Here is just one of the many mishaps chronicled in Tora! Tora! Tora!: "Sir, there's a large formation of planes coming in from the north, 140 miles, 3 degrees east." "Yeah? Don't worry about it." The epic film shows the bombing of Pearl Harbour from both sides in the historic first American-Japanese coproduction: American director Richard Fleischer oversaw the complicated production (the Japanese sequences were directed by Toshio Masuda and Kinji Fukasaku, after Akira Kurosawa withdrew from the film), wrestling a sprawling story with dozens of characters into a manageable, fairly easy-to-follow film. The first half maps out the collapse of diplomacy between the nations and the military blunders that left naval and air forces sitting ducks for the impending attack, while the second half is an amazing re-creation of the devastating battle. While Tora! Tora! Tora! lacks the strong central characters that anchor the best war films, the real star of the film is the climactic 30-minute battle, a massive feat of cinematic engineering that expertly conveys the surprise, the chaos and the immense destruction of the only attack by a foreign power on American soil since the Revolutionary war. The special effects won a well-deserved Oscar, but the film was shut out of every other category by, ironically, the other epic war picture of the year, Patton. --Sean Axmaker, Amazon.com
The iconic director-choreographer Busby Berkeley's first full-length film in Technicolor is well established as being perhaps the most visually stunning spectacle of any Hollywood musical. But to focus on this risks overlooking its exuberant performances gleeful humour sensational music and glowing romance amidst countless other pleasures. A young soldier's fast-struck love affair with a New York City nightclub singer despite his long-standing betrothal to a wealthy childhood friend provides the catalyst for this dizzying parade of home-front melodrama comic set-pieces and mind-boggling musical numbers (including 'The Lady in the Tutti-Frutti Hat' and 'The Polka-Dot Polka'). Featuring some of the most popular musical stars of its day including Alice Faye the incomparable Carmen Miranda and the legendary Benny Goodman along with brilliantly funny supporting turns from Edward Everett Horton Eugene Pallette and Charlotte Greenwood The Gang's All Here is an outlandishly surprising classic from one of the Hollywood dream factory's most influential innovators. The Masters of Cinema Series is proud to present a world premiere of a stunning new restoration on Blu-ray. Special Features: New high-definition 1080p presentation English subtitles for the deaf and hearing-impaired New and exclusive full-length audio commentary with critics Glenn Kenny and Farran Smith Nehme and film historian Ed Hulse The documentary Busby Berkeley: A Journey with a Star A deleted scene from the film Trailer A 36-Page Booklet featuring essays on the film by critics David Cairns and Karina Longworth and more!
East Of Ipswich
A year after the explosive events of last season, England finds itself embroiled in a devastating civil war, with the powerful, neo-fascist Raven Union, led by Lord Harwood (Jason Flemyng) threatening to control the entire country. North London remains one of the few resistance holdouts remaining.It's here in the West End Neutral Zone, that we find Alfred Pennyworth (Jack Bannon). After years in the British Army, his training with the SAS has taught him to be a cynical optimist expecting the worst, but knowing that he can handle it. Now running The Delaney, a black-market Soho club that welcomes everyone, regardless of their politics, Alfred, with his SAS mates, Bazza (Hainsley Lloyd Bennett) and Daveboy (Ryan Fletcher), is now in search of a way out... before London, and his country, burns itself to the ground. And he's got his eye on America.
This Nicholas Nickleby is not one of Hollywood's condensed versions, it's the Royal Shakespeare Company's epic eight-and-a-half-hour adaptation of the life and times of the eponymous school-teacher. The 1982 production (originally staged in two parts) won worldwide acclaim and was such a success that Britain's then-newest TV station, Channel 4, launched a joint venture with independent production company Primetime to bring Nicholas Nickleby to a television audience. The result is this wonderfully theatrical version, filmed at the Old Vic and starring much of the original stage cast. It manages to stay true to Trevor Nunn's original artistic vision of Dickens's damning incitement of England's educational system. The ensemble cast are superb: Roger Rees as Nicholas is a bright-eyed idealist, every inch the young romantic hero whose principles are often his downfall, but ultimately his salvation; Fulton Mackay's twisted, embittered Squeers is every inch the Dickensian villain; and David Threlfall is transformed as Smike, Squeers' piteously subjugated, crippled servant and gives the most moving performances of his career. This enthralling TV adaptation recreates the magic of the stage version for all those who were unable to catch it on its pitifully short run. It doesn't pull any punches as the humour and inspiring storyline are tempered with real dark and tragic episodes. Forget the Hollywood fluff, this is the version you should watch if you want a faithful retelling of Dickens's story. --Kristen Bowditch
The scene is set in the Coronation year of 1953 and the archetypal English village of St. Mary Mead. All is as it should be until Hollywood arrives in the form of an internationally famous film cast leading to much local excitement and an epidemic of sudden death to which local sleuth Miss Marple sets her mind...
