The three films in this Terry Thomas Collection--The Naked Truth, Too Many Crooks and Make Mine Mink--are each an unalloyed delight from beginning to end. Though produced on slim budgets they possess witty scripts by Michael Pertwee, deft direction in two instances by Mario Zampi, inventive music scores and marvellous casts featuring two generations of British actors, from Athene Seyler to a young Kenneth Williams. Individually and as an ensemble these players are a pleasure to watch. But of course Terry Thomas, the catalyst of the collection, runs the gamut with a plethora of facial expressions, body language and verbal repartee that contribute so much to the unbuttoned joy of each film. In the earliest of them, The Naked Truth (1957), TT plays a dodgy peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount and Shirley Eaton by a gutter press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). The moments of slapstick are brought off to a tee as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. Too Many Crooks (1959) has TT being blackmailed once again, this time for the hoards he's stashed away as a renowned tax dodger. Look out for the very funny court scene, where TT makes three appearances on separate charges, before a bemused magistrate, John Le Mesurier. Make Mine Mink (1960), the odd one out in this collection, was adapted from a West End stage farce, Breath of Spring. TT leads a gang of middle-aged biddies who decide to brighten up "the dullness of the tea time of life", by staging a series of robberies on furriers, then donating the proceeds to charitable concerns. The splendid cast includes Hattie Jacques and Kenneth Williams. On the DVD: The Terry Thomas Collection comes in an attractive box containing the three discs. All are 4:3 ratio and with mono sound. The only extras are a trailer for each film which, in the instance of Make Mine Mink, is introduced by Terry Thomas himself, who presents us to his gang of fur thieves as the voice on the soundtrack announces him as "fur, fur funnier than you've seen him before". --Adrian Edwards
Ernie's Uncle Gabriel has just died but to claim his inheritance he must spend the night in the ancestral family home with the rest of his rather eccentric relatives. Ernie's imagination has been affected by his constant immersion in cheap horror novels but his wildest fears turn out to be justified when the guests begin to drop dead.
Dry as ice, dripping with deadpan witticisms, only Sean Connery's Bond would dare to disparage the Beatles, that other 1964 phenomenon. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon 53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp bowler like a Frisbee to sever heads; our hero spread-eagled on a table while a laser beam moves threateningly toward his crotch. Honor Blackman's Pussy Galore is the prototype for the series' rash of man-hating supermodels. And Desmond Llewelyn reprises his role as Q, giving Bond what is still his most impressive car, a snazzy little number that fires off smoke screens, punctures the tyres of vehicles on the chase, and boasts a handy ejector seat. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed.--Raphael Shargel, Amazon.com-- On the DVD: Featuring interviews with Honor Blackman, Shirley Eaton, the late Desmond Llewelyn and most of the surviving core cast and crew members, great on-set footage (Blackman and Connery look like they clearly had the hots for each other even when the camera weren't rolling) and a strong argument about how this firmed up the gadget-orientated, thrills-and-spills formula for the franchise, John Cork's "making of" featurette for this DVD is one of the most rewarding in this series. The two commentary tracks have moderately interesting observations by director Guy Hamilton, the cast and crew (many of their comments recycled from the documentary), and on both Bond superfan-and-author Lee Pfeiffer filling in blanks and explaining in exhaustive detail the history of the Aston Martin DB5 that first appeared in this film. Also included is an open-ended 1964 interview with Sean Connery, designed so that American radio disc jockeys could pretend they had an exclusive interview with the star, in which he extols the series' "sadism for the family" among other things. --Leslie Felperin
Heralded as the best Bond movie thus far Goldfinger features some of the most iconic moments in the series to-date. Who could forget Oddjob and his killer hat; Shirley Eaton doused in gold; Or one of the greatest comeback lines in history? James Bond: Do you expect me to talk?Auric Goldfinger: No Mr. Bond. I expect you to die! Special Agent 007 (Sean Connery) has just come face to face with one of the most notorious villains of all time. And now he'll have to outwit and outgun this powerful tycoon to prevent him form cashing in on a devious scheme to raid Fort Knox - and obliterate the world economy!
This is the story of Fanny Price, who emerges from this comedic maze of manners having discovered the rightness of of true love.
Ten strangers are gathered in a house where they are told that they are each responsible for the dead of an innocent person and that justice is about to be served. One by one the guests are disposed of according to the poem Ten Little Indians. As the group of survivors decreases they try to work out who is the killer.
