Producer Danny Boyle (Trainspotting) is behind this decadent comedy about a pair of lowlife but oddly intelligent Welsh brothers who generally make a pain of themselves in their small community, but who get serious about exacting revenge for a family tragedy. Director Kevin Allen succeeds at turning the entire film into a jacked-up freak show, with petty terrorism, cops on the take, a young virgin getting it on with a middle-aged creep and a male choir inexplicably singing Mungo Jerry's ancient hit "In the Summertime". Twin Town is loony, nasty stuff all around, but the only good laughs in the movie are top loaded into the first few minutes. After that, it's sheer tedium. --Tom Keogh
Bryn Cartwright, a wealthy roofing contractor, Rugby Club Chairman and local kingpin rules the roost until Fatty Lewis, a local handyman, falls off a ladder on a Cartwright job. Bryn refuses to pay compensation. The twins, Fatty's wayward sons, devise a wickedly comic way of getting even and Bryn ends up paying dearly. Representing the thin blue line of the law are Terry and Greyo, two local policemen who employ their own dubious peacekeeping methods as events spiral out of control. Product Features Interview with Morgan Hopkins Interview with Mark Thomas (music composer) Commentary with Morgan Hopkins & Gary Slaymaker
Based on a novel by Susan Isaacs, Shining Through is uncomfortably close to Alfred Hitchcock's Notorious. This World War II drama concerns a love affair between a spy (Michael Douglas) and a secretary (Melanie Griffith) that goes south when duty turns him cold and pushes her into dangerous, behind-the-lines intelligence work. Liam Neeson plays the gentleman Nazi unwittingly providing Griffith with cover as domestic help. The best parts of the film are the twists and turns in the romance (Douglas is very good at playing a character who can turn off all feeling at will) at the beginning; the German scenes are less compelling despite such high stakes for the heroine. The climax--taking us back to Notorious whether it wants to or not--is quite gripping, largely due to Douglas's performance.--Tom Keogh
Gangster No. 1 is without doubt the most stylish British violent crime thriller from the many produced at the end of the 20th century. For all the pop-video glamour of Guy Ritchie's Lock, Stock, and Two Smoking Barrels and Snatch, neither have anywhere near as much a sense of danger as is shown here. Paul Bettany ignites the screen with a fury that explodes far more than it smoulders beneath his tautly kept temper. The tale concerns his ascent to the titular position of primacy in 1960s London, told in flashback by his present-day self (an equally riveting Malcolm McDowell). A lust for power won't allow anything to stand in either incarnation's way, especially the foppish posturing of established crime boss Freddie Mays (David Thewlis). What distinguishes this from many other tales of greed is that the never-named Gangster actually wants to be Freddie, not simply replace him. Saffron Burrows plays the suffering trophy moll in the middle of this personality clash and provides about the only level head and gentle tongue in what is otherwise a super-violent and super-profane script. This is what The Krays should have been, and therefore not for the squeamish. --Paul Tonks
Bryn Cartwright a wealthy roofing contractor Rugby Club Chairman and local kingpin rules the roost until Fatty Lewis a local handyman falls off a ladder on a Cartwright job. Bryn refuses to pay compensation. The twins Fatty's wayward sons devise a wickedly comic way of getting even and Bryn ends up paying dearly...
A silent film production company and cast make a difficult transition to sound.
A silent film production company and cast make a difficult transition to sound.
Mitch lives buried in suburban London after turning his back on violence and intimidation in a legendary South East London firm. Beneath his aura of respectability are the echoes of a darker past, until tragedy forces Mitch and his old firm to accept that past demons can never truly be laid to rest. A tale of retribution and honour across the generational divide, The Guvnors is a brutal ode to strength of the alpha male.
Mom and Dad dump son Cody, daughter Abby, her best friend Marcella and a baby on the farm with Grandpa and Grandma. Purple dinosaur Barney soon appears to entertain kids, and when a large colorful egg deposited on a farm by a shooting star is accidentally carted off, Barney and Kids start their chase for it.
Brutal... Evil... Ghastly... Beyond Belief!!! The second film in Herschell Gordon Lewis' infamous `Blood Trilogy' (begun with 'Blood Feast' and completed with 'Color Me Blood Red') 'Two Thousand Maniacs!' was an attempt to both out-gore Blood Feast and make a gruesome horror movie with production values above those of its predecessor... Not only is this release digitally remastered but it's also uncut too! To celebrate the 100th anniversary of the Civil War the inhabitants of a small Southern US town organise the festival to end all festivals. With a captured audience of North Americans the townsfolk amuse themselves by playing roll-the-man-in-the-nail-lined-barrel and compete at target practice using a pretty girl and a boulder. With all this chaos erupting around them a young couple make a desperate attempt to leave the town before they too fall victim to Two Thousand Maniacs!
Based on the true story of the death of Zahid Mubarek (Aymen Hamdouchi), a first time offender who was beaten to death by fellow inmate Robert Stewart (Leeshon Alexander). We Are Monster is a fearless look at the culture of racism and ineptitude that led to Mubarek s tragic murder, and a chillingly intense look at Stewart s fractured psyche. Raw and powerful filmmaking, underpinned by Alexander s stunning performance, that strips down and challenges issues on racial tension, hatred and youth violence.
SINGIN'IN THE RAIN:; With fame, fortune and fans galore, silent screen idol Don Lockwood (Gene Kelly) thought he had it all. But one look at aspiring actress Kathy Seldon (Debbie Reynolds), and he knew exactly what he was missing. Now he's swinging from lampposts, singing in the raindrops and ready for love. With talking pictures on the rise, Don sets out to make musicals with the woman of his dreams...but one thing stands in his way: his jealous co-star (Jean Hagen), who wants Don--and the l...
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