Robocop: A sadistic crime wave is sweeping across America. In Old Detroit the situation is so bad a private corporation Omni Consumer Products (OCP) has assumed control of the police force. The executives at the company think they have the answer - until the enforcement droid they create kills one of their own. Then an ambitious young executive seizes the opportunity. He and his research team at Security Concepts create a law enforcement cyborg from the body of a slain officer. All goes well at first. Robocop stops every sleazeball he encounters with deadly piercing and sometimes gruesome accuracy. But there are forces on the street and within Security Concepts itself that will stop at nothing to see this super cyborg violently eliminated... Terminator: In 2029 giant super-computers dominate the planet hell-bent on exterminating the human race! And to destroy man's future by changing the past they send an indestructible cyborg - a Terminator - back in time to kill Sarah Connor (Linda Hamilton) the woman whose unborn son will become mankind's only hope. Can Sarah protect herself from this unstoppable menace to save the life of her unborn child? Or will the human race be extinguished by one mean hunk of mutant metal? Rollerball (1975): Set in 2018 Rollerball is a sensation glimpse of a future where the world is ruled by six giant corporations; a place where there is no war no poverty and no unrest but also no free will and no God. There is still a place for violence in this antiseptic world of plenty and mankind''s vicious and sadistic impulses are vented in the Rollerball arena a violent and deadly game broadcast world-wide to satisfy the bloodlust of millions. James Caan is outstanding as Jonathan E the game''s greatest player a man whose devastating talent threatens to make him a hero - and a threat to the Corporations'' grip on power. When Jonathan is asked to retire he refuses electing instead to captain his team to the world finals in an escalating spiral of carnage.
Walter Woods (Rob Lowe) is an ambitious young architect on his way to Los Angeles for the assignment of a lifetime. He has been hired to design a Beverly Hills mansion for a rich client (James Belushi) and speeds unknowingly along Pacific Coast Highway towards a disastrous and violent turn of events that will change his life... or end it. Along the way Walter narrowly avoids a high speed collision with a maniacal truck driver and arrives visibly shaken to his Apartment where an oddball assortment of residents make his acquaintance. His new neighbors include a beautiful hooker an East German comedian and a cranky building manager (Dean Stockwell) who is as lazy as he is grumpy. As Walter prepares to design his masterpiece a series of strange unexplained events soon begin to unravel the normally calm and controlled designer. These minor nuisances quickly escalate into perilous and terrifying encounters with a mysterious stalker. As his wife pressures him to return home his boss pushes him to finish the job and his new client becomes increasingly unreasonable Walter starts to buckle under the pressure of his tormentor. These dangerous encounters turn deadly and Walter is pushed to the breaking point. With the police in pursuit Walter confronts his vicious attacker in a fight not only for his sanity but for his survival.
Arguably the finest movie of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this movie's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi movies (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. --Mark Walker
DVD is supplied in a special Fathers Day packaging. An ideal gift for Fathers Day. In this blazing sci-fi classic, Arnold Schwarzenegger is perfectly cast as the fiercest and most relentless killing machine ever to threaten the survival of mankind! From the Oscar winning director of 'Titanic' this fast-paced, cleverly conceived, rip roaring action adventure fires an arsenal of thrills, intriguing plot twists and heart-stopping suspense that never lets up for a minute! In 2029, giant super-computers dominate the planet, hell-bent on exterminating the human race! And to destroy man's future by changing the past, they send an indestructible cyborg - a Terminator - back in time to kill Sarah Connor (Linda Hamilton), the woman whose unborn son will become mankind's only hope. Can Sarah protect herself from this unstoppable menace to save the life of her unborn child? Or will the human race be extinguished by one mean hunk of mutant metal? Followed by two sequels: Terminator 2: Judgment Day in 1991; and 'Terminator 3' in 2002!
With a title like Chopper Chicks in Zombietown, you'd be excused from any great expectations here--but you'd also be missing out on one of trash-cinema's great pleasures: catching one of Hollywoood's A-list in their pre-fame days. In this case, the catch is Billy Bob Thornton, in a brief appearance as one of the Chopper Chicks' ex-husbands. It may be a guilty pleasure, but seeing this good 'ol boy playing dumb-as-a-doorknob long before Sling Blade (or A Simple Plan) and paying his dues is still, however strangely, gratifying. As for the film itself, Chopper Chicks is no Hell Comes to Frogtown, but it comes with all of the Troma hallmarks. The requisite beheadings and low-grade effects are all present and correct, along with the so-bad-it's-really-bad dialogue (except for the occasional so-bad-it's-good one-liner). The acting is wooden, the story negligible (cycle sluts come to town, kill zombies, save a schoolbus full of blind kids), and even the appearances by Thornton and original MTV (US) VJ Martha Quinn provide only occasional relief. The DVD extras include a photo gallery of screen-stills and the original trailer. --Randy Silver
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