Made in 1960, Carry On Constable is one of the earliest Carry On comic romps, arriving before they'd carved out their bawdy niche in British cinema. In fact, this Gerald-Thomas-directed effort isn't dissimilar to most of the mainstream Brit-com of its era. A flu epidemic has forced a police station to take on a brace of callow recruits: Kenneth Connor, a superstitious bag of nerves; Leslie Phillips, playing his usual rapscallion self; the ludicrously effete Charles Hawtrey and Kenneth Williams. The "plot" is a sequence of thoroughly creaky gags at the expense of this bumbling quartet. The staple characters hadn't settled into their "classic" personae yet. Here, Sid James is an exasperated sergeant, not the sort of crinkly rogue he played in later years, Kenneth Williams is dry, detached and supercilious, while Hattie Jacques is no matron but a sympathetic sergeant, whose every walk-on is not yet accompanied by the portly strains of tubas and bassoons. The comedy here is, frankly, dismal--banana skins are slipped upon and officers' legs urinated upon bydogs, all to a rueful soundtrack of wah-wah trumpets. The main appeal of this movie is as a period slice of damp, pre-Beatles London in glorious black and white.On the DVD: Although picture and sound are adequate (though poorly dubbed in places), there are no extras at all, a shame for the hardcore Carry On aficionados to whom this release would surely, perhaps exclusively, appeal. --David Stubbs
The effortlessly suave and sophisticated Pierce Brosnan makes his acclaimed debut as Agent 007 in this rip-roaring espionage thriller featuring the most eye-popping opening sequence yet! When an MI6 agent (Sean Bean) turns rogue and plans world domination with a terrifying satellite-borne weapon, Bond must pursue his former ally to Cuba, Monte Carlo, Switzerland and even Russia, all whilst dodging a sexy, deadly femme fatale (Famke Janssen) who will stop at nothing to put the ˜squeeze' on the intrepid spy!
The Marx Brothers Chico, Groucho, Harpo and Zeppo are one of the cornerstones of American comedy. Starting out in vaudeville, they conquered Broadway and the big screen in their own inimitable style, at once innovative, irreverent, anarchic, physical, musical, ludicrous and hilarious.With the advent of the 'talkies', the Brothers signed to Paramount Pictures and brought their stage act to cinema audiences. They made five films in five years, all of which are collected here: The Cocoanuts (1929), Animal Crackers (1930), Monkey Business (1931), Horse Feathers (1932) and one of the greatest comedies of all time, Duck Soup (1933).The Paramount era represents the Marx Brothers at their absolute finest, retaining all of the energy and controlled chaos of their stage shows. Plots are unimportant it's the gags, set-pieces and one-liners that matter: Why a duck? , Hello, I Must Be Going , Hooray for Captain Spaulding , That's the bunk! , Horse Feathers' Swordfish scene and classic mirror sequence in Duck Soup.Special Features:High Definition Blu-ray (1080p) presentations of all five features, each scanned and restored in 4K from original film elements by UniversalOriginal 1.0 mono audioOptional English subtitles for the deaf and hard-of-hearingCommentary on The Cocoanuts by film scholar Anthony SlideCommentary on Animal Crackers by film historian Jeffrey VanceCommentary on Monkey Business by Marx Brothers historian Robert S Bader and Bill Marx, son of Harpo MarxCommentary on Horse Feathers by film critic FX FeeneyCommentary on Duck Soup by Bader and film critic Leonard MaltinThe Marx Brothers: Hollywood's Kings of Chaos, a feature-length documentary containing interviews with Leonard Maltin, Dick Cavett and others Three excerpts from NBC's The Today Show featuring interviews with Harpo Marx, Groucho Marx and Bill MarxSibling Revelry, an introduction to the Marx Brothers by critic David CairnsMONKEYNUTCRACKERDUCKFEATHERS, a video essay about the films by David Cairns
Like James Bond--but without the high-tech gadgets--Angus MacGyver (Richard Dean Anderson) is one of those rare beings who can avert any crisis without mussing a hair. (The rest of us should be so lucky.) In the pilot alone, the secret agent dismantles a missile using a paper clip and fashions a rocket thruster out of a pistol. Is there anything MacGyver can't do? As the first season of ABC's long-running adventure series proves, the answer is a resounding no. MacGyver's secret: the everyday items he "finds along the way," like matches or gum wrappers, and the ingenuity to put them to a myriad of uses (a background in physics and chemistry doesn't hurt). Unlike Alias' Sidney Bristow, he isn't a multi-linguist, a martial artist, or a master of disguises. Wits are MacGyver's weapon of choice. Produced by Henry Winkler (Arrested Development), The Complete First Season includes all 22 episodes from 1985-1986 (alas, there are no extras). MacGyver is joined by Phoenix Foundation director of operations Pete Thornton (Dana Elcar), who is introduced in "Nightmares." Also, his grandfather, Harry Jackson (John Anderson), makes his first appearance in "Target MacGyver," while friend Penny Parker (Teri Hatcher of Desperate Housewives) makes hers in "Every Time She Smiles" (they will appear more frequently in future seasons). Other notable guest stars include Joan Chen (The Last Emperor) in "The Golden Triangle," Nana Visitor (Star Trek: Deep Space Nine) in "Hellfire," and John De Lancie (Star Trek: The Next Generation) in "The Escape." MacGyver ran for seven seasons and was followed by two made-for-TV movies in 1994, Lost Treasure of Atlantis and Trail to Doomsday. In 1997, after a short-lived series for UPN (1995's Legend), Anderson landed the lead in an even longer-running series, Stargate SG-1, based on the sci-fi extravaganza with Kurt Russell. --Kathleen C. Fennessy
Three friends escape their dull lives by taking a leisurely excursion along the Thames in a small boat. However their planned restful journey is interrupted by a number of comic mishaps and adventures as well as complications of a romantic nature as they cross paths with ladies.
