Charley Varrick and his friends rob a small town bank. Expecting a small sum to divide amongst themselves they are surprised to discover a very large amount of money. Quickly figuring out that the money belongs to the MOB they must now come up with a plan to throw the MOB off their trail.
Stationed to work side-by-side on a mission in post-war Germany French army officer Henri Rochard (Grant) and American WAC Lieutenant Catherine Gates (Ann Sheridan) fall in love. But just when they decideito marry Catherine is ordered back to the U.S. - alone! The only way for an alien including her husband to enter the U.S. with her is through the congressional act governing war brides. So the resourceful Catherine does the obvious - she disguises her husband as a sister WAC in
Fletch is a fairly sarcastic and occasionally very funny Chevy Chase vehicle scripted by Andrew Bergman (Blazing Saddles, The Freshman, Honeymoon in Vegas) from Gregory McDonald's lightweight mystery novel about an undercover newspaper reporter cracking a police drug ring. Enjoyment of the film pivots on whether you find Chase's flippant, smart-ass brand of verbal humour funny, or merely egocentric. If you don't like Chase, there's really no one else worth watching (Geena Davis is sadly underused). Chase seems born to play IM "Fletch" Fletcher, a disillusioned investigative reporter whose cynicism and detached view on life mirrors the actor's understated approach to comedy. Fletcher offers Chase the opportunity to adopt numerous personas, as his job requires numerous (bad) physical disguises, and much of film's humour centres on the ridiculous idea that any of these phoney accents or bad hairpieces could fool anyone. These not-so-clever disguises are put to use when Fletch becomes involved in the film's smart but continually self-mocking two-part mystery. As well as trying to gather drug-smuggling evidence against the LAPD for a long-overdue newspaper story, a rich and apparently terminally ill stranger also offers Fletch a large payoff to kill him. While the film does a fairly good job juggling both of these plots, not to mention tossing in a love interest as well, they're subservient, for better or worse, to Chase's memorable one-liners and disguises. Followed by two forgettable sequels that lack both the original's wit and Chase's attention span.--Dave McCoy, Amazon.com
One of director Sam Peckinpah's lesser-known and little-seen outings, Junior Bonner is actually one of his most interesting for being so relaxed. Yet it deals with the themes that always interested him: the man who has watched the world pass him by and realises that his time is gone. In this case, it's rodeo rider Junior Bonner (Steve McQueen), who returns home to try to win top prize in the bull-riding competition to raise money to stake his father (Robert Preston) to a future. As easy-going and good-natured as you'd like, with a delicious chemistry between Preston and a feisty Ida Lupino as Junior's estranged parents, who are still able to strike romantic sparks. Great rodeo footage captures both the violence and beauty of the sport. --Marshall Fine, Amazon.com
Charley Varrick (Walter Matthau) is a former stunt-pilot who makes his living robbing small banks in the American Southwest. His latest heist sees him unwittingly steal from the local mafia, setting a psychotic hit-man on his trail and unleashing a maelstrom of violence and destruction. Directed by the great Don Siegel (Invasion of the Body Snatchers, Dirty Harry), Charley Varrick is one of the best thrillers of the 70s: action-packed, memorably lurid and gleefully unsentimental Extras: Limited edition remaster Original mono audio Last of the Independents: Don Siegel and the Making of Charley Varrick' (2015, 72 mins): a feature-length documentary on the making of the film The Guardian Lecture with Don Siegel (1973, tbc mins): archival audio recording of an interview conducted by Tony Sloman at London's National Film Theatre The Guardian Lecture with Walther Matthau (1988, tbc mins): archival audio recording of an interview at London's National Film Theatre Super 8 version: original cut-down home cinema presentation Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by author and critic Richard Combs, an overview of contemporary critical responses, and historic articles on the film UK premiere on Blu-ray Limited Edition of 3,000 copies
