Bam Margera one of the founder members of Jackass and responsible for the CKY series presents his first feature film based on the true story of Ryan Dunn and his unfaithful girlfriend. Packed with stars stunts and anarchy!
Who do you think you are kidding Mr. Hitler If you think we're on the run. We are the boys who will stop your little game We are the boys who will make you think again. So who do you think you are kidding Mr. Hitler If you think old England's done. Mr. Brown goes off to town on the 8:21. But he comes home each evening and he's ready with his gun. So who do you think you are kidding Mr. Hitler If you think old England's done. The hapless homeguard of Walmington-On-Sea
A condemned murderer eager to prove his innocence stages a spectacular escape from prison. Injured in the breakout he hides out at a friend's house disguised as the gardener. His only chance rests with a Supreme Court candidate who is renting the house for the summer. But all hopes are dashed when he refuses to help.
Victoria Wood with All the Trimmings contains exactly what it says on the box. Harking back to the classic BBC Christmas comedy specials of yesteryear, the show features a star-studded cast: Alan Rickman, Richard E Grant, Michael Parkinson, Bob Monkhouse, Hugh Laurie, Angela Rippon, Roger Moore, Caroline Aherne, the list goes on. The show takes a typically idiosyncratic canter through a dream set of telly programmes for Christmas Day. Thus we get expertly played skits of A Christmas Carol (with Delia Smith as the cook); Brassed Off (in which Tony Blair solves the North/South divide by declaring everything The South); Brief Encounter (Parky as the station master, with a side order of drugs and lesbianism); a regency romantic drama (with the line "could you not stick your hand in your muff?") and lots more. What makes the production a true cut above, however, is the linking theme that takes a blatant pot shot at the modern BBC--or as Wood sees it--BBC Upmarket, BBC Downmarket, BBC Newmarket (for racing), BBC Makeover, BBC Takeover, etc. This is funny, cutting and achingly on the ball about the state of modern television.--Ian Watson
In this comedy, Sigourney Weaver and Jennifer Love Hewitt play Max and Page, a mother and daughter who operate as con artists, using their good looks to lure a succession of rich men.
150 supercars. 3000 miles. 14 arrests. $50 000 in fines! 'Gumball 3000 - The Movie' is a must for everyone who loves cars women parties and breaking every rule in the book! Documenting last year’s amazing 3000 mile race across America from San Francisco to Miami 'Gumball 3000 - The Movie' follows the cast of 300 characters pushing their high-performance cars to the absolute limit. See supermodel Jodie Kidd and skateboarding god Tony Hawk behind the wheel of thier respec
A high-octane feature-length special that reveals what happens when deadly enemies finally get to settle the score. Driven into hiding after the death of Tim O'Leary's wife Emily drug dealer Terry Gibson hatches a plan to deliver both Tim and Steve into his clutches...
Six classic films from six iconic directors including Anatomy Of A Murder, Oliver!, Taxi Driver, Stripes, Sense And Sensibility (1995), and The Social Network. Experience these essential films from Columbia Pictures like never before, now fully remastered and debuting on 4K Ultra HD. With films driven by bold and impassioned characters and with stories deftly told by master filmmakers and with hours of special features and an exclusive 80-page book with unique insights and production detail about each of the included films this second volume of the Columbia Classics 4K Ultra HD Collection is truly the best way to watch these treasured cinematic favourites! Includes filmmaker & historian commentaries, anniversary reunions, documentaries, deleted scenes, archival featurettes and much more! Also includes an exclusive Blu-ray⢠bonus disc featuring a curated collection of 20 short films from the Columbia Pictures library.
Welcome to Bams world! Some say he's a skate guru who's skidded face-first down the ramp one too many times. Others claim Phil and April dropped him on his head. And he liked it. So they did it again and again and again. To those who know and love Bam Margera he's merely a guy who likes to have fun at the expense of those he loves. Welcome to the manic world of Bam - just make sure you watch your back!
