From director Albert Band comes ROBOT WARS, the follow up to 1989's cult classic ROBOT JOX.In a gas-ravaged future Hell, the United States is divided into two opposing blocs, the North Hemi and the Eastern Alliance and targeting them both are roving bands of pirates known as the Centros. While mega robots were once employed for war, peace between the blocs has dictated that the mechanized monsters are no more, save for the lone remaining functioning specimen the MRAS-2, now utilized as a tourist attraction, and piloted by the rough and tumble Drake (Don Michael Paul). But when a war-mongering dignitary steals the MRAS-2 and threatens to wage a new apocalyptic battle, Drake revives another dormant mega robot, the MEGA-1, and drags it out into the desert to take down the deadly, scorpion-like MRAS-2 with the fate of what's left of the world hanging in the balance!SPECIAL FEATURES:The Wizard of Wars: Remembering David AllenVintage 1997 Full Moon PromoVideozone
Fifty years on from its first UK broadcast, The Prisoner remains as fresh and dynamic as when it was first unleashed upon an unsuspecting world in 1967. This set presents the complete series, stunningly restored, together with a wealth of new special features.
During the American Civil War a Union spy (Fess Parker) is asked to lead a band of Union soldiers into the South so that they could destroy the railway system. However things don't go as planned when the conductor of the train that they stole is on to them and is doing everything he can to stop them. Based on a true story. Available on DVD for the first time!
A provocative, unflinching look at the complexities of racial conflict in America.
Walt Disney's Cinderella based on the world's greatest fairy tale has captivated audiences for generations with its spellbinding story memorable music spectacular animation and unforgettable characters. Experience the magic in this Royal Edition - with Disney Enhanced Home Theatre Mix and music videos - and you too will believe that dreams really do come true.
Toy Story John Lasseter's Toy Story poses the universal and magical question of what do toys do when they are not being played with? Cowboy Woody (voiced by Tom Hanks), Andy's favourite bedroom toy, tries to calm the other toys during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he is the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar "For the development and inspired application of techniques that have made possible the first feature-length computer-animated film". In other words, the film is great. Toy Story 2 Like the handful of other great film sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out that Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular 1960s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. This is one of the most creative and smile-inducing films since, well, the first Toy Story. Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior and two action sequences that book end the film are dazzling. A hoot for kids and adults, the film is packed with spoofs, easily accessible in-jokes and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living for forever. --Doug Thomas, Amazon.com
Vince Lombardi High School keeps losing principals to nervous breakdowns because of the students' love of rock 'n' roll and their disregard of education. The putative leader of the students is Riff Randell who loves the music of the Ramones. A new principal the rock music hating Miss Evelyn Togar is brought in and promises to put an end to the music craze. When Miss Togar and a group of parents attempt to burn a pile of rock records the students take over the high school joined by the Ramones who are made honourary students. When the police are summoned and demand that the students evacuate the building they do so which leads to an explosive finale.
Toward the end of the 21st Century two great powers dominated the world a division that resulted from a 30-year war known as the War of the Hemispheres. The war came to an end with the creation of giant indestructible mega-robots designed for military missions and balance of power. With the treaty came peace and both sides merged into one government the New Federation. The armed forces were reduced to one single mega-robot the MRAS-2 an 80-foot-tall Mega-Robotic-Assault-System now used to guard the most dangerous spot on earth. The MRAS-2 now patrols the highly restricted area known as the Crosshair Zone the site of the Toxic Tomb-a dumping ground for the most dangerous toxic waste. Periodically lone-wolf terrorist groups try to get to the tomb to gain materials to launch chemical warfare against New Federation police forces. But MRAS-2 is the most sophisticated weapons system ever built and is indestructible. Recently the mega-robot has become a tourist attraction and is used for tours through the wasteland. While on one such tour the MRAS-2 is attacked by an extremely violent terrorist group known as the Murdaggians. Their leader turns out to be a frequent passenger on the mega-robot Professor B. Wa-Lee who hijacks the MRAS-2 and heads for the Toxic Tomb. If he succeeds in opening the tomb the Murdaggians can carry out their threat to destroy Los Angeles. The only hope to stop the Murdaggians is Lane Drury the robot's pilot who has escaped and knows how to stop the MRAS-2. With the help of Lisa the daughter of the New Federation President Drury finds another mega-robot still intact. The MEGA-1 rises from beneath the earth like a colossus and confronts the MRAS-2 before the Toxic Tomb is penetrated. Now Drury and Wa-Lee both know theirs must be a fight to the finish. Special Features: Videozone: Behind the Scenes Original Trailer 88 Films Trailer Park Reversible Sleeve Incorporating Original Artwork
First broadcast in 1974, the ITV bedsitland sitcom Rising Damp was an instant and enduring success. It starred Leonard Rossiter as the miserly and lovelorn landlord Rigsby who is constantly needling young lodger Alan (Richard Beckinsale), a science student whose long hair and earrings are symptomatic to Rigsby of the parlous effeminacy of the modern age. He's also in love with Frances De La Tour's dowdy spinster Miss Jones, though his tentative advances are forever rebuffed. She in turn carries a torch for Philip (Don Warrington), the elegant son of an African chief who also resides at Rigsby Towers. Some aspects of Rising Damp have not aged well, principally Rigsby's stream of racist jibes at Philip. Although these were doubtless well-meant and supposed to illustrate Rigsby's foolish bigotry, you suspect that that was a convenient cover for audiences in the 1970s to enjoy racist humour. However, Rossiter's Rigsby--stuttering, stammering, bent perpetually over backwards--remains a great comic creation, embodying all the festering prejudices, small-mindedness and self-delusion of the lower middle class Little Englander. --David Stubbs
All 26 episodes from the second season of the classic US cop show, following the cases of wheelchair-bound chief of detectives Robert T. Ironside (Raymond Burr). Paralysed by a sniper's bullet, the San Francisco Police Department's top detective is now head of his own special unit, ably assisted by sergeant Ed Brown (Don Galloway), policewoman Eve Whitfield (Barbara Anderson), and African-American ex-con Mark Sanger (Don Mitchell). The episodes are: 'Shell Game', 'Split Second to an Epitaph: Part 1', 'Split Second to an Epitaph: Part 2', 'The Sacrifice', 'Robert Phillips Vs the Man', 'Desperate Encounter', 'I, the People', 'Price Tag: Death', 'An Obvious Case of Guilt', 'Reprise', 'The Macabre Mr. Micawber', 'Side Pocket', 'Sergeant Mike', 'In Search of an Artist', 'Up, Down and Even', 'Why the Tuesday Afternoon Bridge Club Met On Thursday', 'Rundown On a Bum Rap', 'The Prophecy', 'A World of Jackals', 'And Be My Love', 'Moonlight Means Money', 'A Drug On the Market', 'Puzzlelock', 'The Tormentor', 'A Matter of Love and Death' and 'Not With a Whimper, But a Bang'.
