Andrei Tarkovsky's unforgettably haunting film, his first to be made outside Russia, explores the melancholy of the expatriate through the film's protagonist, Gorchakov, a Russian poet researching in Italy. Arriving at a Tuscan village spa with Eugenia, his beautiful Italian interpreter, Gorchakov is visited by memories of Russia and of his wife and children, and he encounters the local mystic who sets him a challenging task. Nostalgia is filled with a series of mysterious and extraordinary images, all of which coalesce into a miraculous whole in the film's final shot. As in all Tarkovsky's films, nature, the elements of fire and water, music, painting and poetry all play a major role
A twentieth century Antigone Zina evokes the life of Zina Bronstein daughter of Leon Trotsky. In 1930's Berlin Zina is being treated by Professor Kronfeld and during this psychoanalysis which includes some hypnosis she recalls incidents from both her own life and that of her father as a leader of the revolution as the holder of state power and later in exile. Against the background of the progressive deterioration of the situation in Europe threatened by the rise of fascism
Andrei Tarkovsky's unforgettably haunting film, his first to be made outside Russia, explores the melancholy of the expatriate through the film's protagonist, Gorchakov, a Russian poet researching in Italy. Arriving at a Tuscan village spa with Eugenia, his beautiful Italian interpreter, Gorchakov is visited by memories of Russia and of his wife and children, and he encounters the local mystic who sets him a challenging task. Nostalgia is filled with a series of mysterious and extraordinary images, all of which coalesce into a miraculous whole in the film's final shot. As in all Tarkovsky's films, nature, the elements of fire and water, music, painting and poetry all play a major role
An enigmatic work bathed in dream-like imagery and deep symbolism about a writer trapped by fame and an unhappy marriage seeking out his cultural past. Winner of the Grand Prix de Creation and Fipresci prize at the 1984 Cannes Film Festival.
Tarkovsky's unforgettably haunting film his first to be made outside Russia explores the melancholy of the expatriate through the film's protagonist Gorchakov a Russian poet researching in Italy. Arriving at a Tuscan village spa with Eugenia his beautiful Italian interpreter Gorchakov is visited by memories of Russia and of his wife and children and he encounters the local mystic who sets him a challenging task. The film is filled with a series of mysterious and extraordinary
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