The sailor man with the spinach can! The legendary beloved anvil-armed sailor of the seven seas comes magically to life in this delightful musical starring Robin Williams as Popeye who meets all challenges with the unshakable philosophy 'i yam what I yam and that's all that I yam'. Shelley Duvall is Popeye's devoted long-limbed sweetie Olive Oil one of the familiar and loveable characters who joins Popeye in his adventures in the harbour town of Sweethaven. Meet Wimpy an
The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organisation SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilised Donald Pleasence. The thin script is by Roald Dahl (shouldn't we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can't hold a candle to Dr. No, From Russia with Love, or Goldfinger. --Tom Keogh, Amazon.comOn the DVD: This was another troubled production according to the insightful "making of" documentary: director and producers luckily avoided boarding a plane out of Tokyo that crashed and killed everyone on board; the Japanese actresses couldn't speak English and one threatened suicide if she was dropped from the part; and the aerial cameraman filming the helicopter fight had his leg sliced off by a rotor blade. Maurice Binder's evocative main title designs are the subject of the second documentary, "Silhouettes", in which his colleagues voiceboth their admiration of his art and frustration at his chaotic working practices. The commentary is another edited selection of interviews with principal cast and crew. An animated storyboard sequence, trailers, radio spots and a handsome booklet add up to another winning entry in this series. --Mark Walker
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. This box set contains all 32 episodes, with newly remastered picture and Dolby 5.1 surround sound. The DVD box also includes extra features on each disc, plus a sixth documentary disc, "Captain Scarlet: S.I.G.". In its new digital incarnation, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
You only live twiceOnce when you are bornand once When you look death in the face. The fifth film in the Bond series 'You Only Live Twice' unveils the sinister visage of Ernst Stavro Blofeld for the very first time! The film is also memorable for its incredible ''400 000 set of Blofeld's Volcano operational base complete with the rocket laucher helicopter landing pad monorail and massive shutter. Q's invention 'Little Nellie' - a one man miniature helicopter - also makes a big impact. An American space mission is interrupted when one of their capsules is literally swallowed up by what they suspect is a Russian spaceship. The Americans threaten to retaliate but the British think otherwise. Everything depends on Bond as he goes undercover in Japan and discovers that Blofeld is the creator of these interceptor rockets...
A performance of Debussy's beautiful opera recorded in France in 1987.
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
From the master animators that brought the three time Emmy Award-winning 'Shakespeare the Animated Tales' to the screen comes 'Operavox'. Through stunning cell and stop frame animation to oils and elaborate puppetry this exhilarating series vividly renders some of the world's most beloved operatic compositions bringing them to life as never before creating a unique accessibility to traditional opera. Skillfully translated from the full-length works the half hour adaptations of 'C
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
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