All the episodes from the drama series based on the novels by Ian Rankin. In the first and second series, John Hannah stars as the troubled Scottish detective, Inspector Rebus. In the third, fourth and fifth series the role is played by Ken Stott. The episodes are: 'Black and Blue', 'The Hanging Garden', 'Dead Souls', 'Mortal Causes', 'The Falls', 'Fleshmarket Close', 'The Black Book', 'A Question of Blood', 'Strip Jack', 'Let It Bleed', 'Resurrection Men', 'The First Stone', 'The Naming of the Dead' and 'Knots and Crosses'.
One of the classics of the noir psychological thriller, In a Lonely Place is one of Humphrey Bogart's finest performances. He is almost unbearably intense as Dixon Steele, a screenwriter with high standards and a nasty temper who finds himself under suspicion when Mildred, a hat-check girl he knows, is found murdered. Immediately he gets an alibi from a neighbour, Laurel, and equally quickly, he recognises that this is a woman who meets his standards: the question is, as suspicion of his involvement in Mildred's death continues, can he make himself meet hers? This is a wonderful study in trust and suspicion and the limits of love; Bogart's performance is impressive simply because he is prepared to go well over the limits of our sympathy in the name of emotional truth. The scene where he explains imaginatively to a cop and his wife how the murder might have happened is a spine-chilling, creepy portrait of amoral artistic brilliance. Gloria Grahame is equally fine as the woman who lets herself love him, for a while. On the DVD: In a Lonely Place comes with an excellent documentary in which Curtis Hanson (LA Confidential) explains the importance of the film to him and discusses its place in the work of Bogart and the director Nicholas Ray; there is also a quick interesting documentary about the restoration and digitisation of classic films. The film is presented with a visual aspect ratio of 1.33:1 and with restored Dolby Surround sound that does full justice to the film's snappy dialogue and the moody George Antheil score. --Roz Kaveney
You wouldn't know it by watching the Batman movies they collaborated on, but this smart adaptation of John Grisham's novel proves that director Joel Schumacher and screenwriter Akiva Goldsman have some talent when the right project comes along. Schumacher had previously directed Grisham's The Client, and brought equal craft and intelligence to this story about a young Southern attorney (Matthew McConaughey, in his breakthrough role) who defends a black father (Samuel L Jackson) after he kills two men who raped his young daughter. Sandra Bullock plays the passionate law student who serves as McConaughey's legal aide and voice of conscience in the racially charged drama. Added to the star power of the lead roles is a fine supporting cast, including Kevin Spacey, Ashley Judd and Oliver Platt. --Jeff Shannon, Amazon.com
Welcome to the Hellmouth... Girl Power stalks the streets and graveyards of Sunnydale kicking out and laying waste to the vast pools of vampire scum that threatens to overrun not only the unassuming little town but the entire known world. Season One brings Buffy into contact with her Watcher Giles (Anthony Stewart Head) as well as the support gang who will help her in her quest to combat evil: Willow (Alyson Hannigan) Xander (Nicholas Brendon) Cordelia (Charisma Carpenter) and
Originally created from the novels by award-winning writer Ann Cleeves (Vera) and set against a hauntingly beautiful landscape, Shetland follows DI Jimmy Perez (Douglas Henshall) and his team as they investigate complex crimes within a close-knit island community. In this isolated and sometimes inhospitable environment, the team must rely on a uniquely resourceful style of policing to unpick the truth. Series one and two are based on bestselling books Red Bones, Raven Black, Dead Water and Blue Lightning. Each subsequent instalment focuses on an original single mystery written for television, each told over six gripping episodes. Series three sees Perez tackling a conspiracy that takes him back to the Scottish mainland in a case that will exact a terrible personal toll on both him and his team. Perez faces murders from the past and present with unsettling similarities in series four, when an investigation leads him closer to home than he could have ever imagined. In the latest series, a gruesome discovery on a beach unleashes a disturbing case that reaches far beyond the island's shores.
Meet Jerry Dandridge. He's sweet sexy and he likes to sleep in late. You might think he's the perfect neighbour. But before inviting Jerry in for a nightcap there's just one thing you should know: Jerry prefers his drinks warm red - and straight from the jugular! It's Fright Night a horrific howl starring Chris Sarandon as the seductive vampire and William Ragsdale as the frantic teenager struggling to keep Jerry's deadly fangs out of his neck. Only 17-year-old Ch
In the Quad, a planetary system on the brink of a bloody interplanetary class war, a fun loving trio of bounty hunters attempt to remain impartial as they chase deadly warrants.
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
Liza Goddard and Donal Donnelly star in this sparkling sitcom which follows the blossoming romance between Matthew Browne, a struggling composer, and his secretary Lily Pond Browne. Spinning off from LWT's popular No - Honestly (starring Pauline Collins and John Alderton), Yes - Honestly was again written by husband and wife Terence Brady and best-selling author Charlotte Bingham, and aired in 1976 and 1977; this complete first series - boasting a theme song co-written and sung by rock legend Georgie Fame - is now available for the first time on DVD. Matthew and Lily make a charming young couple, despite their differences and their occasional inability to see eye-to-eye. And although they're very much in love, they seem to encounter more than their fair share of obstacles and inconveniences, including visits from Lily's eccentric Russian family and Matt's dreaded mother, and a persistent scarcity of funds - not helped when Matthew's disapproving family decide to cut him off without a shilling...
