The true story of Irish outlaw Daniel Morgan who is wanted dead or alive in Australia during the 1850s.
Two parallel stories about a widowed mother and an ex-convict interweave in this literary drama.
The Cool School is an object lesson in how to build an art scene from scratch and what to avoid in the process. The film focuses on the seminal Ferus Gallery which groomed the LA art scene from a loose band of idealistic beatniks into a coterie of competitive often brilliant artists including Ed Kienholz Ed Ruscha Craig Kauffman Wallace Berman Ed Moses and Robert Irwin. The Ferus also served as launching point for New York imports Andy Warhol (hosting his first Soup Can show) Jasper Johns and Roy Lichtenstein as well as leading to the first Pop Art show and Marcel Duchamp's first retrospective. What was lost and gained is tied up in a complex web of egos passions money and art. This is how L.A. came of age.
Identity (Dir. James Mangold 2003): A daring new thriller from director James Mangold and producer Cathy Konrad featuring an all-star ensemble cast including John Cusack Ray Liotta Amanda Peet Alfred Molina Jake Busey Clea DuVall and Rebecca De Mornay. Caught in a savage rainstorm ten travellers are forced to seek refuge at a strange desert motel. They soon realize they've found anything but shelter. There is a killer among them and one by one they are murdered. As the storm rages on and the dead begin to outnumber the living one thing becomes clear: each of them was drawn to the motel not by accident or circumstance but by forces beyond imagination forces that promise anyone who survives a mind-bending and terrifying destiny. Gothika (Dir. Mathieu Kassovitz 2003): Halle Berry stars as Dr. Miranda Grey a psychiatrist who becomes a patient in her own mental hospital after she is accused of murdering her husband (Charles S. Dutton). Grey's only initial memory of the incident involves a chilling encounter with a distraught girl (Kathleen Mackey) on a rain-soaked road. The incarcerated and medicated Grey is now haunted by the same apparition and she must convince her former colleague Pete Graham (Robert Downey Jr.) that she is not insane or guilty of murder. Meanwhile the seemingly mad ramblings of Chloe (Penelope Cruz) one of Grey's former patients now make more sense and Grey must throw aside clinical logic to solve the supernatural murder mystery. House Of Nine (Dir. Steven R. Munroe 2005): Nine strangers with no apparent connection between them are abducted: drugged kidnapped and sealed in a house together. Doors are bolted shut windows are plugged with brick. No way out. Disoriented and angry they are greeted by a voice on an intercom system: they are to be watched as they 'compete' for a prize of five million dollars. And the winner will be the only one who gets out alive!
Have you ever consumed so much alcohol and drugs that you forgot what you did last night? Hollywood superstar Matty (Matthew Modine) does it all the time. He's got everything - fame money gorgeous women fast cars and even faster friends. But when Matty's strung out there's nothing he wouldn't do for kicks... even commit murder! Assisting Matty on his modern descent into hell are nightclub owner Micky (Dennis Hopper) girlfriend Annie (Beatrice Dalle) and starring in her first feature film role Supermodel Claudia Schiffer as his lover Susan. Let maverick director Abel Ferrara plunge your senses into the compulsive world of excess.
What makes for the ultimate road trip? Hitchhiking, truck stops, angry bears, prickly porcupines and a golfing goose with a duck caddy. Just ask Kate and Humphrey, two wolves who are trying to get home.
A scientist invents a device that can detect submerged submarines but when thieves break into the lab and steal it the government suspects an inside job and no one is safe...
Dennis Hopper (Texas Chainsaw Massacre 2 Blue Velvet Apocalypse Now) is Rudolph Red Diamond a convicted criminal a scam artist who always has a trick up his sleeve who always looking for that one last big job. Viggo Mortensen (The Lord Of The Rings Trilogy A History Of Violence Carlito's Way) is Ronnie his sidekick a low down psychotic hoodlum searching for an easy buck. Things are tough on the streets for Rudolph and Ronnie and these small time crooks are about to get some big time trouble when a counterfeiting scam goes horribly wrong and thick hot headed Ronnie ends up shooting and killing an undercover cop. Wesley Snipes (Blade Trilogy Money Train White Men Can't Jump) is Jimmy Mercer a cop on the edge a cop who has seven days before he's transferred and seven days to wreak revenge on the scum that killed his partner. Things are heating up and they're about to reach boiling point.
