Titles Comprise: The Railrodder The Silent Partner Joseph Frank Buster Keaton (October 4 1895 - February 1 1966) was an Academy Award-winning American comic actor and filmmaker. Best known for his silent films his trademark was physical comedy with a stoic deadpan expression on his face earning him the nickname The Great Stone Face (referencing the Nathaniel Hawthorne story about the Old Man of the Mountain). He has also been called The Michelangelo of Silent Comedy. Keaton's career as a performer and director is widely considered to be among the most innovative and important work in the history of cinema. He was recognized as the seventh greatest director of all time by Entertainment Weekly. A 2002 world-wide poll by Sight and Sound ranked Keaton's The General as the 15th best film of all time. Three other Keaton films received votes in the survey: Our Hospitality Sherlock Jr. and The Navigator. We are pleased to present to you two of Buster Keaton's lesser seen works: The Railrodder A screen short starring Buster Keaton this is one of the last films of the comedian's long career. As the railrodder he crosses Canada from east to west on a railway track speeder. As might be expected the film is full of sight gags as Keaton putt-putts his way to British Columbia. Not a word is spoken throughout and Keaton is as spry and ingenious at fetching laughs as he was in the days of the silent slapsticks. The Silent Partner A seldom seen episode of the NBC anthology series Screen Directors Playhouse entitled The Silent Partner and originally broadcast on December 21 1955. Comedic genius Buster Keaton plays a former silent-film star named Kelsey Dutton. Dutton watches the Academy Awards on television in a bar; in flashbacks Keaton re-enacts Dutton's silent comedies. The silent-film parody is close enough to Keaton's old work to be poignant and funny yet different enough to be part of Dutton's character. This interesting and rare show features Zasu Pitts Joe E. Brown Jack Elam and Bob Hope.
This unique documentary charts the incredible real-life story of the spectacular rise fall and resurrection of Tammy Faye Bakker one of the most loved - and hated - women of our time. Through extensive and revealing interviews we are taken on a journey through the headline-grabbing scandals and million dollar lies that devastated the televangelical empire that she and her husband Jim Bakker built together and which consequently destroyed her family. Featuring RuPaul in the role
Teenager Simone appears to be like any other fan of a rock band. But soon her fixation on the band's lead singer 'R' takes over her life. Simone walks out of school breaks off with her friends and parents and as if sleepwalking somehow finds herself waiting for her idol as he appears on a TV show. As she sees him for the first time she is speechless unable to even ask for his autograph. He notices her and reaches out to touch her. Simone wants nothing more than to love and be lov
Stephanie Beacham Stephanie Cole Louise Jameson and Jean Anderson star as inmates of a gruelling Japanese prisoner-of-war camp during the second world war. It is 1941 and the terrors of war torn Europe seem a long way away for the small expatriate community living in Singapore. But their privileged lives are soon to be shattered when the Japanese Army launches a devastating surprise attack. This is the powerful story of women who are thrown together by the chaos of war. Fearing f
The sixth series of The X-Files picks up after the events of the big-screen movie. So it is that "The Beginning" attempts to fit the film into the TV chronology before moving on to tackle plot points left dangling from series five's "The End" (note the guard asleep at the nuclear power plant console is named Homer!). Between story arc threads are several pleasing one-off excursions: time travel to a Bermuda Triangle boatload of Nazis ("Triangle"); further temporal escapades akin to Groundhog Day ("Monday"); a demonic baby case featuring genre stalwart Bruce Campbell ("Terms of Endearment"); and "The Dreamland, Parts 1 and 2", in which David Duchovny gets to play someone else via personality switching. Back in the conspiracy scheme of things, Mulder chases "S.R. 819", a Senate resolution tying conspiracies together; "Two Fathers" and "One Son" indicates that the abductee experiments are intended to cure the black oil disease; and the year finishes with "BioGenesis", in which a beach-buried UFO has Scully and the audience wondering if we are from Mars. --Paul Tonks
Only two years separate The Fourth Man, the final Dutch language movie by director Paul Verhoeven, and the explosive commencement of his Hollywood career. Controversy raged about violence in Flesh + Blood, RoboCop and everything else he made thereafter. Yet controversy has always been a part of the filmmaker's work. This savage comedy shocker could well be seen as a trial run for Basic Instinct, since it features an ice-cold seductress (Renee Soutendijk) with mysterious motivations and sexual preferences. The hallucinatory tale follows a novelist (Jeroen Krabbé) first falling for her, and then feverishly investigating whether she's a serial husband killer. The film is full of what would soon be recognised as Verhoeven trademarks: a little blasphemy, a lot of nudity, dispassionate characters and hidden agendas. One of the aspects that caught the eye of international audiences was the film's colourful lighting and camerawork. This was from Jan de Bont, who, thanks in large part to Verhoeven, would go on to direct Speed and others. Many prints of the movie were edited around the world, but it's presented here uncut. Full of symbolic flourishes and allegorical plot points, this is a dizzying display of the type of black comedy that not even Verhoeven can get away with in today's politically aware industry. --Paul Tonks
Standing out in the crowded field of screen adaptations of the classic Dickens novel A Christmas Carol is hard to do, but this version pulls it off. When a transparent Jacob Marley walks through Ebenezer Scrooge's apartment door, you know you're seeing something both timeless and contemporary. Other strategically placed special effects--a funnel cloud that transports Scrooge and the ghost of Christmas present, the hollow spectre of Christmas future--keep you riveted without slipping into anachronism. But, as good as the technology is, the performances are what really power this 93-minute television interpretation. Patrick Stewart brings a depth to Scrooge that allows the character to go beyond the cartoonish qualities that have made him a Christmas mainstay. That doesn't mean he's any less heartless with his hapless employee Bob Cratchit (Richard E. Grant) or any less dismissive of his well-meaning nephew. A frail-looking Joel Grey makes an excellent ghost of Christmas past, and a superb cast ably fill the remaining roles. Director David Jones, shooting on location in England and at Ealing Studios, has achieved a balance of science and sentiment that will help this version hold up for many years to come. --Kimberly Heinrichs
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Too mainstream to be a cult, yet too odd to be totally conventional, Ally McBeal has become one of televisions curios. While its early days saw the show become something of a victim of its own self-conscious stylising, the episodes included on series 4 volume 2 are far stronger in terms of characterisation and plot and the storylines are easy to pick up. Not that the quirks have been exiled--the first programme features McBeal hallucinating about Barry Manilow--rather they have now become part of the overall feel of the show. Despite the attention lavished on both the lead character and the actress who plays her, the show is a real ensemble piece and works best when all the players are together. One of the collection's weakest moments is the episode that sends the usually excellent Richard and John off to LA on their own, an episode which lays threat to a dreaded spin off. While there are annoying moments--could they not have edited out the "previously on Ally McBeal" parts for retail release and why do they never go out with anyone other than work colleagues--with guest appearances from the likes of Sting this is a must for any fan of the series. On the DVD: Sadly, the DVD collection betrays very little thought or effort. The pace of the show is certainly brisk (especially when shorn of the adverts) and the picture quality is equally dynamic, instilling real depth to the many aerial shots of Boston itself. Given that music is such an integral part in the show, it is no surprise that the soundtrack has been given a boost by its recreation in Dolby digital stereo. The interactive menu, however, is clumsy to use and having to work back through the options at the end of each episode quickly becomes tiresome. The complete lack of any extras whatsoever is also a definite minus point.--Phil Udell
The Vega Influence: Jaime and Dr. Michael Marchetti are aboard a transport plane that makes a refueling stop at a remote island. The plane crew members apparently disappear. The island's biological research facility shows signs of having been abandoned suddenly. 'In this corner Jaime Sommers': Oscar Goldman's sole clue to the disappearance of Agent Wayne Haley is the address of a sports wrestling arena. Jaime competes as a professional lady wrestler while on undercover assignment
Marked For Death: Just retired from the Drug Enforcement agency John Hatcher (Seagal) returns to his hometown and quickly discovers that drugs have infiltrated his old neighbourhood. Determined to drive the dealers out Hatcher crosses paths with a ferocious Jamaican druglord who vows that Hatcher and his family are now marked for death... Rising Sun: Special liaison officer (Snipes) is called to investigate the murder of a call-girl in the boardroom of a Japanese corporation. Accompanied by a detective with unusual knowledge of the Japanese culture (Connery) the two men must unravel the mystery behind the murder by entering an underground shadow world of futuristic technology ancient ways and confusing loyalties... Unlawful Entry: After an armed robbery attempt on their suburban home a young couple (Kurt Russell and Madeleine Stowe) do what anyone would do - they call the police. That's when they meet Los Angeles Policeman Pete Davis (Ray Liotta) and immediately warm up to his caring and sensitive attitude. He makes the couple's safety his personal concern and begins frequent patrols of their property. But this friendship turns into a twisted obsession as Davis's relationship with the couple develops and forces his way into their lives. Plunged into a nightmare where protector becomes predator the couple must somehow escape from the web of security that has become their ultimate enemy...
It's a dog's life in this hilarious British comedy! When Willie Joy (comedy legend Frankie Howerd) is fired from his job at the greyhound stadium he takes pity on a fellow victim and adopts an injured greyhound called Lindy Lou who would otherwise be destroyed. Teaming up with amiable con-man 'Captain' Montague (Stanley Holloway - The Lavender Hill Mob The Titfield Thunderbolt) Willie decides to train Lindy to compete for the prestigious Golden Bowl trophy. But it's not just the other dogs she has to beat - there are crooked bookies and race-track spivs to deal with too!
After high school track star Laura dies in the middle of a race, her teammates begin to be killed off in various creative ways... A gory but fun slasher movie!!
A modern Italian-American reworking of William Shakespeare's 'Romeo and Juliet' set in the Bronx.
The moving tale of a woman trapped between life and death after a fatal car accident.
The Pimpernel makes yet another daring rescue from under the noses of the French this time saving Annette De Martignac but has to leave her aging parents behind. Phillipe Lispard a young official at the French Embassy is very taken with her and she sees that he could be very useful to her in her attempts to get her parents free...
You Were Never Lovelier (1942) In this lavish Hollywood musical, the headstrong daughter (Hayworth) of a powerful Argentine hotelier has to contend with her father's attempts to get her to marry...; ; Cover Girl (1944) Rusty Parker (Hayworth), a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career...; ; Gilda (1946) In the story of Gilda, Johnn...
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