Lord Farquaad (John Lithgow) is searching for a wife. Because of a complicated situation he needs a mate so he can qualify as king of the land. The 3-foot-tall despot has already banished all the fairy tale characters from his land resulting in a diaspora of familiar bedtime figures. Shrek (Mike Myers) and the obnoxious Donkey (Eddie Murphy) factor in when Farquaad concludes that he needs dragon-slaying assistance. The woman he wants is the beautiful Princess Fiona (Cameron Diaz) who's imprisoned in a castle by said dragon. To cut a deal to keep his house the antisocial Shrek accepts the mission except he falls in love with the princess he's been ordered to find!
A deadly new attraction. The brand new 'Sea World' complex in Florida offers visitors the chance to view the undersea kingdom from the safety of glass tunnels on the sea-bed. All seems well until a thirty-five foot Great White shark appears on the scene...
Cruzin' chronicles a 12 day, 1000 mile bike ride from northern to southern Vietnam. The film focuses on former Olympian, Antonio 'Tony' Cruz and 13 of his closest friends and bike enthusiasts. It's considered one of the most rigorous leisure rides due to steep climbs and massive rollers. This is an entirely experimental film: the cameras are always on the riders which allows the audience to be immersed in their actual journey. The idea was to depict the camaraderie between friends and...
DONNIE DARKOOctober 1988 and small town USA is about to witness the end of the world. It's home to Donnie Darko a brilliant but troubled teenager plagued by terrifying visions which he alone knows the meaning of. With his class mate and soul mate Gretchen and a mysterious ex-teacher nicknamed Grandma Death he must unravel the strange occurrences affecting his school his home and his life before a horrifying spectre known only as Frank leads Donnie to the edge of his sanity.BLUE VELVETAfter reporting his shocking discovery of a severed human ear in his hometown of Lumberton clean cut Jeffrey Beaumont decides to pursue his own line of enquiry. This sets Jeffery on a voyage of discovery that takes him to the very heart of Lumberton's seedy and sinister underworld and a collection of misfits that threaten to engulf him in their twisted world.DUNETravel to a time and place beyond your imagination with this epic sci-fi adventure. Set in the distant future KYLE MACLACHLAN is Paul Atreides an intergalactic warrior who leads his people into battle against the dreaded Harkonnens for control of the desert planet Arrakis and its most valuable asset: the spice Melange.
A wartime modernisation of Arthur Conan Doyle's urbane sleuth once again essayed by Basil Rathbone in which Holmes and Watson (Nigel Bruce) are called in to unravel the mystery behind mysterious wireless transmissions apparently from Nazi Germany being broadcast over the BBC...
Tennessee Williams based his screenplay on Oscar Saul's adaptation of Williams' own Pulitzer Prize-winning play set in a grimy New Orleans project. The story of the fragile sentimentalism of a woman who visits her sister only to be taunted mercilessly by her childish brother-in-law. This classic film garnered 12 Academy Award Nominations (including Best Picture Best Director Best Actor (Marlon Brando) and Best Screeplay) winning 4 including Best Actress (Vivien Leigh) Best Supporting Actress (Kim Hunter) and Best Supporting Actor (Karl Malden). This version features three minutes of footage that was deleted from the final 1951 release version upon demands made by the Production Code footage thought lost until its rediscovery in the early 1990s. This DVD release is the fully restored version of Elia Kazan's original cut and the documentary 'Desire And Censorship' on Disc 2 describes his struggle in getting the past the censors.
Russ Meyer's ode to the violence in women... Welcome to the world of female violence. Meet the sumptuously sexy Varla played at full throttle and with well-upholstered relish by the half-Japanese half-Cherokee Tura Satana. She's having a lovely time with her two go-going pals dancing the Watusi in a sleazy bar packed with leering jeering macho-men. And after a hard day's grooving what better than a drag race in the desert? So it's off we go hurtling across the California sands as we follow the trio of homicidal go-go gals hell bent on wreaking revenge on all things male as they embark on a desperate desert drive-thru taking a bikini-clad wimp hostage and leaving a trail of human wreckage in their wake. Filmed in glorious black and blue Faster Pussycat has been hailed as ""the best movie ever made"" and a ""definite Desert Island Movie"". Celluloid proof that Russ Meyer is a complete and utter cult.