The most lavish feature built around Laurel and Hardy, 1934's March of the Wooden Soldiers is also the most bizarre. Opening unpromisingly with one of several mawkish numbers derived from Victor Herbert's musical Babes in Toyland, the antics of toyshop labourers Stannie Dum and Ollie Dee are worked into a scenario midway between Lewis Carroll and The Brothers Grimm. Nursery-rhyme characters come and go in a surreal fantasy, with the evil Mr Barnaby threatening to evict Widow Peep from her shoe unless he receives her daughter Bo in marriage. The movie culminates in a full-scale invasion of Toyland by the yeti-ish Bogeymen and their defeat by the 100 six-foot wooden soldiers that Stan and Ollie have built by mistake. Henry Brandon gives a characterful performance, while 1930s child star Charlotte Henry is an appealing heroine. Directors Gus Meins and Charles R Rogers milk the slapstick to an increasingly unnerving degree. Reputedly Hardy's favourite among the double act's features, March of the Wooden Soldiers emerges now as their most audacious screen appearance. On the DVD: March of the Wooden Soldiers on disc reproduces the original black and white print in 4:3 ratio with pristine clarity; the mono soundtrack has similarly worn well. The potted biographies of Laurel and Hardy are too brief to be worthwhile, but the inclusion of the 1915 short Hustling for Health--among the earliest of Stan Laurel's film appearances--is a valuable bonus. --Richard Whitehouse
Ryan Reynolds and Melissa George star in this remake of the classic supernatural chiller.
A charming drifter returns to his ""home "" where he makes a desperate and very dangerous deal in order to reclaim his ex-girlfriend. When passion ignites into obsession a treacherous game of ""who can you trust?"" spins a deadly web of intrigue and murder - from which no one escapes unscathed.
James Bond is back in an adventure which is bigger better and more explosive than ever before. It's packed with incredible stunts glamorous locations beautiful women and fast cars! Bond has a dangerous new enemy to face in his deadly mission. Aided by the Russian underworld his treacherous foe has stolen a top-secret helicopter and the lethal Soviet space weapon ""GoldenEye"" with which he plans to obliterate the Western world. This uncut '15' certificate version of Goldeneye is available on DVD for the very first time!
The conclusion to the terrifying story of the Delambre family in which three descendants of the original teleportation scientist (the son and two grandsons) continue the experiments in an effort to perfect the machine...
""Funny and poignant. Sarandon and Portman sparkle!"" -Jami Bernard NEW YORK DAILY NEWS Adele is a flashy flirtatious dreamer. Her daughter Ann is a quiet no-nonsense realist. On the surface they're like oil and water but deep down they're two of a kind. ""Susan Sarandon makes magic"" (Chicago Tribune) and ""Natalie Portman soars"" (NY-1) in this funny and touching story about a mother who knows best...and a daughter who knows better!
Director Barry Levinson treats The Natural as a kind of shrine to America's national pastime, baseball, complete with all the possible mythic resonance that can be gleaned from the subject. Fans of the Bernard Malamud novel may be dismayed, but anyone who fell for the similarly mythic Field of Dreams will be hooked. Levinson displays an unabashed devotion to the game, although the film could use more of the realities of chewing tobacco and pine tar. The story opens as a young man (Robert Redford, in soft lighting) emerges from the sun-dappled heartland as maybe the best baseball player anybody's ever seen. On his way to the majors, he is waylaid by an enigmatic black widow (Barbara Hershey) and vanishes for many years. When he re-emerges, a silent mystery, he lands a spot with a New York team and begins tearing up the league--he's still the natural. Redford is fine, and Kim Basinger and Oscar-nominated Glenn Close are effective as the women in his life. The crowning touch is the soaring, extraordinary music by Randy Newman, the singer-songwriter turned orchestral composer. --Robert Horton, Amazon.com
SPIDERMAN TRILOGY ORIGINS COLLECTION Swing into action with the groundbreaking original cinematic SpiderMan trilogy from direction Sam Raimi. Join Peter Parker (Tobey Maguire) as he becomes the iconic webslinging SpiderMan, battles supervillains Green Goblin, Doc Ock, Sandman and Venom, wins the heart of Mary Jane Watson (Kirsten Dunst), and learns that with great power, comes great responsibility. THE AMAZING SPIDERMAN EVOLUTION COLLECTION The untold story of the legendary webshooter unfolds in the blockbuster Amazing SpiderMan films, directed by Marc Webb. The saga begins in The Amazing Spider Man, as Peter Parker (Andrew Garfield) becomes SpiderMan and balances being asuperhero doing battle against the villainous Lizard alongside his developing relationship with Gwen Stacy (Emma Stone). Then when SpiderMan's new enemies including the powerful Electro unite in The Amazing SpiderMan 2, Peter Parker finds that his greatest battle is about to begin. EXTRAS INCLUDE: SPIDERMAN TRILOGY ORIGINS COLLECTION SpiderMan 3 Editor's Cut All New Alternate Version of the Movie SpiderMan 2.1 Includes both Theatrical & Extended Versions The Stan Lee Legacy: From Comic Book to Homecoming featurette Over 18 Hours of Special Features from all 3 films THE AMAZING SPIDERMAN EVOLUTION COLLECTION The Stan Lee Legacy: From Comic Book to Homecoming featurette 15 Rare Archival featurettes Over 7 Hours of Special Features from both films
Liam Neeson stars as American sociologist and sexual pioneer Alfred Kinsey in this biopic.
