Adam Sandler fans are sure to enjoy this no-brainer comedy, but everyone else is strongly advised to proceed with caution. Before scoring a more enjoyable hit with his 1998 comedy The Wedding Singer, the former Saturday Night Live goofball played Happy Gilmore, a hot-tempered guy whose dreams of hockey stardom elude him. But when he discovers his gift for driving golf balls hundreds of yards, he joins a pro tour to win the prize money needed to rescue his beloved grandma's home from repossession. The trouble is, Happy's not so happy. He's got a temper that frequently flares on the golf course (he even dukes it out with celebrity golfer Bob Barker), but a retired golf pro (Carl Weathers) and a compassionate publicist (Julie Bowen) help him to perfect his putting game and adjust his confrontational attitude. How much you enjoy this lunacy depends on your tolerance for Sandler's loudmouthed schtick and a shocking number of blatant product-placement endorsements, but if you're looking for broad comedy you've come to the right tee-off spot. --Jeff Shannon
The music of Benny Goodman comes to life in this wonderful musical biography of the famed King of Swing. Featuring all the outstanding songs and instrumentals made famous by the immortal clarinetist the story follows the innovative musician from his childhood in Chicago to his historic concert at Carnegie Hall in 1938. Steve Allen (Casino The Player) Oscar winning actress Donna Reed (It's a Wonderful Life From Here to Eternity Dallas) and Sammy Davis Sr. star in this unforgettable tribute to Goodman and his music with performances by the original Benny Goodman Quartet (Gene Krupa Teddy Wilson Ben Pollack Edward Kid Ory and Lionel Hampton) along with Harry James Martha Tilton and Ziggy Elman. The priceless soundtrack highlights Goodman himself with classic renditions of Sing Sing Sing One O' Clock Jump Stompin' At The Savoy Moonglow Goody Goody and many more.
In the entire history of American movies, The Night of the Hunter stands out as the rarest and most exotic of specimens. It is, to say the least, a masterpiece--and not just because it was the only movie directed by flamboyant actor Charles Laughton or the only produced solo screenplay by the legendary critic James Agee (who also co-wrote The African Queen). The truth is, nobody has ever made anything approaching its phantasmagoric, overheated style in which German expressionism, religious hysteria, fairy-tale fantasy (of the Grimm-est variety), and stalker movie are brought together in a furious boil. Like a nightmarish premonition of stalker movies to come, Night of the Hunter tells the suspenseful tale of a demented preacher (Robert Mitchum, in a performance that prefigures his memorable villain in Cape Fear), who torments a boy and his little sister--even marries their mixed-up mother (Shelley Winters)--because he's certain the kids know where their late bank-robber father hid a stash of stolen money. So dramatic, primal, and unforgettable are its images--the preacher's shadow looming over the children in their bedroom, the magical boat ride down a river whose banks teem with fantastic wildlife, those tattoos of LOVE and HATE on the unholy man's knuckles, the golden locks of a drowned woman waving in the current along with the indigenous plant life in her watery grave--that they're still haunting audiences (and filmmakers) today. --Jim Emerson, Amazon.com
This three and a half hour US civil war epic - a prequel to 1993's "Gettysburg" - tells of the rise and fall of legendary war hero "Stonewall Jackson".
It's the early 1960's and 5th grader Scotty Smalls has just moved into town with his folks. Kids call him a dork because he can't even throw a baseball. But that changes when the leader of the neighborhood gang recruits him to play on the nearby sandlot field. It's the beginning of a magical summer of baseball wild adventures first kisses and fearsome confrontations with the dreaded beast and its owner who live behind the left field fence...
Nicole Kidman stars as the mother of two ailing children in this moody tale of the supernatural, set on the island of Jersey just after World War Two.
A portrait of America in the early part of the twentieth century based on a bestselling novel by E.L. Doctorow and directed by Oscar winning film maker Milos Forman.
A silent film production company and cast make a difficult transition to sound.
