While its sequels were formulaic and safe, the first Beverly Hills Cop set out to explore some uncharted territory and succeeded. A blend of violent action picture and sharp comedy, the film has an excellent director, Martin Brest (Scent of a Woman), who finds some original perspectives on stock scenes (highway chases, police rousts) and hits a gleeful note with Murphy while skewering LA culture. Good support from Judge Reinhold and John Ashton as local cops not used to doing things the Detroit way (Murphy's character hails from the Motor City). Paul Reiser has a funny, brief moment at the beginning and Bronson Pinchot makes an hilarious impression in a great, never-to-be-duplicated scene with the star. --Tom Keogh
The Comedy Heats Up, in 4K The heat is on in this fast-paced action-comedy starring Eddie Murphy as Axel Foley, a street-smart Detroit cop tracking down his best friend's killer in Beverly Hills. Axel quickly learns that his wild style doesn't fit in with the Beverly Hills Police Department, which assigns two officers (Judge Reinhold and John Ashton) to make sure things don't get out of hand. Dragging the stuffy detectives along for the ride, Axel smashes through a huge culture clash in his hilarious, high-speed pursuit of justice. Featuring cameos by Paul Reiser, Bronson Pinchot and Damon Wayans, and newly remastered for 4K UHD by director Martin Brest, Beverly Hills Cop is an exhilarating essential blockbuster! SPECIAL FEATURES: BHC MIXTAPE '84 (4K) COMMENTARY BY DIRECTOR MARTIN BREST DELETED SCENES (HD) BEHIND THE SCENES: 1984 INTERVIEWS (HD) THEATRICAL TRAILER (HD) ISOLATED SCORE TRACK BEVERLY HILLS COP THE PHENOMENON BEGINS A GLIMPSE INSIDE THE CASTING PROCESS THE MUSIC OF BEVERLY HILLS COP LOCATION MAP
All 3 films...Newly remastered! The heat is on...in this fast-paced collection of actionpacked comedies starring Eddie Murphy as Axel Foley, the street-smart cop from Detroit. Tracking down his best friend's killer in Beverly Hills Cop, Axel smashes through the local barriers in a hilarious, high-speed pursuit of justice. In Beverly Hills Cop II, he's deep undercover investigating a gang of international munitions smugglers. The third installment, Beverly Hills Cop III, finds Axel at the center of a roller coaster thrill ride at the wonderworld amusement park! Watch all three and get hooked for the whole ride! Special Features Commentary by Director Marin Brest Beverly Hills Cop The Phenomenon Begins Behind The Scenes: 1984 Interviews A Glimpse Inside The Casting Process The Music of Beverly Hills Cop Beverly Hills Cop Mixtape '84 Location Map Deleted Scenes Theatrical Trailer
Bobby Bowfinger, a nearly bankrupt aspiring movie producer-director, is about to take one last shot at fame and fortune.
A martial arts master agrees to teach karate to a bullied teenager. Special Features: Includes a Hilarious Gag Reel and Behind-The-Scenes Vignettes!
Written and directed by Bruce Robinson (Withnail and I), this fast-moving potboiler finds its creator getting about as far from Withnail's fine wines and London and Lake District settings as it's possible to get, and into the world of bloody homicides, narrative red herrings and emotionally damaged policemen. John Berlin (Andy Garcia) is a big-city cop and, yes, that means he drinks a lot of coffee and has a terrible personal life (in this case, signified by a wife who just can't stop cheating on him). Leaving town to visit his understanding brother-in law and fellow detective Freddy Ross (Lance Henriksen), he promptly finds himself embroiled in the hunt for a serial killer with a grisly modus operandi for murdering blind women. As you might expect, it's not long before he's bumbling his way into a number of confrontations with the hick cops around him and an affair with Helena (Uma Thurman), the blind room-mate of one of the killer's victims. Slick and pacey, Jennifer 8 throws out so many plot that it eventually winds up falling over them in its haste to get to the overblown climax. Nothing here makes a great deal of sense and yet, despite its inherent cosmic silliness, Robinson handles the suspense-and-relief routine with a flashy aplomb, and the cast do well in the face of the material's shortcomings. (John Malkovich's brief appearance is a redemptive highlight, even if you do have to wait almost 90 minutes for it). --Danny Leigh
Deuce is tricked again into man-whoring in Amsterdam while other man-whores are being murdered in his midst.
