Once upon a time, or maybe twice, there was an unearthly paradise called Pepperland; a place where happiness and music reigned supreme. But all that was threatened when the terrible Blue Meanies declared war and sent in their army led by a menacing Flying Glove to destroy all that was good. Enter, John, Paul, George and Ringo to save the day! Armed with little more than their humour, songs, and of course, their yellow submarine, the Fab Four tackle the rough seas ahead in an effort to bring down the evil forces of bluedom.
Once upon a time, or maybe twice, there was an unearthly paradise called Pepperland; a place where happiness and music reigned supreme. But all that was threatened when the terrible Blue Meanies declared war and sent in their army led by a menacing Flying Glove to destroy all that was good. Enter, John, Paul, George and Ringo to save the day! Armed with little more than their humour, songs, and of course, their yellow submarine, the Fab Four tackle the rough seas ahead in an effort to bring down the evil forces of bluedom.
This rare, controversial feature marked the big-screen debut not only of future Hammer and Confessions... star Linda Hayden but also of BAFTA- and Emmy award-winning director Alastair Reid, whose acclaimed credits include Traffik and Selling Hitler. Also starring Diana Dors and Keith Barron, Baby Love charts the implosion of a middle-class family in the presence of an emotionally deprived, sexually provocative teenage girl; presented here in a brand-new transfer from the original elements, the film remains compelling, genre-defying and startlingly original more than four decades after its initial release.Brought up in slums, fifteen-year-old Luci is orphaned when her mother commits suicide. A successful doctor who was once in love with her mother invites Luci to live with him and his family in their luxurious home. While she quickly develops a taste for her new comfortable life, her resentment grows for the society that she feels was responsible for her circumstances. Little by little, Luci seduces everyone around her, as she sets out to destroy her adoptive family...SPECIAL FEATURESImage Gallery Press Materials PDF
... but I like you! After cheating the Mafia out of a fortune comedy conman Dick Emery trusts his partner to stash the loot in a Swiss bank. As the number of the account is tattooed on the rear of one of his girlfriends a cheeky undercover operation begins. The bottom line is to photograph the evidence for posterity or he'll make a complete ass of himself. And Dick Emery butting in with all his other impersonations could mean another bum rap!
A gang of hapless crooks led by Sidney James successfully perpetrate a robbery only to be caught after the fact. Fifteen years later they emerge from prison intent on retrieving their stolen loot - and discover a police station has been built over its hiding place. Sylvia Syms Dick Emery Jim Dale and Joan Sims co-star.
Featuring: 1. The Big Job (1965) 2. The Lavender Hill Mob (1951) 3. Make Mine A Million (1959)
Hello, honky-tonks! How're you? A regular on television over four decades, Dick Emery was one of Britain's comedy giants. A natural mimic and man of many guises, his comic brilliance created many memorable characters including the incomparably thick Bovver Boy, doddery old git Lampwick, the incredibly toothy Vicar and the unforgettably camp Clarence! Though most of his output was for the BBC, Emery made three high popular variety specials for Thames Television at the turn of the '80s. Featuring a new cast of flamboyant creations alongside his vintage comic favourites, these shows also feature the talents of Beryl Reid, Lulu, The Three Degrees and Dad's Army's Bill Pertwee; Dam Busters star Richard Todd helps recreate some famous PoW adventures and Lynda Carter just about manages to hold her own among Emery's very own Wonder Women busty bombshell Mandy, man-eating spinster Hettie, and the ever-popular Duchess!
All the greatest clips from Emery's long-running BBC career - a chance for fans both old and new to see what a huge contribution Emery made to contemporary slapstick comedy. Favourite characters include Emery's father and son skinheads (with Roy Kinnear) ""Ooh you are awful!"" and a plethora of slapstick Lords little old ladies vicars and schoolmasters.
Charting the implosion of a middle-class family in the presence of an emotionally deprived, sexually provocative teenage girl, this controversial feature marks the big-screen debut of both future Hammer and Confessions... star Linda Hayden and BAFTA- and Emmy award-winning director Alastair Reid. Co-starring Diana Dors and Keith Barron, Baby Love is featured here as a brand-new High Definition transfer from original film elements in its as-exhibited theatrical aspect ratio. Brought up in slums, fifteen-year-old Luci becomes orphaned and is taken in by an old friend of her mother's. While she quickly develops a taste for her new comfortable life, her resentment grows and, little by little, Luci seduces everyone around her as she sets out to destroy her adoptive family...
Dick Emery Compilation
British comedy adaptated from the play by Joe Orton. Two bank robbers, Dennis (Hywel Bennett) and Hal (Roy Holder), are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they can stash the cash in Hal's recently-deceased mother's coffin. Taking the coffin, they turn to Hal's father (Milo O'Shea) and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott (Richard Attenborough) as he traces the crooks, and the promiscuous nurse Fay (Lee Remick), who is also on the trail of the stolen money.