A Streetcar Named Desire is the 1951 Elia Kazan/Tennessee Williams triumph that earned 12 Academy Award nominations, including Best Picture, while also courting controversy with some last-minute edits undertaken to appease the censorship board. Marlon Brando made his first indelible mark on audiences in this powerful adaptation of Tennessee Williams' Pulitzer Prize-winning play. Gone With the Wind's Vivien Leigh is the neurotic belle Blanche du Bois who struggles to hold on to her fading Southern gentility against the brutish badgering of her brother-in-law, Stanley Kowalski (Brando). Leigh, Kim Hunter, Karl Malden and the rich black-and-white cinematography were all awarded Oscars for this cinematic classic. While Brando was the only one of the film's four Oscar-nominated actors not to secure a win, his passionate cries of Stella! Stella! Stella! remain etched forever in Hollywood history. Special Features: Commentary by Karl Malden, Rudy Behlmer and Jeff Young Elia Kazan: A Director's Journey (1995 First Run documentary) A Streetcar on Broadway A Streetcar in Hollywood Censorship and Desire North and the Music of the South An Actor Named Brando Marlon Brando Screen Test Outtakes Audio Outtakes Warner Bros. (1951) 20th Century Fox (1958 Reissue) United Artists (1970 Reissue)
James Mason stars in this powerful suspense drama as Johnny McQueen the leader of a quasi-IRA group. When he's wounded in a botched robbery he becomes the object of an intense police manhunt and must scramble desperately about Belfast in an attempt to escape. Kathleen (Kathleen Ryan) the woman who loves him also takes off in pursuit of Johnny hoping to reach him before the police do.
Bernardo Bertolucci does the nearly impossible with this sweeping, grand epic that tells a very personal tale. The story is a dramatic history of Pu Yi, the last of the emperors of China. It follows his life from its elite beginnings in the Forbidden City, where he was crowned at age three and worshipped by half a billion people. He was later forced to abdicate and, unable to fend for himself in the outside world, became a dissolute and exploited shell of a man. He died in obscurity, living as a peasant in the People's Republic. We never really warm up to John Lone in the title role, but The Last Emperor focuses more on visuals than characterisation anyway. Filmed in the Forbidden City, it is spectacularly beautiful, filling the screen with saturated colours and exquisite detail. It won nine Academy Awards, including Best Picture and Best Director. --Rochelle O'Gorman
Odd Man Out is a British classic from 1947 that fits the film noir definition in almost every respect. It's one of the milestones of its era, highlighted by what is arguably the best performance in the illustrious career of James Mason, here playing the leader of an underground Irish rebel organisation, who is seriously wounded when a payroll heist goes sour. Left for dead by his accomplices on the streets of Belfast he's forced to hide wherever he can find shelter and as his gunshot wound gradually drains his life away, his lover (Kathleen Ryan) struggles to locate him before it's too late. Although the IRA and Belfast are never mentioned by name, this film was a daring and morally complex examination of Northern Ireland's "troubles" and the compelling tragedy hasn't lost any of its impact. A study of conscience in crisis and the bitter aftermath of terrorism, this was one of the first films to address IRA activities on intimately human terms. Political potency is there for those who seek it, but the film is equally invigorating as a riveting story of a tragic figure on the run from the law, forced to confront the wrath of his own beliefs in the last hours of his life. It was this brilliant, unforgettable film that established the directorial prowess of Carol Reed, whose next two films (The Fallen Idol and The Third Man) were equally extraordinary. --Jeff Shannon
Donnie Darko: October 1988 and small town USA is about to witness the end of the world. It's home to Donnie Darko a brilliant but troubled teenager plagued by terrifying visions the meaning of which he alone holds the key. With his class mate and soul mate Gretchen and a mysterious ex teacher Grandma Death he must unravel the strange occurrences infecting his school his home and his life before a horrifying spectre known only as Frank can pull Donnie over the edge of his sanity. Blue Velvet: Possibly the most influential American film of the 1980's Lynch's bizarre erotic mystery spawned a whole raft of imitations with its portrayal of the dark underside of American small-town life. Critics and audiences responded to Lynch's original and startling images of sex and violence and made the film a box-office smash. Blue Velvet is renowned for creating in Dennis Hopper's Frank one of the greatest screen villains of all time.
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