Mel Gibson stars in this hard hitting Vietnam War drama set against the backdrop of the first major battle between US and North Vietnamese forces.
Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two 90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes football stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking and soul-changing Technicolour. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious colour. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloureds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart
More adventures with the Transformers as the Autobots continue their ceaseless battle against the evil Decepticons. Episode titles: Comrades Soldier Jungle Carnival.
Flintstone's Christmas Carol
A charming drifter returns to his ""home "" where he makes a desperate and very dangerous deal in order to reclaim his ex-girlfriend. When passion ignites into obsession a treacherous game of ""who can you trust?"" spins a deadly web of intrigue and murder - from which no one escapes unscathed.
Weekend at Bernie's starts when two lowly clerks at an insurance agency uncover a $2 million fraud and report it to their boss, Bernie (Terry Kiser). Unfortunately for them, Bernie is the one behind the fraud and he invites them to his island beach house for the weekend, where he intends to have them killed by his mob contacts. Unfortunately for Bernie, the mob decides to rub him out instead--that's when the clerks, Richard (Jonathan Silverman) and Larry (Andrew McCarthy), arrive and discover Bernie's body. At first they panic and start to call the police but when a party of islanders sweeps in, Richard and Larry also discover that the local residents are so self-absorbed they don't notice that Bernie is dead. So if our heroes can just convince everyone that Bernie is still alive for the weekend, they can have a splendid time. Unfortunately, they also convince the mob hitman, who keeps trying to take Bernie out. Weekend at Bernie's was made at the height of 1980s fashion and features many amusing outfits and hairstyles--often the styles are funnier than the dialogue and the characters are tissue-paper thin. Still, there's no denying that the movie chugs along from bit to bit and never takes itself more seriously than it should, which is a cheerful, disposable piece of fluff. --Bret Fetzer
As long as there is a need for adolescent male sexual fantasy, there will be an audience for Heavy Metal. Released in 1981 and based on stories from the graphic magazine of the same name, this silly and senseless the movie is an aimless, juvenile amalgam of disjointed stories and clashing visual styles. Hundreds of animators from around the world were employed, resulting in a near-total absence of creative cohesion in the finished product. It remains, for better and worse, a midnight-movie favourite for the stoner crowd--a movie best enjoyed by randy adolescents or near-adults in an altered state of consciousness. With a framing story about a glowing green orb claiming to be the embodiment of all evil, the film shuttles through eight episodic tales of sci-fi adventure, each fuelled by some of the most wretched rock music to emerge from the late 1970s-early 80s period. The most consistent trademark is an abundance of blood-splattering violence and wet-dream sex, the latter involving a succession of huge-breasted babes who shed their clothes at the drop of a G-string. It's rampantly brainless desire to fuel the young male libido becomes rather fun, and for all its incoherence Heavy Metal impresses for the ambitious artistry of its individual segments. Produced by Ivan Reitman (who went on to direct Ghostbusters), the voice talents include several Canadian veterans of the Second City improvisation comedy troupe--including John Candy, Harold Ramis, Eugene Levy and Joe Flaherty--many of whom went on to greater fame on the US TV series Saturday Night Live. --Jeff Shannon DVD Special Features Feature-length Rough Cut with Optional Commentary by Carl MacEk, Production notes Theatrical trailer Documentary: Imagining Heavy Metal Art Galleries Deleted Scenes, Carl MacEk reading his book "Heavy Metal: The Movie" 1:85:1 widescreen anamorphic Dolby Digital 5.1
The Future Is Riding On One Woman No emotion. No fear. No pain. They were the perfect soldiers to protect civilization - until the drone police became the perfect enemy. With little hope left for mankind Tallis (Don Wilson; Stealing Harvard Batman Forever) an electronically enhanced soldier rescues a rebel beauty (Katee Sackhoff TV's Battlestar Galactica) from a failed resistance mission. A force to be reckoned with she will learn to fight and think like a machine for the final battle to save the human race.
In the 1950s four pilots were passed over for astronaut training, but forty years later they finally get their chance.
Run aground during a fierce storm a group of passengers are forced to abandon ship. As the survivors (among them prisoners a prison guard and a criminal psychologist) struggle ashore they find themselves at an apparently deserted lighthouse. It's not long until they discover the headless corpses of the lighthouse keepers and they realise that the ship was also carrying a prisoner more dangerous than any of them - murderer Leo Rook (Christopher Adamson). Hunting them down one by
Please wait. Loading...
This site uses cookies.
More details in our privacy policy