Pecker (1998): Pecker, a sandwich shop clerk, takes photos of his rather odd family and friends and nobody thinks anything of them until one day a New York art dealer discovers his work and makes him famous. Is this what Pecker really wants? Another quirky entry from cult director John Waters. Hairspray (1987): It's 1962 and Tracy Turnblad has the largest bouffant on the block. She also has all the right moves to be on the local dance show and win the crown of Miss Auto Show, a...
Evil Never Sleeps. He's a sleepwalker in a deadly dreamland a murder witness turned suspect a man without an alibi. Stephen Baldwin (The Usual Suspects) is brilliant marketing executive Desmond Caine a tortured soul stricken with bizarre insomnia that keeps him walking the city's dangerous streets at all hours of the night. During one of his hallucinogenic journeys he witnesses a brutal murder. Upon finding the victim's watch he goes to the police and quickly becomes the main suspect in a twisted tale of cruel corruption big money and cold-blooded killing. How can you stop the nightmare when you're already awake?
It must be stressed that despite the fact that it was produced in 1973 and stars both Christopher Lee and Britt Ekland, The Wicker Man is not a Hammer Horror film. There is no blood, very little gore and the titular Wicker Man is not a monster made out of sticks that runs around killing people by weaving them into raffia work. Edward Woodward plays Sergeant Howie, a virginal, Christian policeman sent from the Scottish mainland to investigate the disappearance of young girl on the remote island of Summer Isle. The intelligent script by Anthony Schaffer, who also wrote the detective mystery Sleuth (a film with which The Wicker Man shares many traits), derives its horror from the increasing isolation, confusion and humiliation experienced by the naïve Howie as he encounters the island community's hostility and sexual pagan rituals, manifested most immediately in the enthusiastic advances of local landlord's daughter Willow (Britt Ekland). Howie's intriguing search, made all the more authentic by the film's atmospheric locations and folkish soundtrack, gradually takes us deeper and deeper into the bizarre pagan community living under the guidance of the charming Laird of Summer Isle (Lee, minus fangs) as the film builds to a terrifying climax with a twist to rival that of The Sixth Sense or Fight Club. --Paul Philpott
Some men are born with a gift; some are born to discover it... A baseball scout for the Californian Angels travels America for new talent only to find that the new team owner has decided to do away with his job!
Decorated Lieutenant and Navy SEAL John Kennedy Brascoe is a broken man having been stripped of his position within the mighty US military machine. While operating undercover during a botched mission for the CIA his partner Cody has named him as a traitor and thief. Thrown out of the military and faced with the insurmountable medical fees for the care of his sick young son John is reunited with an ex-navy SEAL buddy Sparks (Michael Madsen). Together they embark on the mission of a lifetime: to penetrate the fortress home of a multi-billionaire.
When his free-spirited brother proposes to a woman hes known less than 24 hours marriage-phobic Charlie Porter tries anything to avoid popping the question to his girlfriend of two years. Starring Jason Winston George A.J. Buckley Ed Kerr and Ian Gomez.
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
A profile on reggae artist Peter Tosh who died in 1987. This tragic documentary tells the tale of the all too short life of one of the greatest country men in the world Peter Tosh. Told through interviews with his mother father and friends it charts the meteoric rise to fame of Peter from The Wailing Wailer to The Wailers his disillusionment with Bob Marley and the pro Christian stance that Marley took in his music to his solo career and his fights with various record labels.
