"Actor: Dr JOHN"

• Carousel | DVD | (17/04/2019) from £9.15   |  Saving you £6.84 (74.75%)   |  RRP £15.99

  Celebrating its 50th anniversary in 2006 Carousel tells the story of Billy Bigelow a smooth-talking carnival barker who falls in love with a mill-worker on the colourful coast of Maine. But right before the birth of his daughter Billy is killed while committing a robbery. Now in heaven years later he returns to earth for one day to attend his daughter's high school graduation and teach her one very important lesson... Featuring classics like 'If I Loved You' and the insp

• To Catch A Thief | DVD | (13/01/2003) from £5.18   |  Saving you £7.81 (150.77%)   |  RRP £12.99

  To Catch a Thief is not one of Alfred Hitchcock's greatest, but it's arguably his most stylish thriller, loved as much for the elegantly erotic banter between Grace Kelly and Cary Grant as for the suspense that ensues when retired burglar Grant attempts to net the copycat diamond thief. The action, much of it shot on location, hugs the coast of the French Riviera; John Michael Hayes' screenplay crackles with doubles entendres; and Edith Head's dresses define the aloof poise of one of cinema's more enigmatic icons. If anything is missing, it's the undertow of black humour which snags the unsuspecting viewer in so many of Hitchcock's greater films. Here, the edge is supplied by the splendid Jessie Royce Landis as Kelly's vulgar, worldly mother; her special way with a fried egg is one of those cinematic moments which linger in the mind with almost pornographic disgust. History, of course, delivered its own ironic blow years later when the then Princess Grace of Monaco died in an accident on the very road where Kelly and Grant shot their exhilarating car chase. Portents aside, she remains Hitchcock's most alluring and sophisticated heroine. On the DVD: To Catch a Thief is presented in 1.85:1 anamorphic widescreen, which distils the distinctive qualities of the VistaVision cinematography, and with a mono Dolby Digital 5.1 soundtrack. Interesting extras include several mini-documentaries in which Hitchcock's daughter and granddaughter, among others, reminisce about the great director, censor problems over the risqué dialogue, the talents of costume designer Edith Head, and the peculiar difficulties of shooting in VistaVision. An original theatrical trailer is another bonus. --Piers Ford

• Good Will Hunting | DVD | (22/01/2001) from £13.50   |  Saving you £2.49 (18.44%)   |  RRP £15.99

  Robin Williams won the Oscar for Best Supporting Actor, and actors Matt Damon and Ben Affleck nabbed one for Best Original Screenplay, but the feel-good hit Good Will Hunting triumphs because of its gifted director, Gus Van Sant. The unconventional director (My Own Private Idaho, Drugstore Cowboy) saves a script marred by vanity and clunky character development by yanking soulful, touching performances out of his entire cast (amazingly, even one by Williams that's relatively schtick-free). Van Sant pulls off the equivalent of what George Cukor accomplished for women's melodrama in the 1930s and 40s: He's crafted an intelligent, unabashedly emotional male weepie about men trying to find inner-wisdom. Matt Damon stars as Will Hunting, a closet maths genius who ignores his gift in favour of nightly boozing and fighting with South Boston buddies (co-writer Ben Affleck among them). While working as a university janitor, he solves an impossible calculus problem scribbled on a hallway blackboard and reluctantly becomes the prodigy of an arrogant MIT professor (Stellan Skarsgård). Damon only avoids prison by agreeing to see psychiatrists, all of whom he mocks or psychologically destroys until he meets his match in the professor's former childhood friend, played by Williams. Both doctor and patient are haunted by the past and, as mutual respect develops, the healing process begins. The film's beauty lies not with grand climaxes, but with small, quiet moments. Scenes such as Affleck's clumsy pep talk to Damon while they drink beer after work, or any number of therapy session between Williams and Damon offer poignant looks at the awkward ways men show affection and feeling for one another. --Dave McCoy

• World On A Wire | DVD | (17/05/2010) from £3.68   |  Saving you £16.31 (443.21%)   |  RRP £19.99

  Simulacron 1 is a highly advanced project designed to elevate conventional computer technology to a new level by creating a virtual reality inhabited by computer-generated people or 'identity units'. When the head of the project dies mysteriously after showing signs of mental disturbance Dr Stiller becomes his successor. However Stiller also begins to behave bizarrely. He speaks of people disappearing whom no one else knows belives someone is trying to murder him and has nausea attacks. As he begins to probe deeper into Simulacron the line between the real and virtual world becomes increasingly blurred and his own existence is questioned. Rainer Werner Fassbinder's 2 part TV production is a science-fiction classic that explores the notion of a computer-generated other world pre-dating The Matrix by 26 years. Since its original broadcast in 1973 it has rarely been shown and following increasing demand the Fassbinder Foundation have restored this remarkable film under the artistic direction of the film's highly acclaimed cinematographer Michael Ballhaus.