Before Hollywood had entirely typecast Alfred Hitchcock as the master of suspense, with Mr & Mrs Smith he was allowed to fashion an elegant romantic trifle starring Robert Montgomery and Carole Lombard. It probably won't replace Rear Window or Psycho in your affections, but the film is more than a curious footnote to the director's career. The two leads play David and Ann Smith, a devoted but endlessly squabbling couple who discover their three-year marriage isn't legal. When he unexpectedly hesitates to arrange a second wedding, she storms out in a huff and soon begins dating his solid, dependable business partner Jeff (Gene Raymond). The rest follows the formula laid down by such previous screwball comedies as The Awful Truth (1937) and Bringing Up Baby (1938): David employs fair means or foul to win back Ann's heart, causes all sorts of complicated mischief, then... well, three guesses what happens in the end. The intriguing thing about the movie is how Hitchcock takes Norman Krasna's paper-thin script and adds sly undercurrents of menace. You may note, for instance, that the ostensibly happy Smiths treat each other with subtle sadism right from the start, and that David's tactical pursuit of his ex-wife (spying on her and deliberately offending Jeff's parents) involves them both in humiliations that are really quite sinister and ugly. Violence seems about to erupt in the recurring scenes where Ann shaves her husband (suggestively holding a razor up to his throat)--and make what you will of our hero's symbolic nosebleeds. There's a touch of Vertigo in one scary moment when a jammed amusement park ride leaves two characters dangling helplessly high above the ground--and a touch of shall we say relief for Hitchcock's well-known love of toilet humour in another oddball sequence. Montgomery and Lombard keep the mood acceptably frivolous, while indicating the flawed nature of the marital relationship. From the evidence of this one-off, Hitchcock might have been among the best comedy directors in the business, had he so wished. --Peter Matthews
When a maid is accidentally hit by a car and killed her young orphaned daughter is forced to live with the snooty couple her mother used to work for. A custody battle soon ensues between an aviator who adores the little girl and the couple's crotchety Uncle Ned.
The Object Of My Affection: Nina a social worker shares a cozy flat with her dear friend George who happens to be gay. When Nina becomes pregnant by her overbearing boyfriend she begs George to step into the breach - but is he ready to be a surrogate dad? Picture Perfect: As adorable as she is ambitious Kate is determined to turn her mid-level advertising job into an executive position - and equally determined to snare Sam the agency's ultra-suave Romeo who pref
Welcome back to the slightly bizarre yet charming little logging town in Alaska. Reunite with the endearing quirky citizens of Cicely Alaska in the complete fourth season of the multi-Emmy award-winning series Northern Exposure. Episodes Comprise: 1. Northwest Passages 2. Midnight Sun 3. Nothing's Perfect 4. Heroes 5. Blowing Bubbles 6. On Your Own 7. The Bad Seed 8. Thanksgiving 9. Do the Right Thing 10. Crime and Punishment 11. Survival of the Species 12. Revela
How do you like your blockbuster movies? If the answers loud, fast and full of big robots fighting, then youre well and truly in luck. For director Michael Bays take on Transformers, based on the toys of the same name, delivers just that. And with some style. The film stars the fast-rising Shia LaBeouf (Disturbia) as Sam, who discovers that his first car has a little more to it when it transforms into an Autobot robot called Bumblebee. Fortunately, the Autobots are the good guys, and following not far behind are a good number more, headed up by Optimus Prime. Against them are the less friendly Decepticons, with Megatron at the helm, and the two sides are set for a frenetic battle right in the middle of Planet Earth. Theres a plot sitting underneath all of this, but its pretty much given with the Transformers movie that its just a vehicle to get the film from one set piece to another. And theres little denying that the action sequences are spectacular. Boasting quite staggering special effects, the on-screen action moves with a pace and ferocity that sometimes makes it hard just to keep up with it all, as mighty robots engage is some quite staggering fights. Its quite an achievement. Paving the way for an already-in-production sequel, Transformers has little pretensions about what its going to do, and is all the better for it. This is a film about big robots, big fights, big effects and, ultimately, big, dumb grin-inducing fun. What, really, is there not to like? --Jon Foster
The poster boy for how not to treat your parents is back with two more seasons of pranks stunts and ridiculous displays of family love. In other words we're not sure how they can still love him. With his entourage of agitators Bam puts April Phil and Don Vito through even more hell as they set out to do nothing but make themselves and all of us laugh our a**es off. From hosting a Slayer concert in his backyard to putting Phil and Don Vito in a ""Fat Boy Face-Off "" setting sai
Look ma, no script! As expected from a movie by Hong Kong action director Hark Tsui, there are many explosive, fast-paced sequences in this Jean-Claude Van Damme vehicle. Some are thrilling, others inconsequential. There is also another mumbling, overdone performance by Mickey Rourke, who looks as if he performed his own plastic surgery. Except for an unintentionally humorous ending, the only surprise is Dennis Rodman as Van Damme's partner in exploitation. Rodman has plenty of charisma, but needs someone to weed out those inferior scripts. He plays an eccentric arms dealer coerced by an avenging Van Damme into tracking down the evil and sadistically weird character played by a well-muscled Rourke. It says little for the production that the best sequence of the movie occurs a quarter of the way into the action. It concerns an escape by Van Damme from an island think tank for forcibly retired covert agents. After that, everyone should have gone home. --Rochelle O'Gorman, Amazon.com
Alien Nation is a routine cop thriller with a comedic sci-fi twist. They get drunk on sour milk. They have two hearts and bald, spotted heads. They're highly intelligent, but if you drop them in seawater they'll melt into a puddle of goop. They're "Newcomers", and they arrived as refugees in a massive alien slave-ship, quarantined for three years and then reluctantly accepted as citizens of Earth. To some humans--including seasoned Los Angeles cop Matt Sykes (James Caan)--the Newcomers are unwelcomed "slags". Sykes' own virulent "speciesism" intensifies when Newcomer thugs kill his partner, but he sees logic in teaming up with Sam Francisco (Mandy Patinkin), the first Newcomer detective in the LAPD. Francisco's Newcomer knowledge is vital to their investigation of an alien drug ring, and a friendship grows from life-or-death circumstances.Alien Nation has two things working in its favour: Caan and Patinkin form a memorable duo, and the basic premise--as conceived by Rockne S O'Bannon (who later developed the film as a TV series)--intelligently accounts for the sociological impact of an alien population. The subtle point is made that humans are extraordinary beings who squander their potential, and the evil of drugs--as dealt by a social-climbing Newcomer played by Terence Stamp--leads to a crisis that threatens to generate global intolerance. These points are well presented in a context of overly familiar plotting and standard-issue sarcasm. It's entertaining for a brisk 90 minutes, but in its attempt to be widely appealing, Alien Nation glosses over issues that might have made it more uniquely provocative. --Jeff Shannon, Amazon.com
Based on the true story about Ryan Dunn (played by himself) and his ex-girlfriend Glauren (Jenn Rivell) and how she cheated on him. After the break up Glauren is rumoured to have been hooking up with heavy metal Hellboy (Rake Yohn). Ryan enlists the help of his friends Valo (Bam Margera) and Falcone (Brandom Dicamillo) to find out the truth. They do whatever it takes to get the evidence even if it meant breaking into her house. Meanwhile Ryan has run-ins with the law and even gets s
Because too much is never enough! The boys of jackass are at it again with an all-new Explicit movie loaded with even more outrageous stunts stupidity and never-before-seen pranks and mayhem including Steve-O's up-close and personal encounter with a snapping turtle Chris Pontius and his incredible wood pecker and an electrifying game of limbo with the whole gang. Plus get an inside view of paranoid life on the jackass set and the successful behind-the scenes prank that was finally pulled on Johnny Knoxville.
MANKIND'S DARKEST HOUR NEEDS OUR BRIGHTEST TEAM When four small-town losers stumble across an alien crash site containing an incredible battle suit, they soon find themselves responsible for the fate of the entire planet. With this new alien equipment genetically bound to them, and the government hot on their heels, the foursome have no choice but to work together as one to save humanity. All they have to do is learn to use a strange alien device meant for only one-person, train for a battle against an omnipotent enemy, and not kill each other in the process. They may not be strong, smart, or talented... but they're Lazer Team. Based on a true event, Lazer Team is directed by Matt Hullum and stars Burnie Burns, Gavin Free, Michael Jones, Allie DeBerry, Colton Dunn and features Alan Ritchson. Lazer Team is The first feature film from pioneering studio Rooster Teeth, the creators of the longest-running web series in history, Red vs Blue. In 2014 Lazer Team smashed crowdfunding records when the film raised more than $2.6 million on IndieGoGo.
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