At the crumbling stately home of Hazelwood Manor life for its few remaining downstairs staff is about to take a dramatic leap upstairs when their small syndicate beats the unlikely odds and wins the lottery. Overlooking the seaside town of Scarborough the once impressive manor has been in the family of Lord Hazelwood (Anthony Andrews Brideshead Revisited) since his ancestors built it in the 18th century. There used to be more than thirty staff at the house but now with a mounting debt of £6.5 million and counting there are just five remaining since Lord and Lady Hazelwood (Alice Krige Thor: The Dark World) were forced to let the others go. Gardener and math enthusiast Godfrey (Lenny Henry Othello Harry Potter and the Prisoner of Azkaban) housekeeper Sarah (Cara Theobold Downton Abbey) cleaner Dawn (Elizabeth Berrington Mr. Turner) cook Julie (Melanie Hill Stardust) and gamekeeper-cum-groomsman Sean (Richard Rankin The Crimson Field) all have to pitch in and do more than one job just to keep the household running smoothly. Now Lord Hazelwood’s health is failing and the second Lady Hazelwood and her son Spencer (Sam Phillips In The Flesh) - who have grown a little too accustomed to their lives of grandeur - are more concerned with maintaining their lifestyle than sorting out the estate’s disastrous finances. With the future of Hazelwood in question and their jobs on the line the unthinkable happens - the staff wins the lottery! This touching drama from BAFTA award-winning writer Kay Mellor follows the highs and lows of their journey from downstairs to upstairs… There are now 14.5 million reasons why the lives and loves of the staff of Hazelwood Manor are about to change beyond recognition - but will the dream of instant riches be different from the reality?
Two kilograms of heroin are at the center of this intense action-drama. Ray Hicks smuggles the drugs into the country but now ruthless thieves want to take it from him. With the crooks in hot pursuit and his best friend's wife in tow Ray goes on the run leading to an amazing showdown between both sides that will knock you out...
In its fourth season, Buffy the Vampire Slayer had to change its formula radically. Two major characters--the vampire-with-a-soul Angel and Cordelia, the queen bitch of Sunnydale High--had gone off to be in their own show, Angel, and soon after the start of the season Willow's werewolf boyfriend Oz left when Seth Green needed to concentrate on his film career. Buffy and Willow started college, where they met new characters like Riley, the All-American Boy with a double life, and Tara, the sweet stuttering witch; but Xander and Giles found themselves at something of a loose end. Several characters were subjected to the radical re-envisioning possible in a show that deals with the supernatural: the blond vampire Spike came back and soon found himself with an inhibitor chip in his head, forced into reluctant alliance with Buffy; the former vengeance demon Anya became passionately smitten with Xander. Not all fans were happy with the central story arc about the sinister Dr Walsh (Lindsay Crouse) and her Frankensteinian creation Adam, though Crouse's performance was memorable. The strength of Season Four was perhaps most in impressive stand-alone episodes like the silent "Hush", the multiple dream sequence "Restless" and the passionate, moving "New Moon Rising", in which Oz returns, apparently cured, only to find that Willow is no longer waiting for him. This was one of the high points of the show as a vehicle for intense acting, perhaps only equalled by "Who Are You?", in which the evil slayer Faith takes over Buffy's body and Sarah Michelle Gellar gets to play bad girl for once. --Roz KaveneyOn the DVD: Buffy Season 4 was a hit and so is this sublime box set. The commentaries for "The Initiative", "This Year'sGirl", "Superstar" and "Primaveral" are all well above average, but are nothing compared to "Hush" and "Restless" where Joss Whedon gives out all the information and insights any fan would dream of. The four featurettes included are a pleasure to watch, especially the evolution of the sets for the show. The scripts, trailers and cast biographies complete the set and make for a decent addition to your Buffy archive. The soundtrack is in 2.0 Dolby surround, but the image is as grainy and dark as the previous seasons on DVD. --Celine Martig
Birmingham biker Nick (Neil Morrissey) thinks he's got a bargain when he buys a second-hand motorcycle at a knock-down price. The only problem is that the machine won't start in the hours of daylight. Nick's suspicions begin to mount when his best friend is murdered. Could he be the owner of a monstrous vampire motorbike which stalks the streets at night, feasting upon Hell's Angels, streetwalkers and traffic wardens? Understandably alarmed, Nick decides to call in Inspector Cleaver (Michael Elphick) and a priest (Anthony Daniels) in order to exorcise the two-wheeled beast from hell...
