A woman called Meg Harris finds herself cast into the spotlight when she is the victim of a female rape. Meg is threatened by her husband when she decides to go to court. Meanwhile the accused two regulars from a local bar are protected when the bar owner Jack chooses to lie under oath. This taut thriller was nominated for best feature at the International Gay and Lesbian Film Festival.
Part love story, part comedy, part study of madness, Some Voices is above all a beautifully observed, elegantly written and brilliantly acted low-key British film. The story of Ray (Daniel Craig) and his relationships with his brother Pete (Dave Morrissey) and new girlfriend Laura (Kelly Macdonald) after his release from psychiatric hospital, it is the interaction between the three that forms the cornerstone of the movie. Craig dominates proceedings as his character finds himself needlessly torn between the two, capturing Ray's descent into madness far better than the rather unnecessary over use of visual effects. The interplay between all three is superb, particularly Craig and Macdonald who spend the first two-thirds of the story developing a dependence that is pure sweetness and light before darkness descends. Director Simon Cellan Jones (whose previous credits include Our Friends in the North) allows his first feature film to develop at it's own pace, letting the script and performances dictate the action. The West London setting fizzes with a life that Notting Hill barely hinted at, proving that a movie set in the capital (or indeed made in Britain) doesn't have to rely on mock cockney gangster stereotypes to reflect the city. This is a self-assured, engaging and ultimately moving piece of filmmaking. On the DVD: The accompanying documentary and interviews offer little insight into the process and are edited down to minute-long segments with little attempt to examine the bigger picture. Jones' commentary, however, does provide an interesting insight into the perils of making a film on a small budget. --Phil Udell
Originally produced for cable and home video as a documentary project, the Classic Albums series offers in-depth profiles of enduring rock and pop albums built around first-person interviews with the artists, producers and musicians that created them. That audio focus creates an ironic, largely perceptual problem for DVD release, since the segments aren't intended to replace the original audio recordings, only to expand upon them: these are conventional DVDs, not harbingers of true audio DVD optimised for sonic resolution, and they are not mixed to exploit surround playback. If you haven't heard these albums, nearly all of them landmarks in late 20th century pop, then this isn't the place to start, and Aja magnifies that issue through the very high standard of the original audio recording, itself a true audiophile work. If you do know the album, however, the Classic Album presentation is a handsomely produced, revealing companion. --Sam Sutherland
We Got Power Films presents David Markey's 1981 - 1982 raw and homespun documentation of the Los Angeles / Orange County hardcore punk scene. Like a fanzine on film The Slog Movie has an intimate backstage feel to it. Interviews with the bands humurous interludes and incredible live performances from Circle One Symbol 6 Wasted Youth Red Cross TSOL The Chiefs Sin34 Fear Circle Jerks and Henry Rollins Chuck Dukowski Robo and Dez Cadena.
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