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
Three London gentlemen take a vacation rowing down the Thames, encountering various mishaps and misadventures along the way.Tracing the Source: An interview with Jeremy NicholasMessing Around on the River: An interview with Matthew SweetB&W Stills GalleryOriginal Trailer
From producers Adam Shankman and Jennifer Gibgot (17 Again, the Step Up Franchise, and Hairspray) comes a timeless story for the millennial generation. When Kyle (Ross Lynch), a social outcast, happens upon a magical phone app that causes anything he posts to come true, he uses it to create his idea of the perfect life. He even wins the affection of the two most beautiful girls in school, Dani (Olivia Holt) and Charlotte (Courtney Eaton). However, he soon learns that the life he created is far from perfect, and that being yourself, imperfections and all, is the only way to find true happiness in life. Starring Ross Lynch (Austin & Ally), Olivia Holt (I Didn t Do It), Harvey Gullien (The Thundermans), Courtney Eaton (Mad Max: Fury Road), Wendi McLendon-Covey (Bridesmaids), John Michael Higgins (Pitch Perfect) Rob Riggle (Modern Family), Famke Janssen (X-Men), Josh Ostrovsky (Nerve). Status Update is directed by Scott Speer.
In 1957's The Naked Truth Terry Thomas plays a dodgy peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount and Shirley Eaton by a gutter press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). One fascinating element in this picture is the portrayal of those relationships that could be only suggested in a period of tighter censorship, such as Peter Sellers' TV personality and Kenneth Griffith as his dresser, whose gay relationship is only faintly etched in here. More overt is the characterisation of a masculine looking authoress, known only by her initials, but sporting Agatha Christie's hairdo. The moments of slapstick are brought off to a tee, as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. On the DVD: The Naked Truth comes to DVD in 4:3 ratio and with a mono soundtrack. The only extra feature is a trailer. More TT tomfoolery can be found in the three-disc Terry Thomas Collection. --Adrian Edwards
From producers Adam Shankman and Jennifer Gibgot (17 Again, the Step Up Franchise, and Hairspray) comes a timeless story for the millennial generation. When Kyle (Ross Lynch), a social outcast, happens upon a magical phone app that causes anything he posts to come true, he uses it to create his idea of the perfect life. He even wins the affection of the two most beautiful girls in school, Dani (Olivia Holt) and Charlotte (Courtney Eaton). However, he soon learns that the life he created is far from perfect, and that being yourself, imperfections and all, is the only way to find true happiness in life. Starring Ross Lynch (Austin & Ally), Olivia Holt (I Didn t Do It), Harvey Gullien (The Thundermans), Courtney Eaton (Mad Max: Fury Road), Wendi McLendon-Covey (Bridesmaids), John Michael Higgins (Pitch Perfect) Rob Riggle (Modern Family), Famke Janssen (X-Men), Josh Ostrovsky (Nerve). Status Update is directed by Scott Speer.
Roger Moore is Simon Templar better known as The Saint. The Saint out-swindles the swindlers for the good of the little guy: he's handsome charming suave and sophisticated. Episode 7 - The Arrow of God: At a party in the Bahamas The Saint meets vicious gossip columnist Floyd Vosper. Suspects abound when Vosper is found shot by an arrow later in the evening. Episode 8 - The Element of Doubt: The Saint turns the tables on a crooked American attorney who is more concerned with his extortionate fees than with justice. Episode 9 - The Effete Angler: The Saint meets a beautiful married woman with connections to a smuggling operation. There is plenty of action and intrigue before the case of the Effete Angler is solved. Episode 10 - The Charitable Countess: While attending a charity ball for the homeless The Saint discovers that the money raised has been misused by the Countess.
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
Peggy Mount stars as the world's most terrifying mother in law in this British Comedy favourite based on the hugely successful stage farce!
An all-star cast feature in this stylish adaptation of Agatha Christie's quintessential murder mystery, produced and co-written by legendary B-movie mogul Harry Alan Towers. Directed by George Pollock (who had previously won great acclaim with the Miss Marple films starring Margaret Rutherford) and sporting the ultimate gimmick of a 60-second Whodunnit Break prior to the final reveal, Ten Little Indians is featured here as a High Definition remaster from original film elements in its original theatrical aspect ratio. Ten strangers arrive at a snowbound mansion invited by their host, the shadowy Mr U.N. Owen. During dinner, an audio tape of Owen's voice is played, revealing that each guest has a scandalous secret a secret that each would be willing to kill to protect. It's not long before the first guest is murdered. It won't be the last. Special Features Theatrical trailer Image gallery
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