In Shooter: Season One, war veteran and master sniper Bob Lee Swagger (Ryan Phillippe) is persuaded to get back into action by his ex-commander Isaac Johnson (Omar Epps). Hoping to thwart a plot to kill the president, Swagger is framed for the assassination attempt and ends up on the run to clear his name and do what he does best hunt for the real killer. Bolstered by a strong cast, including Eddie McClintock, Cynthia Addai-Robinson and Shantel VanSanten, this 10-episode collection unravels a complex conspiracy that turns friends into foes and strangers into allies. Along the way, Swagger braves monumental challenges that endanger his family, his country and his life. But one thing is certain: never underestimate a hero.
Led by an American a mismatched team of British Special Services agents must infiltrate in disguise a female-run Enigma factory in Berlin and bring back the decoding device that will help end the war.
When 10 year old Logan Fallon witnesses the brutal slaying of his family he vows to avenge the murders. Fifteen years later having developed into an awesome martial artist under the tutelage of his uncle (Chuck Norris) Logan ultimately has to make a decision between his passion for revenge or his commitment to justice...
The epic Old Testiment story of Hebrew patriarch Abraham and his descendants. A star-studded cast brings these compelling stories to life featuring: Abraham's call to find the promised land; the stories of Isaac Rebeccah Esau and Jacob; Joseph's remarkable rise to power despite being sold into slavery by his brothers; Moses receiving the ten commandments and the liberation of the jews from Egypt.
Somewhat misleadingly described by many as a mock-biopic based on the life of David Bowie, Velvet Goldmine is so much more than that. Journalist Arthur Stuart (Christian Bale) who sets out to discover whatever happened to Ziggy Stardust-like Brian Slade (Jonathan Rhys-Meyers), the famous bisexual glam star who crashed and burned spectacularly, but in the process helped Arthur awaken his own sexuality. It's an insane homage to 1970s glam rock in the UK as only American, who knew the movement from a distance, would make; it's a tribute to film director Nicolas Roeg's best work, particularly Performance and the Bowie-vehicle The Man Who Fell to Earth; it's a sci-fi movie about an alternative reality (the film's "present" is a 1984 that never existed and frustratingly never clearly explained); it's a queer Citizen Kane with lashings of eye-glitter, a complete mess, an absolute delight and a chance to see Ewan McGregor naked in case you didn't catch him in The Pillow Book as the Iggy Pop-like Curt Wild, Slade's lover/protégé.Director Todd Haynes, who made the incredibly spare Safe and a biopic about Karen Carpenter with Barbie dolls, crams in everything--including the kitchen sink, all the washing-up and half the larder--as if terrified he'll never get another chance to shoot even a commercial again. The pacing drags like catwalk-queen's glittery taffeta train at times, but then glorious swooping musical numbers and clever bits of allusive business arrive that will brighten the day of many a pop-fan and film-buff. Never anything less than ruthlessly inventive and demanding of patience and an open mind, it's one for connoisseurs. Viewers who prefer easy-viewing eye candy are well advised to stick with fluff like Priscilla, Queen of the Desert. --Leslie Felperin
Johnny English (Dir. Peter Howitt 2003): Bumbling British intelligence officer Johnny English has to step into the breach when all his fellow agents are suddenly bumped off. With the machinations of mysterious millionaire Pascal Sauvage becoming increasingly threatening it's up to Johnny to save the crown jewels and the very fate of the Royal family I-Spy (Dir. Betty Thomas 2002): When the 'Switchblade' the most sophisticated stealth fighter plane ever created is stolen the US government brings in their top spy Alex Scott (Owen Wilson) to track it down. What he doesn't expect is to be teamed up with Kelly Robinson (Eddie Murphy) a cocky boxing champion. The duo's mission is to retrieve the plane from the hands of one of the world's most notorious illegal arms dealers Arnold Gundars (Malcolm McDowell) without getting themselves killed! Tuxedo (Dir. Kevin Donovan 2002): Cabbie-turned-chauffeur Jimmy Tong (Jackie Chan) learns there is really only one rule when you work for playboy millionaire Clark Devlin (Jason Isaacs): never touch Devlin's prized tuxedo. But when Devlin is temporarily put out of commission in an explosive accident Jimmy can't resist trying on the tux and soon discovers that this extraordinary suit may be more black belt than black tie! Suddenly thrust into a dangerous world of espionage paired with a rookie partner (Jennifer Love Hewitt) even less experienced than he is Jimmy becomes an unwitting if impeccably dressed secret agent.