Asian American director Ang Lee sums up America in the early 1970s by focusing on the arrival of the sexual revolution in the 'burbs. Isolationism within a family, consumerism, and selfishness are personified by a cast that captures the self-obsession within two New England families. As the children struggle awkwardly with adolescence, their parents stumble through sexual experimentation. In the days of Watergate and Vietnam, society is breaking boundaries and ignoring convention. Following suit, these families are eschewing polite barriers and social taboos, with disastrous results. The Ice Storm of the title refers not only to a natural phenomenon but is a (rather heavy-handed) metaphor for a pervasive emotional temperament. The entire cast delivers textured, finely nuanced performances. This movie lingers in the psyche not only for the scope of the tragedy at its conclusion, but for Lee's often humorous and stingingly accurate assessment of pop culture. Based on Rick Moody's novel, this won the best-screenplay award at Cannes in 1997. --Rochelle O'Gorman
Amid the gush of early '80s low-budget backwoods horror, only one lost classic brought together softcore sex, hardcore violence, Satanic sex cults and a limb-tearing, gut-slinging, dick-ripping beast for the best and bloodiest Bigfoot movie ever made. (Buried.com): When a group of Anthropology students heads deep into the forest to investigate a series of Sasquatch attacks, they'll discover an immortal brain-blast of crazy hermits, mutilated Girl Scouts, interspecies copulation and one of the goriest final scenes in the whole history of splatter flicks (A Slash Above). Producer/co-writer Jim L. Ball and director James C. Wasson deliver an anti-masterpiece that moves like a bullet, unlike anything you've ever seen (Mondo Digital) now scanned in 4K from the recently discovered 35mm answer print with over 5½ hours of Special Features on two discs. Extras: DISC 1 Exclusive Slip Case Just A Little Green Kid Outta Waco, Texas - Interview With Producer Jim L. Ball The Demon Made Me Do It - Interview With Director James C. Wasson Eye Of The Demon - Interview With Cinematographer John Quick FRATERNITY OF HORROR - Previously Unreleased 1964 Feature Produced By Jim L. Ball And hot By John Quick Trailer DISC 2 Cryptid Currency: Transgression Aggression In Bigfoot Cinema - Video Essay By David Coleman, Author Of The Bigfoot Filmography Tales From The Cryptid - Interview With Stephen R. Bissette, Co-Author Of Cryptid Cinema Deconstructing Patty - Interview With William Munns, Author Of When Roger Met Patty Mondo Bigfoot - Interview With Lyle Blackburn, Author Of Boggy Creek Casebook BAN THE SADIST VIDEOS! BAN THE SADIST VIDEOS! PART 2 My Nasty Memories - Interview With BAN THE SADIST VIDEOS! Director David Gregory
The 1980s was the make-and-break decade for Sylvester Stallone's career, and Lock Up typifies the direction he took in his post-Rocky and Rambo days. It's a concept movie in the same mould as Rambo III just before it, and Tango & Cash just after. The hero (Frank Leone) is put in jeopardy (Gateway Prison), establishes a nemesis to defeat (in the shape of Donald Sutherland as Warden Drumgoole), makes a few friendships that can be sacrificed along the way (Tom Sizemore as Dallas) and does what he does in the name of love (Darlanne Flugel as Melissa). The revenge-twisted warden puts him through hell over a shared back-story. The torture ranges from being made to hold his breath in a delousing chamber to sanity-stretching periods in "The Hole". It's all about how far a man can be pushed. But being a Stallone vehicle, it's not all depressing. Composer Bill Conti reunites with the star to put the same sort of heroic fuel behind a prison-yard football game as he did for Rocky. A couple of feel-good songs pep up the love story and a montage of camaraderie in rebuilding a broken-down car. There's a healthy sense of realism achieved by having Sly doing all his own stunts and the use of a real-life prison. If the elements lead to a by-the-numbers conclusion (it's no Shawshank Redemption), remember this was some years before the actor wanted to get serious. On the DVD: A surprising amount of footage has been assembled in the two behind-the-scenes featurettes: we see Stallone directing his own fight scenes, and how use of New Jersey's Rahway Prison came with 2,500 real inmates to keep under control. Sound bite interviews reveal Stallone's worldly philosophies, then a trailer and gallery of 17 photos round out a decent overall package. --Paul Tonks
A silent film production company and cast make a difficult transition to sound.
Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh
A down-and-out charter boat captain feels his luck has changed when a beautiful treasure hunter hires him to find the sunken ship El Diablo. Legend has it that the ship met its end while loaded with evil satanic artefacts. Meanwhile two divers accidentally discover the sunken tomb releasing a most terrifying force...
After a series of Broadway flops, songwriter Bert Hanley goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
Here in all it's glory is Crossroads on DVD for the very first time. Meg and Sandy Richardson Benny Hawkins Adam Chance Shughie McFee - the names still strike a chord in the memories of a generation of people who sat entranced watching the latest escapades of the staff and customers of Crossroads motel. Entranced but usually for the wrong reason! Would the walls wobble? Would the actors dry up or start laughing mid sentence? Anything could happen. Unrepeated for many years th
Ruthless lawyer Henry Turner is left an amnesiac after being shot when caught up in a store robbery. Trying to rebuild his life Henry must learn to walk again tie his shoelaces and become a better husband...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy