After years of enduring Roger Moore in the role of James Bond, it was good to have Sean Connery back in 1983 for Never Say Never Again, a one-time-only trip down 007's memory lane. Connery's Bond, a bit of a dinosaur in the British secret service at (then) 52, is still in demand during times of crisis. Sadly, the film is not very good. In this rehash of Thunderball, Bond is pitted against a worthy underwater villain (Klaus Maria Brandauer); and while the requisite Bond Girls include beauties Kim Basinger and Barbara Carrera, they can't save the movie. The script has several truly dumb passages, among them a (gasp) video-game duel between 007 and his nemesis that now looks utterly anachronistic. For Connery fans, however, this widescreen print of the Irvin Kershner (The Empire Strikes Back) film is a chance to say a final goodbye to a perfect marriage of actor and character. --Tom Keogh
Hilarity reigns in the motion picture comedy-adventure that takes you waaay back to the beginning before Simba's tale began... and beyond! From their uniquely hysterical perspective, Timon and his windy pal Pumbaa - the greatest unsung heroes of the Savannah!-reveal where they came from, how they helped Simba save the Serengeti and what really happened behind the scenes of The Lion King's biggest events.This essential chapter of The Lion King trilogy features the original all-star voice cast as your favourite characters and music by Elton John and Tim Rice. You will feel the love for every outrageously funny moment!
It's more of the same for Larry David's sitcom from HBO, and for fans, that's a good thing. The show--largely extemporized--follows suit of David's former series, Seinfeld: it's a show about nothing, just the everyday life of the star going about his pseudo-real world. But David's show has far more edge (thanks, in part, to airing on cable TV) with all the bad luck, embarrassing situations, and dreadful behavior as its premiere season. The closest thing to an arc is David's season-long pitch to the networks for a new show starring former Seinfeld stars Jason Alexander and Julia-Louis Dreyfus. Each network is lampooned, especially HBO, which David has a bad history with in this alternate world. Sure to repel those with soft funny bones, Curb's acerbic comedy allows jokes where David is accidentally framed--if ever so briefly--as a child molester, wife abuser, or murderer. But for those who do love his shtick, there are big laughs, especially when we bump into characters as unbridled as David, like a fellow writer who is quite protective of his dad's invention, the Cobb salad. Many comic actors pop up, some as "themselves" (Richard Lewis, Rob Reiner) and others as characters (Rita Wilson, Ed Asner) along with the delights of co-stars Cheryl Hines as David's wife and his affable manger, Jeff Garlin. There are several touchstone bits: what a thong brief can do to a relationship, a run-in with pro wrestler, Larry's first baptism, and one very collectible doll. To pick one episode to capture this second season--and its grandstanding nature--it would be "Shaq," in which the NBA star is accidentally tripped, changing David's usual bad luck with gut-busting results. --Doug Thomas
Written by Sydney Boehm (The Big Heat) and directed by Hugo Fregonese (Man in the Attic), Black Tuesday is an explosive crime drama starring one of Hollywood's most beloved tough guys: Edward G. Robinson, the star of Little Caesar, The Last Gangster, I Am the Law and Key Largo. Vincent Canelli (Robinson) is a violent mobster serving time on Death Row but he has no intention of going to the electric chair. Following a plan put together by his moll, Hatti (Jean Parker, Dead Man's Eyes), Canelli orchestrates a jailbreak on the night before his execution and takes several hostages in the process. Canelli is joined by fellow Death Row inmate Peter Manning (Peter Graves, Stalag 17), and hopes to discover the location of a stash of stolen loot Manning hid away before his conviction. But is Manning willing to pay the price for freedom and look the other way as the psychopathic Canelli revels in murder and mayhem? While the Hollywood gangster movie was at the height of its success in the early 1930s, it resurged in the 1940s and into the next decade as crime pictures found a new popularity in the post-war period. Standing tall alongside Key Largo, White Heat and Kiss Tomorrow Goodbye, Black Tuesday is one of the finest gangster films to emerge from this later cycle as old-fashioned wiseguys met with film noir sensibilities. The Masters of Cinema series is proud to present this key crime picture of the 1950s on Blu-ray for the first time in the UK from an astonishing new restoration.LIMITED EDITION SPECIAL FEATURES: Limited edition of 2000 copies | Limited edition O-Card slipcase featuring new artwork by Scott Saslow | 1080p HD presentation on Blu-ray from a 2K scan of the 35mm fine grains | Optional English subtitles | A brand new audio commentary with film noir expert Sergio Angelini, host of the Tipping My Fedora podcast | From Argentina to Hollywood a brand new interview with film historian Sheldon Hall on director Hugo Fregonese | No Escape A brand new video essay by Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City | Brand new video interview with critic and codirector of Il Cinema Ritrovato Ehsan Khoshbakht |Theatrical trailer | PLUS: A collector's booklet featuring new writing on Black Tuesday by critic Barry Forshaw and film writer Craig Ian Mann
An ex FBI agent (Edward Norton) reluctantly comes out of retirement and turns to the imprisoned Hannibal Lector (Anthony Hopkins) for help in tracking down another serial killer.