This restored, animated valentine to the Beatles offers viewers the rare chance to see a work that's been substantially improved by its technical facelift, not just super-sized with extra footage. Recognising that its song-studded soundtrack alone makes Yellow Submarine a video annuity, United Artists has lavished a frame-by-frame refurbishment of the original feature, while replacing its original monaural audio tracks with a meticulously reconstructed stereo mix that actually refines legendary original album versions. What emerges is a vivid time capsule of the late 1960s and a minor milestone in animation. The music represents the quartet's zenith--Rubber Soul, Revolver and Sgt. Pepper's Lonely Hearts Club Band. The story line, cobbled together by producer Al Brodax and a committee of writers, is a broad, feather-light allegory set in idyllic Pepperland, where the gentle citizens are threatened by the nasty, music-hating Blue Meanies and their surreal arsenal of henchmen, with the Beatles enlisted to thwart the bad guys. Visually, designer Heinz Edelmann mixes the biomorphic squiggles, day-glo palette and Beardsley-esque portraits of Peter Max with rotoscoped still photographs and film; Edelmann's animated collages also nod to Andy Warhol and Magritte in properly psychedelic fashion, which works wonderfully with such terrific songs. High-orthodox Beatlemaniacs can still grouse that the animated Fab Four are (literally) flat archetypes, but that's missing the sheer bloom of the music or the giddy, campy fun of the visuals. Making sense of the story is second to submerging blissfully in the sights and sounds of this video treat. --Sam Sutherland
British comedy adaptated from the play by Joe Orton. Two bank robbers, Dennis (Hywel Bennett) and Hal (Roy Holder), are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they can stash the cash in Hal's recently-deceased mother's coffin. Taking the coffin, they turn to Hal's father (Milo O'Shea) and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott (Richard Attenborough) as he traces the crooks, and the promiscuous nurse Fay (Lee Remick), who is also on the trail of the stolen money.
After cheating the Mafia out of a fortune comedy conman Dick Emery trusts his partner to stash the loot in a Swiss bank. As the number of the account is tattooed on the rear of one of his girlfriends a cheeky undercover operation begins. The bottom line is to photograph the evidence for posterity or he'll make a complete ass of himself. And Dick Emery butting in with all his other impersonations could mean another bum rap!
The very best of big-screen adaptations of all your favourite 1970s sitcoms! Includes: 1. Porridge (Dir. Dick Clement 1979) 2. Rising Damp (Dir. Joseph McGrath 1980) 3. Bless This House (Dir. Gerald Thomas 1972) 4. Steptoe And Son (Dir. Cliff Owen 1972) 5. Steptoe And Son Ride Again (Dir. Peter Sykes 1973) 6. Ooh You Are Awful (Dir. Cliff Owen 1972) 7. Love Thy Neighbour (Dir. John Robins 1973) 8. Till Death Do Us Part (Dir. Norman Cohen 1969) 9. The Likely Lads (Dir. Michael Tuchner 1976) 10. Are You Being Served (Dir. Bob Kellett 1977) 11. On The Buses (Dir. Harry Booth 1971) 12. Holiday On The Buses (Dir. Harry Booth 1972) / Mutiny On The Buses (Dir. Bryan Izzard 1973)
Bodies banks and birds! Dennis (Bennett) and Hal (Holder) are inseparable. They are also irreverent boisterous highly sexed and eager to acquire a fortune by the most expedient method...robbery. The only problem is that they have to hide their loot. Fortunately Dennis works as an undertaker so a conffin seems like the perfect place to hide it. But the moment that they try to fit the loot and a stiff in to a coffin things start to go wrong...and soon the boys have trouble o
Two gun toting hoodlums Trigger (Mickey Rooney) & Leo (Dick Emery) are hired by the unscrupulous J.K. (Peter Cook) to kidnap his niece Victoria. What follows is lunacy on a scale rarely seen in other comedies with the zaniest bunch of characters ever to grace the silver screen. The wrong lady gets snatched the right lady is arranging her own snatch and everybody is reporting the wrong crime to the right people...lost...well keep watching because if you Find The Lady youll find the laughs!
Our Town: Follows the lives and events of two families in a woodsy New Hampshire village from the year 1900 through 1913. William Holden and Martha Scott both reprising their roles from the Broadway production meet as teenagers and succumb to adolescent affections before maturing marrying and bearing a child of their own. The Star Packer: Fast-paced western adventure with Wayne playing the marshall who must straighten out a gang of criminals while still finding tim
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