Fight Club (Dir. David Fincher 1999): Jack (Edward Norton) is a chronic insomniac desperate to escape his excruciatingly boring life. That's when he meets Tyler Durden (Brad Pitt) a charismatic soap salesman with a twisted philosophy. Tyler believes self-improvement is for the weak; it's self-destruction that really makes life worth living. Before long Jack and Tyler are beating each other to a pulp in a bar parking lot a cathartic slugfest that delivers joys of physical violence. Jack and Tyler form a secret Fight Club that becomes wildly successful. But there's a shocking surprise waiting for Jack that will change everything... Pitt and Norton deliver knockout performances in this stunningly original darkly comic film from David Fincher based on the controversial book by Chuck Palahniuk. The Usual Suspects (Dir. Bryan Singer 1995): Winner of two 1995 Academy Awards including Best Original Screenplay this masterful atmospheric film noir enraptured audiences with its complex and riveting storyline gritty tour-de-force performances (including an Oscar-winning turn by Kevin Spacey) and a climax that is truly deserving of the word stunning. Held in an L.A. interrogation room Verbal Kint (Spacey) attempts to convince the feds that a mythic crime lord not only exists but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor - leaving few survivors. But as Kint lures his interrogators into the incredible story of this crime lord's almost supernatural prowess so too will you be mesmerized by a lore that is completely captivating from beginning to end! Memento (Dir. Christopher Nolan 2000): From director Christopher Nolan a unique and intriguing thriller that begins with the ultimate act of revenge and backtracks through time to reveal the shocking and provocative reasons behind it. Leonard Shelby (Guy Pearce) remembers everything up to the night his wife was brutally raped and murdered. But since that tragedy he has suffered from short-term memory loss and cannot recall any event the places he has just visited or anyone he has met just minutes before. Determined to find out why his wife was killed the only way he can store evidence is on scraps of paper by taking Polaroid photos and tattooing vital clues on his body. Throughout his investigation he appears to have the help of both bartender Natalie (Carrie-Anne Moss) who may have her own secret agenda and police officer Teddy (Joe Pantoliano) whose friendship is always suspect. As Shelbys fractured memory tries to piece together a chilling jigsaw of deceit and betrayal in reverse breathtaking twists and surprising turns rapidly occur in the most challenging original and critically acclaimed thriller in years.
This Norman Wisdom Collection contains 12 vintage Wisdom comedies, from 1953's Trouble in Store to 1966's Press for Time. All are also released as six separate two-in-one sets. Please refer to our individual film reviews for each release: Trouble in Store/Up in the World The Square Peg/Follow a Star On the Beat/Man of the Moment The Bulldog Breed/One Good TurnA Stitch in Time/Just My Luck The Early Bird/Press for Time On the DVDs: The Norman Wisdom Collection has four brand-new audio commentaries from Norman Wisdom himself in conversation with film historian Robert Ross. The four films with commentary are: Trouble in Store (1953), On the Beat (1962), A Stitch in Time (1963) and The Early Bird (1965). All the discs come with a trailer and English subtitles as standard.
As World War II looms in Europe, an ambitious young English lawyer embarks on his turbulent career and even stormier love life. Set amidst the politically turbulent times surrounding World War II, this acclaimed 13-part BBC drama (adapted from C.P. Snow's novel) chronicles the impassioned life of young Englishman Lewis Eliot (Shaughan Seymour). In a world where truth and justice test the moral fibre of even the most solid of men, Eliot is the ambitious lawyer fighting the temptations that cou.
'Reds' tells the story of the love affair between early 20th century activists Loise Bryant and John Reed. Beatty's award winning epic mixes drama and interviews with major social radicals of the period. Set against the backdrop of the tumultuous start of the twentieth century the two journalists' on-again-off-again romance is punctuated by the outbreak of WWi and the Bolshevik Revolution. Louise's assignment in France at the outbreak of the war puts an end to their affair. John Reed's subsequent trip to Russia and his involvement with the communist party rekindles their relationship. When Louise arrives in Petrograd she finds herself swept up in the euphoria of the Revolution. Reed however eventually becomes disillusioned with communism when he sees his words and intentions augmented and controlled by the growing Soviet propaganda machine.
