderer in Blame It On Rio (1983). With Blow Up also released in 1966, and Ken Russell's Women In Love following in 1969, British film-making was truly in the midst of a sexual revolution. Michael Caine would reunite with director Lewis Gilbert and meet his female match in Educating Rita (1983). --Gary S. Dalkin
Clayhanger: The Complete Series (8 Discs)
From Richard Adams' best seller comes a beautifully realized animated adventure about a nomadic band of rabbits. Nestled among the rolling hills and peaceful meadows of England lives a community of rabbits. When their warren is threatened a small group of brave rabbits escapes into the unknown countryside in search of a new home. Led by the visionary Fiver the courageous Bigwig the clever Blackberry and the honerable Hazel they face daunting challenges and use their strength and
Theresa Russell and Art Garfunkel bring a fearless intensity to their roles in this dark psycho-sexual drama from multi-award-winning director Nicolas Roeg. Unflinchingly tracing the volatile relationship between two young Americans in late ’70s Vienna Bad Timing proved highly controversial on its release in 1980 and remains one of Roeg’s most divisive films. It is presented here in a brand-new High Definition transfer from original film elements in its as-exhibited theatrical aspect ratio. Vienna-based psychoanalyst Alex Linden is involved in a passionate affair with Milena Flaherty a hedonistic sexually impulsive and clearly troubled young woman. When Milena is brought into a hospital emergency room after apparently overdosing detectives investigate the possibility of foul play on Alex’s part. As he recounts the events to the investigating officer Alex is forced to confront his own motives and detectives must decide whether her condition is the result of a suicide attempt or something more sinister... Special Features: Original theatrical and teaser trailer Deleted scenes Image gallery Promotional material PDF
This box set features all three films from the Indiana Jones franchise! Indiana Jones And The Raiders Of The Lost Ark: Indiana Jones confronts snakes Nazis and one astonishing cliffhanger after another - all topped off by awesome sequences involving the discovery and the opening of the mystical Ark of the Covenant in one of the great adventures of all time! Indiana Jones And The Temple Of Doom: After narrowly escaping Shanghai with his life Indiana Jones finds himself deep in India with a lounge singer named Willy (Kate Capshaw) and a kid called Short Round (Jonathan Ke Quan). Jones comes across a village who are desperate to find the legendary Sankara Stone which was stolen from them. Jones agrees to find it for them and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace. Indiana Jones And The Last Crusade: When Dr. Henry Jones (Sean Connery) goes missing whilst pursuing the Holy Grail the intrepid archaeologist - Indiana Jones (Harrison Ford) must follow in his father's footsteps in order to find the mythical Holy Grail before the Nazis get their hands on it...
Eddie Murphy established himself as a comedy superstar in his role as streetwise hustler Billy Ray Valentine. Fellow Saturday Night Live alumnus Dan Aykroyd co-stars as Louis Winthorpe III a wealthy investment executive at Duke Brothers a Wall Street firm. The fun begins when the rich and greedy Duke Brothers (Don Ameche and Ralph Bellamy) wager a bet over whether born loser Valentine could become as successful as the priggish Winthorpe if circumstances are reversed. The Dukes have the money to make this happen but when Valentine and Winthorpe catch on they arrange for a rich and riotous payback!
Hotel du Lac is an impeccably produced BBC television adaptation of Anita Brookner's Booker Prize-winning novel. Middle-aged writer Edith Hope has fled London and romantic disappointment to find sanctuary at a luxury hotel on a Swiss Lake, but finding no escape from her loneliness must eventually face her past. Edith is played with compassion by Anna Massey, her intellect and wit acting as a defence against her own failings, and support comes from a superb cast including Denholm Elliott, Googie Withers, Julia McKenzie, Patricia Hodge, Irene Handl and Barry Foster. Brookner's apparently slight but multi-layered tale is skilfully crafted by writer Christopher Hampton, who has with such films as Dangerous Liaisons (1988) and The Quiet American (2002) become a master of literary adaptation. Giles Foster's direction focuses on bringing the best from his cast, rather than attempting any sort of cinematic sweep, and Carl Davis' eloquent theme music makes the introspection all the more touching. Ultimately, though, it is Anna Massey's insightful central performance which makes Hotel du Lac such a memorable slice of television. On the DVD: Hotel du Lac is presented in the original TV broadcast 4:3 ratio with a very poor, extremely grainy and soft picture. The sound is reasonable mono, clear and free from distortion though lacking in dynamic range. The only extra, though one well worth having, is a serious and highly informative commentary from Giles, Hampton and producer Sue Birtwistle. --Gary S Dalkin
There's nothing more exciting than trying to keep up with the Joneses in Indiana Jones and the Last Crusade. Indy's Nazi enemies are back and have kidnapped his father, Professor Henry Jones Sr. (Sean Connery), to get help in their search for the Holy Grail. Following a trail from America to Venice to the deserts of the Holy Land, it's up to Indy (Harrison Ford) to save his father, save the Grail and save the day in this non-stop, action-packed adventure the whole family will treasure.