Clever twists and a bona fide surprise ending make Primal Fear an above-average courtroom thriller. Tapping into the post-O J scrutiny of the American legal system in the case of a hotshot Chicago defence attorney (Richard Gere) whose latest client is an altar boy (Edward Norton) accused of murdering a Catholic archbishop. The film uses its own manipulation to tell a story about manipulation and when we finally discover who's been pulling the strings, the payoff is both convincing and pertinent to the ongoing debate over what constitutes truth in the American system of justice. Making an impressive screen debut that has since led to a stellar career, Norton gives a performance that rides on a razor's edge of schizophrenic pathology--his role is an actor's showcase and without crossing over the line of credibility, Norton milks it for all it's worth. Gere is equally effective in a role that capitalises on his shifty screen persona and Laura Linney and Frances McDormand give memorable performances in their intelligently written supporting roles. --Jeff Shannon, Amazon.com
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
An all-star dramatization of the Japanese attack on the island of Midway in 1942, which saw US forces finally wresting control of the waves and staving off the threat of its West Coast being invaded. Henry Fonda heads the cast as Pacific Fleet Commander Chester W. Nimitz.
Angela Lansbury stars as supersleuth Miss Marple who sets about solving a mysterious death in the archetypal English village of St. Mary Mead. It features an all star cast including Tony Curtis, Rock Hudson and Elizabeth Taylor. EXTRAS: Interview with writer Barry Sandler Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Storyboard gallery
Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down.
Based on Thomas Harris's novel, Jonathan Demme's terrifying adaptation of Silence of the Lambs contains only a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr Hannibal Lecter; Jodie Foster is equally memorable as the vulnerable FBI agent-in-training Clarice Starling. --Tom Keogh Hannibal is set 10 years after Silence of the Lambs, as Dr Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore replaces Jodie Foster), on the other hand, hasn't had it so good. The film is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible. When they do connect it's quite thrilling but it's unfortunately too little too late. --Mark Englehart Anthony Hopkins returns as Hannibal Lecter in Red Dragon, a prequel to The Silence of the Lambs and a remake of 1986's Manhunter, Michael Mann's fine film of Thomas Harris's terrific book, in which Brian Cox carved the ham thinner as a more menacing, less hokey cannibal. This film beefs up Lecter's role, as FBI agent Will Graham (Edward Norton) consults Lecter on the Tooth Fairy case, which means some pointed and familiar conversations, and the film then shifts focus from the investigation to the life and troubles of the mad and murderous but also abused and sympathetic Francis Dolarhyde (Ralph Fiennes, with a major tattoo and a harelip). It's hard not to compare the current cast with Mann's excellent players. Still, Red Dragon is a solid film of great material, with all the sudden shocks and disturbing whispers in places. --Kim Newman
A policeman is shot dead and two South London boys stand accused of his murder. The verdict and the sentence passed the crime. Both the verdict and the sentence were subsequently quashed. This is the case that shocked the nation.
