A college student goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, her studies, a new romance, and the spoiled brat in her charge.
Star Trek fans were decidedly mixed in their reactions to this, the ninth big-screen feature in Paramount's lucrative Trek franchise. Die-hard loyalists will appreciate the way this Next Generation adventure rekindles the spirit of the original Trek TV series while combining a tolerable dose of New-Age philosophy with a light-hearted plot for the Next Gen cast. This time out, Picard (Patrick Stewart) and his executive crew must transport to a Shangri-la-like planet to see why their android crewmate Data (Brent Spiner) has run amok in a village full of peaceful Ba'ku artisans who--thanks to their planet's "metaphasic radiation"--haven't aged in 309 years.It turns out there's a conspiracy afoot, masterminded by the devious, gruesomely aged Ru'afo (F. Murray Abraham, hamming it up under makeup resembling a cosmetic surgeon's worst nightmare), who's in cahoots with a renegade Starfleet admiral (Anthony Zerbe, in one of his final screen roles). They covet the fountain-of-youth power of the Ba'ku planet, but because their takeover plan violates Starfleet's Prime Directive of non-interference, it's up to Picard and crew to stop the scheme. Along the way, they all benefit from the metaphasic effect, which manifests itself as Worf's puberty (visible as a conspicuous case of Klingon acne), Picard's youthful romance with a Ba'ku woman (the lovely Donna Murphy), the touching though temporary return of Geordi's natural eyesight, and a moment when Troi asks Dr. Crusher if she's noticed that her "boobs are firming up".Some fans scoffed at these humorous asides, but they're what make this Trek film as entertaining as it is slightly disappointing. Without the laughs (including Data's rousing excerpt from Gilbert & Sullivan's HMS Pinafore), this is a pretty routine entry in the franchise, with no real surprises, a number of plot holes, and the overall appearance of a big-budget TV episode. As costar and director, Jonathan Frakes proves a capable carrier of the Star Trekflame--and it's nice to see women in their 40s portrayed as smart and sexy--but while this is surely an adequate Trek adventure, it doesn't quite rank with the best in the series. --Jeff Shannon
Digitally restored and remastered Frank Capra's heart-warming masterpiece has been embraced as a cherished holiday tradition by families around the world! George Bailey (James Stewart) sets aside his dreams of world travel to run his father's small community bank, and protect the people of Bedford Falls from greedy businessman Mr. Potter (Lionel Barrymore). When a costly mistake pushes George to the brink of despair, a visit from a kindly angel (Henry Travers) will show George how the life of one good man can change the world forever. Now you can watch the holiday classic like never before, newly remastered from the original fi lm negatives and more vibrant than ever in High Dynamic Range! DISC 1: 4K UHD FEATURE FILM Remastered Black & White Version DISC 2: BLU-RAY FEATURE FILM Remastered Black & White Version Special Features: Restoring a Beloved Classic in 4K Original Cast Party Home Movies and More! 4X the Resolution of Full HD, HDR (HIGH DYNAMIC RANGE) for More Detail, Brightness and Greater Contrast
Digitally restored and remastered Frank Capra's heart-warming masterpiece has been embraced as a cherished holiday tradition by families around the world! George Bailey (James Stewart) sets aside his dreams of world travel to run his father's small community bank, and protect the people of Bedford Falls from greedy businessman Mr. Potter (Lionel Barrymore). When a costly mistake pushes George to the brink of despair, a visit from a kindly angel (Henry Travers) will show George how the life of one good man can change the world forever. Now you can watch the holiday classic like never before, newly remastered from the original fi lm negatives and more vibrant than ever with stunning clarity! Blu-Ray Feature Film: Remastered Black & White Version Special Features: Restoring a Beloved Classic Original Cast Party Home Movies and More!
Hollywood's best-loved star teams up with America's favourite director to create one of the world's most popular films.
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
It's a Wonderful LifeVoted the # 1 Most Inspiring Film Of All Time by AFI's 100 Years... 100 Cheers, It's A Wonderful Life has had just that. With the endearing message that no one is a failure who has friends, Frank Capra's heartwarming masterpiece continues to endure, and after 70 years this beloved classic still remains as powerful and moving as the day it was made. White ChristmasTwo talented song-and-dance men (Bing Crosby and Danny Kaye) team up after the war to become one of the hottest acts in show business. One winter, they join forces with a sister act (Rosemary Clooney and Vera-Ellen) and trek to Vermont for a white Christmas. Of course, there's the requisite fun with the ladies, but the real adventure starts when Crosby & Kaye discover that the inn is run by their old army general who's now in financial trouble. And the result is the stuff dreams are made of. Holiday InnWith music by Irving Berlin, songs by Bing Crosby and dancing by Fred Astaire, Holiday Inn is one of the most delightful and memorable musicals of all time, nominated* for 3 Academy Awards®. Crosby plays Jim Hardy, a song and dance man who leaves showbiz to open a Connecticut Inn. Astaire plays Ted Hanover, Hardy's former partner and rival in love. And, of course there are girls (Marjorie Reynolds and Virginia Dale), an agent (Walter Abel) and plenty of lavish song and dance routines with spectacular production numbers. Scrooge. The spirit of Christmas becomes a musical celebration of life in this rousing adaptation of Charles Dickens' beloved family classic, A Christmas Carol. Mean-spirited and stingy, Ebenezer Scrooge (Albert Finney) has a sour face and humbug for anyone who crosses his path. But on this Christmas Eve, he will learn the terrible fate that awaits him if he continues his miserly ways. One by one, the Ghosts of Christmas Past, Present and Future take the startled Ebenezer on an incredible journey through time - showing him in one magical night what takes most people a lifetime to learn. Filled with joyous songs, this delightful tale is sure to enrich the lives of young and old alike for many more generations.
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Hollywood's best-loved star teams up with America's favourite director to create one of the world's most popular films.
Psycho: The classic Hitchcock thriller involving a series of murders at a lonely motel where the deaths are attributed to the mother of the young owner. Psycho 2: Norman Bates is coming home after spending 22 years in a mental institution. He plans to renovate the old Bates Motel the place where his first murders occurred... Psycho 3: The Bates Motel is again the site of some nasty doings as the rehabilitated Norman who has installed a new ice machine att
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
Ex-cop Tom Coletti (Frank Vincent) supervises the destruction of corporate bonds redeemed by a New Jersey bank. After a life and career shattered by alcohol he hopes to regain his daughter's respect by raising enough money to help her leave West New York and escape her abusive husband. He plans to steal a small number of bonds from each bank shipment without raising suspicion and have a small-time fence from the old neighborhood find a buyer for the stolen paper. The local mob boss angry because he is not cut in on the deal has the fence brutally murdered and Tom becomes the target of both the mob and the original buyers each seeking to up the theft into a major score. Tom turns to his young ex-partner Jimmy Vero for help but the situation just spirals out of control...
Frustrated film maker Barry Lick (Jonathan Williams) sets out to make a sensationalist crime documentary on the cheap about local businessmen Ray Topham (Tom Miller) and the charmingly psychopathic Tommy Morghen (Joe O'Byrne) who he believes to be involved in property rackets prostitution pornography and drug trafficking. Recruiting a team of unemployed film students Barry embarks on his project. However it quickly becomes apparent that he is a lot less competent than he thinks he is and Topham and Morghen are much more cunning and ruthless than any of the film makers can begin to imagine. The pair of criminals quickly realise that he is completely out of his depth and set about exploiting him for their own ends with hilarious and tragic results. Diary of a Bad Lad explores themes of sex drugs violence exploitation and the desperate limits that people will go to in order to make a film.
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