When ""El Presidente"" of the Jolly Boys Spider (Serkis) gets engaged his oldest friend confirmed bachelor and appointed best man Des (Twomey) sees the end of the legendary drinking club. Des decides to film the run up to the wedding as a gift to the betrothed - hoping the on-screen carnage will de-rail the marriage. Instead he learns about true love and friendship - but maybe too late to repair the damage he's done! His wedding video is the Jolly Boys Last Stand from proposal to
This terrific box set features a profusion of Peter Cushing-led horror films. The Abominable Snowman (Dir. Val Guest 1957): The final film collaboration between director Val Guest and writer Nigel Kneale. Starring Forrest Tucker and Peter Cushing The Abominable Snowman tells of an expedition to the Himalayas to track down the mythical Yeti. A wonderfully atmospheric chiller from the heyday of the Hammer Studios. Island of Terror (Dir. Terence Fisher 1966): When oh when will scientists learn to stop playing with radiation? Island of Terror takes place on a remote island off the coast of Ireland. No phones no regular transport to and from the mainland but there is a well-equipped cancer research center where the well intentioned - but foolish! - scientists are irradiating lumps of tissue. The local constable finds a body with no bones in it ('No bones?' 'No bones!') and soon a team from London led by the ever-game Peter Cushing arrives to investigate. Let's hope that darned generator doesn't give out... Island of Terror isn't going to keep you awake at night but it is a lot of silly fun. Be warned though - whatever the evil menace is it can climb trees! The Blood Beast Terror (Dir. Vernon Sewell 1968): A Victorian English entomologist whose daughter happens to be a giant moth moves with her to a quiet village where he can begin work on an insect mate for her. His family problems worsen when his winged daughter starts killing people and drinking their blood. Frankenstein and the Monster from Hell (Dir. Terence Fisher 1974): Doctor Helder (Briant) is sent to an asylum for experimenting on cadavers. There he is rescued by Doctor Carl Victor (Cushing) the original Doctor Frankenstein now living under a new identity who learns that a new monster is set to walk the earth...
Cinema Legends - James Cagney In Great Guy, Quantum Leap
A New York nightclub singer plans to reveal gangsters named in her private diary. However the diary disappears and the singer is murdered. Charlie Chan is called into to investigate and finds himself in an underworld inhabited by gangsters blackmailers and murderers.
This box set features the following films: A History of Violence (Dir. David Cronenberg) (2005): Tom Stall is a loving family man and a well respected citizen of a small Indiana town. But when two savage criminals show up at his diner Tom is forced to take action and thwart the robbery attempt. Suddenly heralded as a hero who took the courage to stand up to crime people look up to Tom as a man of high moral regard. But all that media attention has the likes of mobsters showing up at his doorstep charging that Tom is someone else they've been looking for. Is it a case of mistaken identity or does Tom have a history of violence that no one knows about? American History X (Dir. Tony Kaye) (1998): Derek Vinyard (Edward Norton) the charismatic leader of a group of young white supremacists lands in prison for a brutal hate-driven murder. Upon his release ashamed of his past and pledging to reform Derek realises he must save his younger brother Danny (Edward Furlong) from a similar fate. Running Scared (Dir. Wayne Kramer) (2006): Joey Gazelle (Paul Walker) is a low-level mafia thug who finds himself in the middle of a drug-deal gone wrong in which a hail of gunfire and some dead undercover cops are the net results. Fleeing from the scene Joey is charged with dispensing one of the steel revolvers used to kill the cops. Instead he stashes the gun in his own basement just in case he ever needs insurance against his own gang. Unfortunately Joey's 10-year old son Nicky (Alex Neuberger) and his best friend Oleg (Cameron Bright) see where the weapon is hidden. Oleg whose Russian mob-connected step-father is physically abusive towards him and his mother steals the gun to exact revenge. This forces Joey to embark on a nightmarish 18 hour journey to locate Oleg and the gun before his own gang the Russian mafia or bad cop Detective Rydell (Chazz Palminteri) finds them or the true link between the gun and the crimes....
A band of ruthless outlaws try to force out the townsfolk in a small community after gold is discovered there. But one brave man stands in their way in this tense film one of John Wayne's best early works...