A brilliant and fiercely independent psychiatrist testing out a new cutting-edge technology on death row inmates. When she discovers an innocent inmate is about to be executed she faces the sexual politics of being a woman in a man's world as she attempts to change one man's fate. When she makes the decision to test her technology on the real killer Jesse Mowatt (Pavan Grover) she discovers a portrait of human potential gone diabolically wrong. Terrified and yet compelled by Mowat
Imagine you possess the power to access other people's memories. Imagine you have the power to access the memories of your parents' lives prior to your own. Imagine if that power turned nightmarish as you are haunted by visions of a shadowy murderous predator. Imagine that you suspect the murderer is actually the father you never knew who died before you were born. Dr. Taylor Briggs (Billy Zane) is about to fi nd out when a mysterious drug throws him into hallucinations so vivid that he believes they must be real!! Now he can't escape and must embark on a journey to unlock a past that's not his own in order to catch a vicious killer.
Easy Rider: Originally released in 1969 Easy Rider is widely regarded as the original ""road movie"" and based on the cult following it developed it was soon copied by other Hollywood studios. Written by Dennis Hopper Peter Fonda and Terry Southern (Dr Strangelove) Fonda produced the low-budget production whilst Hopper took on directing duties receiving an award at Cannes for his first work. Since its release Easy Rider has been regarded as a symbol of free-spirited reaction against society and even for those too young to remember its original release it maintains its status as a classic film which characterises the attitude of a decade. Now after 30 years Easy Rider has been remastered and is presented here in High Definition with both clearer picture and sound quality. (Dir. Dennis Hopper 1969) Wild At Heart: ""This whole world's wild at heart and weird on top."" Barry Gifford's cult novel gets the David Lynch treatment eliciting outstanding performances from an incredible cast of character-actors. An erotic violent disturbing blackly-humorous road movie that confirmed David Lynch as one of the most startling and original film-maker of his generation. This twisted homage to The Wizard Of Oz takes Nicolas Cage and Laura Dern on one of the most bizarre journeys of all time as they escape from the clutches of her evil mother and a bunch of hired assassins... Diane Ladd (mother of co-star Laura Dern) was Oscar Nominated for her maniacal supporting turn as Marietta Fortune but sadly she missed out to Whoopi Goldberg's performance in Ghost. However Lynch did pick up the Golden Palm at the Cannes Film Festival for his efforts. (Dir. David Lynch 1990) Fear And Loathing In Las Vegas: ""We were somewhere around Barstow when the drugs began to take hold."" It is 1971: journalist Raoul Duke barrels towards Las Vegas to cover a motorcycle race accompanied by a trunkful of contraband and his slightly unhinged Samoan attorney Dr. Gonzo. But what is ostensibly a cut-and-dry journalistic endeavor quickly descends into a feverish psychedelic odyssey and an excoriating dissection of the American way of life. Director Terry Gilliam and an all star cast (headed by Johnny Depp and Benicio Del Torro) show no mercy bringing Dr. Hunter S. Thompson's legendary Fear and Loathing in Las Vegas to the screen creating a film both hilarious and savage. Gilliam took over the reigns as director after Alex Cox (Repo Man) left the production due to creative differences. Gilliam quickly re-wrote the screenplay in its entirety to fit his unique creative vision and style while staying true to Thompson's writings. (Dir. Terry Gilliam 1998)
Dennis Hopper and Michael Madsen star in this darkly comic thriller about the seedier side of Hollywood. Hopper plays Frankie a kind-hearted gopher working for the Hollywood mafia whose main line of business is making porno movies. Constantly tyrannised by his violent unpredictable boss Sal (Madsen) Frankie sees the way out of the gutter lies in making his own movie. In return for placing his bets Frankie enlists the halp of Joey (Kiefer Sutherland) a wannabe Hollywood director paying off his gambling debts to Sal by making his skin flicks. However Sal has many eyes on the street and sees what Frankie's up to. His reaction is swift and unrelenting forcing Frankie to watch as he mockingly films the torture of Joey and Margaret (Darryl Hannah) a porn actress whom Frankie secretly loves. Vengeance not escape now plagues Frankie's mind as he vows to make Sal pay... in more ways than one.