In the politically charged atmosphere of Margaret Thatcher's Britain, newspaper reporters are hungry for the big story that will make them stars and their newspapers famous. Nick Mullen (Gabriel Byrne in his first starring role) is one such reporter for the London Daily Dispatch. A top member of Parliament (Ian Bannen) is the focus of the latest political scandal: he has been photographed with a prostitute who is known to have Russian contacts. Nick barrels into the scandal full-bore, despite warnings from his mentor (a deft Denholm Elliott). Nick receives a tip that makes his story a front-page item and he quickly becomes a celebrity himself. But as he soon discovers, there is much more to the story than he imagined. Director David Drury (Prime Suspect 3) keeps this highly complex, John le Carré-esque story moving swiftly. The clues are hard to find at times but it is not because the story is told unclearly; rather, the filmmakers have decided that audiences can think for themselves and piece together the information along with Nick. Defence of the Realm overlooked and truly entertaining thinking person's film. --Doug Thomas
Black humour and biting social satire combine in this acclaimed feature of 1963, starring Alan Bates as an ambitious young real-estate clerk who s determined to crawl his way to the top of the social pile; Denholm Elliott is the disreputable aristocrat who teaches him all he needs to know, Millicent Martin the girl he sets out to woo and win. Nothing but the Best is scripted by Oscar winner Frederic Raphael, who received a Writers Guild of Great Britain Award for his screenplay, with Nic Roeg.
Between heroic spells as the Saint and James Bond, Roger Moore was teamed with Tony Curtis in The Persuaders, a derivative but fun series about a couple of millionaire dilettante adventurers who swan around the world competing for the attention of beautiful women and getting involved in perplexing mysteries. Moore is Lord Brett Sinclair, an upper crust Brit of impeccable breeding, while Curtis is Danny Wilde, an up-from-the-streets self-made man whose trademark is a pair of brown gloves. The allegedly tasteful Brett and the crasser Danny both model a succession of garish early 70s fashions while their pursuits of duplicitous crumpet usually wind up with the women getting away and the heroes stuck with each other. Given all that, this may well be the most blatantly homoerotic of all the buddy television pairings (see the eponymous stars of Starsky and Hutch, Regan and Carter in The Sweeney, Bodie and Doyle of The Professionals) that ran ove! r the screen in the 70s, in which the male leads sublimated their feelings for each other by pulling out their guns and shooting at baddies. --Kim Newman
John Thaw and Dennis Waterman star once again as the Flying Squad's finest in this brutal and uncompromising feature-film spin-off from one of television's most memorable series! Co-starring Denholm Elliott and Ken Hutchison, Sweeney 2 has been newly transferred in High Definition from original film elements. A callous gang of bank robbers is creating havoc on the London streets. Efficient and ruthless and with Regan and Carter in hot pursuit they leave a trail of dead bodies and smashed cars in their wake. Features: Theatrical Trailer Image gallery PDF material
A sly sideways look at the standard '60s police procedural The Man in Room 17 concerns the ponderings of Oldenshaw and Dimmock - two exceptionally clever chaps whose minds are so highly trained that they can solve cases that leave the ordinary authorities baffled. Created by novelist and playwright Robin Chapman (from a concept by Granada supremo Denis Forman) each episode was essentially constructed as a game of two halves with the Room scenes for each episode being solely written by Chapman - who would receive a script and then deconstruct it plan where Oldenshaw and Dimmock's scenes were to appear and how the crime was to be solved.