The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker
The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker
It's the early 60's and hard-boiled private eye Philip Marlowe played by James Caan is as cynical as ever but also a newlywed. Moving to the small desert town of Poodle Springs after marrying the daughter (Dina Meyer) of a billionaire Marlowe becomes immersed in deadly intrigue surrounding the murder of another investigator. Uncovering a sinister scheme to relocate the state border of Nevada that might involve his wealthy father-in-law the world-weary Marlowe encounters a web of greed lust and murder as dark and as deadly as he has ever seen. With a talent for attracting trouble Marlowe finds it in Poodle Springs in the form of bigamy gambling pornography and double identity
As the successor to a martyred president Lyndon B. Johnson sought to transform America into a 'Great Society' of equal opportunity. Instead he became the symbol for the most unpopular war in U.S. history. Michael Gambon (as President Johnson) Donald Sutherland (as Clark Gifford) and Alec Baldwin (as Robert McNamara) star in a compelling drama of soaring ambition and shattered dreams set inside the LBJ White House in the volatile years leading up to and during Vietnam. This HBO production was decorated director John Frankenheimer's final film.
Two years have passed, and the mildmannered Peter Parker (Tobey Maguire) faces new challenges as he struggles to balance his life as the elusive superhero Spider Man. Tormented by his secrets, Peter is in danger of losing all those that he holds dear. His love for MJ (Kirsten Dunst) becomes stronger and his friendship with Harry Osborn (James Franco) is complicated by the young Osborn's bitterness over his father's death. These relationships are now in danger of unravelling when he confronts a new nemesis, the brilliant Otto Octavius (Alfred Molina), who has been reincarnated as the multitentacled 'Doc Ock'.
Fletch (1985): Meet the only guy who changes his identity more often than his underwear. Chevy Chase is at his hilarious best in this suspense-packed comedy thriller based on Gregory McDonald's novel. Fletch is an investigative reporter who's constantly changing his identity. While working on a drug expose Fletch attracts the attention of a strange business man (Tim Matheson) who wants to be killed so his wife will inherit more insurance. The wily Fletch senses a scam and soon he's up to his byline in frame-ups murder police corruption and forbidden romance. It'll be the story of the year if he can stay alive to meet his deadline! Fletch Lives (1989): Director Michael Ritchie and Chevy Chase team up once again for Fletch Lives with Chase reprising the role of Irwin ""Fletch"" Fletcher newspaper journalist and master of disguise. When his recently deceased aunt bequeaths her decrepit manor to him Fletch travels down south to rural Louisiana. Initially things go well especially when he hooks up with a flirtatious southern belle. But when he wakes up the morning after he's shocked to find that she has been murdered. In order to catch the killers and clear himself the intrepid chameleon-like Fletch must infiltrate the congregation of Jimmy Lee Farnsworth (R. Lee Ermey) a greedy local preacher who wants to gain control of Fletch's land in order to build a Bible-themed amusement park.
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