Skaka Zulu is the powerful true story of tribal Africa during the turbulent 19th century. This critically acclaimed mini-series follows the life of Shaka a powerful and mighty Zulu leader as he grows up to fulfil an ancient tribal prophecy uniting his people into a bold new nation. Shaka is driven by extraordinary intelligence courage astounding physical ability and an immortal stance leading his proud warriors on their quest to be one people one power one empire! ""Shaka
Having cornered the market on his signature brand of inspirational comedy, Tyler Perry makes a bid for action-movie supremacy with this grisly adaptation of author James Patterson's most popular character. Loosely based on the 12th novel in the series (2007's Cross), the plot follows the early days of the title character, a genius police detective/psychologist trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he and his team are forced to match wits with a psychotic contract killer (Matthew Fox), who displays a disturbing commitment towards seeing his job through. Director Rob Cohen (The Fast and the Furious, XXX) knows this turf well, delivering an effective mix of creeping thriller sequences and go-for-broke action scenes. Faced with the unenviable task of following in the footsteps of Morgan Freeman (who played the character in Kiss the Girls and Along Came a Spider), Perry does a credible job in portraying both the tender and vengeful aspects of his character, even if the script often falls into the trap of having other characters exclaiming how brilliant Cross is, rather than letting the viewers see the deductive process for themselves. Based on his first attempt, any future entries in the franchise appear to be in good hands. Ultimately, however, the other elements of Alex Cross pale in comparison to Fox, who goes all out--and then some--in giving the audience someone to hiss at. He's shorn down to what appears to be a negative body-fat ratio, and occasionally literally froths at the mouth--and his dedication to creating a villain for the ages quickly overpowers the material. Once this freaky beanpole starts chewing the scenery, you'll be glad that the filmmakers decided against shooting in 3-D. --Andrew Wright
Alferd Packer was the only man in the United States ever convicted of cannibalism--what better hero for fellow Coloradan and future South Park creator Trey Parker to celebrate in music? Blue-eyed and boyish Parker was still in college when he wrote, directed, composed the songs for and took the starring role as the innocent young Packer in this film, giving a gee-whiz performance as an ambitious pioneer who joins an ill-fated trek west that ends up stranded in the mountains. At times resembling a perverse community theatre parody of Rodgers and Hammerstein ("My heart's as full as a baked po-ta-to!"), Parker bounces back and forth between cheery production numbers and goony songs ("Let's build a snowman", sings one starving-mad hiker) and grotesque gore (bloody body parts, festering sores, human hors d'oeuvres). It lacks in style and consistency and the juvenile gags and fart jokes wear thin over the course of a feature film, but Parker's sheer energy and inventiveness carry the overlong picture to a rousing conclusion. Regular Parker collaborators Matt Stone and Dian Bachar co-star in this tuneful barbecue. --Sean Axmaker
The BBC's answer to the glossy soaps of 1980s America came with - a then - massive 1 000 000 budget and one of the catchiest theme tunes this side of Black Beauty (courtesy of Eastenders tune-smith Simon May)! Maurice Colborne (Gangsters) stars as Tom Howard recently made redundant as an aircraft designer who decides to ply his trade in the world of boats instead; taking the reigns at a run-down local construction yard. A family of considerable wealth and pre
Sir John Menier plays a juror in a murder trial of a young woman who is found next to the corpse and is suffering from amnesia due to shock. Sir John and the rest of the jury find her guilty and she is given the death penalty. Sir John has second thoughts and starts to suspect her boyfriend and begins an investigation of his own. In a race against time can he save the girl?
Knight Rider: a shadowy flight into the dangerous world of a man who does not exist. Michael Knight a young loner on a crusade to champion the cause of the innocent the helpless the powerless in a world of criminals who operate above the law... Featuring all 24 episodes from the explosive second season! Episodes comprise: 1. Goliath (1) 2. Goliath (2) 3. Brother's Keeper 4. Merchants of Death 5. Blind Spot 6. Return to Cadiz 7. K.I.T.T. the Cat 8. Custom K.
Having cornered the market on his signature brand of inspirational comedy, Tyler Perry makes a bid for action-movie supremacy with this grisly adaptation of author James Patterson's most popular character. Loosely based on the 12th novel in the series (2007's Cross), the plot follows the early days of the title character, a genius police detective/psychologist trying to clean up the mean streets of Detroit while keeping his family out of the line of fire. As he mulls over accepting a job with the FBI, he and his team are forced to match wits with a psychotic contract killer (Matthew Fox), who displays a disturbing commitment towards seeing his job through. Director Rob Cohen (The Fast and the Furious, XXX) knows this turf well, delivering an effective mix of creeping thriller sequences and go-for-broke action scenes. Faced with the unenviable task of following in the footsteps of Morgan Freeman (who played the character in Kiss the Girls and Along Came a Spider), Perry does a credible job in portraying both the tender and vengeful aspects of his character, even if the script often falls into the trap of having other characters exclaiming how brilliant Cross is, rather than letting the viewers see the deductive process for themselves. Based on his first attempt, any future entries in the franchise appear to be in good hands. Ultimately, however, the other elements of Alex Cross pale in comparison to Fox, who goes all out--and then some--in giving the audience someone to hiss at. He's shorn down to what appears to be a negative body-fat ratio, and occasionally literally froths at the mouth--and his dedication to creating a villain for the ages quickly overpowers the material. Once this freaky beanpole starts chewing the scenery, you'll be glad that the filmmakers decided against shooting in 3-D. --Andrew Wright
Elvis in his last scripted screen role plays a hip young doctor who sets up a clinic in the inner-city slums of New York. Three nuns forsake their habits to join forces with the doctor and help him out in his clinic full of abused children and stubborn parents. One of the nurses (Mary Tyler Moore) falls in love with the guitar-playing doctor and has to decide whether to stay with him or go back to the church.
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