Cape Fear (1991): The film stars Oscar winner Robert De Niro (Casino Heat) as Max Cady a psychopath who has recently been released from prison. He is out seeking revenge on his lawyer Sam Bowden played by Nick Nolte (48 Hours Thin Red Line) who he believes deliberately withheld information about his case at trial which could have kept him out of jail. He embarks on a mission to terrorise Bowden his wife played by Oscar-winner Jessica Lange (Blue Sky Rob Roy) and their 15 year old daughter played by Juliette Lewis (Natural Born Killers). A remake of the 1962 classic film this has guest appearances from the stars of the original film Robert Mitchum and Gregory Peck. The film is directed by one of the leading filmmakers of his generation Oscar-nominated Martin Scorcese. Cape Fear (1962): The original version of this masterpiece of psychological terror and revenge stars Oscar-winner Gregory Peck (To Kill a Mocking Bird Moby Dick) in the role of Sam Bowden and Robert Mitchum (The Big Sleep The Last Tycoon) as psychotic killer Max Cady. The film also stars Polly Bergen (Cry Baby Move Over Darling) and was directed by highly acclaimed British director J. Lee Thompson (The Guns of Navarone MacKennas Gold).
This compelling drama by Michael Powell and Emeric Pressburger (A Matter of Life and Death The Red Shoes) is now acknowledged as one of their finest films. Their re-working of Chaucer's epic fourteenth century tale largely set in wartime Kent centres on American army Sergeant John Smith British Soldier Dennis Price and Landgirl Shiela Sim who before making a modern-day pilgrimage to Canterbury solve the bizarre mystery of a man who pours glue over the hair of village girls at ni
A year after the explosive events of last season, England finds itself embroiled in a devastating civil war, with the powerful, neo-fascist Raven Union, led by Lord Harwood (Jason Flemyng) threatening to control the entire country. North London remains one of the few resistance holdouts remaining. It's here in the West End Neutral Zone, that we find Alfred Pennyworth (Jack Bannon). After years in the British Army, his training with the SAS has taught him to be a cynical optimist - expecting the worst, but knowing that he can handle it. Now running The Delaney, a black-market Soho club that welcomes everyone, regardless of their politics, Alfred, with his SAS mates, Bazza (Hainsley Lloyd Bennett) and Daveboy (Ryan Fletcher), is now in search of a way out... before London, and his country, burns itself to the ground. And he's got his eye on America.
Set against the surreal and fantastic Carnival in Spain this film tells the story of an older man's obsession for a woman who is desired by all but can belong to no one. Told through a series of flashbacks The Devil Is A Woman deals with frustration lost romance and desire.
The town of Ludlow is in for some new grave surprises... Sometimes dead is better. But the shocking terror that plagued Ludlow Maine in Pet Sematary is still very much alive in this heartstopping sequel to the 1989 hit film written by Stephen King. After the death of his wife veterinarian Chase Matthews (Anthony Edwards TVs ""ER"") and his 13-year-old son Jeff (Edward Furlong Terminator 2: Judgment Day) move to Ludlow to rebuild their lives. Antagonized by the neighborhood k
Academy Award® nominee° Edward Norton stars as scientist Bruce Banner, a man who has been living in shadows, scouring the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with his most formidable foe: the Abomination a nightmarish beast of pure aggression whose powers match the Hulk's own! Bonus Features Comic Book Gallery Thunderbolt Files Animated Comic Picture In Picture Alternate Opening The Making Of Incredible Becoming The Hulk Becoming The Abomination Anatomy Of A Hulk Out Scene Explorer Deleted Scenes Feature Commentary with Director Louis Leterrier And Tim Roth
A Land Fit for Heroes and Idiots. Ex-Sergeant Jack Ford returns home to Gallowshields on Tyneside after the end of World War One. It is time of economic depression and Jack finds his home town gripped by decline and unemployment. Jack soon falls in with the Seaton family and is determined to make his mark on the world. Originally broadcast on BBC in 1976 this double DVD release of When The Boat Comes In contains the first five episodes from the fondly remembered drama series.
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