Digitally restored and remastered Frank Capra's heart-warming masterpiece has been embraced as a cherished holiday tradition by families around the world! George Bailey (James Stewart) sets aside his dreams of world travel to run his father's small community bank, and protect the people of Bedford Falls from greedy businessman Mr. Potter (Lionel Barrymore). When a costly mistake pushes George to the brink of despair, a visit from a kindly angel (Henry Travers) will show George how the life of one good man can change the world forever. Now you can watch the holiday classic like never before, newly remastered from the original fi lm negatives and more vibrant than ever in High Dynamic Range! DISC 1: 4K UHD FEATURE FILM Remastered Black & White Version DISC 2: BLU-RAY FEATURE FILM Remastered Black & White Version Special Features: Restoring a Beloved Classic in 4K Original Cast Party Home Movies and More! 4X the Resolution of Full HD, HDR (HIGH DYNAMIC RANGE) for More Detail, Brightness and Greater Contrast
Dr. Dolittle 3Maya Dolittle (Kyla Pratt) just wants to be a normal teenager but there's one small problem: she's inherited her father's uncanny ability to talk to animals. Her special skill keeps landing her in the doghouse with her parents and it's driving her friends completely ape! At a summer dude ranch Maya tries to hide her unique talent so she can fit in but when her friends are in trouble she comes to the rescue as only a Dolittle can - enlisting the aid of the ranch's uproarious and outrageous talking animals. This hilarious third instalment of the wildly popular Dr. Dolittle series is more family fun than a barrel of monkeys... and a lot easier to clean up after! Dr. Dolittle 4Maya Dolittle (Kyla Pratt) and her loyal dog Lucky are back in a heartwarming adventure of presidential proportions! When Daisy the U.S. President's dog starts misbehaving the Secret Service shows up at the Dolittle home seeking help. With the doctor away high school senior Maya - who inherited her father's gift for animal speak - is called into action. Now it's up to Maya and Lucky to stop a canine catastrophe from becoming a major national crisis!
From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realise how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson
In its fourth season, Buffy the Vampire Slayer had to change its formula radically. Two major characters--the vampire-with-a-soul Angel and Cordelia, the queen bitch of Sunnydale High--had gone off to be in their own show, Angel, and soon after the start of the season Willow's werewolf boyfriend Oz left when Seth Green needed to concentrate on his film career. Buffy and Willow started college, where they met new characters like Riley, the All-American Boy with a double life, and Tara, the sweet stuttering witch; but Xander and Giles found themselves at something of a loose end. Several characters were subjected to the radical re-envisioning possible in a show that deals with the supernatural: the blond vampire Spike came back and soon found himself with an inhibitor chip in his head, forced into reluctant alliance with Buffy; the former vengeance demon Anya became passionately smitten with Xander. Not all fans were happy with the central story arc about the sinister Dr Walsh (Lindsay Crouse) and her Frankensteinian creation Adam, though Crouse's performance was memorable. The strength of Season Four was perhaps most in impressive stand-alone episodes like the silent "Hush", the multiple dream sequence "Restless" and the passionate, moving "New Moon Rising", in which Oz returns, apparently cured, only to find that Willow is no longer waiting for him. This was one of the high points of the show as a vehicle for intense acting, perhaps only equalled by "Who Are You?", in which the evil slayer Faith takes over Buffy's body and Sarah Michelle Gellar gets to play bad girl for once. --Roz KaveneyOn the DVD: Buffy Season 4 was a hit and so is this sublime box set. The commentaries for "The Initiative", "This Year'sGirl", "Superstar" and "Primaveral" are all well above average, but are nothing compared to "Hush" and "Restless" where Joss Whedon gives out all the information and insights any fan would dream of. The four featurettes included are a pleasure to watch, especially the evolution of the sets for the show. The scripts, trailers and cast biographies complete the set and make for a decent addition to your Buffy archive. The soundtrack is in 2.0 Dolby surround, but the image is as grainy and dark as the previous seasons on DVD. --Celine Martig
Trapped in his mother's Lower East Side apartment sixteen-year-old Finn (Anton Yelchin) wants nothing more than to escape New York and spend the summer in South America studying the Iskanani Indians or Fierce People with the anthropologist father he's never met. But Finn's dreams are shattered when he is arrested in a desperate effort to help his drug-dependent mother Liz (Diane Lane) who scrapes by by working as a masseuse. Determined to get their lives back on track Liz moves the two of them into a guesthouse on the vast country estate of her ex-client the aging aristocratic billionaire Ogden C. Osbourne (Donald Sutherland). In Osbourne's close world of privilege and power Finn and Liz encounter a tribe fiercer and more mysterious than anything they might find in the South American jungle: the super rich. While Liz battles her substance abuse and struggles to win back her son's love and trust Finn falls in love with Osbourne's beautiful granddaughter Maya (Kristin Stewart) befriends her charismatic older brother Bryce (Chris Evans) and even wins the favor of Osbourne himself. But when a shocking act of violence shatters Finn's ascension within the Osbourne clan the golden promises of this lush world quickly sour. And both Finn and Liz caught in a harrowing struggle for their dignity discover that membership always comes at a price...
The complete fifth season of Buffy's vampire vanquishing adventures. Episodes comprise: 1. Buffy Vs. Dracula 2. Real Me 3. The Replacement 4. Out Of My Mind 5. No Place Like Home 6. Family 7. Fool For Love 8. Shadow 9. Listening To Fear 10. Into The Woods 11. Triangle 12. Checkpoint 13. Blood Ties 14. Crush 15. I Was Made To Love You 16. The Body 17. Forever 18. Intervention 19. Tough Love 20. Spiral 21. The Weight Of The World 22. The Gift
The Filth and the Fury is an irreverent, shocking portrait of the most notorious rock group of all time.
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
All 16 episodes from Eric Sykes' first colour series from the BBC from 1972. This 3 disc set features completely uncut versons of the rarely seen episodes and includes a black and white episode from the end of the run which has not been seen since originally broadcast. The first colour series of Eric Sykes' show features an episodes with special guest star Peter Sellers.
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