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn't enough, and the film was banned in New York State for being "immoral, indecent and corrupt". Not that this did its box-office returns any harm at all. On the DVD: sparse pickings. There's an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it's repetitive and not always reliable. (He gets actors' names wrong, for a start.) The box claims the print's been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
Mr And Mrs Smith (Dir. Doug Liman 2005): Starring Brad Pitt and Angelina Jolie as the eponymous Mr. & Mrs. Smith in one of 2005's most entertaining and explosive blockbusters. After five (or six) years of vanilla-wedded bliss ordinary suburbanites John and Jane Smith (Pitt and Jolie) are stuck in a rut the size of the Grand Canyon - until the truth comes out! Unbeknownst to each other they are both lethal highly paid assassins working for rival organizations. When they discover they're each other's next target their secret lives collide in a spicy explosive mix of wicked comedy pent-up passion nonstop action and high-tech weaponry that gives an all-new meaning to ""Till death do us part!"" Fight Club (Dir. David Fincher 1999): First Rule: You do not talk about Fight Club. Second Rule: You do not talk about Fight Club. Third Rule: When someone says ""Stop"" or goes limp the fight is over. Fourth Rule: Only two guys to a fight. Fifth Rule: One fight at a time. Sixth Rule: No shirts no shoes. Seventh Rule: Fights go on as long as they have to. Eighth Rule: If this is your first night at Fight Club you have to fight... Jack (Edward Norton) is a chronic insomniac desperate to escape his excruciatingly boring life. That's when he meets Tyler Durden (Brad Pitt) a charismatic soap salesman with a twisted philosophy. Tyler believes self-improvement is for the weak; it's self-destruction that really makes life worth living. Before long Jack and Tyler are beating each other to a pulp in a bar parking lot a cathartic slugfest that delivers joys of physical violence. Jack and Tyler form a secret Fight Club that becomes wildly successful. But there's a shocking surprise waiting for Jack that will change everything... Pitt and Norton deliver knockout performances in this stunningly original darkly comic film from David Fincher based on the controversial book by Chuck Palahniuk.
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
Bullets Or Ballots: After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. ""Buggs"" Fenner thinks Blake is a police agent. San Quentin: Do the crime do the time. But what happens during the long years spent behind the walls of San Quentin? The penitentiary's new yard captain wants to make those years a time of rehabilitation rather than punishment. But not everyone's buying it. Humphrey Bogart portrays Red continuing his climb to stardom in this brisk film that's one of a string of Depression-era works combining gangster-movie elements with a Big House setting. Studio mainstay Pat O'Brien plays Steve Jameson whose carrot-and-stick reforms begin to change Red's thinking. An inmates' strike and a scripture-quoting con who swipes a rifle are among the troubles Jameson faces- and Red is another as he reverts to his old ways and makes a violent break for freedom. A Slight Case Of Murder: A breakneck-paced comedy starring Edward G. Robinson as a tough but good-hearted bootlegger. When Prohibition is repealed Robinson faces a financial crisis: His beer tastes so awful that no one wants to drink it legally. As an additional headache Robinson is under scrutiny from the Law which is waiting to slip the cuffs on him for the slightest infraction. He arrives at his rented Saratoga mansion with his wife (Ruth Donnelly) daughter (Jane Bryan) and adopted son (Bobby Jordan) only to discover that a killer has left four corpses in his bedroom. Robinson and his stooges are forced to hide the bodies before his future son-in-law (Willard Parker) who happens to be a cop tumbles to the dilemma. Based on a stage play by Howard Lindsay and Damon Runyon.
Volume 3 of Angela Anaconda following eight-year-old Angela through life as she plots revenge against her archenemy Nanette Manoir a smug blonde with an annoying habit of sprinkling her conversation with French. Nanette always finds a deserving fate when Angela's active imagination invents one of her outlandish daydreams in this 2-dimensional cut-and-paste style animated series filled with cheeky characters and clever storylines.
The legend of Bruce Lee lives on in 'Dragon The Master'. Dragon Sek steps into the Master's shoes in this martial arts extravaganza as he takes on all corners to prove that Jeet Kune Do 'The Way of the Intercepting Fist' reigns supremem above all other fighting styles. The legend of the dragon lives on forever...
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