Once a year Tanner invites a small group of friends with whom he studied at Berkley to a social gathering known as the Osterman Weekend named after Bernard Osterman (Craig T. Nelson) at whose home the first such meeting took place. Shortly before the latest Osterman Weekend is due to happen the CIA convinces Tanner that one of his friends is a KGB operative involved in a conspiracy that threatens national security. He agrees to have his home wired with video and audio surveillance equipment in the hopes of uncovering the traitor. On arrival at Tanner's house the friends soon realise what's going on and the amiable tone of the weekend rapidly degenerates into a tense psychological battle of wits leading to an orgy of violence.
The living are protected in a walled city that separates them from the walking dead that roam the wastelands beyond. Special Features: Limited Edition packaging featuring rarely seen film posters and design artwork When Shaun met George The Remaining Bits; Scenes of Carnage Scream Tests: Zombie Casting Call Zombie Effects: From Green Screen to Finished Scene Bringing The Storyboards to Life Feature Commentary With Director George Romero Producer Peter Grunwald And Editor Michael Doherty Picture In Picture
Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with "a Dennis Hopper film". Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by the modern art frills of the chase plot. The film opens with LA-based conceptual artist Jodie Foster, looking chunkily terrific just before her adult career took off, suffering a minor breakdown on the freeway and happening on a gangland execution. Pint-sized mob boss Joe Pesci sets his killers on her but the crooks ineptly murder Foster's boyfriend (Charlie Sheen, taking a very early bath). Pesci calls in Hopper, a professional hitman who immerses himself in Foster's life and art in order to track her down only to develop an obsessive crush on the woman. When he finds her, he gives her the choice between getting rubbed out or becoming his property. Hopper retains the knack for finding odd-looking byways of rural America, but is uncomfortable with helicopter chases and shoot-outs. The leads, despite great chunks of missing story, are both interesting--Foster sexily vulnerable and Hopper doing a wry New York drawl as the sax-playing hit man. Catchfire also offers an amazing supporting cast of the director's friends, including Dean Stockwell, Vincent Price, Catherine Keener (Being John Malkovich), Tony Sirico (The Sopranos), Bob Dylan (with a chainsaw), Helena Kallianotes (Five Easy Pieces), Julia Adams (The Creature from the Black Lagoon), and John Turturro.On the DVD: the film itself comes in a good-looking widescreen transfer, but the lack of special features let the disc down, with only feeble notes for three cast members (and no Smithee filmography). --Kim Newman
Between 1964 and 1966 Andy Warhol shot nearly 500 Screen Tests beautiful and revealing portraits of hundreds of different individuals from the famous to the anonymous all visitors to his studio the Factory. Subjects were captured in stark relief by a strong keylight and filmed by Warhol with his stationary 16mm Bolex camera on silent black and white 100-foot rolls of film. The resulting two-and-a-half-minute film reels were then screened in slow motion resulting in a fascinating collection of four-minute masterpieces that startle and entrance mesmerizing in the purest sense of the word.
Dennis Hopper stars as Captain Ellisworth in this drama that focuses on crooked cops and the crime underworld. The captain is up to his neck in red tape when new officer (Marc Singer) tries to play hero during a bank robbery turning it into a dangerous shoot-out. Soon the new officer also happens upon a dirty lieutenant (Michael Madsen) and his crew in the middle of wrongdoings and accepts a payoff to keep his mouth shut. This opens up a new story of conspiracy and corruption within
Produced by Robert Altman and George W George this highly acclaimed biography tells the story of an American legend. An unhurried look through the photo album of a hidden young stranger one has grown curious about. It has besides that special fascination of any good documentary peeking at humans in spontaneous action - the almost revelatory sight of people one sees every day but never as clearly as through the camera. The Bells of Cockaigne : An additional film originally airing
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