• Jurassic Park 3 | DVD | (11/02/2002) from £5.90   |  Saving you £10.09 (171.02%)   |  RRP £15.99

  Dr Alan Grant (Sam Neill) returns in this sequel, and after a plane crash finds himself once again leading a team of people as they try to avoid all sorts of deady new dinosaurs.

• Beautiful Thing | DVD | (03/12/2001) from £9.90   |  Saving you £3.08 (44.57%)   |  RRP £9.99

  A grim, gritty South London housing estate makes an unlikley setting for a romantic fairy-tale, but Hetti MacDonald's gay teenage love story all but brings it off. Adapted by screenwriter Jonathan Harvey from his own stage play, Beautiful Thing tells how teenage loner Jamie falls for next-door neighbour Ste, one of the tough kids who bullies him at school. Amazingly, he finds his feelings reciprocated, and the two progress to a tender, tentative affair. Sidestepping conventional notions of working-class homophobia, the film succeeds in presenting its central relationship not as anything startlingly different, but simply as a teenage romance--with all the joy and heartbreak it implies--that happens to be between two 15-year-old guys. Problems of brutality and deprivation are acknowledged but never allowed to dominate, and under the influence of love even the harsh walkways and terraces of the estate take on a sunlit glow. --Philip Kemp

• Skreem House | DVD | (25/02/2013) from £5.96   |  Saving you £12.02 (404.71%)   |  RRP £14.99

  After Brian McDonald is found murdered on a beach, his sister, Sarah and his childhood friend Michael try to unravel the devastating mysteries surrounding his last few weeks alive, finding a side to her brother that they never expected...

• Maria Full Of Grace | DVD | (11/08/2008) from £5.38   |  Saving you £7.61 (141.45%)   |  RRP £12.99

  These pellets contain heroin. Each weighs 10 grams. Each is 4.2 cm long and 1.4 cm wide. And they're on their way to New York in the stomach of a 17-year-old girl.

• Born Romantic | DVD | (17/09/2001) from £9.43   |  Saving you £10.56 (111.98%)   |  RRP £19.99

  From the director of "This Year's Love", a romantic comedy about single Londoners looking for love, against a backdrop of Salsa.

• Dirty Harry | DVD | (21/01/2002) from £4.99   |  Saving you £9.00 (180.36%)   |  RRP £13.99

  Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson

• The Mummy's Shroud (Double Play) | Blu Ray | (22/10/2012) from £12.99   |  Saving you £10.00 (76.98%)   |  RRP £22.99

  In 1920 an archaeological expedition discovers the tomb of an ancient Egyptian child prince. Returning home with their discovery, the expedition members soon find themselves being killed off by a mummy, which can be revived by reading the words off the prince's burial shroud.

• Jonathan Creek - Complete Series 1-4 Boxset | DVD | (29/11/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £74.99

  This box set contains all four series of Jonathan Creek to date. Alan Davies and Caroline Quentin star in this highly successful murder mystery drama series. Jonathan magic expert and amateur sleuth extraordinaire turns out to be less successful in his relationship with investigative crimewriter Maddy Magellen.... All the episodes from Series 1 and 2: 'The Wrestler's Tomb' 'Jack In The Box' 'The Reconstituted Corpse' 'No Trace of Tracey' and 'The House Of Monkeys'

• The Fog (4K Ultra HD + Blu-ray) | Blu Ray | (18/03/2019) from £21.98   |  Saving you £N/A (N/A%)   |  RRP £N/A

  NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.

• Get Carter | Blu Ray | (05/05/2014) from £7.99   |  Saving you £10.00 (125.16%)   |  RRP £17.99

  Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script). Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he's just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin

• Face/Off | DVD | (11/06/2001) from £5.98   |  Saving you £10.01 (167.39%)   |  RRP £15.99

  At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barrelled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man, while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set-piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

• The Fog | DVD | (29/10/2018) from £6.87   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Antonio Bay, California has turned a hundred years old. As the residents of this small, quaint harbour town begin to celebrate, an eerie fog envelops the shore and from its midst emerge dripping, demonic spectres, victims of a century old shipwreck...seeking revenge. Starring Jamie Lee Curtis, the FOG is a tense and ghoulish tale that confirms John Carpenter as a master of terror. Extras: Audio Commentary with writer/director John Carpenter and writer/director Debra Hill

• Murder Rooms - The Dark Beginnings Of Sherlock Holmes | DVD | (24/03/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £6.99

  So you're interested in the beginnings of Sherlock Holmes? Well then its elementary my dear Watson that you start here with 'The Dark Beginnings'... This BBC drama provides a fascinating insight into the fictional beginnings of Sherlock Holmes and Dr Watson the tale based on the real-life relationship between Arthur Conan Doyle and Doctor Joseph Bell his tutor at Edinburgh University.