Monty Python alumnus Michael Palin writes and stars in this ribald comedy of sex and sensibility. Timid Reverend Charles Fortescue returns to London in 1906 after ten years of service in Africa to start a mission to save the fallen women of Soho. But his dedication to tending to the needs of those in his care soon meets with the disapproval of the church and his patron. Directed by Richard Loncraine (Richard III, Bellman & True), The Missionary is a charming and beautifully detailed comedy which boasts a superb supporting cast that includes Maggie Smith, Trevor Howard, Denholm Elliott, Michael Hordern, Graham Crowden and Neil Innes. This world Blu-ray premiere edition boasts a stunning new 2K restoration from the original negatives, supervised and approved by cinematographer Peter Hannan and director Richard Loncraine, finally enabling the film to be seen in its original 2.35:1 theatrical aspect ratio for the first time ever on any home video format. Limited Edition Features: New 2K restoration by Powerhouse Films from the original negative, supervised and approved by cinematographer Peter Hannan and director Richard Loncraine Original stereo audio Audio commentary with director Richard Loncraine (2019) Making the Missionary (2019): featuring new and exclusive interviews with stars Michael Palin and Maggie Smith Interview with Shuna Harwood (2019): new interview with the costume designer Interview with Mike Moran (2019): the film's composer discusses his collaborations with HandMade Films Interview with Ken Lintott (2019): new interview with the make-up artist Interview with Tony Jackson (2019): new interview with the sound recordist Rob Deering on The Missionary' (2019): an appreciation by the comedian, musician and writer Theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by John Oliver, extracts from Michael Palin's diaries on the film's location shooting, archival interviews with Palin, an overview of contemporary critical responses, archival articles, and film credits First ever home video presentation in the film's original 2.35:1 theatrical aspect ratio World premiere on Blu-ray Limited Edition of 5,000 copies All extras subject to change
This fantastic comedy box set features all 4 series of Rising Damp as well as the feature-length movie.
During World War II a British Commando raiding party who are despatched to Rhodes to destroy German airfields in a mission fraught with danger...
The Holly And The Ivy
As with George Lucas's other movie franchise, there's a vein of mysticism running through the Indiana Jones Trilogy. Watching all three back-to-back it's possible to unravel the chronology and chart the spiritual journey of our hero: the idealistic Young Indy ("It belongs in a museum", implores River Phoenix in the opening escapade of The Last Crusade) grows up to become a cynical fortune-hunter seen trading archaeological treasures with Chinese gangsters at club "Obi-Wan" in The Temple of Doom. From there we follow his path to redemption via three mystical religious objects: respectively Hindu (the Shankara stones in Temple of Doom), Jewish (the Ark of the Covenant in Raiders), and Christian (the Holy Grail itself in Last Crusade). But that's just the subtext. Along the way, this knight-errant archaeologist undertakes improbable adventures (featuring spiders, snakes, rats, insects and Nazis galore), rescues damsels in distress (even when they really don't want to be rescued, such as Kate Capshaw in Temple of Doom), and still finds time to bond with his dad (Sean Connery, in one of cinema's great cameo roles as Dr Jones Sr.) Steven Spielberg revels in Lucas's recreation of 1930s cliff-hanger serials, infusing every scene with kinetic energy and infectious enthusiasm and creating any number of iconic sequences that have become touchstones of cinematic history. Director and producer are more than ably assisted by regular composer John Williams, whose swashbuckling Korngold-inspired "Raiders" theme casts Harrison Ford as a modern-day Errol Flynn. Although a fourth movie is promised, this trilogy plays like a self-contained whole that leaves nothing wanting: from the witty dialogue and breathtaking action choreography to the near-perfect casting, this is popular movie-making at its very peak. On the DVD: The Indiana Jones Trilogy four-disc box set, as has been widely noted, contains the slightly edited version of The Temple of Doom--1 min 6 seconds of cuts according to the BBFC--though this is exactly the same version that was originally shown in UK cinemas and released on video (missing is a bit of extra blood and gore during the heart-ripping scene). By way of compensation, the digitally remastered anamorphic 2.35:1 picture and Dolby Digital 5.1 sound for all three movies are joyfully impressive, the screen crammed full of colour and rich detail accompanied by one of Hollywood's most glorious soundtracks. The fourth bonus disc contains about three hours of additional material, most of which can be found in the new 127-minute documentary that takes the viewer chronologically through the making of the series and includes plenty of interviews and fascinating nuggets of background information. There are also independent featurettes "From the Lucasfilm Archives" on John Williams's music, the sound design, stuntwork and the special effects. There are subtitles in various European languages. --Mark Walker
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