Alyson Hannigan headlines this outrageous swipe at the teen romcom genre.
Made in 1975 and directed by Paul Verhoeven, Katie Tippel ("Katie the Streetwalker") is a handsome period drama set in 19th-century Holland, based on a true story. The second eldest daughter in a poor, Friesland family who move to Amsterdam, Katie (Monique Van de Ven) must find whatever work is going to make ends meet. She has already learnt to have no faith in her weak father. Now, as she enters a succession of jobs in which she experiences both exploitation and sexual harassment, she learns that men want her only for one thing. Duly, at the behest of her own mother, she enters into prostitution. However, when she becomes model to an artist, she is finally able to escape the poverty trap and ascend the social ladder, particularly when banker Hugo (Rutger Hauer) takes her as his lover. All this is set against a backdrop of social foment as the workers' impatience at poor social conditions increases. Although director Verhoeven, as well as Hauer and cinematographer Jan De Bont eventually became involved in mainstream American movies, Katie Tippel is very much of the European school of filmmaking: episodic and harsh in its depiction of everyday poverty. The dead puppy at the beginning definitely marks it out as being contrary to Hollywood's near-zero canine mortality rate. The sexual scenes are graphic to the point of gratuitousness but always grimly non-titillating. Budgetary limits cramp some of the mass street scenes, but generally the film is beautifully shot and ageless in feel. A far cry, certainly, from Showgirls, for which Verhoeven was later responsible. --David Stubbs
Policeman Chin is badly beaten in a confrontation with a street gang. A young martial artist comes to his rescue and takes Chin back to his master. When the young man is also defeated in a street brawl the Kung Fu master decides to teach both the wounded men the art of the 'Sleeping Fist'. After the training is complete they set about avenging the beatings. However an 'Eagle Claw' master has been hired to break the 'Sleeping Fist'...
Deuce is tricked again into man-whoring in Amsterdam while other man-whores are being murdered in his midst.
The unquiet twin spirits of Fritz Lang and Franz Kafka preside over Europa, Lars von Trier's sardonic, saturnine vision of just-post-WWII Germany. In 1945 Leo Kessler, a young American of German descent, returns to the shattered land of his forebears to help in its reconstruction. Through his uncle, who works for the huge railway network Zentropa, he gets a job as a trainee sleeping-car conductor and also meets the seductive Katharina Hartmann, daughter of Zentropa's owner Max. But acts of sabotage and murder are being planned by unregenerate young Nazis calling themselves Werewolves, and very soon Leo's hapless innocent abroad starts finding out that, in this time and place of shifting loyalties, nothing and no one are what they seem. As if to accentuate this mood of nervous ambiguity, von Trier constantly switches from black and white to colour, and from English to (subtitled) German dialogue, often right in the middle of a scene. The cast boasts several iconic figures of European cinema, including Barbara Sukowa (a Fassbinder favourite) as femme fatale Katharina, and Eddie Constantine (from Godard's Alphaville) as a manipulative American colonel, while a literally hypnotic voice-over is spoken by the great Bergman actor Max von Sydow. There's more than a hint that von Trier intends a mischievous side-glance at today's Europe, and today's European film industry, in resentful thrall to the might of Hollywood. And while Europa is gripping and richly atmospheric, it's never without humour. The long, final episode is a tour de force of tragicomedy, with poor Leo juggling the competing demands of love and loyalty, life and death, while being harassed by his uncle who, horrified that Leo has lost his official peaked cap, forces him to wear a knotted handkerchief on his head, as well as by a pair of punctilious railroad inspectors demanding to know how long it takes him to make up a sleeping-car bunk. Lang and Kafka, sure, but maybe a touch of the Marx Brothers, too. --Philip Kemp
The 'Swordsman' series continues with the reappearance of the isolated transgender character ""Asia the Invincible"" (Brigitte Lin) to repudiate those who have used his name for fame and power... Played out against the conflicts of the Ming dynasty 'Swordsman 3: East Is Red' features spectacular land and sea battle sequences among the Han clan the Sun Moon Sect the Spaniards and Japanese ninjas!
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