• The Rodgers and Hammerstein Collection | DVD | (25/10/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £39.99

  A collection of classic Rodgers and Hammerstein musicals. Carousel (1956) Gordon MacRae and Shirley Jones experience the miraculous powers of love in this inspiring Rodgers and Hammersmith masterpiece. Gordon MacRae is Billy Bigelow a smooth-talking carny baker who falls in love with a mill-worker on the colourful coast of Maine. Filmed on location with a beautiful seaside setting as a backdrop and a thrilling score for accompaniment their romance unfolds. But right before the birth of his daughter Billy is killed while committing a robbery. Now in heaven years later he returns to earth for one day to attend his daughter's high school graduation and teach her one very important lesson. State Fair (1945) The Frake family go on an outing to the State Fair where each expects to win a prize. Features the song 'It Might As Well Be Spring.' Oklahoma! (1955) A Rodgers and Hammerstein classic a charming and vigorous tale of romance and adventure set in the Wild West. Songs include 'People Will Say We're In Love' 'Oh What A Beautiful Morning' and the title song 'Oklahoma'. South Pacific (1958) Blessed with a treasure of timeless songs South Pacific combines a passionate heartwarming romance with South Seas splendour and a world at war. Mitzi Gaynor Rossano Brazzi John Kerr and France Nuyen share the bill with immortal songs such as 'Some Enchanted Evening' 'Younger Than Springtime' 'There Is Nothin' Like A Dame' and 'I'm Gonna Wash That Man Outta My Hair'. The King And I (1956) This visual and musical masterpiece features Yul Brynner's Academy Award winning performance an unforgettable Rodgers and Hammerstein score and brilliant choreography by Jerome Robbins. It tells the true story of an English woman Anna Leonowens (Kerr) who comes to Siam as schoolteacher to the royal court in the 1860s. Though she soon finds herself at odds with the stubborn monarch (Brynner) over time Anna and the King stop trying to change each other and begin to understand one another. Winner of six Academy Awards 'The King And I' contains some of the most lavish sets in Hollywood and some of the world's best-loved songs including 'Getting To Know You' 'I Whistle A Happy Tune' 'Hello Young Lovers' and 'Shall We Dance?' The Sound Of Music (1965) Share the magical heartwarming true-life story that has become the most popular family film of all time - Rodgers and Hammerstein''s ''The Sound Of Music''. Julie Andrews lights up the screen as Maria the spirited young woman who leaves the convent to become governess to the seven children of Captain von Trapp an autocratic widower whose strict household rules leave no room for music or merriment. Winner of five Academy Awards including Best Picture this timeless classic features some of the world''s best-loved songs!

• The Outlaw Josey Wales | DVD | (01/10/1999) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £13.99

  During the Civil War, Union "Redlegs" attack Southerner Josey Wales's dirt farm and wipe out his family. Seeking vengeance, Wales throws in with a company of Reb guerrillas. Tagged as a renegade after the surrender, he flees west into the vastness of the Indian Territories, where, quite unintentionally, he finds himself cast as the straight-shooting paterfamilias of an ever-growing, spectacularly motley community of misfits and castaways. Which is to say, Josey's personal quest for survival and something like peace of mind evolves into a funky, multicultural allegory of the healing of America. The Outlaw Josey Wales (1976), Clint Eastwood's 31st film as an actor, 20th as international star and 5th as director, was the first to win him widespread respect. Critics had grumbled when the producer-star replaced Philip Kaufman (The Right Stuff) in the director's chair a week into shooting. They ended up cheering when Eastwood delivered both his most sympathetic performance to date and--with the heroic collaboration of cinematographer Bruce Surtees--an impressive Panavision epic that stresses the scruffiness, rather than the scenic splendors, of frontier life. Though it's been honoured with a place in the National Film Registry, Josey Wales is good, not great, Eastwood. The big-gun fetishism can get tiresome, and too many characters exist only to serve as six-gun (and at one point Gatling gun) fodder. But mostly the film is agreeably eccentric, and almost furtively sweet in spirit--a key transitional title in the Eastwood filmography, and one of his most entertaining. --Richard T. Jameson

• Inspector Gadget 2 | DVD | (12/05/2003) from £7.97   |  Saving you £10.02 (125.72%)   |  RRP £17.99

  Inspector Gadget 2 sees the unlikely detective with higher-tech gadgets and more special effects. French Stewart (from TV's Third Rock from the Sun) replaces Matthew Broderick as the bumbling detective in a plot that revolves around the glitch-ridden Gadget being replaced by a completely robotised female. Parent Trap's Elaine Hendrix does what little she can with the one-dimensional role of "G2". Still, Gadget falls for his rival and the pair team up with his smart-as-a-whip niece Penny and her brainy beagle for a showdown with Claw. Where Broderick struggled to humanise the caricature of an inept detective in the 1999 original, Stewart doesn't even try. Instead he plays Gadget as a cartoon with endless over-the-top theatrics. The enhanced special effects may placate young viewers, but without the comedy of the original, that's small comfort. --Kimberly Heinrichs