"Actor: Dolf de Vries"

• Turkish Delight | DVD | (27/05/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Although the confectionary does make an appearance at the end of the film, Turkish Delight, as a title, may be interpreted in a number of ways. This violent tale of love is told in flashback from the perspective of bohemian artist Eric Vonk (Rutger Hauer, collaborating for the first time with director Paul Verhoeven). Opening on a brutal attack and then a succession of one-night stands, it seems at first that the guy's a complete jerk. Then a sudden lurch backwards two years reveals the motivations for both his dreams and behaviour, as well as the subject of the photos he spends his time pining for. He meets Olga (a fantastic Monique Van De Ven) as the result of a car accident. But their tempestuous relationship is shaken by many peculiar events: a surreal wedding ceremony, unveiling a statue to the Queen and the death of Olga's father. The real problem is Olga herself, however, which leads to a shock ending many have compared to Love Story. Somewhat dated now, and made long before his move to Hollywood, Turkish Delight is nonetheless unmistakably a product of the now-familiar Verhoeven style. The film's language and images still have the power to shock or offend, and we certainly get to see far too much of Hauer's private parts, even though some amazing visuals (mirrored candles, inspired beach art and a nightmarish red Chinese restaurant) are some compensation. --Paul Tonks

• The Fourth Man | DVD | (24/02/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Only two years separate The Fourth Man, the final Dutch language movie by director Paul Verhoeven, and the explosive commencement of his Hollywood career. Controversy raged about violence in Flesh + Blood, RoboCop and everything else he made thereafter. Yet controversy has always been a part of the filmmaker's work. This savage comedy shocker could well be seen as a trial run for Basic Instinct, since it features an ice-cold seductress (Renee Soutendijk) with mysterious motivations and sexual preferences. The hallucinatory tale follows a novelist (Jeroen Krabbé) first falling for her, and then feverishly investigating whether she's a serial husband killer. The film is full of what would soon be recognised as Verhoeven trademarks: a little blasphemy, a lot of nudity, dispassionate characters and hidden agendas. One of the aspects that caught the eye of international audiences was the film's colourful lighting and camerawork. This was from Jan de Bont, who, thanks in large part to Verhoeven, would go on to direct Speed and others. Many prints of the movie were edited around the world, but it's presented here uncut. Full of symbolic flourishes and allegorical plot points, this is a dizzying display of the type of black comedy that not even Verhoeven can get away with in today's politically aware industry. --Paul Tonks

• Soldier Of Orange | DVD | (27/05/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Based on real events, Soldier of Orange tells the story of Dutchman Erik Lanshof (a star-making performance by Rutger Hauer) and a small group of students as they struggle to survive the Nazi occupation to the end of the Second World War. The destinies of the characters range from joining the German army to making for England, the OSS and the Resistance. Across a canvas lasting almost three hours director Paul Verhoeven unfolds a saga of friendship, espionage and romance with almost documentary realism--though not as graphically violent as his later American films the torture scenes are intense--crafting a deeply affecting film widely regarded as the greatest ever made in Holland. Comparable recent films such as Enigma (2001) and Charlotte Gray (2002) do not come close. Hauer is brilliant at the heart of what is a detailed and thoughtful drama made with integrity and passion. Co-star Jeroen Krabbé has gone onto a notable career in Hollywood, while Edward Fox and Susan Penhaligon provide more familiar faces for British audiences. The film is shot in Dutch, German and English and subtitled as necessary. Twenty years later Verhoeven made Starship Troopers in 1997, a satirical science-fiction companion to this modern European classic.--Gary S Dalkin