Gary Oldman took a break from acting to write and direct this unflinching family drama out of the kitchen-sink British school. Oldman doesn't appear in the film, instead handing the heavy lifting to the remarkable Ray Winstone (Sexy Beast, Cold Mountain) and Kathy Burke, who won a prize at the Cannes Film Festival for her work. The scummy drug trade of lower-class London is Oldman's turf, but he puts special focus on the miserable cycles of violence that fuel a family's struggle within this world. The results are not always easy to watch, but they are devastating (and the final sequence is chilling). Oldman may be guilty of indulging his actors a bit, but it's forgivable, given the big, roaring performances. --Robert Horton
City Lights: The Tramp struggles to help a blind flower girl with whom he has fallen in love. The Kid: The Tramp cares for an abandoned child but events put that relationship in jeopardy... The Circus: The Tramp finds work and the girl of his dreams at a circus... Monsieur Verdoux: A suave yet cynical man supports his family by marrying and murdering rich women for their money but the job has some unforseen occupational hazards... Also include
A key film of the British New Wave 'Saturday Night And Sunday Morning' was a great box-office success - audiences were thrilled by its anti-establishment energy the gritty realism of its setting and most of all by a working-class hero of a fresh and outspoken kind. Based on Alan Sillitoe's largely autobiographical novel the film is set in the grim industrial streets and factories of Nottingham where Arthur Seaton spends his days at a factory bench his Saturday evenings in the local pubs and his Saturday nights with Brenda (Rachel Roberts) wife of a fellow factory worker. Played by Albert Finney with an irresistable animal vitality Arthur is anti-authority (Don't let the bastards grind you down) and unashamedly amoral (What I'm out for is a good time. All the rest is propoganda). With powerful central performances cracking dialogue by Sillitoe and a superb jazz score by Johnny Dankworth 'Saturday Night And Sunday Morning' still stands as a vibrant modern classic.
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