Danny Boyle directs this story about saints, miracles and the way a child's imagination can help sort out the mysteries of life.
Sometimes nightmares do come true.... Night time and rain falls over the city. A young couple are out for a drive and take a shortcut through a deserted alley..... they make a gruesome discovery: A girl who has been savagely battered and slashed lies in a pool of her own blood. As the girl loses conciousness she utters one word - Kolobos.
I've just met a wonderful new man. He's fictional but you can't have everything." So says Cecilia (Mia Farrow), the central figure in Woody Allen's lyrically humorous Purple Rose of Cairo. The era is the Great Depression, and she is the bullied wife who finds escape in romantic movies, falling in love with the explorer hero, Tom Baxter (Jeff Daniels), of the eponymous film. So far, nothing remarkable. But Allen has Baxter spot her in the audience, fall in love with her, and desert the picture, much to the irritation of the other characters. The surreal quality of the situation develops further when Gil Shepherd--the actor who played Baxter (Daniels again)--seeks out his fictional alter ego to persuade him back into the film and thus save both their reputations. Naturally Shepherd, too, falls in love with Cecilia, and she's left to choose between fiction and reality, chooses the latter and is then cruelly jilted. The message seems clear: fairytales are just that, make-believe. There's no such thing as a happy ending. Dating from 1985 (after Broadway Danny Rose and immediately before Hannah and her Sisters), this is one of the few movies in which Allen doesn't actually appear, though he's recognisable in every line of Farrow's character. It's also a nostalgic tribute to the era that defined movie glamour, the close-up of Cecilia's face at the end a moment of pure Hollywood. At 81 minutes, this is a small but brilliant gem. On the DVD: Aside from the technological improvement of DVD over video, the new format adds little by way of features: you can view the original trailer, scan the film scene by scene, and there's a choice of subtitles in eight languages.--Harriet Smith
A sudden storm brings a shower of polluted rain and in a downtown cemetery something stirs six feet under the earth. The bad news is the living dead are back. The worse news is that they haven't had a decent meal in years... and as anybody will tell you there's nothing as greedy as a ghoul with a taste for human brains. 'Return Of The Living Dead' is a special effects masterpiece and has its rotting tongue firmly in its ghoulish green cheek.
When a chance encounter reunites a long lost daughter Maggie Holloway and her stepmother Nuala both parties are thrilled at the prospect of catching up on years spent apart. However joy turns to devastation when Nuala is found murdered only days before moving to a nearby retirement home...
Return of the Living Dead is a parody-cum-sequel spin-off from George Romero's superior Night of the Living Dead films. A corpse-containing canister gets breached and releases an oily, loose-limbed, brain-eating zombie tatterdemalion and a gas that revives anything dead in the vicinity, even a bisected dog preserved as a vet's teaching specimen and a case of pinned butterflies. The dim-bulb leading characters--earnest Clu Gulager, goofy James Karen and Thom Matthews--burn up a mess of surplus living body parts, but the rains wash the ashes into the earth of a nearby cemetery and a whole crowd of brain-eating zombies claw their way out to terrorise a group of teens who sport the kind of 1985 fashions, hairdos, slang preferences and musical tastes that will never feature in a TV nostalgia programme. There are plenty of in-jokes at the expense of the Living Dead films (learning that shooting 'em in the brain doesn't work, the appalled Matthews gasps, "You mean the movie lied?"), and director Dan O'Bannon, the writer of Dark Star and Alien, hurries things along through some gruesome action and terror-by-zombie bits until the surprisingly cynical anti-government conclusion. It's not as wittily outrageous as Re-Animator or Braindead, but it has an amiable, drive-in-cum-home video grunge about it. Frequently naked exploitation regular Linnea Quigley makes an impression as the punkette zombie who goes on the rampage wearing nothing but leg-warmers and body make-up. The frill-free DVD is full-screen (boo hiss!) except for the titles, offers only the trailer and inadequate cast and crew notes as extras, but it looks okay. --Kim Newman
A group of teenagers looking for a little fun decide to have a Halloween party at Hull House an abandoned creepy funeral parlour on the outskirts of town. The party begins with the usual teen antics: practical jokes a little beer drinking flirtatious dancing and even romance. But it isn't long before very strange things begin to happen. Hull House is haunted - and the demonic spirits trapped there have their own bloody idea of fun and games. The Halloween celebration turns into a night of death and terror as one by one the kids become the victims of the evil spirits. This is one party you won't want to miss!
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