This time New York cop John McClane (Willis) is the personal target of the mysterious Simon (Jeremy Irons) a terrorist determined to blow up the entire city if he doesn't get what he wants. Accompanied by an unwilling civilian partner (Samuel L. Jackson) McClane careens wildly from one end of New York City to the other as he struggles to keep up with Simon's deadly game. It's a battle of wits between a psychopathic genius and a heroic cop who once again finds himself having a real
In the opening scene of Hamlet, Laurence Olivier describes the play in a voice-over as "the tragedy of a man who couldn't make up his mind". But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. The contradictions and ambiguities of the title character, who prowls cavernous sets filled with vast, ancient corridors and winding staircases, emerge as if from a dream. The plethora of tracking shots--precise enough to impress Stanley Kubrick--encircle Olivier and his tightly constructed geometry of demise. Drawing on his experience playing the Prince on stage at Elsinore in 1937, the legendary thesp provides the film with the patina of greatness and shows how the constitution of the formerly cheerful Prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's o'er-hasty marriage to uncle Claudius (Basil Sydney). Indeed, if emotions could possess ghosts, Olivier's Hamlet shows how they would manifest themselves. There is even a dollop of Freud, suggesting that Queen Gertrude (Eileen Herlie) has perhaps loved her offspring too closely--thus providing the fuel for Hamlet's actions. As Ophelia, Jeans Simmons captures the character's early spirit better than her gradual disintegration (Helena Bonham Carter fares better in Franco Zeffirelli's fine 1990 remake). Purists may bemoan the loss of Fortinbras, Rosencrantz and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. His monologues, many held in secret enclaves, glow with the dramatic markedness of a Dostoevski novel, with all of the master's irony, allusions and witticisms in place. The winner of four Oscars (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall
From the poverty and despair of a small industrial town one man with a dream forms a boxing club to give troubled teenagers self-respect and a fighting chance. But amidst the triumph of the biggest tournament of their lives tragedy strikes. The hard lesson learned is that anything is possible but only if you believe in yourself.
The complete fifth season of Buffy's vampire vanquishing adventures. Episodes comprise: 1. Buffy Vs. Dracula 2. Real Me 3. The Replacement 4. Out Of My Mind 5. No Place Like Home 6. Family 7. Fool For Love 8. Shadow 9. Listening To Fear 10. Into The Woods 11. Triangle 12. Checkpoint 13. Blood Ties 14. Crush 15. I Was Made To Love You 16. The Body 17. Forever 18. Intervention 19. Tough Love 20. Spiral 21. The Weight Of The World 22. The Gift
A single mother who gifts her son Andy a Buddi doll, unaware of its more sinister nature.
In this new take on the tragic love story, Jackson Maine (Bradley Cooper) is a seasoned musician who discovers - and falls in love with - struggling artist Ally (Lady Gaga). She has just about given up on her dream to make it big as a singer... until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jackson fights an ongoing battle with his own internal demons.
A drama with heart and energy that follows the hopes and dreams of a tight-knit group of young dance students as they try to make a name for themselves and become stars in the fiercely competitive world of professional dance.
A Star is Born, stars four-time Oscar nominee Bradley Cooper ( American Sniper, American Hustle, Silver Linings Playbook ) and multiple award-winning, Oscar-nominated music superstar Lady Gaga, in her first leading role in a major motion picture. Cooper helms the film, marking his directorial debut. In this new take on the tragic love story, he plays seasoned musician Jackson Maine, who discovers-and falls in love with-struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer... until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
Infernal Affairs (2002): A mole in the police force. An undercover cop inside the criminal organisation. The objective is the same: each must discover the other before their own position is exposed. Who will succeed and who will pay the ultimate price for their failure? A gripping police Hong Kong police thriller starring Andy Lau and Tony Leung the super-stylish Infernal Affairs was the biggest grossing Hong Kong film of 2002 and has even seen the Hollywood re
One of the BBC's flagship dramas Casualty depicts the lives of the patients doctors nurses and paramedics attending the frantically busy accident and emergency department of Holby General Hospital. Now approaching its twentieth year on television this is where it all started: the hard-hitting storylines; the accurate portrayal of life in the casualty department; and that theme tune. At a time when medical dramas produced in the UK were thin-on-the ground this was
Strauss: Elektra (Levine Metropolitan Opera Orchestra)
Set in the Second World War when Nazi Germany occupied Italy. This film deals with the Vatican's involvement in the entire movement during the occupation of Rome.
German World War II plot to capture Winston Churchill, based on Jack Higgins' best-selling novel. Colonel Radl discovers that Churchill is planning to spend a couple of days in an almost-deserted village in Norfolk. Radl is convinced an attempt to kidnap him should be made and enlists the help of Colonel Steiner, who is under suspended sentence of death, and Liam Devlin, an Irishman. A crack force of German paratroopers lands safely in England, poised and ready for the kidnap. All appears to be going smoothly until an unforeseeable incident exposes the Germans, but the kidnap plan continues and Steiner, his finger on the trigger of his luger, approaches the unmistakable figure of Churchill. The star-studded cast includes Michael Caine, Donald Sutherland, Robert Duvall, Jenny Agutter, Donald Pleasence, Anthony Quayle, Jean Marsh and Judy Geeson.
The entire first and second series of the cult TV show. In the first series a group of builders from England go over to Germany to work on a site by day and do their bit for European harmony and understanding by night. The episodes are: 'If I Were a Carpenter' 'Who Won the War Anyway?' 'The Girls They Left Behind' 'Suspicion' 'Home Thoughts From Abroad' 'The Accused' 'Private Lives' 'The Fugitive' 'The Alien' 'The Last Rites' 'The Lovers' 'Love and Other Four Letter Words'
Please wait. Loading...
This site uses cookies.
More details in our privacy policy